dj /rupture

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i heard massive amounts of music from everywhere

wat is teh waht (s.clover), Friday, 25 April 2014 02:19 (ten years ago) link

I still care about /rupture. Early mixes are still among my favorites.

One bad call from barely losing to (Alex in SF), Friday, 25 April 2014 02:24 (ten years ago) link

GTT is so burned into my brain now that it is sorta dull when i go back.

wat is teh waht (s.clover), Friday, 25 April 2014 02:25 (ten years ago) link

i'll always love about half the uproot album (and the whole thing is compelling).

Daniel, Esq 2, Friday, 25 April 2014 02:25 (ten years ago) link

Would like to read the books his Mudd Up book club is reading

http://www.negrophonic.com/?s=mudd+up+book+clubb

curmudgeon, Friday, 25 April 2014 13:13 (ten years ago) link

i still care but he's working on a book more than music these days.

festival culture (Jordan), Friday, 25 April 2014 13:50 (ten years ago) link

four months pass...

http://www.jaceclayton.com/gallery/enkutatash/ Ethiopian New Year's and 9/11 event

Enkutatash is a large-scale public choral work by Jace Clayton commissioned by the 5x5 Festival. It will premier in Washington D.C. on September 11, 2014. The score for Enkutatash is based on the Homeland Security Advisory System, the U.S. government's 5 level color-coded terrorism threat alerts which ran from 2002 to 2011. Enkutatash treats the changing threat-level data as a musical score, which will be sung by local choir groups and the audience, using the five-note (pentatonic) musical scale of D.C.'s Ethiopian community. Each note corresponds to a threat level color, and each day is a second – allowing us to sing the nine years of Threat Level Advisories in 45 minutes. Accompanying the sustained choral tones, an Ethiopian vocalist and masinqo (one-string African violin) player will perform a composition by Clayton based on a traditional East African harvest song. During the performance, the score will be indicated by light bulbs and colored flags. This simple visual system lets non-musicians participate, and will remain installed for duration of the festival. The slowly-changing US Threat colors constituted a song of fear, war, and suspicion. Enkutatash seeks to transform that it into its opposite: a song of planting, harvest, sustenance and seasonal time. Ethiopia has a unique calendar system whose New Year occurs on September 11th. This holiday is called ‘Enkutatash’, and is a celebration of family, neighbors, and yearly cycles. Clayton’s Enkutatash takes its name and premier date from this as an alternative to the geopolitically fraught connotations of 9/11 -- transforming a political warning into communal music.

curmudgeon, Friday, 29 August 2014 01:08 (nine years ago) link

There's gonna be a NY sneak preview too

curmudgeon, Friday, 29 August 2014 13:54 (nine years ago) link

I think tomorrow the 5th bit I am not seeing the details anywhere

curmudgeon, Thursday, 4 September 2014 16:57 (nine years ago) link

Might get rained out

curmudgeon, Thursday, 11 September 2014 21:17 (nine years ago) link

No rain. A mix of minimal avante-classical choral vocals with Ethiopian instrumentation and vocals...Kinda interesting though dull at times

curmudgeon, Friday, 12 September 2014 14:31 (nine years ago) link

one year passes...

Just pointing out the 2015 Mutamassik (Giulia Loli) release, Symbols Follow is out and its the best thing I've heard of its kin in some while.

Most if not all, in disjointed order, in this playlist:

https://www.youtube.com/watch?v=LQWlVGWCwsc&list=UUGCKxBp-vrR_wiLlkXV8IFg

gate gate paragate parasamgate (Sanpaku), Thursday, 1 October 2015 04:31 (eight years ago) link

eleven months pass...

He's got a book, and is talking about it in NYC tonight with J Shep. I'm curious about it, but haven't read it.

Jace Clayton With Julianne Escobedo Shepherd

Travels in Twenty-First-Century Music and Digital Culture is the debut book by Jace Clayton, also known as DJ /rupture. The book takes readers around the world to investigate how a broad spectrum of cultures have responded to and incorporated new technologies into their musical forms.

7 pm at McNally Jackson Books, 52 Prince Street, New York

curmudgeon, Thursday, 15 September 2016 20:24 (seven years ago) link


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