honestly was surprised this was a weinstein release, considering how badly they screwed gray on the yards (at least this got a big opening week in new-york-old-folks-land and wasn't held on the shelf for two years). this film is so aggressively a potential best actress contender, harv & co must have zero faith in it if they're putting it out now, with like an eighth of the hype they're giving Once 2: Electric Ruffalo.
― da croupier, Friday, 6 June 2014 21:43 (ten years ago) link
this is true, it seems v unlikely weinstein dislikes jim gray more than he likes oscar noms but idk
― johnny crunch, Friday, 6 June 2014 21:49 (ten years ago) link
they prob just have movies they see getting them closer to said noms - there's like two keira knightley things and a tim burton biopic of a painter and maybe they'll still put out nicole kidman's princess grace horseshit...
― da croupier, Friday, 6 June 2014 21:51 (ten years ago) link
there's also an irony in a critic doing a "sigh, what can we do" thinkpiece about an indie that's been out for less than a month. Like, gee, maybe continue to tell people to see it, and not drink the kool-aid about this shit being decided even for art films in the first three weeks?
― da croupier, Friday, 6 June 2014 21:56 (ten years ago) link
not sure what the budget was, but.. this shit is decided before 'art films' open. Americans don't go and the screens aren't there for the most part.
― images of war violence and historical smoking (Dr Morbius), Friday, 6 June 2014 22:02 (ten years ago) link
weinsteins are exactly the kind of company that would re-release a film come oscar season if the drums kept beating and some of their other contenders fizzled.
but again, my point is just that its absurd to write a piece about critics and audiences and art films and leave out the distributor
― da croupier, Friday, 6 June 2014 22:04 (ten years ago) link
Yeah. If Weinstein and co. gave this thing The King's Speech treatment in December they might've had a decent ROI and maybe Oscar buzz for Cotillard and Phoenix (the dude's on a roll).
― guess that bundt gettin eaten (Alfred, Lord Sotosyn), Friday, 6 June 2014 22:26 (ten years ago) link
this movie is nowhere near dumb enough to benefit from such treatment
― images of war violence and historical smoking (Dr Morbius), Friday, 6 June 2014 23:43 (ten years ago) link
Dumb's got nothing to do with it and you know it
― guess that bundt gettin eaten (Alfred, Lord Sotosyn), Friday, 6 June 2014 23:47 (ten years ago) link
The Immigrant finally out on Blu & DVD last week
― the increasing costive borborygmi (Dr Morbius), Thursday, 16 April 2015 12:00 (nine years ago) link
James Gray on The Cinephiliacs: http://www.thecinephiliacs.net/2015/07/episode-61-james-gray-nights-of-cabiria.html
― Insane Prince of False Binaries (Gukbe), Monday, 6 July 2015 17:16 (eight years ago) link
he is always so good in interviews
― johnny crunch, Wednesday, 8 July 2015 01:05 (eight years ago) link
Lengthy profile/feature in new Film Comment on his imminent The Lost City of Z (April 14, US). Shot on 35mm, hoping I get to see it that way...
https://www.youtube.com/watch?v=kWba-ZuXlkY
― Supercreditor (Dr Morbius), Wednesday, 15 March 2017 19:22 (seven years ago) link
David Ehrlich last fall:
If not for the ineffably modern hollowness of Charlie Hunnam’s speaking voice, or the distinct rind of 21st century celebrity that still clings to co-star Robert Pattinson like the dying traces of yesterday’s cologne, someone could easily be fooled into thinking that “The Lost City of Z” was shot 40 years ago. In fact, that might be the greatest compliment a viewer could pay writer-director James Gray (“The Immigrant”), a man who seems increasingly determined to revive the glory days of our national cinema, when movies were pictures and auteurs were mavericks. Gray pulls from the past as liberally as Quentin Tarantino, but without the ego — he doesn’t try to process his influences through the slaughterhouse of his own fetishes, he simply wants to Make American Movies Great Again.
http://www.indiewire.com/2016/10/the-lost-city-of-z-review-robert-pattinson-james-gray-nyff-2016-1201737045/
― the Rain Man of nationalism. (Alfred, Lord Sotosyn), Wednesday, 15 March 2017 20:10 (seven years ago) link
oh hey, 35mm sneak in NYC, JG attending (Apr 12)
http://metrograph.com/series/series/81/james-gray
― Supercreditor (Dr Morbius), Thursday, 16 March 2017 16:20 (seven years ago) link
The film is opening the MSPIFF, and I'm torqued.
― insidious assymetrical weapons (Eric H.), Thursday, 16 March 2017 16:21 (seven years ago) link
shd prob start a general Gray thread
― Supercreditor (Dr Morbius), Thursday, 16 March 2017 16:22 (seven years ago) link
NYC "event" tix for Lost City 35mm now on sale
http://metrograph.com/events/
― Supercreditor (Dr Morbius), Friday, 24 March 2017 17:55 (seven years ago) link
I liked this one pretty well, maybe second to Two Lovers or even better -- very different films. He suggested he was trying to make a 'woke' David Lean film, and he succeeded at least partly. My chief gripe might be i couldn't understand 20-30% of what Hunnam and Pattinson were saying. Has one of the best WWI trench warfare sequences i can recall, at least since Kubrick.
Gray was characteristically hilarious in the Q&A, doing impressions of everyone from Darius Khondji to stars-that got-away Cumberbatch and Pitt (the latter: "Jimmy Jam! I can't wait anymore") to a woman on the MPAA appeal panel ("This REEEalistic violence worries us as PEERents").
― Supercreditor (Dr Morbius), Thursday, 13 April 2017 20:44 (seven years ago) link
https://thefilmstage.com/features/james-gray-on-ad-astra-cannes-woes-harvey-weinstein-and-the-only-way-cinema-can-be-reinvented/
― johnny crunch, Sunday, 9 December 2018 21:47 (five years ago) link
He seems like a nice fellow. I like his refusal to state the merits of his own movies.
― resident hack (Simon H.), Sunday, 9 December 2018 22:16 (five years ago) link