Is It Wrong To Like Mike Oldfield?

I checked out that Pekka Pohjola album. I enjoyed it, especially the long title track. Reminded me of Alf Emil Eik's Joy & Breath of Eternity.

saving Amarok & Hergest for a car trip this weekend

i listened to 'crises' and 'ommadawn' last night. still waiting for 'amarok', 'hergest' and 'incantations' to dl, looking forward to those very much

also can't get "foreign affair" out of my head

used to hammer tubular bells when i was a kid and have just heard guilty for the first time. in fact im already in the process of doing an edit of it to play tommorow night, wow. incantations sounds sick too, reminds me of the chord progression of a song from fenneszs venice. belbury poly has gave me such a lust for anything completely out of time that i seem to be absolutely eating up medieval style ballads with soaring guitars over the top (which is a surprise)

I will confirm that I listened to Hergest Ridge and Guilty last night.

This thread has been great for bringing me back to Mike! Last night I listened to a chunk of 5 Miles Out.......on a plane! I'm not sure if I was technically 5 miles out but it was over the Rockies so it must've been close. Actually it wasn't that good because of the plane noise. I listened to the whole thing when I got home and that is a great Mike Oldfield album. All the usual tropes are present: singing guitars, vocoders, never-ending anthemic crescendos, a full-on hey-nonny-no hoe-down; neanderthal-inspired rock banging (what is it with this guy and his caveman influences) etc. And the title track and Family Man are both really great. I'm starting to really like the vocal stuff on Incantations now too. The Hiawatha track especially. It's quite beautifully hypnotic.

I can't believe that people on ILM will rep so hard for Mike Oldfield and totally ignore Steve Hillage. Sigh.

Or Steve Tibbetts for that matter

ha.
just deleted 3 albums of Hillage off my hard disc (Rainbow/L/Fish Rising)
.. now i am beginning to want to revisit them.
off to see if they are still in my bin to restore ..

Hey, I'm a fan of Gong and was just listening to Fish Rising last week. It's great. Masonic, i thought you were allergic to that stuff owing to the pixie dust and patchouli? I don't really place it in the same category as Mike Oldfield though. Maybe I need to hear some of his later albums? I guess Hillage wasn't as ubiquitous in parental/older sibling's record collections as Tubular Bells was, so our impressionable ten year old minds weren't programmed by him in the same way that they were by MO.

I'm digging Tubular Bells right now, all I ever heard of it was that creepy opening bit. Is any of his other stuff worth it? Heard so many good and bad things about him...help!?

Read the thread.

i have read it, there's like zero consensus
thanks anyway

dude all your help is upthread

but basically, Hergest, Incantations, Amarok

i can't see photobucket
but yeah i'll have to give one of those a listen

I always assumed Tubular Bells was like Oxygene - like a classic work
But it all seems too scattershot for that; is this the way he usually records his albums?

Hergest & Incantations are a bit more coherent, but yes part of the appeal is that these are suites that go all over the place & I love Amarok because you just have no idea what it's about to do

I did check out the deluxe reissues of Hergest and Ommadawn that came out last year -- each one a 3 disc set with a 2010 remix on disc 1, original mix w/ bonus material on disc 2 and a 5.1 surround DVD

Hergest lineage is complicated -- there was the original 1974 vinyl mix, which is trying its hardest to be a rock record. then he remixed it completely for the 1976 'Boxed' set, with liner notes that quote him saying something like 'now it's the experiment in texture I always wanted it to be'. that's the only version that's been pressed to CD for the last 25 years. but the 1976 mix isn't on this deluxe edition -- it's the 1974 mix and a new 2010 mix. and the 2010 mix is actually very close to the 1974 mix in approach, back to trying to be a rock record, but carefully composed out with automation, tons of changing dynamics & balances and everything trying to reach out and grab you every few bars - utterly different details are brought out, other ones totally obscured, just a completely performance of the music.

It's always going to be the 1976 version for me. Maybe because it's the first I heard, but it's just got that floating ambience -- this new version is way too flashy. But disc 2 also has a home demo of the whole piece, tracked almost entirely with home organ & guitars, and that's worth hearing if you're a fanatic.

The 2010 Ommadawn I thought was pretty maxed out and epic, especially the end of side 1. And the packaging has that picture of his extended family under the tree.

Amarok is the Oldfield album for people who like the editing aesthetic of The Faust Tapes

Thinking I'm gonna check out Heargst then. I've heard a ton of good things about Amarok tough so I was surprised to see that it came out in 1990.

From what I can tell Oldfield never really had much of a sense of how his work would be recieved or what it should sound like, so it doesn't surprise me that he's constantly re-recording everything.

Dude was racked by self-doubt and little or no self-confidence, in the early days anyway

Timely revive. Ordered Hergest Ridge yesterday as it happens as my camping soundtrack for next week on account of good memories of this thread.

Trouble is frogbs, there's worthwhile tracks on pretty much each album I've heard (all of them up till maybe Amarok) you might like the more longform ones.

What's weird also if how much in hock he is to Glass and Reich, but especially Glass. Nobody ever really mentions it, Milton did upthread mind.

well, it was Glass he did a cover version of in 1979 (even hired Glass' engineer & arranger for that track) but I hear a lot more Reich than Glass on things like Incantations

people do not mention it because Oldfield's awkward pop songs have never been 'cool' but now that Kayne's sampled him maybe things will change

& people all crazy about things like Ford & Lopatin, y'know, if you want to see something genuinely awkward, you can only fly until dawn

ha ha oh GOD, at the ending, Mike's triumphant fist-clenching o'er fireworks

kinda love that one. it is not even wrong.

some tracks from his Guitars album keep popping up on last.fm

is his whole style just overdubs, or does he actually do band-oriented stuff?

now that Kayne's sampled him

or Kanye I guess is how you're supposed to spell his name

some tracks from his Guitars album

I just joined a band with one of the only other Oldfield fanatics I personally know and he always swears there are things worth hearing after 1991 but whenever he tries to play me some of it I get scared pretty quickly

is his whole style just overdubs, or does he actually do band-oriented stuff?

I can't think of anyone since Les Paul who'd really made overdub fetishism such a part of their music's persona, where what you hear is not trying for the illusion of a live band, but intended to be heard as one person's expression, only Les Paul sounded like a band, and Oldfield took it to a point where he sounded like an entire orchestra. common practice now, but it wasn't when Oldfield put out his debut album at age 19

but the BBC4 TV live version of Tubular Bells upthread, I like better than the record, and the late 70's live band record 'Exposed' is worth checking out after you hear the originals

y'know what I'd never seen until just now? the video for 'Heaven's Open'. please do not watch it

Been listening to Hergest Ridge a bit lately; it doesn't have the iconic feel of TB but in many ways is a "cooler" record. I have the 2010 remaster on, in what ways is the 1976 version different? Is it a dramatic thing? I'm a little annoyed by all the Tubular Bells extras - you get the original, the demo, the 2010 "remix", not sure what exactly the differences are among any of these things.

the 1976 record is more about texture, it's more elegant, flows and builds more slowly, it's dreamier. it also anticipates minimalism in the way it is content to just keep cycling & repeating. the 1974/2010 mixes are trying harder not to be boring, changes the balances of the instruments more often, and pushes the stringed instruments & drums higher in the mix. some of the brass textures really go over the top in a way I personally find to be a bit too much. it's a pretty good demonstration of how a remix of a record constitutes a completely different performance of the piece; all the tracks are the same performances, but the result of the orchestration has a completely different result

1976 mix all the way for me, but granted it's the one I grew up with

I have listened to 'Tubular Bells' maybe 3 times in my life but have lost track of the number of times I've listened to 'Hergest'

I've been cranking the second half of the second side of Hergest Ridge a lot. Such an unexpected surprise, kind of reminds me of the growler parts in TB, where you kind of feel like you're getting a good impression of the album as something more soothing and predictable, then it suddenly switches it up on you.

& people all crazy about things like Ford & Lopatin, y'know, if you want to see something genuinely awkward, you can only fly until dawn

I LOVE MIKE OUTFIELD... HE IS GREAT MUSIC MAKER
geo86970 2 weeks ago

I listened to the entirety of side one just the other day during a rainy stroll through Chelsea (and stepped on Ethan Hawke's foot -- by accident, I assure you -- on the corner of 10th Avenue and 21st street).

Wow wow wow, just discovered that 7:00 in to Mike Oldfield's 'Ommadawn' you hit the pipes and pianas beauty of the 1980s John Grant/Jackanory Littlenose theme tune! I can't be 100% sure that my attachment to this melody isn't entirely sentimental and the product of my dad giving me a cassette version of 'Littlenose the Joker' to run into the ground from a very early age, but I've listened to this 90 seconds of music about 15 times on the trot now and I can't help but share it (6.40 onwards):

https://www.youtube.com/watch?v=cpToJDpxQa0

it's wrong to like things that cool people hate

I thought this revive might somehow be related to the new Daft Punk.

i been laboring under the misapprehension that mike oldfield is cool as hell since like 1981

yeah, no shame at all in the oldfield game.

I was delving heavy into Mike Oldfield and Will Ackerman this time last year — for the first time.

Needless to say —as a pre-Mike Oldfield John Martyn and Durutti Column fan— my first listens to Hergest Ridge and Ommadawn were fairly awesome.

I'm definitely a fan.

Man, if this is wrong, I don't want to be right.

oldfield is on a lot of great albums of the 1970s. he has some awesome riffage on wyatt's rock bottom.

i should say, a lot of great albums OTHER THAN HIS OWN.

The second bit of Hergest Ridge Pt II sounds like some sort of demented Big Country jam.

Actually, it sounds like the music they did for the Restless Natives soundtrack.

Oops, dropping a bit tooo much Big Country knowledge there.

Don't be embarrassed, you're doing it on a Mike Oldfield thread

Haha, true!

Just watched the BBC4 TB doc, did not expect to be quite so moved by it at all, good grief. Definitely worth watching. Watching the follow on programme now, which is the 1973 BBC Second House performance of TB. I recognise Fred Frith and Steve Hillage and Mick Taylor, but has anyone got a complete listing of who plays on that?

No Viv Stanshall in the studio, whch is a great shame, but I understand now that he might not have been the most polished of performers.

Is it wrong to want to be Mike Oldfield?

http://tmr-web.co.uk/robreedsancturay/Blank.html

his version of "All Right Now" is really bad