Captain Beefheart

hahaha!

yup.

must get doc as well. its criminal that i haven't heard this yet.

I rank the Beefheart albums thusly:

1) Decals
2) Trout Mask
3) Strictly Personal
3) Clear Spot
4) Doc
5) Crow
6) Safe as Milk
7) Spotlight Kid
8) Mirror Man

I haven't heard "Unconditionally Guaranteed" or "Bluejeans and Moonbeams." I suspect they're not nearly as bad as everyone says, but I won't mind being wrong on that score.

Whoever said that "Decals" doesn't rock is insane. "Doctor Dark" is one of the rockinist songs EVAH. Plus the title track? Come ON! I do love TMR, but it's hard for me to swallow in one go. Plus, some of the instrumental 'house' versions of the TMR songs available on the "Grow Fins" boxset are more groovin' than the Zappa studio versions, particularly "Hobo Chang Ba."

Trout Mask .. genious, masterpice, etc.. but I think it sounds like a late 60's psychedelic album (which it is...) .But I mean, it sounds dated & sounds like he was trying to be weird.. Decals seems more *?sincere?* (not sure if that's the word I want...)

...Al Johnson of U.S. Maple.

Stuff like 'Doc' on the other hand incorporated the weirdness much better, taking the music somewhere else, instead of putting the weirdness into music. I dunno - maybe it stems from my total disinterest in da bluuues, whereas I dig Doc's contemporay rock base, on an atonal tip

the time signatures in beefheart are not 4/4 like in blues but they are not quite the same. the way the instruments 'grate' against one another in TMR aren't like in a blues record. that's even before you get to the field recording shit.

the blues is at the heart of TMR but to call it simply a blues rec is to kind of simplify things a bit.

So amend my list to add "Shiny Beast (Bat Chain Puller)" at #9.

'shiny beast' are the half-hearted attempts to re-record everything and I'll agree it's a bit tame, but the original 'bat chain puller' has moments that rival anything. 'brickbats' alone.

'Doc at the Radar Station', with its leaner more polished sound, still has a very angular feel but seems more informed by Zappa's take on XX century atonal music than Coleman style free-jazz (just listen to those instrumentals on Doc)

Yeah, like Zappa informed Beefheart's music one iota.

hey colin not logged in: fair enuff so why did you say that ''It's all blues'' (I mean from what you're saying it is blues + x something).

I rank them:
1-Decals
2-Doc
3-TMR
4-Clear Spot
5-Safe as Milk
6-Ice Cream
7-Spotlight Kid
8-Shiny Beast
9-Strictly Personal
10-Mirror Man
11-Bluejeans & Moonbeams
12-Unconditionally

I've listened to him a lot and I couldn't tell you what it is or what it isn't. There is something incomplete about a lot of it, which isn't a bad thing; the production is almost always bad, except on the last 3 and "Clear Spot." "Decals" really suffers from the shitty bass and drum sound, since the bass and drum playing on that one is amazing. I regard "Decals" as the best because it's the most concise and focused. "Doc" sounds flat (esp. on the Caroline CD I have) but "Dirty Blue Gene" pretty sums up what I like about Beefheart, and overall I think the words on that one are his best by far. Only thing that makes it less than perfect is his voice--he's still funny but the old power and range just ain't there any more.
Zappa once said that CB had a bad sense of rhythm. FZ generally makes me urp but he's right in this case. The weird thing about Beef is the way the music works against itself; there's something horribly thwarted in a lot of it and you sense he's just impatient. The thing that saves it, usually, is the sense as well that he's aware of it but can do nothing about it except to mock his own impulses, constantly, and only occasionally does something really unifed and fairly un-neurotic emerge, like "Click Clack" or the "Clear Spot" album or the great "Best Batch Yet." But Beef's bad rhythm is not really bad in the sense that ordinary folks have bad rhythm--it's more like Howlin' Wolf's slightly off sense of what's happening, metrically, and I've always thought that Beef internalized some of this, and actually did a very strange and cool thing by internalizing all the wrong and oblique aspects of "blues" and came out with what he came out with.

-- J

No--I like it a lot too and it's cool as a response to various things happening at the same time (Beatles, blues revival shit, etc.). In many ways it's his most rockin' album before "Clear Spot."

sounds OK to me.

-- Dadaismus (kcoyne3...), April 23rd, 2003. (later)

anyone care to discuss this?

sounds OK to me.

-- Julio Desouza

Sounds OK but not good. Barely acceptable. Sorta works to reinforce the weird vaudeville vibe of the record, I guess. The pitter-pat of little tap-dancing feet or something.

The Beat Club video I thought was amazing as you could actually see how some of that stuff was played.

https://www.youtube.com/watch?v=G0d0rsW9p3I

I was just thinking after watching this SNL the other night https://vimeo.com/385867940

I think there was a gig filmed for French TV, 1980? Not sure how much of the gig.

I had no choice but to to stan (it’s actually kinda beautiful) pic.twitter.com/uGp9iWXnr4

— Sasha Frere-Jones (@zombiesfj) August 9, 2021

This was the last straw that finally got me off my ass to order this.

By the way, this week Trout Mask Replica appeared on streaming services for the first time ever (the 2013 Bob Ludwig remaster).

The Legendary A&M Sessions is just an awesome record.

^^Speaking of, The Captain gets a phone interview and a needle drop on American Bandstand in '66:

https://www.youtube.com/watch?v=XFfKWfJ8Tc8

https://www.youtube.com/watch?v=yKWVLOIEO-Q

^ never heard this before - from the blue collar OST
the clanging/industrial percussion is cool!

yeah the only place that's been compiled is on The Dust Blows Forward 2xCD, I think

that's a cool one. i heard it on a Jack Nitzsche comp ... called Hard Workin Man, actually! https://www.discogs.com/release/4561165-Jack-Nitzsche-Hard-Workin-Man-The-Jack-Nitzsche-Story-Volume-2

Guess it's a little reunion with the captain and ry cooder, too.

Which was absolute torture to record according to Cooder - hilarious torture though.

Only found out the other day that there's an exhibition of Don's paintings currently on in London:

https://www.michaelwerner.com/exhibitions/don-van-vliet7

Thanks for reminding me, I'd forgotten that was on.

Ry Cooder:

We wrote the tune and I don't remember a whole lot about it except that [I wondered] who can sing this? Well, only Beefheart's got that kind of crazy low voice to put this across. I got him to come down out of the desert - it was the last time I saw him. Locked him in a room and went through all kinds of hell to get him to sing the whole song once. He's the most incorrigible, difficult guy in the world. "I hate Hollywood... those lights - I hate those lights... who's that guy?" That's just the producer, leave him alone... "I hate producers." Just sing the song. "I have to go to the bathroom." Just sing... the song. Jesus Christ! We locked the door. Actually did. "Get me outta here," he was yelling - banging the door with his fists. I said, "You sing - then you can come out." He put me through a lot of hell during the Safe As Milk days and I got off on that. I got him now! We got Beefheart now. But it was good.

it's too bad the much more profane film version doesn't seem to have been released anywhere officially...

Only found out the other day that there's an exhibition of Don's paintings currently on in London:

https://www.michaelwerner.com/exhibitions/don-van-vliet7

― Ward Fowler, Wednesday, 10 January 2024 bookmarkflaglink

Nice. I am definitely going

I went. Found the paintings to have a similar energy to his music. They are not fully abstract, nor fully figurative.

I've never been to the desert but I got a feeling this is what it could be like. They transported me there.

One week to go, it's just three rooms. Go.