Charlie Chaplin: C/D

Anyone who's seen One-Trick Pony* probably couldn't tell you what scene that was.

*I've seen it twice and own the Warner Archive DVD-R.

eat shit

― Left, Saturday, 24 April 2021 bookmarkflaglink

fuck men

― Left, Saturday, 24 April 2021 bookmarkflaglink

Does this apply to Lennon and McCartney?

It's kind of wild to think SNL has been on long enough to go from that Chaplin sketch bombing in dress to that January Jones Rear Window sketch making the cut and airing in the first 1/3 of an ep 20 or so years later.

The original SNL did a whole parody of Fellini's La Dolce Vita - it's pretty crazy what kind of arthouse film references they've packed into the show over the years. They were rarely funny, but then again SNL was always a very uneven show - it's perfect for clip shows for that reason.

Love Chaplin. Still the greatest comic actor in cinema IMHO.

who has a line that draws an enormous laugh from everyone after they yell cut

there's a similar story about Rodney Dangerfield on the set of Caddyshack... after he does some bit and nobody on the set laughs, he tells Bill Murray "I'm bombing out there, I'm just bombing" and Bill has to remind him that they're shooting a film, and that crew members are not supposed to laugh because it would ruin the take. Dangerfield only knew the standup world at that point

https://www.youtube.com/watch?v=T95GvS3u4mg

Odenkirk on that Chaplin sketch.

^^Includes the whole sketh for those who don't do the Facebook thing.

I think it would have appeared in either Geena Davis or Dolly Parton's shows from 1989 (the two closest to Chaplin's centennial).

This is one of those sketches that just plays better to creatives (all of whom have probably experienced others stealing their ideas) than it does everyone else

a dana carvey sketch and no one laughed? say it ain’t so

he’s so bad at telegraphing what he’s thinking, instead of just showing off his imitation skills - IN A SILENT SKETCH - that it takes a little while to even understand what the joke is supposed to be

I feel like that's an unfortunate byproduct of modern-day film (and television) comedy in general, and probably a big reason why I've exponentially grown to love Chaplin, Keaton, Lloyd, early Laurel & Hardy, Charley Chase and other silent masters - that era was really the only time where all of a comedy was perfectly geared towards a visual medium for obvious reasons. Meanwhile, so much of a comedy in the modern era is based around sketch comedy and stand-up routines, becoming much more dependent on verbal cues.

*all of comedy

Darn these Talkies have ruined everything

https://img.nbc.com/sites/nbcunbc/files/images/2015/5/04/140208_2723724_Weekend_Update_Segment___Grumpy_Old_Man_anvver_1.jpg

In my day, we didn't have "DIALOGUE"!

That's an extremely clever sketch (idea) that somehow never actually reaches "funny".

I kind of like the few "famous stories about great artists" sketches I can remember from that era - it seems like a concept they really enjoyed doing, partly so they can go to town with depicting gross mischaracterizations. For example, the one where Ringo goes from "I'm just happy to be here!" to being really opinionated about the direction the Beatles should take during their formidable years, and also when Picasso is a loud-mouthed cheap buffoon who pays everything by scribbling a doodle. (Not even that - at one point he sneezes some snot into a tissue and says "why it's another masterpiece from Picasso!" and proceeds to sign it and toss it on to the ground, prompting all the waiters to dive for it.)

Showed my class the boxing match from City Lights; they laughed

Watching "City Lights" right now and the boxing match is so brilliantly choreographed - and funny. I feel like see dozens of "comical" boxing scenes in movies but this is the best by a million miles.

... I feel like I've seen, that is.

It really is, down to the split-second--especially the way Chaplin keeps disappearing behind the referee.