Andy Stott

Interview with him: http://www.sonicrouter.com/2011/05/andy-stotts-modern-love/

this is pretty great

very great

the bass is so ridiculously heavy

https://www.youtube.com/watch?v=bHweamNAkjY

somebody left the DJ Hype tape on the radiator

Enjoying this new one more than Merciless, which I liked, but wasn't quite 'minimal' enough for me, if that makes sense. Also, I agree with the sentiment above about the length of these tunes. Maybe its dumb, but I really like that these albums are short.

<3

http://www.thewire.co.uk/articles/7280/

There's some more Andy Stott chat over here... "Mutant slow techno and Kevin Drumm records..." - A thread for Raime, Chasing Voices, Old Apparatus etc.

Interstate driving, torrential rain, listening to We Stay Together and not knowing what's music and what's not. Windshield wipers sync up PERFECTLY with "Posers." Life is occasionally awesome.

andy stott (and demdike stare) sound great when the weather turns colder.

YES!

Both Passed and We Stay Together have also sounded even better in the dark on the night bus home.

Have we mentioned the latter's brilliant artwork?

new track is idk

link pls?

http://pitchfork.com/reviews/tracks/14306-numb/

Have been playing his Boiler Room mix several times a day lately.

this new song is in the boiler room set (and presumably some other new stuff is too), and works really well there.

Interstate driving, torrential rain, listening to We Stay Together and not knowing what's music and what's not. Windshield wipers sync up PERFECTLY with "Posers." Life is occasionally awesome.

― If Assholes Could Fly This Place Would Be An Airport, Thursday, 3 November 2011 21:37 (10 months ago)

This happened to me with Hangle With Care a couple of weeks ago! Almost exactly.

Handle

out

ty

about to listen to this after lunch ahhh so excited

title track is tite

I like what I hear so far. Gonna have a good blast of this later after a few glasses of wine, it is midnight music.

Phew, amazing listen so far.

Also, new Quietus interview:

http://thequietus.com/articles/10464-andy-stott-interview-luxury-problems-passed-me-by

yeah, from what i've heard so far i'm excited about this album

this is ridiculously good

beautiful but ominous at the same time, there's this sense of dread that's at odds with the gorgeous vocals, and it creates this really cool tension

Julie Cruise stuck inside a bass drum.

I'm noticing much less ducking/sidechain compression on the two youtube clips I've seen/heard.

don't like the part where he says his music since passed me by has zero outside influences (yeah right), just seconds ago he was going on about how the modern love guys gave him stuff that he then copied.

the artwork has the same problem.

wow this album is kind of mindblowing. i don't care what he's saying about influences (you could make all sorts of claims about what's going on here) as long as he keeps making tunes at this level of quality he gets a free pass imo

Passed Me By/We Stay Together/Luxury Problems is a remarkable hot streak. I agree, he can talk as much nonsense as he wants!

This is good, but way uneven IMO. Some of the tracks are jaw-droppingly cool, and some fall totally flat. The vocals don't always work; in fact, I think they usually don't. They feel shoehorned in. (They're also of a style/vibe I don't really like.)

I wish the vocals always worked as well as they do on "Leaving"

But that creamy/oh-so-soft/drenched-in-reverb female vocal thing is still not my bag

this is rather wonderful. and i was thoroughly bored by his previous two albums. the vocals provide such a great contrast to the music.

bits of this are REALLY mezzaniney

melody in "lost and found" really reminds me of something, on the tip of my tongue, agh

I've seen several folks praising that contrast between the vocals and the music... My question is, why would you *want* something to contrast beats that deep/dark and gritty? For me, they just distract from the kind of inarticulable graininess of the underlying tracks; they feel too much like signposts, too eager to signify.

Because the vocals provide contrast, making the graininess noticeable even after several tracks, creating a gestalt whole that is more than the sum?

I can imagine that happening for sure (the gestalt whole that exceeds the sum), but I don't think this record achieves it... But I do also think I need to give it a little more time/effort.

My question is, why would you *want* something to contrast beats that deep/dark and gritty

because that was what his previous albums were and i found them immensely dull

vocals are pretty deep dark and gritty too, to these ears

lex are you thinking of "wishing on a star"

Lex, for fun, you should try playing the tracks from last year's EPs at 45 RPM instead of 33... There are youtubes of some of these:

https://www.youtube.com/watch?v=20g8ro8m5L8

Gives them a different energy for sure.

definitely!

tbf I think that's what shackleton does live, or at least doubles down on the beats

I wasn't in the right frame of mind for this record last week; listening again, I'm liking it a lot more.

I knew you would see the light. This is is one of them albums that gives you more every time you come back to it.

still gorgeous

title track basically sounds like a lost instrumental from massive attack's mezzanine

those peals of sound breaking out on that song like some sort of involuntary shudder

Finally picked this up. I've listened before but not as closely as it deserves.

Hatch the Plan ....... so good.

maybe tmi but "luxury problems" has been the sex soundtrack more often than not lately.

new free track

https://soundcloud.com/wmstrecs/andy-stott-anytime-soon

https://soundcloud.com/modernlove/violence

awesome.

Faith In Strangers is brilliant, feels like a midpoint of Luxury Problems and Passed Me By but with more shades of grey.

it's not really doing it for me as anything other than background ish :(

otm

little overrated at this point, i think

hesitated on checking it out but enjoying the new one quite a bit. think I'm getting more of a whiff of goth from some of these songs than I've had before (bass playing on the title track especially). agree that it might not be as striking and as alien as previous stuff - feels like it engages with more mundane human experiences maybe? that's not necessarily a weakness from my pov though.

whiff of goth from some of these songs than I've had before (bass playing on the title track especially)

That's what pulled me in after hearing that song, only to realise that qwas not particularly representative.

New album is really good despite its comparative lack of deep bass sounds

New Andy Stott track sounds like he was listening to I Got 5 On It
https://soundcloud.com/modernlove/andy-stott-versi

new double EP (!) is apparently a looser, experimental thing before a proper album in 2020

really great so far

This double EP sounds like a proper album to me, or at least it could be. Very high hopes for the 2020 release given this

Keep thinking "(But You Playin')" should be appended to the title

It's a fine EP, but it continues the trend of being nowhere near as good as Luxury Problems.

Ooh, I didn’t know about this. It’s pretty great.

Love the hi hat flub in “Take”

Was kind of meh on this earlier, relistening to this now as I am relistening to 2019 albums while trying to make my end of year list and really enjoying this now.

It is really great, kinda relaxing played low. One of the best of the year I reckon.

yeah it's easily my fav of his in years... just has a solid tone and vibe about it and is consistent from top to bottom

the new album out today is really fuckin good. nice to see alison skidmore getting proper feature credit this time as well

It's a good one, but definitely feels a bit front loaded. Take the first half and the closing track and you have a stunning EP though. Curious to hear the material he abandoned before this.