I propose Wake of the Flood as a superior alternative to both of them!
― morris pavilion (samjeff), Friday, 16 April 2004 20:29 (twenty years ago) link
American Beauty has too many songs that are more blatantly CSN rip-offs, and are just too sappy (especially "Attics of My Life--ugh).
― Scott CE (Scott CE), Friday, 16 April 2004 20:54 (twenty years ago) link
― morris pavilion (samjeff), Friday, 16 April 2004 21:26 (twenty years ago) link
CSN-RIPOFF? ARE YOU FREAKING CRAZY? THE DEAD ARE BEYOND REPROACH OR QUESTIONING. JERRY LIVES!
― newnumbertwo, Friday, 16 April 2004 23:26 (twenty years ago) link
Not exactly.
― Alex in NYC (vassifer), Friday, 16 April 2004 23:40 (twenty years ago) link
The two albums are always considered of a piece, two sides of the same coin, etc. But I think American Beauty is definitely the superior album. The songwriting is consistently wonderful across both records, but I think the best tracks on AB reach higher highs than the best tracks on Workingman's Dead. "Ripple" and "Box of Rain" are to me THE iconic Dead tracks (well, besides "Dark Star" of course), just beautiful melodies and harmonies on both (thus proving that they could sing in tune, just not onstage). "Friend of the Devil" and "Sugar Magnolia" the are enduring concert staples. "Brokedown Palace" is probably my favorite Hunter lyric. "'Till the Morning Comes" is the darkhorse track, I love to blast that one.
As far as the BIG HITS go, yeah I like "Truckin'" better than WD's "Casey Jones". And AB has the better Pigpen showcase; "Operator" is way better than "Easy Wind". Plus he wrote it! I don't like all the hip-jive lines about "ballin' that jack" or whatever it is on "Easy Wind". It's like Hunter got really lazy and just gave his subpar song to poor Ron. Uncool!
But more than anything I just think AB has a few more instances of what Marcello likes to call punctum; those perfect moments in a song that elevate its cognitive/emotional impact. The mandolin line that David Grisman plays behind the chorus on "Ripple" is one such instance. That descending guitar line that emerges on the last chorus of "Sugar Magnolia", right before the "Sunshine dayream" coda. And nothing can top that watery, sighing steel guitar solo that Garcia plays on "Candyman". I mean, that's what master musicians do - conjure moments of beauty like that.
American Beauty just feels fuller, it has more songs, it's easier to melt into.
― Broheems (diamond), Saturday, 17 April 2004 00:12 (twenty years ago) link
― jack cole (jackcole), Saturday, 17 April 2004 00:13 (twenty years ago) link
But yeah, I think they sound great with booze or without! That's the thing though, they aren't really druggy albums. Well, that "Candyman" solo is pretty druggy. But it's relatively short.
― Broheems (diamond), Saturday, 17 April 2004 00:18 (twenty years ago) link
but is it good without drugs? ;)
I dunno, are the Ramones?
― gabbneb (gabbneb), Saturday, 17 April 2004 00:56 (twenty years ago) link
― Barry Bruner (Barry Bruner), Saturday, 17 April 2004 01:04 (twenty years ago) link
― gabbneb (gabbneb), Saturday, 17 April 2004 01:12 (twenty years ago) link
― gabbneb (gabbneb), Saturday, 17 April 2004 01:15 (twenty years ago) link
― Barry Bruner (Barry Bruner), Saturday, 17 April 2004 01:17 (twenty years ago) link
― gabbneb (gabbneb), Saturday, 17 April 2004 01:24 (twenty years ago) link
― Broheems (diamond), Saturday, 17 April 2004 01:28 (twenty years ago) link
We should revive the parse-Xgau 1000-post thread - I'm still not sure whether he's paying Attics a compliment or not here. Is the "nothing upstairs" line supposed to mean that it's the only one of the songs that doesn't actually have something interesting to say about "love, dreams, etc." or that it's it the only one where the music really reaches the heights promised by the lyrical them? Both?
― gabbneb (gabbneb), Saturday, 17 April 2004 01:37 (twenty years ago) link
still AB for me, but I am raising my opinion of WD.
I am sort of in love with "Easy Wind" lately ... I'm totally past the fact that Ron lamely croaks out "ballin" 3 times in the cut ... it's all about those stinging, Cipollina-esque, vibrato leads that punctuate the verses. and the fact that the drumming sounds so purposefully bad. until it all slams together for that "EEEEASY WIND" moment on the "chorus", such as it is.....
AB will still always win for the 'Candyman' pedal steel solo alone, but "Workingman's" is really working for me right now
― Stormy Davis, Saturday, 5 April 2008 07:24 (sixteen years ago) link
and "Attics Of My Life" totally rules, despite the douchebag comments upthread
― Stormy Davis, Saturday, 5 April 2008 07:31 (sixteen years ago) link
hahahaha! oh stormy stormy i almost revived a dead thread last week just to say that workingman's dead is PERFECT until pigpen shows up! for real! every song is amazing and i feel like easy wind is the only clunker in the bunch.
sorry.
― scott seward, Saturday, 5 April 2008 09:16 (sixteen years ago) link
I am raising my opinion of WD.
Yeah, I'm growing to appreciate the individual songs on WD more, but I like it less as an album because it sounds more disjointed. AB has more straightforward songs. The three I like least off of WD are "Uncle John's", "Cumberland Blues", and 'New Speedway" which work well in concert, but come off a little flat on the record.
Also, "Please don't dominate the rap, Jack/If you got nothing new to say" makes New Speedway Boogie in particular sound hilariously dated.
This thread sort of unfairly leaves out Europe 72 and the first Garcia solo album: you can't overlook He's Gone, Brown-Eyed Women, Jack Straw, Tennessee Jed, Deal, Sugaree, or Loser when examining this songwriting era.
― kingkongvsgodzilla, Saturday, 5 April 2008 09:35 (sixteen years ago) link
i always thought the album version of uncle john's band sounded amazing. not flat at all. i think the whole album sounds great. even though i do have my problem with easy wind. man, if only candyman had been in its place. then you would have had a perfect album.
― scott seward, Saturday, 5 April 2008 09:47 (sixteen years ago) link
"Operator" is the better Pigpen track, out of his late-life offerings. It was a sad fucking day when I had outlived Pig, moreso than any of those other bastards who died at 27.
― kingkongvsgodzilla, Saturday, 5 April 2008 09:51 (sixteen years ago) link
I prefer "American Beauty", which has more of those wonderful vocals. It is slightly less "country-rootsy", plus the backing vocals are mixed in stereo which makes it a more interesting listen.
― Geir Hongro, Saturday, 5 April 2008 16:42 (sixteen years ago) link
"This thread sort of unfairly leaves out Europe 72 and the first Garcia solo album: "
Bob Weir's Ace also is another record from this time that has a bunch of tunes that became staples of the band's live set.
It is safe to say, this band was on quite the roll during this time.
To answer the original question, Workingman's Dead is about the best gateway drug for the group unless you are wanting to turn some on to their songwriting.
― earlnash, Saturday, 5 April 2008 16:58 (sixteen years ago) link
I am sort of in love with "Easy Wind" lately ... I'm totally past the fact that Ron lamely croaks out "ballin" 3 times in the cut
I love the way all of them congeal in this really weird way to produce the collective rhythm. It's so herky jerky, loose but tight, all that stuff. It just kind of tumbles along with with a very vague but definite sense of intent.
Hunter has always been bummed that the original material on Europe 72 was never recorded in the studio. My all time fave Dead tune is on Europe 72..."Wharf Rat".
― QuantumNoise, Saturday, 5 April 2008 17:03 (sixteen years ago) link
I go back and forth with these two records, AB and WD. I love them bot. For a long time I thought Workingman's Dead was the better album, but in '08 I've definitely been jamming American Beauty a lot more. I think my favorite is whichever one is playing RIGHT NOW. Unfortunately I don't have anything terribly insightful to say. Great harmonies, great songwriting, both records SOUND really good. Maybe Garcia says it best, "For me, the models were music that I'd liked before that was basically simply constructed but terribly effective - like the old Buck Owens records from Bakersfield. Those records were basic rock & roll: nice, raw, simple, straight-ahead music, with good vocals and substantial instrumentation but nothing flashy." I think that's pretty key, in regards to what came before with the Dead; it was a step in the right direction in my mind. Not that Live/Dead or s/t or Anthem are bad records--they're not at all--but a much more direct statement could be made to the record listener by "normalizing" a bit, holding back the weirdness factor.
― bell_labs, Saturday, 5 April 2008 17:52 (sixteen years ago) link
^^ ian not b_l
― bell_labs, Saturday, 5 April 2008 17:53 (sixteen years ago) link
I think my favorite is whichever one is playing RIGHT NOW.
The classic answer. : )
― kingkongvsgodzilla, Saturday, 5 April 2008 18:03 (sixteen years ago) link
http://i166.photobucket.com/albums/u120/kingkonggodzilla/history_fpo_walton.jpg
― kingkongvsgodzilla, Saturday, 5 April 2008 18:11 (sixteen years ago) link
"My all time fave Dead tune is on Europe 72..."Wharf Rat"."
WR's on Skull and Roses, not '72. Great song though.
I vote for AB. The remastered CD has a great live version of Truckin. THe beginning's cut off, but the band is killing it. Garcia has an awesome 5 minute solo, then botches the lyrics coming out of it badly, like only Jerry can.
― Bill Magill, Monday, 7 April 2008 13:19 (sixteen years ago) link
Workingman's Dead is the only Dead LP I've ever really enjoyed from beginning to end. (There are probably 4000 other Dead LPs I've never even tried to listen to, though, so who knows, maybe I'd like all of them if I tried.) Never much got into American Beauty beyond "Truckin,'" oddly enough.
― xhuxk, Monday, 7 April 2008 13:24 (sixteen years ago) link
I guess WD always just seemed to me to have lots of really catchy songs (and "Dire Wolf" is easily my favorite Dead song, no contest), and AB's seemed more amorphous, somehow. Haven't listened to the latter in years, though; especially judging from Broheems' post upthread, maybe I'd hear more in it if I tried listening again.
― xhuxk, Monday, 7 April 2008 13:46 (sixteen years ago) link
actually the stereo that Geir likes is what puts me off American Beauty, or at least off the remaster - I mean, I like the record, but the separation is so aggressive that I find it distracting. Also, the vocal on "Operator" really drives me nuts for some reason.
― J0hn D., Monday, 7 April 2008 13:55 (sixteen years ago) link
The more aggressive the better. Stereo is supposed to sound HUGE.
― Geir Hongro, Monday, 7 April 2008 13:57 (sixteen years ago) link
i do like that early 70's dead era the best. and i like the 60's studio stuff a bunch. i am a weird dead fan though. i actually prefer listening to their studio albums. mostly cuz my three favorite things about the dead are 1)jerry 2)robert hunter 3)jerry. and jerry always sounds great in the studio. i do like the official live stuff. europe 72. i love dead set/reckoning.
hey, here's a question. since i am such a fan of the garcia/hunter writing team - and i feel that their work together is somehow weirdly underrated or neglected in some way - can anyone tell me why other artists of the 70's weren't all over those songs. to cover, i mean. i've got thousands of 70's records and off the top of my head i can't think of one great dead cover on a rock/folk/country/whatever album that i own. i've got at least 50 albums from the 70's with friggin' Eagles covers on them, you know? can anyone think of any good ones from that time? how about country covers? even now, i would think someone could do great things with it must have been the roses or sugar magnolia or tennessee jed or you name it. maybe i just own the wrong albums. i have a cd by an italian prog/folk/psych band called howth castle that has a dead cover on it. man, i'm really blanking. i mean, what a wealth of material! and you could make hits with a lot of their songs that were never hits, couldn't you? couldn't kenny chesney take alabama getaway to town. i think he could.
― scott seward, Monday, 7 April 2008 14:56 (sixteen years ago) link
i went to youtube to look for new riders videos, cuz they did lots of live covers back in the dya incl some dead stuff IIRC, and found this dope video instead: http://www.youtube.com/watch?v=dqF32XzL09U
― ian, Monday, 7 April 2008 15:06 (sixteen years ago) link
http://www.amazon.com/exec/obidos/ASIN/B000000SUE/theannotategr-20
NRPS doing several early seventies Dead cuts on this Live in Japan disc. granted, it was recorded in 1993.
― ian, Monday, 7 April 2008 15:15 (sixteen years ago) link
I've certainly listened to AB more. I like Easy Wind better than Operator.
― gabbneb, Monday, 7 April 2008 15:22 (sixteen years ago) link
i think i might hav heard a bluegrass cover or two. fire on the mountain, maybe? dolly parton should do a dead cover album.
― scott seward, Monday, 7 April 2008 15:23 (sixteen years ago) link
http://www.deaddisc.com/GDFD_GDcovers.htm
― gabbneb, Monday, 7 April 2008 15:28 (sixteen years ago) link
I gotta hear that Cache Valley Drifters album
― gabbneb, Monday, 7 April 2008 15:29 (sixteen years ago) link
The Pop-O-Pies did two or three really entertaining versions of "Truckin'," but I don't think they count.
― xhuxk, Monday, 7 April 2008 15:29 (sixteen years ago) link
yeah, new riders...but it doesn't get more dead-identified than that. unless it's hot tuna. and they probably did some too. though i can't recall any. but, jeez, i've got a zillion rustic singer/songwriter type records and i can't think of ANY dead songs on any of them. i just think it's weird considering how big their catalog is. and not just garcia/hunter, but there were great lesh/hunter, hart/hunter, weir/hunter tunes too. montgomery gentry would own mexicali blues! they could change the age of the 14 year old girl in the lyrics if they needed to. though they are badass so maybe they would leave it. see, i'm even stretching into john perry barlow territory to make my point.
― scott seward, Monday, 7 April 2008 15:31 (sixteen years ago) link
i think a) they weren't exclusively singer/songwriter-identified, of course, and b) anyone who got the songs also got enough of the mystique that they might have figured leave well enough alone.
― gabbneb, Monday, 7 April 2008 15:35 (sixteen years ago) link
i like Lyle's FOTD a bunch
― gabbneb, Monday, 7 April 2008 15:36 (sixteen years ago) link
we are talking about infinitely singable hummable memorable tunes here. is it a conspiracy? or do people see these songs as so identified with the dead that they don't want to mess with them? i can't believe that. people mess with everything. these are songs that were made to be reinterpreted. cuz jerry and hunter were all about the mythic blues/folk tradition and all that. reinventing and reinvigorating the old stuff. i think on some level they wanted those songs to be in that bigger than life mythic tradition.
x-post
― scott seward, Monday, 7 April 2008 15:40 (sixteen years ago) link
This isn't exactly a Dead cover but the Seldom Scene do a version of "Rider" (aka "I know You Rider") that sounds as if it was filtered through the Dead. Maybe the Dead's take gave the Seldom Scene an idea on how to cover it.
I've been listening to a lot of early 70s bluegrass and the influence of AB and WD can be heard in the Seldom Scene, Norman Blake, John Hartford, etc.
― QuantumNoise, Monday, 7 April 2008 15:43 (sixteen years ago) link
okay, well then if the songs are too tied up in the tie-dye mythos, maybe after enough time has passed people will forget those associations and just see them as good songs. i love singing along to dead songs! they are fun to sing. and i'm not much for singing along.
― scott seward, Monday, 7 April 2008 15:44 (sixteen years ago) link
Yes! Brain fart. Thanks. Man, do I love "Wharf Rat."
― QuantumNoise, Monday, 7 April 2008 15:45 (sixteen years ago) link
when did that old & in the way album come out? cuz i'll bet that influenced a lot of nu-pickers. the way they do a song like wild horses reminds me of a lot of the newer bluegrass interpretations of pop songs.
― scott seward, Monday, 7 April 2008 15:46 (sixteen years ago) link
the Henry Kaiser Band do a lot of sweet Dead covers, inc. a great Dark Star that morphs into Love Supreme
― Ward Fowler, Monday, 7 April 2008 18:20 (sixteen years ago) link
Yep, I was just about to mention that Kaiser band which featured Tom Constanten and my hero Bruce Anderson. They did "Dark Star", "Mason's Children" and other stuff I'm forgetting.
On topic, it wasn't until January that I finally heard AB and WD in full, but I've always been in a weird position, Dead-wise: Resenting folks who put them down simply for being hippies, while simultaneously finding them a little bland and wishing they were genuinely psychedelic and less rootsy - which may not have even been their strong point. Of course, that's just a matter of personal bias.
Whatever. I like 'em both fine, but Workingman's is shorter and therefore more suited to my attention span. Really, though, I think I'd rather hear Blows Against The Empire.
― Myonga Vön Bontee, Monday, 7 April 2008 18:44 (sixteen years ago) link
The Dead had great songs-they had three excellent songwriters in the band, plus a great lyricist on retainer. I much prefer that aspect of the Dead to the jam stuff.
I'm going to be the "I like both aspects" dude. If the Dead were one or the other -- jam-a-rific or sweet songwriters -- they wouldn't mean as much to me. Sure, they might not be the best in either category but few bands can be pretty damn good at both. In a single concert, the Dead can take me from primo Americana folk music full of great lyrics, snappy compositions and sing-along choruses to full-blown neo-Miles fusion madness. I love it that about them.
― QuantumNoise, Monday, 7 April 2008 18:46 (sixteen years ago) link
I agree that the Dead without the jamming simply isn't the Dead. But they get tagged with the "jam-band" moniker when that wasn't the whole story at all.
― Bill Magill, Monday, 7 April 2008 18:56 (sixteen years ago) link
blame not the tree for the rotten apples scattered beneath its boughs.
― ian, Monday, 7 April 2008 19:03 (sixteen years ago) link
Found my notes for the mythical 'lost' Dead album:
- Bertha (100 YEAR HALL) - Playing in the Band (ACE - tho my preference is for one of the long jammy versions, really - the one from the last Lyceum show in 72 is pretty special) - Wharf Rat (ROCKIN' THE RHEIN) - Deal (GARCIA) - Bird Song (LADIES AND GENTLEMEN...THE GRATEFUL DEAD) - Sugaree (DICK'S PICKS 3) - Greatest Story Ever Told (ACE) - Mexicali Blues (STEPPIN' OUT WITH THE GRATEFUL DEAD) - Loser (GARCIA) - To Lay Me Down (GARCIA) - The Wheel (GARCIA - man, Jer's first solo rec is just full of great songs AND some well wiggy 'experimental' stuff) - He's Gone (EUROPE '72) - Jack Straw (EUROPE '72) - Brown-Eyed Women (EUROPE '72) - Ramble On Rose (EUROPE '72) - Tennessee Jed (EUROPE '72) - Comes a Time (STEPPIN' OUT - the Garcia solo version from a few years later really doesn't do the song justice)
― Ward Fowler, Monday, 7 April 2008 19:22 (sixteen years ago) link
Wow. That's basically the record Hunter wanted the band to make. If they could've extended the studio magic of AB and WD to this batch, it would've been a monster record.
― QuantumNoise, Monday, 7 April 2008 19:24 (sixteen years ago) link
The Playing in the Band on the March '74 Dick's Picks from the Cow Palace is great too.
― Bill Magill, Monday, 7 April 2008 19:28 (sixteen years ago) link
I can't imagine a greatest anything that doesn't have something from AB or WD, or a DS>SS, CC>IKYR, H>S>F or S>F, but that's just me. I'd keep
- Wharf Rat - Deal - Bird Song - The Wheel (maybe) - He's Gone - Jack Straw
and lose the rest
the Dead aren't the only 'jam band' to write good songs, btw, tho they get more style and authenticity points
wishing they were genuinely psychedelic
I always have to lol at stuff like this
Workingman's is shorter and therefore more suited to my attention span
I was gonna say, WD is the album for r0ck fans who might not be otherwise inclined. AB is for folkies.
aoxomoxoa uber alles for studio dead
otm
― gabbneb, Monday, 7 April 2008 19:44 (sixteen years ago) link
Right now I prefer American Beauty, and it's "Box of Rain" that tips the scales, because otherwise they're both just full of great songs, but "Box of Rain" is more than just great.
On other Dead material of the time: I've said it before on ILM, but the 8/27/72 show at the Veneta Fairgrounds in Oregon is killer. Firstly, it totally has that arc from folk to space back to folk...and in the comedown from "Dark Star" it segues into a goofy "El Paso", back into "Dark Star", and then into a cathartic "Sing Me Back Home" (which you can here on the So Many Roads box set, but trust me, it's better in context). It's simply incredible.
― Euler, Monday, 7 April 2008 19:50 (sixteen years ago) link
I can't imagine a greatest anything that doesn't have something from AB or WD
It's not suppose to be a greatest hits album; it's basically the track list for the studio album Hunter always wanted the Dead to make after AB.
― QuantumNoise, Monday, 7 April 2008 19:52 (sixteen years ago) link
someone YSI that shit, i don't have time to sift through boots and odds n ends.
― ian, Monday, 7 April 2008 19:53 (sixteen years ago) link
xp - ok, i can read. isn't there supposed to be great stuff on ACE?
― gabbneb, Monday, 7 April 2008 19:55 (sixteen years ago) link
apologies, if you thought i was getting uppity. I wasn't. I was just pointing that out.
― QuantumNoise, Monday, 7 April 2008 20:05 (sixteen years ago) link
i totally want to cover friend of the devil.
-- ian, Monday, April 7, 2008 4:05 PM (4 hours ago) Bookmark Link
haha i totally have a grateful dead tabs book from 9th grade if you need those chord progressions dude
― bell_labs, Monday, 7 April 2008 20:07 (sixteen years ago) link
xp - no, dude, i was being self-deprecating
― gabbneb, Monday, 7 April 2008 20:10 (sixteen years ago) link
yes lindsay please!!!!! i would love a grateful dead tabs book.
― ian, Monday, 7 April 2008 20:13 (sixteen years ago) link
i have 2. unless my mom has thrown them out by now.
― bell_labs, Monday, 7 April 2008 20:13 (sixteen years ago) link
x-post x-post
gotcha!
― QuantumNoise, Monday, 7 April 2008 20:21 (sixteen years ago) link
What's the relationship between "Ripple" and Joseph and the Amazing Technicolor Dreamcoat's "Any Dream Will Do"?
― Mordy, Tuesday, 7 April 2009 09:37 (fifteen years ago) link
^Andrew Lloyd Webber was a deadhead?
― davek_00, Tuesday, 7 April 2009 10:42 (fifteen years ago) link
yikes if there's overlap between deadheads & music theatre geeks
― velko, Tuesday, 7 April 2009 11:04 (fifteen years ago) link
American Beauty by a long shot: better songs, better pacing, more diverse instrumentation.
was looking for a Europe '72 thread fwiw
― flappy bird, Tuesday, 18 April 2017 19:41 (seven years ago) link
No way dudeWorkingman's is stranger and less predictable
― calstars, Tuesday, 18 April 2017 21:05 (seven years ago) link
Like the chords of / high time / and the misery of / black Peter /
― calstars, Tuesday, 18 April 2017 21:06 (seven years ago) link
Guess Scott's right, come to think of it; I still haven't heard that many country, folk etc. covers of these songs----but here's a good "Ripple" from Hot Club of Cowtown's singer-fiddle Elana James, on her second solo album---nice steel guitar too: https://www.youtube.com/watch?v=GYPlm0iVDMI
― dow, Tuesday, 18 April 2017 21:18 (seven years ago) link
Also performed by my cousin's bros at his memorial; that was good too.
― dow, Tuesday, 18 April 2017 21:21 (seven years ago) link
Some timd ago I was listening to 60s retro radio show on an area college station. They accidentally played two cuts in a row from AB ("Friend of The Devil" and "Sugar Magnolia"), and afterwards the DJ remarked that it was one of the only albums they could think of from a group with multiple singers where each of the first four songs has a different lead (Phil, Jerry, Bob, Pigpen). Found that interesting.
― to fly across the city and find Aerosmith's car (C. Grisso/McCain), Tuesday, 18 April 2017 21:26 (seven years ago) link
Lol flappy's revive pretty much sums up my Dead semi-fandom
― the rockists' red glare (Drugs A. Money), Tuesday, 18 April 2017 21:39 (seven years ago) link
I need to track down that 'lost' album
― the rockists' red glare (Drugs A. Money), Tuesday, 18 April 2017 22:30 (seven years ago) link
Both are great, but if I had to pick just one it would be WD, with "Dire Wolf" being by favorite track.
― o. nate, Wednesday, 19 April 2017 00:54 (seven years ago) link
Cumberland Blues is probably my favorite Dead track, and it's on Workingman's Dead. Then again, Ripple is probably my second favorite Dead track...
― human music...I like it! (voodoo chili), Wednesday, 19 April 2017 04:35 (seven years ago) link
I like the version of CB on Europe 72 better though
― the rockists' red glare (Drugs A. Money), Wednesday, 19 April 2017 05:34 (seven years ago) link
Who can name all the personages on the WD cover?
― calstars, Saturday, 29 September 2018 05:00 (five years ago) link
err, isn't it just the band + Robert Hunter?
― Paul Ponzi, Saturday, 29 September 2018 06:02 (five years ago) link
Workingman's is stranger and less predictable
this and especially
this
are otm
― she carries a torch. two torches, actually (Joan Crawford Loves Chachi), Saturday, 29 September 2018 10:08 (five years ago) link
this is a really arbitrary decision but i'd have to go with workingman's bc of how much i love "dire wolf" and "casey jones"
― princess of hell (BradNelson), Saturday, 29 September 2018 13:26 (five years ago) link
I think my favorite is whichever one is playing RIGHT NOW
― princess of hell (BradNelson), Saturday, 29 September 2018 13:32 (five years ago) link
this is the lamest possible way to get into the grateful dead but i remember i bought american beauty in college just bc of how much i loved the counting crows cover of "friend of the devil." took me a while to adjust tbh
― princess of hell (BradNelson), Saturday, 29 September 2018 13:53 (five years ago) link
there is no bad way
― she carries a torch. two torches, actually (Joan Crawford Loves Chachi), Saturday, 29 September 2018 14:48 (five years ago) link
love those seasick chord changes in "high time"
― princess of hell (BradNelson), Saturday, 29 September 2018 14:52 (five years ago) link
Freaks and Geeks
https://www.youtube.com/watch?v=fRHZr3VlpgE
(Ends with the two lead female characters setting out for a summer--or a lifetime--as Deadheads.)
― clemenza, Saturday, 29 September 2018 15:15 (five years ago) link
Agreed that I prefer Workingman's Dead, not just because Cumberland Blues is my fav Dead song. Beauty has some transcendent classics sitting beside mediocrities (Ripple is incredible, Candyman not so much), but Workingman's Dead stays at a fairly high level throughout.
― nba jungboy (voodoo chili), Saturday, 29 September 2018 15:30 (five years ago) link
candyman is so good! that pedal steel solo!
― marcos, Saturday, 29 September 2018 15:51 (five years ago) link
i think as much as i associate both albums with each other they have very distinct moods for me, american beauty is kinda this shining shimmering thing and workingman's is pretty ghostly and introverted throughout. at the moment i think i prefer the second mood but i also feel like it could easily switch back in the next 5-10 years
― princess of hell (BradNelson), Saturday, 29 September 2018 15:57 (five years ago) link
Back to the cover, I guess bill is on the stairs, Mickey is talking to pigpen, and hunter’s on the far left. Those were the three I wasn’t sure about
― calstars, Saturday, 29 September 2018 16:40 (five years ago) link
Here is more info about that cover than you ever wanted to know:
http://www.popspotsnyc.com/workingmans_dead/
― Paul Ponzi, Saturday, 29 September 2018 17:58 (five years ago) link