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two years pass...
I've spent quite a bit of time over the last couple of days listening solely to Depeche Mode's post-Songs of Faith and Devotion albums and a few thoughts...
Ultra keeps on sounding better and better to my ears as the years go by - excellent production from Tim Simenon and some beautiful vocals from both Martin and Dave, a very underrated collection of songs.
Exciter keeps on sounding worse and worse to my ears as the years go by - I managed to force my way through the record from beginning to end last night, and I'm very much convinced at this stage that it's the worst collection of songs Martin Gore has ever written - say what you like about A Broken Frame, but I'll take the highlights of that record over pretty much all of Exciter. 'Freelove' and 'Goodnight Lovers' sounded pretty good, though, and I enjoy the throbbing chorus on 'Shine'... and strangely, 'I Feel Loved' hit the spot for me when it's always been one of those tracks I've never really cared about. 'Dream On', 'When The Body Speaks' (zzZZzzZZzz), 'The Dead Of Night', 'Comatose', 'Breathe' and 'I Am You' can all fffffffuck right off, and the album probably has the least interesting interludes of any Depeche album. The worst album of their career.
Playing The Angel, on the other hand, is a very good record IMO... I've always disliked the hot mastering on this album, and my listen to the album last night didn't change my mind one jot on that. However, words can't express how seriously fucking good it was to hear this album directly after Exciter... the songs are definitely there and at the time it was probably their most energetic record in a long while. If the record was mastered at a reasonable level, and the Dave-written snoozer 'I Want It All' was removed from the album, it'd be close to perfect, I think. Why they opted to sequence that particular track in the middle of the record is one of the most confounding things about Playing The Angel for me; it meanders, the chorus isn't very strong and it creates a dip right in the middle of the album, when it should be keeping the momentum going built up by the first six tracks. 'Macro' into 'Nothing's Impossible' would have been much better, IMO.
Sounds Of The Universe was far better than I remembered it being and I think a lot of Depeche fans are a little too harsh on this record. The mastering is nowhere near as awful as that on Playing The Angel, and the sound design comes across to me as being a little more smoother and less "harsh" than on Playing The Angel. Sure, none of Dave's songs here are up to the standard of 'Suffer Well' or 'Nothing's Impossible' (I personally don't care if I never hear 'Come Back' or 'Miles Away/The Truth Is' ever again - although 'Hole To Feed' seems to have grown on me a hell of a lot), but while Martin hasn't come up with a "classic" on the level of 'Precious' or 'Home' this time around, a lot of the songs strike me as being good and/or competent: 'In Chains', 'Wrong', 'Fragile Tension', 'Little Soul', 'In Sympathy', 'Perfect', 'Jezebel' and 'Corrupt' don't blow me away, but I'd willingly listen to them again and enjoy them while I'm listening to them. I actually think that not only is the songwriting better on this album compared to Exciter, but the enjoyment level is a lot higher for me too.
Delta Machine, though... fuck! This record has grown on me quite a hell of a lot since it first came out, and listening to these records back-to-back, I feel that this is the best production of the Ben Hillier records. I think Dave turned in an excellent batch of songs this time around, particularly 'Secret To The End', and Martin's songs, on the whole, are pretty strong too. Sure, it's not the Depeche Mode of Violator or Music For The Masses, but what it is is a very good record by a veteran band and one of their stronger albums of their post-Songs of Faith and Devotion phase.