The Lives of Others - (Das Leben der Anderen): Microphone? What microphone?

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i think part of it is that most brits and americans know jack shit about east germany and so this film functions as a de facto history lesson whether it likes it or not; it fails in this regard i think, but it's not fair to look at it only from that pov

Tracer Hand, Thursday, 19 June 2008 10:03 (fifteen years ago) link

my biggest complaint: no musical numbers

Tracer Hand, Thursday, 19 June 2008 10:12 (fifteen years ago) link

which is where "top secret" really pulls away from the pack

Tracer Hand, Thursday, 19 June 2008 10:13 (fifteen years ago) link

this movie really needed Omar Sharif.

Alfred, Lord Sotosyn, Thursday, 19 June 2008 11:46 (fifteen years ago) link

And Hildegard Knef.

James Redd and the Blecchs, Thursday, 19 June 2008 13:52 (fifteen years ago) link

most brits and americans know jack shit about east germany and so this film functions as a de facto history lesson

right, and I think it's especially cheeky to complain about the treatment of the protagonist here when like 2/3rds of the entire anglophone cinematic tradition is about those colorful rapey blood-soaked sociopaths who built our respective countries into what they are today, america esp. with all them westerns (also I finally watched gangs of ny lol)

El Tomboto, Thursday, 19 June 2008 16:55 (fifteen years ago) link

i complain about those too!

Tracer Hand, Thursday, 19 June 2008 17:07 (fifteen years ago) link

though the usual western trope is the exact reverse, right? the law-abiding man of peace who circumstances force to become a killer in order to protect his family/town/etc

Tracer Hand, Thursday, 19 June 2008 17:10 (fifteen years ago) link

"You are a good-looking boy. You have big, broad shoulders. But he is a man. And it takes more than big, broad shoulders to make a man."

James Redd and the Blecchs, Thursday, 19 June 2008 17:13 (fifteen years ago) link

right, and I think it's especially cheeky to complain about the treatment of the protagonist here when like 2/3rds of the entire anglophone cinematic tradition is about those colorful rapey blood-soaked sociopaths who built our respective countries into what they are today, america esp. with all them westerns (also I finally watched gangs of ny lol)

what the fuck does this have to with the fact that the protagonist's evolution into a Rilke-loving quasi-softie is convincing?

Alfred, Lord Sotosyn, Thursday, 19 June 2008 18:24 (fifteen years ago) link

I saw it. I liked it, though I had a little more trouble with the believability of Dreyman, rather than Wiesler.

clotpoll, Thursday, 19 June 2008 19:02 (fifteen years ago) link

one month passes...

fukk all y'all i CRIED REAL TEARS at the end of this

Just got offed, Thursday, 14 August 2008 17:00 (fifteen years ago) link

one year passes...

so this is showing on the big screen here soon - worth seeing? didn't want to go through the thread for fear of spoilers. should be noted I'm not a big fan of calculated shmaltz (I did cry in theaters during A.I. though)

囧 (dyao), Wednesday, 9 December 2009 09:52 (fourteen years ago) link

it's pretty good, looks really nice, and obv the historical setting is fascinating. but maybe leave 10 mins before the end if you don't like schmaltz :)

jabba hands, Wednesday, 9 December 2009 09:57 (fourteen years ago) link

haha - not sure how the people I would be seeing it with would take it. I'll tell them I need to make some stock trades

囧 (dyao), Wednesday, 9 December 2009 09:59 (fourteen years ago) link

yes it's good. leave when they stop steaming envelopes because maybe you are allergic to envelopes.

wmlynch, Wednesday, 9 December 2009 18:46 (fourteen years ago) link

i liked this a lot, saw it in the cinema and really loved it until the end, which is pretty shit. But apart from that enjoyable.

Pedro Paramore (jim), Wednesday, 9 December 2009 18:48 (fourteen years ago) link


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