S/D Southern Rock

most of the 2003 posts on this thread are so wrong it's funny.

I saw you endorse the Henry Paul Band on the rolling vinyl thread, and that's how I ended up here.

i just bought a ktel southern rock comp w/ a fried egg on the cover

http://content.answers.com/main/content/img/amg/pop_albums/6/4/5/f64584t5l5k.jpg

i am surprised that alexinnyc does not honour the southern fried fire.
also, why isn't zz top southern rock? or are they? or were they?

They absolutely are... who says otherwise? Nobody mentioned them previously on this thread because it is ridiculous.

Southern rock rules-zz, blackfoot, skynryd, the new orleans metal groups. Kick ass stuff. And black oak slays.

Just played the first side of that Henry Paul Band LP (which I bought for $1 in Austin last week.) Pretty great -- how come all bands don't have three guitar players? (When has any extra guitar player ever made a rock band worse?)

That K-Tel Southern Fried Rock LP is pretty great; also swear by South's Greatest Hits, on Capricorn from 1977. Best CD compilation I know of is Volunteer Jam: Classic Live Performances Volume One, on Sony Music Special Products, 1999.

the new orleans metal groups

Not sure what these are, but most of the '00s extreme metal bands who supposedly sound Southern rock (Pantera, Corrosion of Conformity, Crowbar, Clutch) don't sound Southern rock at all to me. I mean, maybe they're Southern, and maybe they're rock, but so are R.E.M., right?

I actually think my favorite New Orleans metal group is Supagroup (who don't sound very Southern rock either, usually.) But maybe I've missed some.

'00s extreme metal bands

or '90s, for that matter.

Crowbar, Corrosion, Eyehategod, and their combo (Down) all have a distinctive southern feel under all the chaos, especially Down.

I have the luxury of seeing BOA reunite about once every year or so 'cause some whippersnapper thinks it would be totally WILD to get them on the bill. It is. Totally gangbusters. Dandy does look like he crawled out from under a bridge these days though.

REM=Southern Gothic* Rock

*in the literary sense (Faulkner, Tennessee Williams, Eudora Welty), not the Marilyn Manson sense

You know, I've been hearing people say that about R.E.M. and various other bands for 25 or 30 years now, and I still really have no idea what it means (though maybe I would if I'd read more Southern Gothic literature than I have, who knows.)

also, why isn't zz top southern rock? or are they? or were they?

I wouldn't say ZZ Top are an obvious southern rock band. Like any rock, blues or country group from Texas, they've maintained a certain independence from the South. At least, that's how I've always seen it.

Then again, maybe my definition of southern rock has been drawn a little too narrow. I'm no expert on the genre, by any means.

ZZ Top were considered southern rock in the seventies, but the tag kinda disappeared after they went new wave.

That makes me wonder...did Southern rock fans still consider 38 Special Southern rock after they went powerpop (which wasn't too far into their career, really)?

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Altough I do agree w/Texas groups being independent of the movement. The only other band I can think of that comes close is Point Blank, and even then the were closer to Bad Company or April Wine than Skynyrd or the Allmans.

I think .38 Special slides by on account of the Van Zandt bloodline.

xp: thirding that. texas is its own thing.

Well, the stereotypical Texan identity is too individualistic to be merely lumped in with "The South", isn't it? And was Texas even ever part of the Confederacy? (No real need to answer, I can look it up.)

Anyways, even though the guy's a racist paranoid humourless lunatic these days, Charlie Daniels used to be a cool redneck, of the whiskey-weed-&-wimmen variety. And I've got a real fondness for a big percentage of Charlie Daniels' '70s records, particularly Honey In The Rock/Uneasy Rider and the other long OOP ones.

(pls ignore now-redundant remarks re. Texas)

The thing about Texas is we had Outlaw Country happening at the same time.

ZZ Top were considered southern rock in the seventies, but the tag kinda disappeared after they went new wave.

I'm of that generation. So yeah, I didn't know about the southern rock background when I was digging those funny dudes with beards on MTV.

I do think ZZ Top has always had more of a minimalist approach to grooving than most southern rock bands.

ZZ Top also seems less influenced by southern soul, Muscle Shoals, etc. (Again, all this stuff is new to me.)

ZZ Top started out closer to Cream, James Gang, Johnny Winter. Stuff like that, power trios & what not.

I do think they (ZZ Top) had a good grip on southern soul as well. It just wasn't their selling point.

i really need some Barefoot Jerry records. i don't have any. how come i never see them anywhere?

i've been digging my elvin bishop records a lot lately. and my grinderswitch records. and the james montgomery band album on capricorn that i picked up.

been digging my fave cowboy rekkerds as well. i'm always in the mood for those:

IAN, WHEN WILL YOU KNOW THE JOYS OF CAPRICORN RECORDING ARTISTS *COWBOY*????

Point Blank reviewed

PB were definitely southern rock. They certainly seem to consider themselves so at pointblanksouthernrock.com. Their first album was ZZ Top as interpreted by angry drunks and biker-meth freaks. Heck, they were managed and produced by ZZ Top's manager who obviously wanted them to be even more dangerous. So it's their best. A long mellowing out followed.

Hydra had their moments, most of them on their first two CDs, the second with a classic photo of a copy blowing his nose with money. They were on Capricorn.

The trinity of southern rock has to be Skynyrd, the Allmans and Molly Hatchet. Besides music, they still have a lot in common. Many of them are dead. And by this they prove southern rock is something of a generic yet very distinct brand. As ringer bands, they still make records people buy and no one cares at the big country and ag fair fests that the guys onstage aren't the real guys anymore. In any case, some of the ringer guys have now been in the bands longer than the original dead guys were.

And Molly Hatchet's live CD from last year was decent. I put something on it somewhere on ILM but the search function doesn't work for shit so it's out of sight.

And now there's Mudcrutch, definitely a southern rock band. Even the album art is classic southern rock hooey. Reviewed it in Rolling Hard Rock xposted to Rolling Country. It's an Outlaws record which means if you liked the Outlaws and have the Outlaws (or Henry Paul), then you don't actually need Mudcrutch.

I need to borrow/steal my sister's Point Blank records.

Yeah, that sounds awesome.

And when I say Mudcrutch is the Outlaws, it's Tom Petty and company doing something of a wan imitation of the Outlaws who often could be very wan themselves. Both bands were rooted in Gainesville, so maybe there's a reason for that.

I passed on a couple of Black Oak records in the used dollar-bin last weekend. Not sure if I erred. I do like Skynyrd's first two pretty well and some of Little Feat is okay - not expecting these to be that good, but I suppose they might be worth a listen.

i don't even own any blackfoot albums anymore and that's a crime. i love blackfoot.

blackfoot strikes was one of my fave albums as a kid. i had no problem playing it alongside judas priest and krokus and whatever other filth i was listening to. now i wanna hear it!

Bugs Henderson and the Shuffle Kings! Now those were southern rock records. Of course, he was Texan -- flying in the same orbit as Bloodrock and Nitzinger, the latter who made very southern rock records. Great first album followed by gradual slide.

i wonder if my dad still has all his doc holliday records. my dad LOVES molly hatchet. i gave him a promo of their last album. only the Germans and my dad listen to Molly Hatchet anymore. And Gorge.

No mention yet of Jerry Reed's "Eastbound and Down (Smokey and the Bandit Theme)"? Surely one of the classics of the genre.

"Lord Mr. Ford"!

my dad took me to see The Roundup in philly in, um, 1981? we stayed in a hotel and everything. marshall tucker, outlaws, 38 special, allmans, um, there were probably others. at jfk stadium.

my dad loved his rossington collins band albums as well. he wore those out. you must bear in mind, this is a person with a collection of a zillion jazz and R&B records, and, like, 50 southern rock records. he got the bug for those guitars. he didn't even own any regular rock records. i guess if you are an albert collins and lonnie mack and jazz guitar fan you have to got to southern rock to get that mix of blues/virtuoso-ism/volume. (oh and stevie ray was his god as well. he saw him play right before the crash.)

Blackfooot Strikes is definitely a Southern-fried metal thing. Those dudes kicked some ass. I think Medlocke and Spires were in Skynrd in the prehistoric days.

Medlocke was. And he's been back in Skynyrd for some time. Spires, sadly, is dead. I interviewed him for a local newspaper I worked at and he was very gracious. He once had a spread in Pennsy when Blackfoot was at the top of their game. Spires indicated it started going downhill when the record company and management pushed them into making changes to accomodate a desire to look more hep and 80's-AOR. Management brought in Ken Hensley from Uriah Heep and they started doing "Easy Livin'" in concert. I seem to recall him telling me he had no idea why or what that was about. Hensley arrived for the album Siogo, which was an acronym for Suck It Or Get Out. It actually was not bad at all, even with Hensley, and had your standard Blackfoot-type song about poon, called "Going Down to Eat at the Y." The next album had a Blackfoot-like title, Vertical Smile and polaroid crotch shots of women in panties but was produced horribly by Eddie Offord. It was utter crap and didn't sound anything like a southern rock band.

"She make it all worthwhile with her vertical smile." Still, amusing for a moment but total rubbish.

I was just listening to Blackfoot Strikes! That is a totally rad album. "Train, Train" is one of the great lesser-known singles of the 70s.

too bad about Spires. Blackfoot always had a following in western Jersey/PA. Thanks for the info, Gorge, as always.

Now I'm kicking myself for not buying the $4 Blackfoot Tomcattin' CD I saw at Princeton Record Exchange last month. Boy am I a cheapskate sometimes. (It's probably still there, if anybody plans to be in that neighborhood.) Not sure why I ever got rid of my old copy to begin with, but I did. Re-bought Strikes for $7.99 a couple years ago, and it's as great as everybody here says.

You would definitely like <I>Siogo</i> A lot. <I>Tomcattin'</i> was much in the vein of <I>Strikes</i>, their benchmark album. The latter includes a lot of killer tunes, two of which are great covers, Spirit's "I Got a Line On You" and Blues Image's "Pay My Dues." (Aussie biker band Buffalo also latched onto the worth of that.) "Left Turn on a Red Light" is also great and then there's the obligatory long guitar bash which starts slow and ends fast -- every suvvern band has to have one -- "Highway Song." I always thought it was the weakest piece on the record.

Then there was <I>Marauder</i>. Don't listen to it much. However, it does contain three very catchy hard tunes -- "Fly Away, "Dry County" and "Good Morning" -- which were put to even better use on their live album, <I>Highway Song</i>

<I>Highway Song</i> was never released domestically until a couple years ago as CD on Wounded Bird. It was a mistake on the part of the record company. Wound up as a Euro-import and its deletion in the US market, since all southern rock band live albums tend to do well with fans, is a mystery.

i need to hear ZZ Top as interpreted by angry drunks and biker-meth freaks....
which reminds me, motorhead's cover of "beer drinkers and hellraisers" is fucking ace.
are blackfoot any relation to jd blackfoot?

Sorry, should have condensed that, but there's the info.

Should have been the thread title:

I Hope Neil Young Will Remember: Southern Rock C/D

Southern Rock ov Today, Y'all:
North Mississippi Allstars will release Set Sail on January 28th via New West Records. The 10-song set was produced by Luther and Cody Dickinson and follows their Grammy Award Nominated 2019 album Up and Rolling, which was met with wide critical acclaim. Set Sail
features appearances by Stax Records legend William Bell on the album standout “Never Want To Be Kissed” (which Bell also co-wrote and co-produced).
...Over the years, the lineup has shifted by design, and with Set Sail, they mined the talents of Jesse Williams on bass and Lamar Williams, Jr., the son of Allman Brothers bassist Lamar Williams, Sr, on vocals. During the Allman Betts Band Family Revival, the Dickinsons first linked up with Lamar, becoming fast friends and collaborators, paving the way for Set Sail.
...(Luther)continues, “Each generation has to reinvent itself and shed the skin of the elders. On Set Sail, we feel as if we’ve once again ‘broken the code,’ and know what we want and how to get it.”
...Set Sail continues the band’s tradition of creating roots music that displays remarkable variety. The record sizzles with hard yet understated groove, grown folk music. Luther’s wide-ranging guitar style features jazz riffs, psychedelic sounds, and soulful slide. Drummer and multi-instrumentalist Cody draws on roots music, rock, jazz, rap, and other styles to create rhythms that propel the band’s sounds and move it forward. Their two aesthetics combine to create the band’s unique style, “Primitive Modernism,” melding the new and the old. Luther notes, “We leaned into our other greatest influences: folk, soul, and psychedelic rock, but everything we play feels like North Mississippi.”
For more see sites of New West Records and Relix Magazine.

Derek Trucks says new TTB album is based on all of the Persian classic Layla, not just EC's why you gotta do me so bad? take. Each leg of current tour will feature new songs, but not all of the album, not 'til release.
https://www.al.com/life/2022/06/moonrise-tedeschi-trucks-band-bringing-epic-new-music-to-alabama.html

Speak of the devil---new single (about Kofi), vids, other links, other news:
https://mailchi.mp/derekandsusan/today-pre-sales-for-nashville-dc-nola-and-chicago-runs-170760?e=5fe34c369e (Incl. 4-LP Dee-luxe ltd. ed. of aforementioned new alb, I Am The Moon.)

On April 7, 1972, the Alllman Brothers Band performed at Manley Field House on the Syracuse University campus. More than half a century later, a recording of the concert is finally being released as a live album.

The Allman Brothers Band announced “Manley Field House, Syracuse University” will be released Jan. 12, 2024, on CD and digital. The tracklist features 11 songs, including hits “Midnight Rider” and “Whipping Post” alongside a previously unreleased track called “Syracuse Jam.”

“Syracuse Jam” is described as an example of the one-time melody jamming the band was famous for and is unique in that it does not appear in any other known ABB recording.

“This night saw Gregg singing and playing his heart out, while Dickey Betts is doing phenomenal double duty on guitar, switching seamlessly between the necessary slide parts and his own soaring leads,” Jeff Chard, SU concert coordinator in 1971-72, writes in the album’s liner notes. “But the real revelation of the night is that Berry is the glue, and the second lead player as well. His thunderous bass holds the quintet together – you’ll hear it, and we could see it that night. Then there is the way Butch Trucks and Jaimoe lock in on the drums, the way the whole unit responds, five playing as one.“

dickey put in an appearance the other day.
https://jambands.com/news/2023/12/14/the-allman-betts-family-revival-celebrate-dickey-betts-80th-birthday-in-sarasota/