French films are shit. Porquoi?

Yes, Varda is a charmer.

Loved loved Beaches of Agnes! Where else will we able to see contributions from Harrison Ford and Chris Marker in the same film?

Star Wars VII: The Empire without a Cat

on offer at this year's london film fest:

http://www.bfi.org.uk/lff/films/french_revolutions

I need to see this:
http://www.bfi.org.uk/lff/films/french_revolutions/408

god i hate this thread title

pork oi

New Bruno Dumont! Can't hang around till late tho' :-(

Daniel, I saw J'ai toujours reve d'etre un gangster yesterday, and thoroughly enjoyed it. It sagged a bit in the middle but there are lots of laughs to be had.

Lucky you being in Porto, by the way. I love that city.

The Barbican is doing a short Directorspective on Jacques Tati in Decemeber: http://www.barbican.org.uk/film/series.asp?ID=789

SHIT i will not be in town for playtime

SHIT

which town? NYC MoMA is showing it at year-end too:

http://www.moma.org/visit/calendar/films/1023

I won't be in London for that one either :(

I'm gonna be in Bore-deaux so I will miss both of these ;_;

Unless the Cinema Jean Vigo is screening it! Playtime should be a Christmas tradition everywhere!

It's on in Glasgow this month as well.

Jean Eustache's shortish film The Pig on Sunday at the Lumiere. Go if I cannot.

aw :/
would love to see that

Is anyone with me that Port Of Shadows is >>>> Le Jour Se Leve??

Eustache's The Pig didn't make it to Glasgow, but tonight we had the New Yorker Films subtitled print of The Mother and the Whore, probably the very same print I last saw about ten years ago. In the intervening years I've watched an even mouldier print of Rivette's L'Amour Fou, and so this time round, I was struck by certain visual and thematic similarities between the two films - both are concerned with disintegrating love affairs, bad behaviour, jealousy, passion and all that messy stuff. The performances of Jean-Pierre Leaud, Francoise Lebrun and Bernadette Lafont - the three Ls! - are just devastating.

Tomorrow the GFT are showing Numero Uno, Eustache's first documentary feature, and then on Wednesday we get My Little Loves, the full colour fiction movie that Eustache made the year after The Mother and the Whore.

You gotta go on Wednesday.

What about Une Sale Histoire?

I'll be there!

Une Sale Histoire only played in Edinburgh, sadly.

These are all screening as part of a large French film festival that's touring the UK at the moment - the Eustache 'strand' consists of seven films in total (six of them UK premieres.) The other ones that didn't make it to Glasgow were Bad Company and Santa Claus has Blue Eyes.

last year's Cesar winner Seraphine is a digestible artist bio, esp for Yolande Moreau and the cinematography.

didn't think it was bad or anything but what's the big deal about 'the prophet'?

there seems to be this thing of anglo filmcrits unduly praising french directors that go against 'type', trascending the cold fuck outta the constraints of genre and, who'd have thought, beating the americans at their own game

heh for a certain generation of british critics, french people make much better americans than americans do

i dunno if this even did "transcend" genre! im not always against that as a concept, even. but in this case, we just have a quite detailed and mostly well-made prison/crime drama. it wasn't, in the way genre-transcenders typically do, "saying anything" about the human condition or what have you. was it? soem guy told me something about the meaning of the title before i saw it but i've forgotten what.

it means that you never can quite tell when you should pronounce the "t" at the ends of french words

did you see the movie?

Jacques Audiard - A Prophet

POLTERGAY
POLTERGAY
POLTERGAY

"saying anything" about the human condition or what have you

i think it was, specific to france, where the identities and slow integration of algerian/muslim/old school french communities is subject for debate.

POLTERGAY is the best film ever! And it is French! And has French Gay Ghosts from the Seventies!

otm

xpost

it's not a "transcend" genre, except maybe for the subtle use of surrealism, but it's a perfect version of the genre imo
Scorsese and Taramtino will probably never offer a new perfect crime movie again, and Audiard simply takes their place with this movie.
i think it's better than the flashy,pointless and now banal shots in Goodfellas for example,it is a much more authentic effort, thats all.

trailer for godard's new(last?) 'socialisme' worth seeing, with alain badiou reprising the karina role from pierrot le fou (maybe)

alain badiou reprising the karina role

if this is true, and godard has made a elderly gay man road movie (is belmondo even alive?), than that'd be something.

sea movie, aptly

saw Chereau's Persecution, excellent work from unkempt Gallic god Romain Duris at his most Brandoesque. He and C Gainsbourgh have a nice long fucking scene, and there's an offbeat gay stalker element.

Looks forward to Varda season at BFI

Maybe something like Les Creatures?

Will finally get to see Cleo from 5 to 7

anyone see 'Mic Macs' yet?? looks awesome

i really, really didn't like Mic Macs

Has anyone here seen Agnes Varda's "Mur Murs"? What did you think about it?

Might have to see that -- looking for the underrated ones like Lions Love.

I saw Duelle yesterday. Some laughed hilariously. Can anyone tell me about the references to other films? Only if it is not tedious.

Regarding the collaboration with Lubchansky and what little I've read about it, i'd say that visual splendor was a good thing for Rivette and that it is a good thing for this visual splendor to be separated from the auteur, but maybe this is only because I only have enough imagination to believe in the duality of mind and body, which no one believes anymore, but in a way that turns everything mechanistic and not into art, which can't be one and the same, right?

Plus live subtitles / translations, like at the United Nations.

Claude Chabrol RIP.

he was one of the greatest.

first Rhomer and now Chabrol -> Rivette and Godard - take care!

Oh no! One of my favorites. NO.

Have liked a few of his films, but never really understood claims on greatness.

siding with morbs on this one