What?
― (Don't Go Blecch To) Reddville (James Redd and the Blecchs), Thursday, 19 November 2015 17:54 (eight years ago) link
First single comes out tomorrow. Very interested to hear it.
― the top man in the language department (誤訳侮辱), Thursday, 19 November 2015 18:07 (eight years ago) link
these people are playing two doors down from my store tonight. i'm going. i will always go see your worldfusionjazz suite if you are in town.
https://vimeo.com/137025243
― scott seward, Thursday, 19 November 2015 18:19 (eight years ago) link
How was that, Scott?wow---just saw this, hoping to find some of the concert online:http://www.nytimes.com/2015/11/19/arts/music/review-celebrating-cecil-taylor-a-pianist-of-endless-influence.html?&moduleDetail=section-news-1&action=click&contentCollection=Music®ion=Footer&module=MoreInSection&version=WhatsNext&contentID=WhatsNext&pgtype=article
― dow, Saturday, 21 November 2015 01:54 (eight years ago) link
Yeah, people are worried because Taylor didn't show up for that (he was supposed to).
I just ordered the CD reissues of his two-volume early '80s solo album, Garden. When it was first released, the music was shuffled around; now, it's been split into first and second sets, exactly as it was performed on the night. The best price I've seen (about $22 per disc) was via the German site grooves-inc.com. Other places want nearly $40 for Vol. 1, $22 for Vol. 2.
― the top man in the language department (誤訳侮辱), Saturday, 21 November 2015 02:05 (eight years ago) link
I just got the reissued Garden discs, too (after waiting in vain for prices of used copies to dip below $75). Squidco has volume 1 for $18.
Taylor's absence at that event is worrying. I think his only public performance in the last 3-4 years was at Ornette's memorial service. I had tickets to see him in DC in 2013, but he cancelled (no reason given), and I didn't particularly want to see his replacement (Ahmad Jamal). Fortunately, I've seen him three times (twice solo, once in a duo with Elvin Jones).
― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Saturday, 21 November 2015 02:10 (eight years ago) link
Four times for me:
trio at the Village Vanguard with Dominic Duval on bass and Jackson Krall on drums in 1997solo and trio with Duval and Tony Oxley on drums at Avery Fisher Hall (split set)leading a large ensemble (26 musicians) at the Knitting Factory on Leonard Street in 2002trio at Iridium with Henry Grimes on bass and Pheeroan akLaff on drums in 2006
― the top man in the language department (誤訳侮辱), Saturday, 21 November 2015 03:03 (eight years ago) link
Coleman Hawkins birthday celebration on WKCR right now.
― (Don't Go Blecch To) Reddville (James Redd and the Blecchs), Saturday, 21 November 2015 17:51 (eight years ago) link
Really interesting group performing at Smoke tonight: the Black Art Jazz Collective. Jeremy Pelt, trumpet; Wayne Escoffery, tenor saxophone; James Burton III, trombone; Xavier Davis, piano; Vicente Archer, bass; Johnathan Blake, drums. I like all those guys, and would love to check this set out, but $40 at the door is a little much for me.
― the top man in the language department (誤訳侮辱), Saturday, 21 November 2015 17:56 (eight years ago) link
Wow, would've loved to have seen those, particularly the trio with Duval and Oxley.
The duo with Elvin was really interesting. Elvin played with mallets for the whole set, and seemed kind of frail (it was a year before he died), but there was a quiet intensity that I hadn't heard in any of Cecil's other music (apart maybe from Conquistador! and the trio with Dixon and Oxley).
― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Saturday, 21 November 2015 18:03 (eight years ago) link
(xp)
"How was that, Scott?"
oh that show was nice. my fave thing was jake meginsky though. and he was all electronic and not jazz. there was a very cool solo sax guy i'd never heard. travis laplante. guess he lived in new york but now he's in vermont. maybe tarfumes knows him. cool circular breathing stuff.
https://www.youtube.com/watch?v=kclZrPkqHpk
― scott seward, Saturday, 21 November 2015 19:54 (eight years ago) link
Laplante is great. He's a member of Little Women along with Darius Jones. You might like them, Scott. Two albums on AUM Fidelity and an EP that I think was self-released. He's also got some group that's four wind instruments, but I can't remember the name.
― the top man in the language department (誤訳侮辱), Saturday, 21 November 2015 20:08 (eight years ago) link
I usually don't love Joshua Redman and I usually don't love Bad Plus, but I really like the Bad Plus w/ Joshua Redman record.
― on entre O.K. on sort K.O. (man alive), Monday, 30 November 2015 02:53 (eight years ago) link
great live together too.
― Eugene Goostman (forksclovetofu), Monday, 30 November 2015 04:27 (eight years ago) link
also, because there's some good jazz talk in the year end list thread and I wanna add it to the spotify list:
Tbh mostly this is just stuff I gleaned from the Kamasi thread as people were offering up alternatives.Yeah, Sons of Kemet are a sax/tuba (playing fat funky basslines)/drums/drums combo from London. Their album Lest We Forget What We Came Here To Do has a stripped-down, live feel that's really rhythmic and banging but also very melodically catchy. There's a lot of New Orleans and Lagos (and Port of Spain?) in the rhythms and Shabaka Hutchings' sax draws from slinky Ethio-jazz melodies and NYC skronk, but these disparate influences never seem at odds with each other. Like Lex said, very immediate, and very danceable too. Just a great, great record.Polar Bear - Same As You: Another London combo (who share a drummer with SoK). Their album is similarly based on tight 4/4 rhythms and riffing sax, but more laid back and drawn out, dubby and atmospheric at times. (But you can skip the silly spoken word intro.)Troyka - Ornithophobia: More Londoners (pattern emerging here) but they have a very different sound from Polar Bear and SoK, with a lot of fractured (post-?) rock rhythms, Dilla/FlyLo offbeat drums, and weird electronic sounds, sometimes sampled and edited together.Makaya McCraven - In The Moment: McCraven is a Chicago drummer who recorded hours and hours of live performances and Teo Macero-ed them into an album. I guess other than Troyka these all have common thread of being very drums-first, although McCraven's drumming style has a more traditional swing to it but also much more of a hiphop feel too. A lot of this is stripped down to a sometimes-looped drums/bass/vibes rhythm section, while the featured soloists, who come and go, feel a bit secondary. The last track (posted below) even settles on a relaxed four-bar breakbeat loop with a chopped-off sax riff for most of its length, before gloriously emerging into a very wild, free solo at the other end.Also been listening to 2013/2014 stuff from Melt Yourself Down (another London band in the same vein as Sons of Kemet and Polar Bear - I kind of get Pigbag vibes from them), Throttle Elevator Music (scuzzy rock with the boy Kamasi throwing skronk all over it, I like it way than the record he's getting attention for but oh well), Ambrose Akinmusire (trumpeter from the TPAB crew - the most trad record on this list, but his small band format allows him and the other players to shine - he's a very good balladeer), the first Sons of Kemet album (not quite as good as the new one but certainly worth your time), and some brass band stuff.I still need to check out Matana Roberts.As far as the Kamasi record itself, I guess the scope is admirable, but it just kind of strikes me as a decent post-bop record with a bunch of added bells and whistles that distract from the playing. I found myself wishing the choirs and strings (and vocalists tbh) would go away the whole time. I was was sold on it expecting something that sounded fresh and new, but at it's core it's very retro and I don't feel like it overcomes its influences, YMMV.― The Reverend, Sunday, November 29, 2015 11:05 PM (Yesterday) Bookmark Flag Post Permalinkmatana roberts is the real fuckin deal, although i've felt more like listening to her solo record this year than Part III of her thing― j., Sunday, November 29, 2015 11:12 PM (Yesterday) Bookmark Flag Post Permalinkjazz albums i like from this yearcharles lloyd - wild man dancehttp://www.discogs.com/Charles-Lloyd-Wild-Man-Dance/master/839518william parker / raining on the moon - great spirithttp://www.discogs.com/William-Parker-Raining-On-The-Moon-Great-Spirit/release/7622000charenee wade - offering (the music of gil scott heron and brian jackson)http://www.discogs.com/Charenee-Wade-Offering-The-Music-Of-Gil-Scott-Heron-And-Brian-Jackson/master/918297― brimstead, Sunday, November 29, 2015 11:16 PM (Yesterday) Bookmark Flag Post PermalinkJust as a complete digression, if anyone's a fan of the whole Sons Of Kemet/ Polar Bear/ Melt Yourself Down skronk axis, they should check out the Comet Is Coming, which is a similar punky jazz/ blurt vibe with added pop and Krautrock vibes thrown in.― Doran, Sunday, November 29, 2015 11:21 PM (Yesterday) Bookmark Flag Post Permalinknb the charles lloyd and william parker were recorded before 2015.― brimstead, Sunday, November 29, 2015 11:22 PM (Yesterday) Bookmark Flag Post Permalinkthis is my fav jazz record of the yearhttps://soundcloud.com/bk-music-pr/eternal-signs-milford-graves-bill-laswell― ANU (sisilafami), Sunday, November 29, 2015 11:31 PM (Yesterday) Bookmark Flag Post Permalink
Yeah, Sons of Kemet are a sax/tuba (playing fat funky basslines)/drums/drums combo from London. Their album Lest We Forget What We Came Here To Do has a stripped-down, live feel that's really rhythmic and banging but also very melodically catchy. There's a lot of New Orleans and Lagos (and Port of Spain?) in the rhythms and Shabaka Hutchings' sax draws from slinky Ethio-jazz melodies and NYC skronk, but these disparate influences never seem at odds with each other. Like Lex said, very immediate, and very danceable too. Just a great, great record.
Polar Bear - Same As You: Another London combo (who share a drummer with SoK). Their album is similarly based on tight 4/4 rhythms and riffing sax, but more laid back and drawn out, dubby and atmospheric at times. (But you can skip the silly spoken word intro.)
Troyka - Ornithophobia: More Londoners (pattern emerging here) but they have a very different sound from Polar Bear and SoK, with a lot of fractured (post-?) rock rhythms, Dilla/FlyLo offbeat drums, and weird electronic sounds, sometimes sampled and edited together.
Makaya McCraven - In The Moment: McCraven is a Chicago drummer who recorded hours and hours of live performances and Teo Macero-ed them into an album. I guess other than Troyka these all have common thread of being very drums-first, although McCraven's drumming style has a more traditional swing to it but also much more of a hiphop feel too. A lot of this is stripped down to a sometimes-looped drums/bass/vibes rhythm section, while the featured soloists, who come and go, feel a bit secondary. The last track (posted below) even settles on a relaxed four-bar breakbeat loop with a chopped-off sax riff for most of its length, before gloriously emerging into a very wild, free solo at the other end.
Also been listening to 2013/2014 stuff from Melt Yourself Down (another London band in the same vein as Sons of Kemet and Polar Bear - I kind of get Pigbag vibes from them), Throttle Elevator Music (scuzzy rock with the boy Kamasi throwing skronk all over it, I like it way than the record he's getting attention for but oh well), Ambrose Akinmusire (trumpeter from the TPAB crew - the most trad record on this list, but his small band format allows him and the other players to shine - he's a very good balladeer), the first Sons of Kemet album (not quite as good as the new one but certainly worth your time), and some brass band stuff.
I still need to check out Matana Roberts.
As far as the Kamasi record itself, I guess the scope is admirable, but it just kind of strikes me as a decent post-bop record with a bunch of added bells and whistles that distract from the playing. I found myself wishing the choirs and strings (and vocalists tbh) would go away the whole time. I was was sold on it expecting something that sounded fresh and new, but at it's core it's very retro and I don't feel like it overcomes its influences, YMMV.― The Reverend, Sunday, November 29, 2015 11:05 PM (Yesterday) Bookmark Flag Post Permalink
matana roberts is the real fuckin deal, although i've felt more like listening to her solo record this year than Part III of her thing― j., Sunday, November 29, 2015 11:12 PM (Yesterday) Bookmark Flag Post Permalink
jazz albums i like from this year
charles lloyd - wild man dancehttp://www.discogs.com/Charles-Lloyd-Wild-Man-Dance/master/839518
william parker / raining on the moon - great spirithttp://www.discogs.com/William-Parker-Raining-On-The-Moon-Great-Spirit/release/7622000
charenee wade - offering (the music of gil scott heron and brian jackson)http://www.discogs.com/Charenee-Wade-Offering-The-Music-Of-Gil-Scott-Heron-And-Brian-Jackson/master/918297― brimstead, Sunday, November 29, 2015 11:16 PM (Yesterday) Bookmark Flag Post Permalink
Just as a complete digression, if anyone's a fan of the whole Sons Of Kemet/ Polar Bear/ Melt Yourself Down skronk axis, they should check out the Comet Is Coming, which is a similar punky jazz/ blurt vibe with added pop and Krautrock vibes thrown in.― Doran, Sunday, November 29, 2015 11:21 PM (Yesterday) Bookmark Flag Post Permalink
nb the charles lloyd and william parker were recorded before 2015.― brimstead, Sunday, November 29, 2015 11:22 PM (Yesterday) Bookmark Flag Post Permalink
this is my fav jazz record of the yearhttps://soundcloud.com/bk-music-pr/eternal-signs-milford-graves-bill-laswell― ANU (sisilafami), Sunday, November 29, 2015 11:31 PM (Yesterday) Bookmark Flag Post Permalink
― Eugene Goostman (forksclovetofu), Monday, 30 November 2015 04:30 (eight years ago) link
This tune is blowing my mind right now:https://www.youtube.com/watch?v=rsYRfAcpdIE&list=RDrsYRfAcpdIE
― on entre O.K. on sort K.O. (man alive), Tuesday, 1 December 2015 03:57 (eight years ago) link
You're right about that one. Will definitely get that album.
William Parker fans might like the Sonoluminescence Trio's Telling Stories. It's Parker with David Mott on bari sax and Jesse Stewart on percussion. They were great at the CD release over the summer too.
― EveningStar (Sund4r), Tuesday, 1 December 2015 04:34 (eight years ago) link
As we move to the end of the year, I'd like to drop a quick note to encourage any readers / lurkers / ilxors to post their favorite jazz tracks or albums from this year to the thread so that I can hoover them into the ongoing spotify playlist. Last chance for any accessible stragglers that may not already be in the lexicon.
― Eugene Goostman (forksclovetofu), Tuesday, 1 December 2015 08:44 (eight years ago) link
I love the way Ethan Iverson mostly just works with triads and does so much with them on that tune.
― on entre O.K. on sort K.O. (man alive), Tuesday, 1 December 2015 15:13 (eight years ago) link
You might also dig The Bad Plus with Bill Frisell at Newport 2012, in tribute to Paul Motion/Motian---I'm another who doesn't always get into TBP, Frisell, or M, for that matter, but this (full set) is pretty involving:http://www.npr.org/event/music/158004697/the-bad-plus-with-bill-frisell-live-in-concert-newport-jazz-2012
― dow, Tuesday, 1 December 2015 16:53 (eight years ago) link
oh and speaking of punky jazz/blurt vibe with added pop, I still love Boston baked jumping beans Guerilla Toss, especially their only(?) full-length album to date, Gay Disco, which astutely assimilates no wave, maybe The Magic Band and maybe Of Human Feelings-era Prime Time, cos there is the disco (but not too strictly; the drummer's always kicking it). Fave EP is 367 Equalizer. Nowadays, the female vocalist is more up front, sonically anyway. Lots of stuff here, maybe all of it:https://guerillatoss.bandcamp.com/
― dow, Tuesday, 1 December 2015 17:10 (eight years ago) link
Not from this year, but just saying William Parker's Double Sunrise Over Neptune is awesome.
― xelab, Tuesday, 1 December 2015 17:14 (eight years ago) link
This is some stuff from this year that I liked and might not have been mentioned thus far. I tried to filter out what I would consider probably only liked by me, the bands immediate family + 17 Norwegians, but some of it still might be a bit like that.
Prism Quartet - Heritage/Evolution Vol 1Steel Bridge Trio - Different ClocksDavid Chevallier - Standards & AvatarsNicole Mitchell, Tomeka Reid, Mike Reed - ArtifactsOliver Lake & William Parker - To RoyMostly Other People Do The Killing - Mauch ChunkDave Burrell, Garrison Fewell - New EarthMyra Melford - Snowy EgretKris Davis Infrasound - Save Your BreathBarry Altschul's 3dom Factor - Tales Of The UnforseenHenry ThreadGill & Zooid - In For a Penny, In For a Pound
― xelab, Tuesday, 1 December 2015 19:26 (eight years ago) link
Still need to check out Melford and Altchul at least, thanks for the reminder (yeah, Lake & Parker too, prob all of 'em). And what's the Threadgill like? I've enjoyed several of his through the ages, but haven't heard any recent releases.
― dow, Tuesday, 1 December 2015 19:48 (eight years ago) link
I am piss-poor at describing music, but I would describe the Threadgill as melodic and all over the place and nice!
― xelab, Tuesday, 1 December 2015 19:58 (eight years ago) link
Cool, thanks. New releases, Downbeat Editors' Picks:http://www.downbeat.com/defaultl.asp?sect=reviews
― dow, Tuesday, 1 December 2015 20:24 (eight years ago) link
I mostly only buy jazz cd's these days and none of it is from 2015. The last Brad Mehldau box is from this year but contains old material. Some great purchases this year are:
http://cps-static.rovicorp.com/3/JPG_400/MI0000/576/MI0000576132.jpg?partner=allrovi.com
http://cps-static.rovicorp.com/3/JPG_250/MI0000/559/MI0000559870.jpg?partner=allrovi.com
http://cps-static.rovicorp.com/3/JPG_400/MI0001/575/MI0001575323.jpg?partner=allrovi.com
http://www.billfrisell.com/sites/default/files/images/discs/greg_cohen_goldenstate.jpg
This album only received five-star reviews and sounds definately like something to check out:
http://jakeheggie.com/content-wp/uploads/2015/09/Image-26-300x300.jpg
― EvR, Tuesday, 1 December 2015 20:29 (eight years ago) link
i love that Gnu High cover!!
― La Lechuza (La Lechera), Tuesday, 1 December 2015 20:53 (eight years ago) link
gnu high, yes! was listening to that just earlier. been playing lots of things recently with dave holland in a supporting role, but still never checked out anything where he's leading... would guess conference of the birds would be the smart pick?
― no lime tangier, Tuesday, 1 December 2015 21:10 (eight years ago) link
His long-running quintet (which, depending on the album, expands to a sextet, an octet, or a 13-member big band) is great. They have a bunch of albums on ECM and several more on Holland's own Dare2 label.
― the top man in the language department (誤訳侮辱), Tuesday, 1 December 2015 21:15 (eight years ago) link
This is my first Dave Holland cd, definately looking for more after this one.
This 2015 album is very good, though not necessarily "jazz" (last track is very fusion-y though):
http://www.teuthida.com/productImages/full/21023.Full.jpg
― EvR, Friday, 4 December 2015 16:09 (eight years ago) link
Heard a radio replay of this supple tribute to Kenny Wheeler, still streaming: http://www.wbgo.org/blog/a-tribute-to-kenny-wheeler, where Gnu High is cited as his creative breakthrough.Holland has done all kinds of things, almost like Charlie Haden, but for me, the DHQ listening breakthrough was Conference of the Birds. Got into the tuneful title track and cute "Q&A" right away, but Rivers x Braxton seemed a bridge and chorus too far/freaky on other tracks, despite repeated listenings. So I put it away, finally tried again, and loved the whole thing instantly, as I have ever since. What was my problem? Anyway, it's great. Don't know that it's the one to start with, necessarily (I'd enjoyed Rivers and Braxton's own, very individual records , but somehow the combination seemed overwhelming, boo-hoo).
― dow, Friday, 4 December 2015 17:04 (eight years ago) link
thanks for the tips! was the presence of rivers/braxton that had me pointing in the conference of the birds direction, definitely need to seek it out (also the circle stuff with corea et al, only know the braxtonless a.r.c album from that period). re the haden mention, reminds me that holland has had some involvement with people like john hartford and vassar clements too.
― no lime tangier, Friday, 4 December 2015 23:31 (eight years ago) link
The new Raoul Bjorkenheim/Ecstasy album is quite ace. It is one of them kind of "I am not normally a fan of this type of thing" things that I can't stop playing.
― xelab, Tuesday, 8 December 2015 16:28 (eight years ago) link
Burning Ambulance
Best Jazz of 2015:
25. Kirsten Edkins, Art and Soul24. Milford Graves/Bill Laswell, Space/Time - Redemption23. The Adam Larson Quintet, Selective Amnesia22. The Thing, Shake21. Rodrigo Amado, This is Our Language20. Henry Threadgill Zooid, In for a Penny, In for a Pound19. John Raymond, Foreign Territory18. Blue Buddha, s/t17. Stephen Haynes, Pomegranate16. Dead Neanderthals, Endless Voids15. Nick Hempton, Catch and Release14. Terell Stafford, Brotherlee Love13. Eddie Henderson, Collective Portrait12. David Chesky/Jazz in the New Harmonic, Primal Scream11. Mette Henriette, s/t10. Christian Scott Atunde Adjuah, Stretch Music9. Duane Eubanks, Things of That Particular Nature8. Tom Tallitsch, All Together Now7. James Brandon Lewis, Days of FreeMan6. Matthew Shipp Trio, The Conduct of Jazz5. Sonny Rollins, Complete Live at the Village Gate 19624. Chris Potter Underground Orchestra, Imaginary Cities3. Jeremy Pelt, Tales, Musings and Other Reveries2. Kamasi Washington, The Epic1. JD Allen Trio, Graffiti
― the top man in the language department (誤訳侮辱), Friday, 11 December 2015 13:50 (eight years ago) link
hehe, Kamasi at #2 kind of a statement too, right?
looks interesting though, don't think I've heard any of these albums
― niels, Friday, 11 December 2015 13:57 (eight years ago) link
Any of you have small children who like jazz? I have to admit I don't know the first thing about it. In 30+ years of record collecting I've only acquired one jazz album -- Out to Lunch. Somehow though my 5 year old has gotten into it and loves for us to stream jazz on Pandora. I'm thinking of getting him a little bookshelf stereo for his bedroom for Christmas and maybe one or two jazz CDs. He hasn't expressed a preference for any particular style yet other than instrumental, but I wonder what you might suggest for one 2015 release and/or one classic release that would set a 5yo on the right path. Maybe one a little upbeat and one on the mellow side as he likes to listen to it as he's falling asleep too.
(I know getting someone started on CDs in 2015 might not make sense but I don't want him to own a digital device yet, plus I'm hoping to have a companion for record store visits down the road.)
― early rejecter, Friday, 11 December 2015 15:41 (eight years ago) link
I have long believed that little kids would enjoy Thelonious Monk and/or Ornette Coleman, because Monk plays piano in a way that a little kid can appreciate (it sounds weird and fun) and Coleman's melodies are extremely herky-jerky and energetic. So I would recommend Thelonious Monk's Monk, which actually contains a version of a children's song your kid may have heard (this would be an album you could play at bedtime too btw), and maybe Ornette's Change of the Century or This is Our Music for something more dance-around-the-room. I don't have any 2015 recommendations for a kid at this time.
― the top man in the language department (誤訳侮辱), Friday, 11 December 2015 15:58 (eight years ago) link
Given the boomlet in music for children over the past 25 years (speaking as old-time CD storekeeper), there must be some jazz albums in there; try searching Amazon or whatever inclusive CD site you like. Blanking on specifics, except----Vince Guaraldi's Peanuts soundtracks? I know several people who say they first got into jazz, if not music itself, via those (think Keith Jarrett did some too). Something TV or maybe movie-related, whatever he's already into.
― dow, Friday, 11 December 2015 16:05 (eight years ago) link
I could imagine a bit of album-era Ellington would be child friendly, especially Such Sweet Thunder which is very much a pop album of sorts.
― xelab, Friday, 11 December 2015 16:34 (eight years ago) link
My daughter responded well to jazz from like age 2-3, but then suddenly got into this weird thing where she insisted she only likes "kids' music" and jazz is "grownup music." Hoping that will pass quickly. OTOH a few weeks ago this came on and she really liked it and asked me to play it again:
https://www.youtube.com/watch?v=zCeQ5E6gK9M
― on entre O.K. on sort K.O. (man alive), Friday, 11 December 2015 17:01 (eight years ago) link
http://cps-static.rovicorp.com/3/JPG_400/MI0002/944/MI0002944139.jpg?partner=allrovi.com
― EvR, Friday, 11 December 2015 17:07 (eight years ago) link
Sure, if you want your kid to declare you a Suppressive Person when he/she hits teenagerdom...
― the top man in the language department (誤訳侮辱), Friday, 11 December 2015 17:31 (eight years ago) link
The first music I remember getting into was Mancini's theme for Peter Gunn, about a detective who frequented jazz clubs (the manager of one was a shrewd source; I think of her when listening to Karin Krog). Tough stuff, none of that "Moon River." Also fascinated by the music that led into cigarette commercials, with some kind of semi-abstract art backdrop: just warm, open(?) strings and maybe a grace note, from a hollow-body electric guitar, I think, def unaccompanied.Lester Bangs wrote that the first album he bought was TV Action Jazz, by guitarist Mundell Lowe. Anybody heard it? Or his others?
― dow, Friday, 11 December 2015 18:38 (eight years ago) link
My son started listening to Miles Davis Kinda Blue, but not till high school. Not sure what other jazz he listens too
― curmudgeon, Friday, 11 December 2015 18:43 (eight years ago) link
Bear in mind: http://www.npr.org/sections/ablogsupreme/2009/06/jazz_and_dads_a_short_essay_1.html
― Thank you very much, you've got a Lucky Wilbury (James Redd and the Blecchs), Friday, 11 December 2015 23:55 (eight years ago) link
Ha, yes, except in this case he's the one pushing it on me -- don't think I've ever played it in the house but at his request. Anyway thanks for all the suggestions; will check them out.
― early rejecter, Saturday, 12 December 2015 05:14 (eight years ago) link
Kind of blue, monk time, favorite things, the blue Yusef all jump timing as albums I loved before I was a teen
― Does that make you mutter, under your breath, “Damn”? (forksclovetofu), Saturday, 12 December 2015 18:19 (eight years ago) link
Just saw this fantastic clip on Facebook - McCoy Tyner with Sonny Fortune, Calvin Hill and Alphonse Mouzon, live on WNET (NYC Channel 13) in 1971:
https://www.youtube.com/watch?v=_YvovU0vzoQ
― the top man in the language department (誤訳侮辱), Sunday, 13 December 2015 23:53 (eight years ago) link