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also in re: to the wes montgomery stuff posted many years ago:
John Coltrane Session 61-09-26 to 61-10-01:
Date: 26 September – 01 October 1961.
Place: San Francisco Jazz Workshop, CA.
Ensemble: John Coltrane Sextet: John Coltrane soprano sax, tenor sax, Eric Dolphy as bass clarinet, flute, McCoy Tyner piano, Wes Montgomery gtr, Reggie Workman bass, Elvin Jones drums,
Recording: Private audience tape.
Recording Engineer:
Alternative Issues:
Recent Available Issue:
1. Unknown set list (?:??) (Unissued.)
from here: http://www.kyushu-ns.ac.jp/~allan/Documents/JC_S_60-64.HTML
sooo maybe someday?
― tylerw, Wednesday, 4 May 2011 21:27 (twelve years ago) link
Wow. That'd be mind-blowing.
Still holding out for the 1966 "Titans Of Tenor" show (the Ayler brothers and Carlos Ward joined Trane & Pharoah) and the private recording of Trane messing around with a Varitone that supposedly exists.
https://www.youtube.com/watch?v=6Ym0ndTmsk4
Recorded: Van Gelder Studio, Englewood Cliffs, NJ Sept. 23, 1968
Personnel:
Sonny Stitt - Tenor Sax/Varitone
Don Patterson - Hammond B-3 Organ
Billy Butler - Guitar
Billy James - Drums
* The Varitone was an electric saxophone/devise
developed by H&A Selmer Inc., in 1965. In this 1968 recording Sonny Stitt makes use of the Varitone. It enabled a player to produce, among other effects, not merely his own sound, but the same sound an octave higher or lower. This "Octavizer" effect can be heard most clearly from 3:10 to 3:20.
― tylerw, Thursday, 5 May 2011 14:45 (twelve years ago) link
Wish I had sound at work...if I recall correctly, though, the effect is much more pronounced on the Terry record (as it should be, or the Varitone people would be pretty pissed).