Salem - What kind of music genre is this ?

lol @ this thrad

thread

it's like the opposite of what miccio does to j0hn on every thread

should probably just keep my trap shut, but for the record, I'm pretty sure I've only brought up a certain band twice on ILX. once when its singer was giving me shit for not liking an article by sfj he couldn't bother to read himself, once when the guy couldn't understand why everyone didn't share his "you must respect all megasuccessful songwriters" sentiment. and however impolitic or unnecessary it was to suggest how occupation could influence an argumentative stance (1st time was an annoyed, defensive gesture, the 2nd just a crack on everybody in the thread, don't plan on there being a 3rd), I really didn't say anything about the combo itself.

the chick in salem's cornrows look just like kenny fucking powers in the preview commercials for the new season of eastbound & down

http://i51.tinypic.com/2hfm2bm.gif

'cauldron-step'

Witch's Brew

A+

The release of the album has apparently been delayed to 4th October?

It's on iTunes now.

Salem's FB page says it was released today.

on emusic today, too.

so it is out today? back to the record store tonight, I guess

Listening to it for the first time now. Pretty incredible I have to say...but maybe a bit too much for me. I feel slightly nauseous TBH. I don't think I can listen to the whole thing from start to finish.

Physical copies delayed one week, I guess (according to Rough Trade in the UK; maybe it came out in the States physically this week?)

good question -- anyone have any more info?

pre-ordered from insound, they emailed about a week ago to tell me the release date of 9/28 was pushed back 'till october'

ah thanks!

GOT IT TODAY!

was completely floored to hear "King Night" at the Givenchy S/S 2011 show. A perfect fit.

https://www.youtube.com/watch?v=DnkFi-9xwRo

I'm assuming Pitchfork is in deep deliberation about this one?

"Should we give it a high middle to high eight or a low nine?"

It's about as divisive album as I can think of in recent memory. There are going to be some who hail it as revolutionary and others who call it a crude joke. I'm going to guess they'll give it a 7.9 or something like that just because it's too risky to get behind.

I have 5:2 odds they mention Andrew WK in the review, or that Ryan is stumping for this comparison.

i used that as a comparison to waka flocka -- it better not get stolen for this

i still like this album a bunch. i listened to it today three times in a row at work after not hearing it for a long time and it sounded just as good to me as it did months ago. i like it for reasons of nowness AND nostalgia. it makes me think about how much i love southern hip hop AND it makes me remember how much i loved clan of xymox when i was 17. and it doesn't sound ANYTHING like ed banger/justice shit that i hate which is a big plus. (though that stuff is probably completely passe by now anyway. just using that as an example of internet sensation) and it doesn't sound like dubstep. which bores the hell out of me. especially supposed "dark" dubstep. (diplo-curated dubstep comp i got in the mail has to be one of the worst things i've heard all year. except for the lil jon song on it. which just sounds exactly like a lil jon song.)

S A L E M is what RATATAT should have evolved into.

bought the record and haven't listened to it all the way through, but I'm gonna guess P4k goes w/ an 8.4 BNM

I'm going to call a 6.4 from P4k.

S A L E M is what RATATAT should have evolved into.

― cee-oh-tee-tee, Tuesday, October 5, 2010 8:01 PM (2 hours ago) Bookmark Suggest Ban Permalink

Sleigh Bells is what Ratatat should have evolved into.

RATATAT should have evolved

Tbh, I think we could just leave it at that.

Okay, so I'm finally actually listening to this and I'm now wishing I hadn't had my first experience with the band be that laughable Fader Fort thing. Because this is actually pretty interesting stuff. I won't call it brilliant or anything, but there is a distinct vibe that I haven't really heard explored in this way before. I'm certainly enjoying the listen, but I could live without the dude. I like the tracks with the female vocals as the focus much more.

Like, "Frost" = great, "Trapdoor" = meh.

o shit u droppin mehbombs

pretty good review: http://www.dustedmagazine.com/reviews/6007

pretty shit review: http://www.clashmusic.com/reviews/salem-king-knight

could have been better were I not given such a tight word limit.

i like that review, no need for it to be longer

Dusted review was pretty good except for the part where he suggests that a certain synth sound on the title track was an explicit reference to a Hipster Runoff post

looooooooooooooool

Dusted review is good when it gets going. First three pars are just pointless. No one needs a running commentary on the commentary on the commentary in a review. Just tell us something interesting about the record. (Which he does. Shame he didn't spend more of the text getting to the business in hand.)

dusted reviews reviews.

Just tell us something interesting about the record.

literally 90% of online reviews fail to do this

90% of online reviews aren't read by people who don't work for said publication

unless we're talking about Pitchfork

Dusted seems like a good idea. I'd never heard of it before.

Dusted has been doing good stuff for a long time. Love some of the old Listed features:
http://www.dustedmagazine.com/features/category/5

yeah, dusted's good.

Seem to remember the Comets on Fire one being esp. great xp

yeah dusted has been quietly interesting for years (daily content and no one ever talks about it)

dusted reviews a much wider scope of titles than p4k, which i appreciate (don't get me wrong; i like p4k a lot, but dusted exposes me to a lot of title i wouldn't notice otherwise).