How come we don't have a Sarah Vaughan thread? Anyway, shall we search and destroy?

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I don't think I've heard a single note of her. I like my jazz husky and noir-ish. Would I like her?
'After Hours' seems like a good place for me to start, tho AMG disses it. Any insight?

Baaderonixx, born again in Xixax (baaderonixx), Friday, 10 February 2006 10:13 (eighteen years ago) link

Try her '50s Mercury records or the '70s era "Send in the Clowns" stuff. She's not very husky or noir-ish, though -- very clean and trilly. You might wanna go with Dinah Washington first, though again treading lightly through the catalog (lots and lots of pop stuff among the, er, hardcore jazz sessions like "Dinah Jams" -- go there first, in fact).

Rickey Wright (Rrrickey), Friday, 10 February 2006 10:33 (eighteen years ago) link

I always loved her interp of "Mean To Me."

Myke. (Myke Weiskopf), Friday, 10 February 2006 11:26 (eighteen years ago) link

I just bot the reissue of After Hours at the London House -- so so good. (Have we had a thread about how freakin' awesome the Verve reissue series is?? Nice album-repro covers, way rare and out-of-print and obscure and GREAT jazz stuff in the series so far...)

I'd also recommend How Long Has This Been Going On -- a date with Oscar Peterson, Joe Pass, Ray Brown, and Louie Bellson - smokin!

Stormy Davis (diamond), Saturday, 11 February 2006 00:25 (eighteen years ago) link

three years pass...

I seem to have amassed 4 SV records without ever listening properly to any of them - this weekend though, her version of Lush Life (on a budget phillips comp. called Cool Baby) has been on constant repeat: the old 'using the voice like a instrument' cliche seems to apply, but not through wild melisma or wordless wailing. It's more that she presents the tune in a way ornamented as an instrumentalist would, in a way that interestingly disregards the emotional demands of the words and instead inserts herself in the music with a full awareness of the harmonic structure.

In the Blossom Dearie RIP thread, someone described BD as delivering the words like a typeface: in some way this fits SV too, though not the same typeface - but the way she lets the vocal melody work as music, the way she lets meaning emerge from the music rather than 'autobiograph-ise' the words is lovely.

So, the real question.....what do I need to hear by her?

sonofstan, Monday, 16 March 2009 09:23 (fifteen years ago) link

I recall my Dad playing Sarah V around the house growing up, but I don't remember which specific records...I can't really help you re SV or BD. Helpful post from me, ha.

curmudgeon, Monday, 16 March 2009 16:05 (fifteen years ago) link

five years pass...

If anyone's still wondering, In The Land Of Hi-Fi, Sarah Vaughan with Clifford Brown and After Hours with Sarah Vaughan would all be very good, more jazz-oriented starting points. There are other, overtly poppier titles later. She goes in both directions quite easily and with gusto. All depends on your preference.

vmajestic, Friday, 25 April 2014 15:03 (ten years ago) link

one year passes...

¡Viva! Vaughan from 1964, produced by Quincy, where she does songs with a bit of latin feel, is remarkable. Just discovered it last night.

Sarah Vaughan with Clifford Brown

Basically any album that's called _____________ with Clifford Brown is worth hearing imo.

Johnny Fever, Friday, 3 July 2015 16:09 (eight years ago) link


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