This year's topic:
Sign O' The Times: Music And Politics
“I’d like to help you, son, but you’re too young to vote,” the Congressman says in Eddie Cochran’s “Summertime Blues.” Music, especially pop music, tends to anticipate politics—young people give a dress rehearsal of what’s to come, building movements or prefiguring new worlds. No less powerfully, music is shaped by politics, from rules of copyright, drinking ages, and noise volumes to crises of war and social injustice, rents in the fabric. Music’s connection to politics goes beyond sloganizing lyrics; it organizes, stirs, performs possibility.
For this year’s EMP Pop Conference, we invite presentations that relate music, of any styles or era, to politics, however that’s defined. Topics might include:
Movements and Skeptics: anthems of unity and resistance cultures. Or not: music and bad politics, anti-politics, negation, outsider dissent, and solipsism
New Worlds and Nostalgia: futurism, utopian, and fantastic imaginaries from slave spirituals to George Clinton’s Mothership. Traditionalism, nostalgia, residual forces
State Politics: national and local policies; definitions of public and private; citizenship and internalized notions of power and control
Performing Politics: strategic choices of mannerism, vocality, sound, and style; politicians appropriating music; music and propaganda
Identity Politics: teen youth culture and shifts from worker solidarity to racial, gender, and sexual intersections; the radicalism of older artists
Transnational and Border Politics: musical experiences beyond the US; immigration and refugees; sonic territoriality
Leaders and Followers: Individual artists as representatives and fans as electorate; celebrity and “reality” politics
Industry and Everyday Politics: categorizing, i.e. regulating performers; genre wars in country, rock, hip-hop, etc.; band politics and everyday interpersonal issues
Limits: factors preventing music from effecting change
― Don Van Gorp, midwest regional VP, marketing (誤訳侮辱), Thursday, 1 September 2016 01:18 (seven years ago) link
http://www.empmuseum.org/programs-plus-education/programs/pop-conference/
Format
Individual proposals for 20-minute presentations should be 300 words, with a 75-word bio. For three-person (90-minute) or four-person (120-minute) panel proposals, include a one-paragraph overview and individual statements of 300 words with a 75-word bio. For roundtables, outline the subject in up to 500 words, include a 75-word bio for each panelist, and specify desired panel length. We welcome unorthodox proposals: ask for submission advice. Please include emails for all participants.
Deadline
November 8, 2016 to conference organizer Eric Weisbard (University of Alabama) at E✧✧✧.Weisb✧✧✧@gm✧✧✧.c✧✧.
― curmudgeon, Thursday, 1 September 2016 14:53 (seven years ago) link
three weeks pass...
one month passes...
reminder:
http://www.empmuseum.org/programs-plus-education/programs/pop-conference/
Format
Individual proposals for 20-minute presentations should be 300 words, with a 75-word bio. For three-person (90-minute) or four-person (120-minute) panel proposals, include a one-paragraph overview and individual statements of 300 words with a 75-word bio. For roundtables, outline the subject in up to 500 words, include a 75-word bio for each panelist, and specify desired panel length. We welcome unorthodox proposals: ask for submission advice. Please include emails for all participants.
Deadline
November 8, 2016 to conference organizer Eric Weisbard (University of Alabama) at E✧✧✧.Weisb✧✧✧@gm✧✧✧.c✧✧.
― curmudgeon, Monday, 31 October 2016 14:20 (seven years ago) link
three weeks pass...
two months pass...
one month passes...