So, about the only mention I've seen of these guys on here:
One thing that I've yet to really see discussed anywhere is the fact that much of what currently passes for industrial is really just trance music with goth vocals. VNV Nation immediately come to mind.-- Tantrum The Cat (Tantrum The Cat), Tuesday, December 21, 2004 7:26 PM (2 years ago) That's OTM. So much industrial is caught in a locked groove of 1995 trance.-- MindInRewind (Barry Bruner), Tuesday, December 21, 2004 7:32 PM (2 years ago)
-- Tantrum The Cat (Tantrum The Cat), Tuesday, December 21, 2004 7:26 PM (2 years ago)
That's OTM. So much industrial is caught in a locked groove of 1995 trance.
-- MindInRewind (Barry Bruner), Tuesday, December 21, 2004 7:32 PM (2 years ago)
Now this is totally true. And yet.
I'd heard about them for years and I was inclined to like them because they were buds/labelmates with Apoptygma Berzerk, who Dan and I like by default (Depeche-worshipping EBM/trance freaks, c'mon). But I'd barely heard anything by them until the other week when they came through on their latest tour for the Judgment album. To quote some of what I muttered elsewhere:
* More goth fashion variants than I've ever seen before. In fact more flat out full on goth/industrial types that I've seen at any show anywhere, period -- conservatively speaking, I'd say every 9 out of 10 attendees were sporting the look. It was kinda impressive.* I had no preconception of what the bandmembers looked like but I admit when Ronan Harris took the stage I didn't expect to see a guy who looked like he could have been in the Mighty Mighty Bosstones (admittedly dressed in black) running around the stage like Bruce Dickinson and doing all kinds of hip-hop-as-interpreted-by-a-nu-metal-guy gestures. * The open Depeche worship throughout was, of course, catnip for me. Harris said he first saw them in 1982 and combined that with a quick snarky rant about how people still give his band shit because they don't use guitars. Also he pretty much has David Gahan's shtick down of getting the crowd going, ie turning on a dime from crooning along on something to "AWRIGHT LET'S SEE THOSE HANDS!" But he balanced that pretty nicely with good humor and what honestly seemed like a surprise at how packed the place was (Wiltern Theatre, mostly sold out -- I was chilling at the back of the mezzanine) and how well they were received.* I knew that trance has been the dominant element in whatever EBM evolved into some time back but I admit I was surprised at how well it worked for them. What I also found interesting was how the various lyrical hooks and/or cliches willingly embraced fit in with aspirational trance in general, especially "Perpetual."* Their iconographic approach is a logical descendant of things like Nitzer Ebb circa This Total Age and Laibach and other similar things, all cleaned up and post-rave to boot. It's further reflected in the stage projections and the general design and instrumental set-up, lots of striking poses in the back and all. Jarring moments result -- they play the beginning of one song which has an extensive sample from some guy about war's destruction, and then all of a sudden the imagery is a CGI black/white cityscape that's part Fritz Lang, part Speer/Riefenstahl with the band logo dominating the top of the tallest building while searchlights play up and down it or otherwise reach into the sky. Haven't felt so unsettled in a live music context by what I was seeing and the implications one could draw from how imagery is reused and reinterpreted since I saw MIA two years back.Still, all good in the end -- it had been a *long* while since I saw a show heavily weighted towards that sonic approach in general and it was a good refresher.
* I had no preconception of what the bandmembers looked like but I admit when Ronan Harris took the stage I didn't expect to see a guy who looked like he could have been in the Mighty Mighty Bosstones (admittedly dressed in black) running around the stage like Bruce Dickinson and doing all kinds of hip-hop-as-interpreted-by-a-nu-metal-guy gestures.
* The open Depeche worship throughout was, of course, catnip for me. Harris said he first saw them in 1982 and combined that with a quick snarky rant about how people still give his band shit because they don't use guitars. Also he pretty much has David Gahan's shtick down of getting the crowd going, ie turning on a dime from crooning along on something to "AWRIGHT LET'S SEE THOSE HANDS!" But he balanced that pretty nicely with good humor and what honestly seemed like a surprise at how packed the place was (Wiltern Theatre, mostly sold out -- I was chilling at the back of the mezzanine) and how well they were received.
* I knew that trance has been the dominant element in whatever EBM evolved into some time back but I admit I was surprised at how well it worked for them. What I also found interesting was how the various lyrical hooks and/or cliches willingly embraced fit in with aspirational trance in general, especially "Perpetual."
* Their iconographic approach is a logical descendant of things like Nitzer Ebb circa This Total Age and Laibach and other similar things, all cleaned up and post-rave to boot. It's further reflected in the stage projections and the general design and instrumental set-up, lots of striking poses in the back and all. Jarring moments result -- they play the beginning of one song which has an extensive sample from some guy about war's destruction, and then all of a sudden the imagery is a CGI black/white cityscape that's part Fritz Lang, part Speer/Riefenstahl with the band logo dominating the top of the tallest building while searchlights play up and down it or otherwise reach into the sky. Haven't felt so unsettled in a live music context by what I was seeing and the implications one could draw from how imagery is reused and reinterpreted since I saw MIA two years back.
Still, all good in the end -- it had been a *long* while since I saw a show heavily weighted towards that sonic approach in general and it was a good refresher.
So from there I started exploring some of their stuff, and in dipping into it all I've realized that with their last couple of releases in particular they're figuring out just the right balance of variety within a specific form to make some really good -- and its best, surprisingly emotional -- electronic pop. I was especially surprised at how well the song "The Farthest Star" -- which you can hear through their Myspace page -- ended up affecting me; in its pitch-perfect readymade-for-notebook-scribbling-in-10th-grade-English way it actually was a sentiment that recharged me at a time when I was feeling exhausted by a lot of the stupidities of the wider world. No small thing.
So yeah, I'd say that they could easily be classified along with Apoptygma as industrial-as-Hot Topic-soundtrack, I thought that before and I can see it now. But it works and I like it a lot, without apology. Anyone else?
― Ned Raggett, Thursday, 5 July 2007 19:39 (sixteen years ago) link
I should probably clarify that I really like these guys.
There's a naked vulnerability to the vocal outro ("I'd only come here / seeking peace / I'd only come here / seeking me / it seems I came to leave") on "Darkangel" that STILL jolts me every time I hear it.
And Ned, if you haven't already, seek out the Ronan-led single "Forever", by Bruderschaft (a charity EPM supergroup that has members of Covenant and Apoptygma Berzerk on deck). It's really helped me in light of recent events.
― Tantrum The Cat, Thursday, 5 July 2007 20:27 (sixteen years ago) link
EPM = EBM, guh.
― Tantrum The Cat, Thursday, 5 July 2007 20:28 (sixteen years ago) link
I don't like them. I keep trying to give these guys a chance and it never does anything for me.
― Curt1s Stephens, Thursday, 5 July 2007 20:36 (sixteen years ago) link
I like Depeche worship but if shit doesn't deliver then forget it.
― Curt1s Stephens, Thursday, 5 July 2007 20:39 (sixteen years ago) link
I hear the Depeche Mode influence, but it's just that, an influence. They're not trying to be Depeche Mode (remixes notwithstanding, Depeche Mode were never as dancey as VNV), so it doesn't bother me.
― Tantrum The Cat, Thursday, 5 July 2007 20:46 (sixteen years ago) link
I believe I've heard of "Forever" but not heard it, thanks for the tip!
I think you've also identified a key point to Ronan's appeal as a vocalist, namely that when he found a way to sing rather than simply declaim/hector, he immediately got a lot more interesting -- the earliest stuff is accomplished but utterly unsurprising. It fits with the increasingly deft personal expressions in the songs, moving away from stock imagery though equally given to standard enough tropes. (This actually matches with the music too -- the glam rock beats sneaking in, even punk-pop of sorts, plus the more romantic/orchestral sweep of the ballads.)
Also, based on what I've read from him in interviews, he seems like someone who actually thinks a lot of things through in terms of how he approaches what he does and is able to talk about it intelligently -- I liked this interview a lot from a couple of years back.
And yeah, they're not trying to be Depeche, but there are ready points of comparison -- the largest is conceptual, though, and that's creating an 'anthemic' quality out of the source materials. There's no one way to do that, instead it all depends on how it's worked with, and they are definitely far more dance-centered than Martin Gore's formalism allows for.
― Ned Raggett, Thursday, 5 July 2007 20:48 (sixteen years ago) link
Also, I've since heard from a few folks who have worked with (and in some cases opened up for) the band live and apparently all of them are total sweethearts, friendly and really relaxed. Nice to hear!
― Ned Raggett, Thursday, 5 July 2007 20:50 (sixteen years ago) link
I dealt with Ronan in a retail setting a few years back, and he was perfectly polite & pleasant. Unfortunately, I didn't recognize him until after he left and a co-worker said "Wait a minute, that was...!"
― Tantrum The Cat, Thursday, 5 July 2007 20:57 (sixteen years ago) link
its pitch-perfect readymade-for-notebook-scribbling-in-10th-grade-English way
We had very different high school experiences, I guess, because this is exactly how I feel about the lyrics of...Dave Wyndorf.
― unperson, Thursday, 5 July 2007 21:00 (sixteen years ago) link
DOOD. He said. (Actually I think I was scribbling Tolkien -- figures.)
― Ned Raggett, Thursday, 5 July 2007 21:04 (sixteen years ago) link
Also have to say, listening to "Lightwave" here, that they do instrumentals *very* well -- nothing surprising about them in terms of trance, but extremely good examples of same crossed with the understated experimenting with the arrangements. I definitely think their three most recent albums are them at their best.
― Ned Raggett, Thursday, 5 July 2007 21:36 (sixteen years ago) link
I liked VNV a lot when I first heard them back in 2000, but they got so samey, I got a bit put off.
I cannot let this slide though: "One thing that I've yet to really see discussed anywhere is the fact that much of what currently passes for industrial is really just trance music with goth vocals. VNV Nation immediately come to mind."
This is complete rubbish! Industrial, and gothy dance EBM are quite different beasts. There are PLENTY of industrial bands out there still doing the hard, noisy, metallic thing NOTHING like VNV/Apop. My friend Jarod who does distribution of that kind of music would have an aneurysm if he read that.
― Trayce, Thursday, 5 July 2007 23:28 (sixteen years ago) link
(nb I obv didn't mean I expect bands who are influenced by Depeche to sound exactly like Depeche!!)
― Curt1s Stephens, Friday, 6 July 2007 01:11 (sixteen years ago) link
it was just a thing, since I often fall in line w/Ned on a lot of stuff, I was just using what he said about Depeche as a point of reference
― Curt1s Stephens, Friday, 6 July 2007 01:12 (sixteen years ago) link
I do defintely see the Ronan-as-Dave comparison though, the live thing with all the "WOO YEAH!" egging the audience on schtick.
― Trayce, Friday, 6 July 2007 01:22 (sixteen years ago) link
-- Trayce, Thursday, 5 July 2007 23:28 (Yesterday) Link
It's worth mentioning that I wrote that three years ago, and I've had a few people combat my ignorance in the time since!!!
My heart kinda sank seeing my own reductive, flippant words come back at me.
― Tantrum The Cat, Friday, 6 July 2007 02:00 (sixteen years ago) link
i saw these guys live once they sucked
― chaki, Friday, 6 July 2007 02:01 (sixteen years ago) link
Its ok Tant :) Its just I thought "wow how can anyone class VNV as industrial in the first place?" but that said I did kind of get yr point.
hahaha Chaki :D
― Trayce, Friday, 6 July 2007 02:02 (sixteen years ago) link
VNV just remind me of goth clubs in like 2001 with wankers in PVC pants emoting all over the dancefloor to fucking "Darkangel" EVERY SINGLE WEEK.
― Trayce, Friday, 6 July 2007 02:03 (sixteen years ago) link
Though that said, I do like the lyrics:
"I'd only come here seeking peace. I'd only come here seeking me.
It seems I came to leave."
― Trayce, Friday, 6 July 2007 02:04 (sixteen years ago) link
Incidentally, Ned, have you heard of Feeding Fingers? "Fireflies Make Us Sick" is fucking rad post-Cure mope stuff: http://www.justincurfman.com/fireflies.mp3
― Curt1s Stephens, Friday, 6 July 2007 05:18 (sixteen years ago) link
I listen.
*does so*
A fairly accurate description.
― Ned Raggett, Friday, 6 July 2007 05:19 (sixteen years ago) link
Rather dry comment there Ned! ;P
― Trayce, Friday, 6 July 2007 05:33 (sixteen years ago) link
my pride, deflated
― Curt1s Stephens, Friday, 6 July 2007 05:46 (sixteen years ago) link
I liked the track! I couldn't add anything more to it than what Curtis already said!
I think another key reason I like VNV is that more than any other 'industrial' band of recent years, they celebrate exaltation and hope. (Not a new thing per se at all, obvious forebears like DAF and Nitzer Ebb did as well, but not as consistently and gracefully.)
― Ned Raggett, Friday, 6 July 2007 05:48 (sixteen years ago) link
Gah theyre not an industrial band!!! I think Covenant and Das Ich and Combichrist and Skinny Puppy and etc might have words to say! *threatening look*
― Trayce, Friday, 6 July 2007 05:51 (sixteen years ago) link
Sorry that said though, I get the exultation thing. Its why I love Apop so much :)
― Trayce, Friday, 6 July 2007 05:53 (sixteen years ago) link
I'd rate the 3 albums I own from them (Praise The Fallen, Empires and Futureperfect) in chronological order. PtF is the more stomping and EBMish. I recall a post in VNV forum from Ronan Harris in which he said he got inspiration for "Empires" from epic trance, Push and the like.
For a favorite song I pick Futureperfect's finale, "Airships". The imagery is so vivid and uplifting:
http://www.youtube.com/watch?v=oUJ6UMhMguY
― no-nonsense, Friday, 6 July 2007 08:06 (sixteen years ago) link
Well then it's all come full circle, because Mike Dierickx (Push) has always said his biggest influences were EBM and Depeche Mode.
― Siegbran, Friday, 6 July 2007 08:12 (sixteen years ago) link
Why, are Das Ich considered industrial? I always put them firmly in the goth camp, but then again I haven't heard them since '93.
― baaderonixx, Friday, 6 July 2007 09:03 (sixteen years ago) link
Prefer Apop.
― flowersdie, Friday, 6 July 2007 09:26 (sixteen years ago) link
Only thing I know about these guys is my youngest brother (12 years younger) says they're played at Goth Night at the Nectarine Ballroom in Ann Arbor, along with all the same stuff they played at Goth Night when I was going 12 yrs ago (Sisters of Mercy, Front 242, Ministry, etc.)
― MC, Friday, 6 July 2007 12:01 (sixteen years ago) link
Hah - I'm always tempted to go to a goth night to see if they're still playing the stuff I was rocking out to 15 years ago.
― baaderonixx, Friday, 6 July 2007 12:02 (sixteen years ago) link
I was surprised too, but I guess I shouldn't have been. After all 12 yrs ago they were playing 12 year old Bauhaus when I went. Except then I guess they called it Alternative Night.
― MC, Friday, 6 July 2007 12:08 (sixteen years ago) link
A few of my friends tried to get me into VNV Nation for a while, Depeche fan that I am (though I agree with people here that have said they are definitely different bands). There's something about most of VNV's tracks that puts me off though - it's probably supposed to sound singular and driving, but their tracks come off as samey and simplistic to me. Like Trayce, I liked the first few songs I heard, but got bored quickly. I wish they would switch up their style more.
― Vinnie, Friday, 6 July 2007 14:51 (sixteen years ago) link
Um, they do? I have to repeat this again -- while through most of their existence they tended towards the monochromatic, the most recent albums are far more varied in comparison. There is a specific approach they prefer but they are not beholden to it time and again.
I can see how if you've been listening to them for years upon years your impressions may be otherwise, but coming in fresh as I have, I hear a band that has bootstrapped big time in the last couple of years. The timing for me becoming a fan couldn't've been better.
― Ned Raggett, Friday, 6 July 2007 14:55 (sixteen years ago) link
Oh, wow, "The Farthest Star"is making me cry at my desk.
― Tantrum The Cat, Friday, 6 July 2007 16:20 (sixteen years ago) link
It has that impact.
― Ned Raggett, Friday, 6 July 2007 16:23 (sixteen years ago) link
I have to buy this now. Whoah. If I can be an over-earnest fifteen-year-old for a second, I am SO living these lyrics right now.
― Tantrum The Cat, Friday, 6 July 2007 16:32 (sixteen years ago) link
Here's me on VNV. I like their two most recent albums a lot, but that's all I've heard and I don't know shit about electro subgenres. The biggest VNV fan I know is this guy at work whose real job is for some county department and who's a total family man. I've never seen him dress in any goth fashion variants, but who knows what he wears when he goes to shows?
― dr. phil, Friday, 6 July 2007 16:52 (sixteen years ago) link
That's a very deft way of looking at his work (and you actually know about musical details, always helpful ;-) ).
― Ned Raggett, Friday, 6 July 2007 16:54 (sixteen years ago) link
Ah, somehow I missed that you mentioned their newer material was more varied, Ned. And I haven't really heard anything of theirs after 2002, so that makes sense. BUT I did listen to "Farthest Star" and it doesn't sound that different to me than the older stuff. :P Perhaps they just aren't the band for me.
― Vinnie, Monday, 9 July 2007 19:44 (sixteen years ago) link
No worries.
Meantime this is the first post in what could be an extensive project, actually. I'm pondering the next installment.
― Ned Raggett, Monday, 9 July 2007 19:46 (sixteen years ago) link
vnv is one of those bands that i simply can't not associate with the ex who was obsessed with them. i suspect i would rather enjoy them if there wasn't that immediate reaction.
― Emily Bjurnhjam, Tuesday, 10 July 2007 03:44 (sixteen years ago) link
Meantime this is the first post in
You Must Be Logged-In to do That!
― energy flash gordon, Tuesday, 10 July 2007 11:08 (sixteen years ago) link
HAY NED guess what I got (but haven't opened yet) yesterday?
― HI DERE, Tuesday, 10 July 2007 12:11 (sixteen years ago) link
:-)
― Ned Raggett, Tuesday, 10 July 2007 12:38 (sixteen years ago) link
Well I hope Dan opened it. Anyway they're back again next month and yes I have my ticket. And this time I'll be able to sing along to just about everything.
― Ned Raggett, Monday, 6 August 2007 04:40 (sixteen years ago) link
They're no Interpol.
― brightscreamer, Monday, 6 August 2007 05:06 (sixteen years ago) link
And for that I am eternally grateful.
― Ned Raggett, Monday, 6 August 2007 05:09 (sixteen years ago) link
Me on 'The Farthest Star' at Redcat in LA last night
― Ned Raggett, Thursday, 24 January 2008 04:44 (sixteen years ago) link
I will say that Ned's essay is worth a read, even if the song isn't worth a listen ^_________^
― stephen, Tuesday, 29 January 2008 02:56 (sixteen years ago) link
Astounding!
― Ned Raggett, Tuesday, 29 January 2008 20:46 (sixteen years ago) link
Ned, I caught your "best of the year" article and saw how much you repped for these guys, and subsequently have tried giving them a listen. I don't know, maybe the fact that I never found much appeal in Depeche Mode or industrial stuff explains why I can't seem to latch onto these guys. I actually appreciate the naked lyrical approach, but I find something lacking in the delivery.
So, to somewhat echo stephen's comment above, I wish that I enjoyed their music as much as I do your writing!
― dell, Tuesday, 29 January 2008 21:10 (sixteen years ago) link
Hey, nothing wrong with that! I have my idee fixes as much as anyone else.
― Ned Raggett, Tuesday, 29 January 2008 21:11 (sixteen years ago) link
Also, gosh, your photos of food that you've been cooking up have been inspiring me. My lunar new year's resolution is to stop wasting so much money on beer and to start spending that money on produce and cook up good not-soley-subsistence quality food.
― dell, Tuesday, 29 January 2008 21:25 (sixteen years ago) link
When that change takes place, I should host a dinner party and soundtrack it with VNV nation.
― dell, Tuesday, 29 January 2008 21:27 (sixteen years ago) link
Also, gosh, your photos of food that you've been cooking up have been inspiring me.
lol join the club ^
― stephen, Tuesday, 29 January 2008 22:15 (sixteen years ago) link
It's all part of my plan (which in sum is "This isn't that HARD, folks, get in there!")
― Ned Raggett, Tuesday, 29 January 2008 22:17 (sixteen years ago) link
Ned, did you ever check out that Bruderschaft track?
― Tantrum The Cat, Tuesday, 29 January 2008 22:34 (sixteen years ago) link
Awesome, Ned.
Shit, maybe you should audition for the next food network starz competition!!
― dell, Tuesday, 29 January 2008 22:36 (sixteen years ago) link
Don't think I did, regrettably! Is there a page with it on there anywhere?
― Ned Raggett, Tuesday, 29 January 2008 23:46 (sixteen years ago) link
Yep: http://www.last.fm/music/Bruderschaft/_/Forever+%28radio+edit%29?autostart
Lyrics here: http://www.vnvnation.de/texte.php?show=0
― Tantrum The Cat, Tuesday, 29 January 2008 23:54 (sixteen years ago) link
New album Of Faith, Power and Glory comes out shortly and it is a killer. If you're not already convinced I doubt this will change minds but if you've given in like I have they've just refined everything all that much more powerfully. I'm still kinda amazed at how much I've become a complete, total fan.
― Ned Raggett, Thursday, 11 June 2009 05:35 (fourteen years ago) link
My review of said album. Even if I'm the only one who cares. :-D
― Ned Raggett, Tuesday, 16 June 2009 01:06 (fourteen years ago) link
I guess it took me six years to finally write this. But it couldn't have come any sooner:
http://nedraggett.tumblr.com/post/64690371439/i-would-recommend-reading-the-piece-first-before
― Ned Raggett, Monday, 21 October 2013 17:17 (ten years ago) link
Girlfriend dragged me to the show tonight in LA. Had a blast.
― errant flynn, Friday, 4 April 2014 06:29 (ten years ago) link
I have a penchant for mid 90's trance, though.
― errant flynn, Friday, 4 April 2014 06:31 (ten years ago) link
Cool! Sadly I had to miss this show -- first time since 2007! -- but I've no doubt they brought it.
― Ned Raggett, Friday, 4 April 2014 12:47 (ten years ago) link
Seriously thinking about doing an all-VNV playlist for first marathon this weekend.
― fuck me, archipelago (Simon H.), Friday, 22 May 2015 15:55 (eight years ago) link