AMC zombie series from Frank 'Majestic' Darabont - The Walking Dead

Overall, though, I'm enjoying this season more than the others. Still disappointed that Tyreese remains a bit of a non-entity compared to the character in the comics.

Why on earth wouldn't they try to do the same around the entire perimeter?

Or they could have pulled a "Dawn of the Dead" and circled the fence with abandoned trucks and buses.

it's amazing how this show has a fantastic creature effects department, truly top notch, and yet I somehow they never figured out how to make a realistic looking beard. i couldn't stop laughing at Hobo Governor

good ep though, surprised he's getting his own mini-arc beyond a single episode

Yeah, once I soldiered through the first five minutes it was OK. I always hoped they would expand the universe a little beyond the (boring) core group. But that beard was terrible.

Lots of people in this show like to keep zombies lying around as growling pets, apparently. What happened to the Michonne method of taking off their jaw and arms and tying them up to keep away other zombies? Also, how come these zombies are always growling loudly, but you can only hear them when they're within a few feet? And how could anyone have survived months in this world, smart enough to take care of someone with cancer, yet somehow not figure out the only way to kill zombies? Sometimes this show seems like with each episode they must have brought in a new batch of green writers, gave them a two minute synopsis of everything that's happened, said go and then turned over an hourglass.

they kept advertising the Telltale video game throughout the hour, it kept reminding me how much more I liked Lee and Clementine more than pretty much anyone on the show

but that said, i think they learned their lessons from the drag of season 2, things are moving at a better pace and i'm definitely hooked

Better paced, and yet ... things still really aren't moving, are they?

i liked this infection storyline - it ended the six month period of harmony that the prison had post-Woodbury, it just felt a little weird to kill so many people that effectively became redshirts. the "rick going nuts" and governor storylines seem to finally be wrapping up

i do wonder if they're going to drag out the prison setting all the way to end of the season - hopefully not

...all right!

boy were there a lot of crowd-pleasing kills in this one. i have been entertained.

Yeah, that was pleasantly carnage-filled. Just wish we didn't have to wade through those two horrible Governor episodes first.

Favourite part was Daryl taking cover from a hail of bullets behind... a filing cabinet? Guess they build them prison filing cabinets to last, huh?

I almost felt like they were deliberately doing that - he also uses a rotten zombie carcass as a shield at one point.

deliberately playing up the ridiculousness there, i mdan.

how could you not be cracking up when he went full-on Rambo with the grenades

The guy straight-up took out a tank single-handedly. Gimme that over Beardo Governor playing Littlest Hobo for two hours.

i don't see a conflict between the two!

I'm not saying carnage and quieter moments can't coexist in this show, I just really hated following the Governor for two tedious episodes while he regained his evil mojo via the power of love or whatever. Those two episodes seemed right in line with some of the doldrums episodes from earlier seasons, and the last episode might have been the best one they've done yet.

Haven't finished this episode, but jesus christ, what a bunch of morons. Following the governor, leaving people unattended. Flood zombie was awesome, though, intentional echo of Fulci. And finally, as horrific as it is, they let a zombie eat a child.

http://images.indiebound.com/616/837/9780375837616.jpg

twice! the bloody baby carriage was pretty effective, i must say

i did love the mud zombie; especially once the girl picked up that "FLOOD AREA" sign it was a good "some bad shit's about to go down!" blunt foreshadowing

lol... i gave up on this show for a bit but am back up to date now. it's so fucking disjointed, like can the writers really not think of any plot whatsoever?

the governor stuff was hilarious, especially the indie montage that reintroduced him.

i note the cuet sister of the woman who shot the governor survived.

just gonna put this here:

https://www.youtube.com/watch?v=lIQdBKlEqo8&feature=youtu.be

What this crew needs is a quest. Get them on the road, for god's sake.

it's sorely lacking in any development of the whole zombie virus plot. that drove it on a bit at the start before the last two seasons of murder, death, and rick staring at the sun with sweat and blood all over his face while doing that sobbing that's a bit like laughing thing.

It's really got no plot. It's like a truck stuck in the mud, wheels a-spinnin'.

Like they actually kept the governor alive, just to bring him back over three episodes for a fairly simple showdown.

This is some of the worst writing of all time, it makes a videogame look like The Sopranos. I think it's just the clever zombie scenes that keep everyone ploughing through.

It's really got no plot. It's like a truck stuck in the mud, wheels a-spinnin'.

Basically, it's a perfect adaptation of the comic book.

I wish they'd just go, 'you know, who gives a fuck about these ppl anymore. let's go somewhere else in the country and see what other ppl are doing for a while'

I haven't watched since the first episode, my way of taking a stand against being so bored and annoyed all time

though I am sure I will eventually circle back and bingewatch them all

(haven't watched since the first episode of this season, I meant)

The comic book seemed to have more at stake, iirc. Also, more zombies.

your favorite album otm! but i actually think the show is better for not killing its main characters quite so swiftly

I thought this episode was really, really good, and probably what the show should be like more often, but I understand the tone is not tenable. I also know better than to get my hopes up.

some parts were good, some parts were a little too slow. loved michonne's fever dream/recap flashback and her zombie twin/herd cleanup. mixed opinions on the kid.
really weird to see Gurira all bouncy diva-y on Talking Dead afterward

CARL

Man, I'll take it. Anything to flesh out these thin characters. The best thing about breaking the group up and sending them on the run is there's less standing around talking.

honestly i prefer the hammy haranguing between the group over the awkardly-contexted "monologues". but i agree i'd like to see more character development

I loved the whole bit with Rick and the marauders in the house. At first I thought it might be another crazy hallucination, but it's super tense and well directed. The little bits of dialogue you overhear to demonstrate "Yup, these guys are not good people!" were hilarious.

Smiley Michonne still creepy, but I'm liking it, and her bonding with Carl. That bit with the pink girl's room was also good stuff.

The last few eps have been OK. I like the slower pace, adds to the tension. They've been well directed, too.

So that new dude is basically Woody Harrelson from "Zombieland," right?

Though I've got to admit I find it weird they've introduced these new characters/this plotline so many seasons of the show in. Folks have had plenty of time to read the books and learn where it goes, so unless they do something radically different (which they can't?) it seems like dubious wheel spinning pretty late in the season, especially if they're foolish enough to let it dangle as a cliffhanger.

From the cast/crew interviews this year it sounds like they're sticking pretty close to the book for this angle (though obviously, not 100% given the changed parties). I'm more curious about what they'll do if they still go to Washington, also because that's around the time I stopped reading. It doesn't sound like they're concerned about reusing the book plots.

No spoilers about the comic please!

sorry sorry. that one i'm not worried about though, since they blended in a lot of that arc w/the Governor, i'd be surprised if they really used it in the show

i was super-hungover at the weekend and ended up watching nearly two series' worth of this in one day with the bf (i read this thread until where we reached then skipped the rest). it's a weird show because it's so blatantly terrible in so many ways and yet it's never quite terrible enough to actually abandon? and every so often there's a fantastic scene that keeps you going or opens up a tantalising new possibility. scattered thoughts

- watching the second series in one go while hungover is, i suspect, the best way to do it. (am still three episodes from the end.) partly because only about 2-3 episodes' worth of action or plot points happen in 10 episodes. ludicrous how long they spun out the search for that fucking child, how did anyone survive it watching it weekly? and that farm needs to stop being a safe haven otherwise they'll never get off it.

- i'm not that into zombies qua zombies so i don't mind if this show focuses on human interaction and characters rather than kills and gore. so much beef with the actual character development though. i'm used to hating the lead characters and loving the supporting cast but the three leads in this show are ALL SO SO TERRIBLE. i yelled at the tv every time rick and shane rehashed their absurd machismo arguments. i don't even see them as opposite poles that represent different courses for humanity blah blah blah b/c to me they're both boring macho white cops. rick is irredeemably stupid and obsessed with playing the hero at the most inappropriate and implausible of junctures. (going all out to find wife & child...immediately abandoning them again to try to rescue a racist redneck he doesn't even know? risking his own safety for the sake of some random kid who'd been trying to shoot him a minute ago?) if i fucking hear andrew lincoln's terrible hokey southern accent uttering the words "mah wife...mah son...mah child" again i swear to god i will throw something. shane is a shrill rapey sociopath who seems completely unable to control himself in any regard. bitterly disappointed in dale for not shooting him in the woods. the dialogue in general is diabolical.

- two series in and i have no idea why anyone would fight over that whiney idiot lori. her taking off in the car to go bring back someone who had only left in order to bring someone else back and was unlikely to have stayed away a minute more than necessary was one of the most stupid decisions i have ever seen anyone make in any horror film, ever. and of course she needed a map to find her way down one (1) straight road.

- shockingly retrograde in terms of female/minority character development. weird thing is the show occasionally gives a tantalising glimpse of some self-awareness here - the andrea/lori argument over doing the laundry, token black guy's feverish ramble about race, maggie telling glenn he's not taken seriously by the White Male Heroes even though he'd be a better leader than either, daryl's insecurity along class lines - but never seems to make any moves to solving them or moving these themes forward. dunno whether it's trying to make the point that people default to trad gender roles etc in an apocalyptic event but sticking to Women Clean, Minorities Support, White Men Play Heroes makes for really annoying tv. every so often andrea seems like she might be developing into a strong character and then she veers off-course by doing something really dumb. bf assures me cryptically that this complaint does change? (he also says that the third series, when he got into it, is when it actually takes off.)

- i'm trying to work out why, in the face of all this, i actually kept watching it and overall got into it. i think the supporting characters are quite strong - i like glenn and maggie and daryl - though a lot of the best scenes seem to come from unexpected and very minor ones - scientist guy's scenes at the end of the first series, and the random suicidal farm girl trying to persuade her sister into a suicide pact were riveting. i think the zombies themselves are judiciously used, and i really like that they're only dangerous when they're really dangerous, and otherwise are just these sad slow shambling creatures that anyone can take out. i'm fine with them as a background rather than constant threat.

- i also like the way the show's set itself up as not just open-ended but with the dawning realisation that there is no end - there is no goal, there is no real sanctuary - and that it's not afraid to alter its entire tenor depending on the situation. i like that a couple of the very first characters we were introduced to have basically dropped out for two full seasons but you do think they're not completely gone - i like the feeling that you're in this for the long haul. (for ages i assumed sophia would be one of these.) at any rate this gives you hope that newer, better characters might materialise (and some of the more annoying ones die).

i guess i don't have any questions as such, i think i'm gonna keep watching and presumably not really follow this thread if you're all up to date, i just needed to type out my thoughts and it's weirdly hard to do that in non-real-time on the internet

oh god, also, though, the pregnancy storyline is The Worst. why is no one yelling at this stupid woman that there is no way she can be pregnant in this environment??? why did she vomit up the abortion pills? please god can this show not introduce an actual baby they have to take care of. had really hoped her moronic car crash was a device to induce a miscarriage but so far it appears not.

it's a weird show because it's so blatantly terrible in so many ways and yet it's never quite terrible enough to actually abandon

OTM. For the record, season 2 is the worst, and the show eventually makes strides when it comes to female and black characters.

Also, while "because they're stupid" remains a prime character motivation, to an extent, this fades a bit, too.

agreed

hey, Mountain Goats :D

The good:

I like breaking up the group and sending them exploring, even if they do just seem to walk in circles
Mountain Goats

The bad:

Is this the second time someone's put themselves in danger to get a drink? Third? Fourth?
Still really lame the way the zombies make a ton of noise, but apparently only when they're a couple of feet away.
How is it that the tiny girl who had never had a drink before doesn't get floored or sick by moonshine, but the hillbilly son of a 'shiner couldn't hold his liquor?
Sort of gross way they kept hinting that the girl was going to make a move on the older guy.

Etc.

I can buy the idea of just wanting a drink in a zombie world. But I was given a bottle of moonshine from a coworker a few years ago and after drinking half a glass I felt like I had drunk a fifth. And I'm somewhat of a heavy drinker.

Yeahhh they subtly hinted at the Daryl/Beth ship in the season premiere. The actress tried to deflect the insinuation in Talking Dead, We'll see if they have the guts to go there. (I hope there's a clip of J.B. Smoove bringing attention to this out there)

It was completely ridiculous that she could handle her liquor so well, but I'll handwave it; Hershel was an alcoholic in his youth, maybe she's got the genes. Or maybe that was really shitty moonshine. Either way, Daryl's a dick drunk lol

Getting a drink was clearly a MacGuffin, they straight-up lampshade it in the episode by the end

tbf, this whole show is a MacGuffin. It's not like they're going to wrap it up in the end with a miracle cure, and even if they survive, there's nothing left. Final scene will be Rick sitting down, dying, then eventually reanimating and shuffling off into the sunset.

I like to think Carl would have the decency to shoot his dad in the face by then