Rolling Reissues 2014

Lots of people of been waiting for this for a long time, especially Decals which was out of print for 25 years. Wish I'd sold my copies before this was announced, as they would have paid for the new one. Two of his best albums, can't go wrong here.

Now let's have a matching Starsailor/Blue Afternoon/Lorca set (with sufficient lead time for me to sell my Starsailor CD at market value)

diving in to the tracklist for those outtakes, they seem to have nothing or very little in common with what is commonly known as "The Spotlight Kid Outtakes", which maybe makes them even more essential. Wonder where they dug this stuff up? Killing me that "Funeral Hill" has still not been officially released...

Yall may well be on top of this, but just in case: this guy does conjectural, "imaginary" versions of albums that never were (aborted, thwarted, etc)---incl Beefheart's apparently intended 2-discIt Comes To You In A Plain Brown Wrapper. Mostly if not all previously if belatedly released, but here minus what the Captain called "psychedelic Bromo-Seltzer" and other label mandates, and in what may be the intended order:
http://albumsthatneverwere.blogspot.co.uk/2014/08/captain-beefheart-it-comes-to-you-in.html

Oh cool, that guy's Floyd and VU and beach boys assemblies were wonderful

yes that's excellent, thanks

Bob Lind's best record will be reissued!!
http://mapacherecords.com/shop/bob-lind-since-there-were-circles/

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Barbara Lynn

Here Is Barbara Lynn

Light In The Attic

LITA 119

Available: October 28, 2014

To be a woman singing your own blues and soul songs in 1960s Texas was a rare thing. To do so while brandishing a left-handed Stratocaster and bashing out hard-edged licks was even rarer. Yet that’s just what Barbara Lynn did, inspired by Guitar Slim, Jimmy Reed, Elvis Presley and Brenda Lee. And it was a hit: her 1962 debut single, “You’ll Lose A Good Thing,” recorded with session musicians including Dr. John, gave her an R&B chart Number One and a Billboard chart Top 10 hit.

It was a path that Lynn chose at elementary school in 1940s Beaumont, Texas, when she told her mother she wanted to play guitar. “I decided that playing piano was a little bit too common, you know what I mean?” says Lynn in the new liner notes. “You’d always see a lady or a little girl sitting at a piano. I decided I wanted to play something more unexpected, so that’s when I got interested in learning to play the guitar.” Self-taught, first on the ukulele and then on a guitar, Lynn formed her first group, Barbara Lynn and Her Idols, while still at school and soon took the local scene by storm. Hers was a powerful talent in a petite package, a performer who could stand up against the best–even as a teenager.

Spotted while performing, underage, in Louisiana, she was offered the chance to record her own material, songs that filtered the experience of being a black Texan teen with power, feel, and guts. Ten of the twelve tracks on her debut album were her own compositions. “It took a lot of time,” Lynn remembers of the recording process, “but we got ‘Good Thing,’ we got our hit. I loved it. I loved meeting the new musicians; a lot of the guys who played on that record became friends. And seeing how the engineers worked and how they produced the sounds, all of that was really interesting to me.”

The success of that single took Lynn out on the road with the likes of Stevie Wonder, Gladys Knight, BB King, Supremes, Chuck Berry, Guitar Slim, and The Temptations. BB King even wrote a letter to Lynn’s mother to tell her what a talented daughter she’d raised. She appeared at the Apollo Theater, she was twice on American Bandstand, and one of her songs, “Oh Baby (We’ve Got A Good Thing Goin’)” was covered by The Rolling Stones.

Though she was a precocious performer, hers is a talent that came to full bloom on Here Is Barbara Lynn, her 1968 album produced by Huey P. Meaux and originally released on Atlantic Records. The record was conceived as an introduction of Lynn’s prodigious talents, her deeply felt guitar playing, her gutsy soulful singing skills, and her songwriting prowess. It collected her early hit and a raft of new songs, each packed with Lynn’s passion and fire. Yet the introduction to her world–now reissued by Light In The Attic–largely proved to be her swansong. She married in 1970, aged 28, had three children, and largely retired from the music industry for most of the ‘70s and ‘80s. Now touring again, she’s amused to think of her 46 year-old album gaining new fans. “I hear this album, and it seems like… it seems like the old times to me,” she says. "I don’t know, it’s strange to know it’s coming out again. It is going to be a wild, first time thing for me, like going back in time. But I’m excited to see what happens.”

24bit / 96kHz remastering from original 1/4” tapes
Liner notes by Jessica Hundley interviewing Barbara, plus rare archive photographs
180gram LP housed in an expanded deluxe Stoughton gatefold “Tip-On” jacket

Tracks streaming here, for now: http://lightintheattic.net/releases/1367-here-is-barbara-lynn

Hate that they're digitally remastering it for vinyl, but I appreciate their honesty. At least it's not CD quality.

Sly Stone
I’m Just Like You: Sly’s Stone Flower 1969-70
CD & Digital available NOW
LP Available: November 4, 2014

Check out this short doc on the making of this reissue project HERE.
https://www.youtube.com/watch?v=1oCyHAhJgFA

In 1970, The Family Stone were at the peak of their popularity, but the maestro Sly Stone had already moved his head to a completely different space. The first evidence of Sly’s musical about-turn was revealed by the small catalog of his new label, Stone Flower: a pioneering, peculiar, minimal electro-funk sound that unfolded over just four seven-inch singles. Stone Flower’s releases were credited to their individual artists, but each had Sly’s design and musicianship stamped into the grooves–and the words “Written by Sylvester Stewart/Produced and arranged by Sly Stone” on the sticker.

Set up by Stone’s manager David Kapralik with distribution by Atlantic Records, Stone Flower was, predictably, a family affair: the first release was by Little Sister, fronted by Stone’s little sister Vaetta Stewart. It was short lived too–the imprint folded in 1971–but its influence was longer lasting. The sound Stone formulated while working on Stone Flower’s output would shape the next phase in his own career as a recording artist: it was here he began experimenting with the brand new Maestro Rhythm King drum machine. In conjunction with languid, effected organ and guitar sounds and a distinctly lo-fi soundscape, Sly’s productions for Stone Flower would inform the basis of his masterwork There’s A Riot Goin’ On.

The first 45 came in February 1970: Little Sister’s dancefloor-ready “You’re The One” hit Number 22 in the charts–the label’s highest showing. The follow-up, “Stanga," also by Little Sister, made the wah pedal the star. The third release came from 6IX, a six-piece multi-racial rock group whose sole release, a super-slow version of The Family Stone’s “Dynamite," featured only the lead singer and harmonica player from the group. Joe Hicks was the final Stone Flower stablemate; his pulsing, electronic "Life And Death In G&A” is one of the bleakest moments Sly Stone ever created on disc (Hicks’ prior single for Scepter, “Home Sweet Home,” the first released Stone Flower production, is also included).

This long overdue compilation of Sly’s Stone Flower era gathers each side of the five 45s plus ten previously unissued cuts from the label archives, all newly remastered from the original tapes. In these grooves you’ll find the missing link between the rocky, soulful Sly Stone of Stand! and the dark, drum machine-punctuated, overdubbed sound of There’s A Riot Going On. I’m Just Like You: Sly’s Stone Flower 1969-70 opens up the mysteries of an obscure but monumental phase in Stone’s career.

-Compilation and notes by Alec Palao
-An exclusive new interview with Sly Stone himself
-In-depth liner notes with first-hand reminiscences of the Stone Flower era from many of the participants
-Features all five Stone Flower produced singles plus ten previously unissued cuts from the label archives
-All tracks newly remastered from the original tapes
-2xLP housed in a gatefold “tip-on” jacket
-Sly approved Rotter and Friends x Light In The Attic “Stone Flower” shirts
-Limited edition poster illustrated by Jess Rotter

--

that looks awesome

I am psyched about that. I only have one original Stone Flower 45 and kinda want everything. I'm sure there's some crossover with that Ace label comp of his recordings from the late 60s and early 70s, but that's fine.

Word from Forced Exposure newsletter: no bonus tracks, but good presentation:

BRIAN ENO & JON HASSELL: Fourth World Music Vol. I: Possible Musics CD
GLITTERBEAT (Germany) / GB 019CD
release date: 11/25/2014

DESCRIPTION

Originally released in 1980, Jon Hassell and Brian Eno's collaborative album Fourth World Music Vol. I: Possible Musics is a sound document whose ongoing influence seems beyond dispute. Not only is the album a defining moment in the development of what Eno coined as "ambient music" but it also facilitated the introduction of Hassell's "future primitive" trumpet stylings and visionary "Fourth World" musical theories to the broader public. These vectors continue to enrich contemporary audio culture. Eno's ambient strategies are now fixed in the DNA of electronic music and the cross-cultural legacy of Hassell's "Fourth World" concept is apparent not only in the marketplace genre "World Music" but also more persuasively in the accelerating number of digitally-driven, borderless musical fusions we now experience. By the time that Eno and Hassell met, Hassell's experiments with a "Fourth World" musical vocabulary were well underway and in fact it was because of these experiments, particularly Hassell's debut album Vernal Equinox that Brian Eno purposefully sought him out. Within a couple of months of Hassell's performance at The Kitchen the duo entered Celestial Sound in New York City and began work on what would become Fourth World Music Vol. I: Possible Musics. Hassell invited previous collaborators like the Brazilian percussionist Nana Vasconcelos and the Senegalese drummer Ayibe Dieng to join the sessions. Most of the tracks carry a Hassell/Eno writing credit, though the 20-minute "Charm (Over 'Burundi Cloud')" was a carryover from Hassell's concert repertoire. Hassell has made it clear in several interviews over the years that the album's shared billing was at least partly inaccurate and that Eno's contribution was mainly as a producer. More spiky, angular and steeped in rhythm and exoticism than most of Eno's records and more drone-based, reflective and sonorous than most of Hassell's outings, Possible Musics -- whatever the actual division of labor in sound and concept -- is a seminal highlight in both of their discographies. A meeting of two of the late 20th century's most restless and prescient musicians, the album sounds as beguiling, indeterminate and otherworldly today as it did 34 years ago when it was originally released. The impact of Possible Musics on the contemporary music conversation was almost immediate. Just ten days after it was mastered, Brian Eno and David Byrne convened in Los Angeles to continue experiments inspired in part by Hassell's musical theories. The resultant album would be called My Life in the Bush of Ghosts. All parties involved agree that Ghosts was originally conceived as a trio project that included Hassell but the idea fell apart over disagreements about logistics and musical direction. Hassell still remains bitter about what he considers the projects un-credited appropriation of his musical signatures. From there it was a short jump forward to the chart-topping, Afro-futurism of The Talking Heads Remain in Light, an album that Eno co-produced and Hassell guested on. "Fourth World" strategies have echoed, and can still be heard echoing in the music of Peter Gabriel, Nils Petter Molvaer, Björk, David Sylvian, David Byrne, Ryuichi Sakamoto, Damon Albarn, DJ Spooky, Jah Wobble, Matmos, 23 Skidoo, Goat, Bill Laswell, Mark Ernestus, Adrian Sherwood, and of course, the ongoing projects of Eno and Hassell themselves. Glitterbeat is proud and honored to re-release and re-introduce this compelling, groundbreaking album.

TRACKLISTING

01.

Chemistry

6:54

02.

Delta Rain Dream

3:27

03.

Griot (Over "Contagious Magic")

4:02

04.

Ba-benzélé

6:10

05.

Rising Thermal 14° 16' N; 32° 28' E

3:09

06.

Charm (Over "Burundi Cloud")

21:37

HIGHLIGHTS

- Glitterbeat reissues the genre-defining 1980 album Fourth World Music Vol. 1: Possible Musics from Brian Eno and Jon Hassell.
- Not only a defining moment in ambient music as defined by Eno, but also heralded the introduction of Hassell's "future primitive" trumpet stylings and visionary "Fourth World" theories.
- Gatefold LP version pressed on 180 gram vinyl with CD.
- "Jon Hassell invented the term 'Fourth World' both to describe his music and as a general term applicable

Gatefold LP version pressed on 180 gram vinyl with CD.
Oops, didn't notice that! The original vinyl was real good, at least on my Hassellhead friend's splendid stereo.

Oh yeah, also from Forced Exposure news; this one does have a couple bonus tracks:

http://www.forcedexposure.com/App_Themes/Default/Images/product_images/close_up/b/BANG082LP_CU.jpg

GUN CLUB, THE
TITLE
Mother Juno
FORMAT
LP

LABEL
BANG! RECORDS
CATALOG #
BANG 082LP
GENRE
ROCK
RELEASE DATE
10/14/2014

At last, a vinyl reissue of this 1987 classic album by The Gun Club, featuring Jeffrey Lee Pierce and Kid Congo Powers (The Cramps, Nick Cave And The Bad Seeds). Mother Juno meant the evolution of sound at The Gun Club's discography, entering into musical adventures where Jeffrey Lee Pierce and Kid Congo Powers mixed their guitars and melodies as per Television and Jimi Hendrix. This record has the addition of guitar cooperation from Blixa Bargeld (Einstürzende Neubauten, Nick Cave And The Bad Seeds) and was recorded in Berlin during the wild period before the fall of the Wall. Intense, obscure, rich in sound and writing, Mother Juno is a timeless classic for all fans of rock music. Proudly released by Bang! Records, courtesy of Creeping Ritual Productions, this record has been remastered and is presented in a deluxe gatefold edition, including two bonus tracks ("Crab Dance" and "Nobody's City" which has been recently covered by Iggy Pop and Nick Cave, alongside Sonic Youth's Thurston Moore and Beasts Of Bourbon's Brian Henry Hooper) previously unreleased on the original edition.

from Drag City newsletter

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RETURNING TO THE FIRST COMING OF THE SOURCE FAMILY
With the story of The Source Family out there, both as the subject of an acclaimed book and documentary film (as well as an ongoing series of rare, never-before-released recordings), it’s time to turn the light back on the records that made this whole thing a story in the first place. In the 1990s, it was a revelation to discover that there was a series of records made by a hippie cult led by a big Santa Claus-looking guy named Father Yod. More so that these records weren’t predictable light-rock recitals about Jesus — far from it! Instead, they were darkly psychedelic, stream-of-consciousness jams, with Father and the members of his band (usually The Spirit of ’76 or YaHoWa13) transforming divine coils of enlightenment rock over and over. The records were amazing home-recorded documents, adorned with hand-drawn phrases, logos and grainy color shots of what appeared to be truly magical everyday cult life with Father.
Now we return to the beginning, for the second coming of Kohoutek. It was the first spontaneous recording they actually pressed up and came out in 1973, the year of the comet Kohoutek, whose immanent arrival spawned a new round of cosmic consciousness in the media and with people all over the planet. It was more than a comet; its radiance was enormous, coming from ancient times to be experienced again by the enlightened people of the day. The Source Family were alive with expectation about the return of this long-haired messenger, and Father devoted considerable time chanting and eventually changing in his identity to Yahowa while meditating on the comet - the event provided an infusion of energy. The two sides of Kohoutek are a special jam that passes through tranquility to exultation, a tapping of the passing flame in the skies and a greeting from Father to the messenger and bearer of such awesome gifts. Very pure.
By contrast, Savage Sons of Ya Ho Wa is a record that Father doesn’t appear on. Well, he doesn’t play on the record, but look on the cover — Yahowa is still in the driver’s seat. Musically, YaHoWa13 go it on their own, with Octavius, Sunflower, Djinn, and Rhythm collaborating with Electron, who supplies powerful lead vocals. What’s here is a collection of heavy rock songs that will echo in your consciousness, like the opening track, “Edge of a Dream,” and the refrain “I want to see/What’s going on.” The guttural nature of Electron’s vocal sound may recall the name of Beefheart to some; Electron occupies the same unconsciousness, free in the communal slipstream, with less blues and more country gospel in his soul.
Neither album has been available on vinyl for decades, but by YaHoWa, it's our mission to bring these emanations of original, pure Source Family spiritual visions from the mid-1970s to you, November 18th - prepare for their re-arrival on this earth!

Fucking finally. Savage Sons isn't very good, but I'm just glad they're reissuing these and not more echoey leftovers.

Now let's have a matching Starsailor/Blue Afternoon/Lorca set (with sufficient lead time for me to sell my Starsailor CD at market value)

― Rand McNulty (Jon Lewis), Sunday, September 14, 2014 2:30 PM (2 weeks ago) Bookmark Flag Post Permalink

If they're likely to do this at all I hope they'd add both audio and video of the Boboquivari set

Indeedio. Meanwhile:

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Black Beauty, the masterpiece by Arthur Lee’s legendary psychedelic rock band Love, is making its first-ever official release on CD, out November 11th via High Moon Records. The album had never been released in any format until High Moon Records put it out on vinyl in 2012. In November, Black Beauty will be available as a TrueSound Audiophile CD, packaged in a Hardbound Eco-Book. With its unparalleled sound and state-of-the-art packaging, Black Beauty is being hailed as an instant classic by critics worldwide. Read and share the exciting announcement courtesy of Rolling Stone.

The Deluxe CD comes with a 62-page photo-filled booklet with over 35 never-before-seen photos by Herbert W. Worthington and a revelatory essay by Ben Edmonds. Bonus
tracks feature explosive live Black Beauty-era Love performances, an unearthed Arthur Lee interview from 1974, and two unreleased Arthur Lee studio cuts. The ultra-rare title track from legendary filmmaker Max Julien’s “Thomasine & Bushrod’, recorded a few months after the completion of Black Beauty, was Arthur Lee’s first and only foray into film soundtrack composition. Recorded in 1973 for Hair Executive Producer Michael Butler’s Buffalo Records, Black Beauty remained unreleased when the label folded. Finally, after 40 years High Moon Records is honored to fulfill Arthur Lee’s wish that Black Beauty be heard by music fans worldwide on CD.

Black Beauty is that rarest of rock artifacts: a full-length studio album, from an undisputed musical genius. The album is the missing link in a
catalog that includes Forever Changes, the classic 1967 Love album
the New York Times called “one of the most affecting and beguiling
albums of all time.” With Black Beauty, Arthur Lee manages to
combine searing 70’s-rock with gorgeous melodies and stellar
songwriting—topped off by his most powerful, soulful vocals
ever. With its wonderfully eclectic collection of songs, the album offers
Love fans a rare glimpse into a previously undocumented phase of
Arthur Lee’s fabled career, while shining a light for new fans to
discover the unique genius that is the music of Arthur Lee and Love.

There will be a Love exhibit at the Smithsonian National Museum of African American History and Culture, which opens in 2015. Love’s Black Beauty album will be featured in the exhibit.

https://gallery.mailchimp.com/1d59aca4aeedaab429816159e/images/be839ab9-f10f-4139-bec1-3196d90bd926.jpg

Gene Clark’s “Lost” Album Two Sides To Every Story Coming Out on CD For First Time via High Moon Records on November 18th, 90 Minutes of Unreleased Bonus Tracks Included

“Extra tracks, rare photos and detailed liner notes help make this the definitive version of a lost and nearly forgotten gem.” – American Songwriter

Two Sides To Every Story, the criminally long out-of-print solo album from Gene Clark, a founding member of The Byrds, will be released as a deluxe CD on November 18th via High Moon Records. The album, which came out in 1977 will be available as an expanded CD with bonus tracks. This re-mastered version of Two Sides To Every Story features absolutely stunning sound.

Two Sides To Every Story is packaged in a deluxe hardbound Eco-Book with a full-color 26-page book. It has never-before-seen photographs by Ed Caraeff from the Two Sides Photo session and liner notes by John Einarson, author of accalaimed Gene Clark biography, Mr. Tambourine Man. There is also an exclusive download card featuring over 90 minutes of unheard Gene Clark in 24-bit WAV files including stunning live full-band performances from 1975. The deluxe CD features a never-aired 1974 Gene Clark interview by L.A. disc jockey B. Mitchel Reed.

The album was voted #3 in the 2010 Uncut feature “Readers 50 Greatest Lost Albums.” From the country-rocking “Kansas City Southern”, to the to the achingly, melancholy, strings-and-synthesizer-draped “Sister Moon”, Two Sides is a masterfully eclectic album that All Music
Guide proclaims “succeeds on many more levels the more heralded No Other.” Produced by Thomas Jefferson Kaye (who also produced Clark's masterpiece No Other), the album features an all-star cast of musical co-conspirators: Emmylou Harris on backing vocals, banjo virtuoso Douglas Dillard, Country violin legend Byron Berline, pedal- steel ace Al Perkins, and Jeff "Skunk" Baxter on guitar.

Gene Clark served as The Byrds' chief songwriter in the mid-sixties, penning some of their most essential songs, including "Feel a Whole Lot Better," "Eight Miles High" and "You Showed Me." Clark is widely considered to be the pioneer of three musical genres: folk-rock, country-rock, and psychedelic-rock. Gene Clark’s inimitable songwriting and singing continue to inspire and influence countless artists, including: Robert Plant and Alison Krauss (who recorded TWO of his compositions on their 2010 Grammy® winning Album Of The Year, Raising Sand), Bob Dylan, Beach House, Fairport Convention, REM, Grizzly Bear, Tom Petty, Fleet Foxes, Yo La Tengo, and Wilco.

To coincide with the release, Gene’s son Kai has organized an intimate concert in celebration of his father's 70th birthday. The event will take place at the 175-seat Hotel Café in West Hollywood on November 16th 2014. https://www.facebook.com/GeneClarkTribute

stunning live full-band performances from 1975

wonder if this is the Ebbetts (?) Field set...

Dunno, but speaking of Gene, check this guy's stash: http://bbchron.blogspot.com

Especially (but not only) this: http://bbchron.blogspot.com/2014/06/gene-clark-gene-clark-box-set.html

https://www.youtube.com/watch?v=fpnnwYn93UA
From Light In The Attic
Available: November 25, 2014

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.

34 tracks newly re-mastered
Deluxe 2xCD set features a hard-cover 120 page book with comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Deluxe 3xLP set includes 60 page book with comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations), housed in a “Tip-On” slip case with three “Tip-On” jackets
Liner notes by Kevin “Sipreano” Howes
Color vinyl editions:
- 200 on “Burnt Orange” wax (LITA Vinyl Subscriber Edition) + “Sweetgrass” LITA logo tote bag and sticker
- 200 on “Tan” wax (LITA.net Pre-order Edition – limit 2 per customer) + “Sweetgrass” LITA logo tote bag and sticker
- 100 on “Gold” wax (LITA Shop Edition – limit 2 per customer)
preview tracks here: http://lightintheattic.net/releases/1332-native-north-america-vol-1-aboriginal-folk-rock-and-country-1966-1985

that looks so good -- a friend is heavy into this kind of stuff and put together a homemade comp a little while back. really amazing.

Numerophiles-

It will comes as no surprise to anyone reading this missive that we make a lot of vinyl. By year's end we'll have produced 43 unique titles for the year (down from 48 in 2013) across a handful of different imprints. About two years ago we launched a series of records dedicated to replicating original LPs down to their tiniest detail, using Numero's benchmark for quality. "The 1200s"—as they're known around the office—have grown from four modest LPs by Zion, Illinois' Shoes to nearly 40 albums, spanning a wide variety of genres and decades. We're pleased to add three more to record bins and shelves everywhere, available at finer shops or our website now.
The Montgomery Express

THE MONTGOMERY MOVEMENT

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Funk's answer to the Five Blind Boys of Alabama, Florida's Montgomery Express stood at the crossroads of politically conscious soul and mystically awakened dance music. Comprised of two blind musicians in their 20s and a teenage rhythm section, their lone LP was cut in 1972 for Orlando's Dove label, then reissued on Folkways two years later. Although the label usually steered clear of soul music and anything remotely commercial sounding, Montgomery Express tapped into Folkways' Guthrie-cum-Chamber Bros. nerve.

Sensational Saints

YOU WON'T BELIEVE IT

http://www.numerogroup.com/images/product_images/web/sensational-saints-you-wont-believe-it-1.jpg

Formed in the early '50s under the watchful eye of Tuskegee, Alabama, transplant Charles Chambliss, the Sensational Saints were handpicked from a Cleveland clothing store, a pool room, and from a group of friends singing from a third story window. After years spent rotating members and issuing stray singles for assorted non-denominational imprints, the group connected with the vocally inclined Reverend Melvin Kenniebrew at the close of the '60s, making good on their "Sensational" boast. "With God in their hearts and singing on their minds," the Sensational Saints mounted their crown jewel in 1973 with "You Won't Believe It" (Try It You'll Like Us). Pressed in conservative quantities by local gospel magnate James Bullard on his King James label, the group's lone long-player perfectly encapsulates the intersection of funk and gospel as only the religious conversion of a Bill Wither's tune can do.

Bulbous Creation

YOU WON'T REMEMBER DYING

http://www.numerogroup.com/images/product_images/web/bulbous-creation-you-wont-remember-dying-1.jpg

A truly underground document of the national obsession with heavy, mind-bent psychedelia. Originating in the unassuming suburb of Prairie Springs, KS, Bulbous Creation seem to have warped directly from the wrong side of the looking glass with a jabberwocky full of surreal lyrics and gratuitous guitar solos. Recorded and abandoned in the catacombs of Independence, Missouri's Cavern Sound studio in 1969, Bulbous Creation's eight-song screed invokes images of sinners, wage slaves, drugs, out of touch parents, jail, and the devil, naturally.

http://exclaim.ca/images/nico3.jpg

http://exclaim.ca/News/nicos_end_gets_expanded_vinyl_reissue_for_40th_anniversary

By Alex Hudson

...This reissue expands the collection to a double LP with the inclusion of radio sessions, TV performances and alternate versions. This more than doubles the tracklist from eight tracks to 17.

According to Music on Vinyl, this it the first time these extra tracks have been pressed on vinyl. That being said, the same songs have previously appeared on a 2012 CD reissue.

The End...:

A1. It Has Not Taken Long
A2. Secret Side
A3. You Forget To Answer
A4. Innocent and Vain
A5. Valley of the Kings
B1. We've Got the Gold
B2. The End
B3. Das Lied Der Deutschen
C1. Secret Side (John Peel Session 20th February 1971)
C2. We've Got the Gold (John Peel Session - 3rd December 1974)
C3. Janitor of Lunacy (John Peel Session - 3rd December 1974)
C4. You Forget to Answer (John Peel Session - 3rd December 1974)
C5. The End (John Peel Session - 3rd December 1974)
D1. Secret Side (Old Grey Whistle Test - 7th February 1975)
D2. Valley of the Kings (Old Grey Whistle Test - 7th February 1975)
D3. Das Lied Der Deutschen (June 1st 1974)
D4. The End (June 1st 1974)

https://www.youtube.com/watch?v=NGnwRnvnJdI

http://d31hzlhk6di2h5.cloudfront.net/20141010/56/da/bd/e0/94975d28e6352c18489f836c_280x280.jpg

OLD 97’s’ CLASSIC DEBUT HITCHHIKE TO RHOME
RECEIVES EXPANDED 20th ANNIVERSARY REISSUE
ON OMNIVORE RECORDINGS
Prototype alt-country band’s 1994 indie debut release
now available as 2-CD (with 12 bonus tracks) or 2-LP package
Photo by Danny Clinch
DALLAS, Texas — The Old 97’s burst onto the alt-country scene in 1994 with their independently released debut, Hitchhike To Rhome. With subsequent albums on Bloodshot, Elektra, New West, and ATO Records, the quartet became one of the Americana genre’s most enduring bands.
To celebrate this anniversary, Omnivore Recordings will reissue Hitchhike, the band’s first album, with an expanded release on 2-CD, digital, and — for the first time — on double LP. Street date is November 17, 2014.
When band member and set co-producer Ken Bethea was revisiting the original tapes for this reissue, he discovered a treasure trove of eight extra tracks cut at the album sessions — many of which the band hadn’t even remembered recording. It seemed the perfect time to bring those previously unissued songs to light and add the tracks from their first four-song demo cassette to round out the early picture of the 97’s.
The 2-CD version of Hitchhike To Rhome contains the original album, coupled with a second disc of those 12 rare and unreleased tracks, many mixed from the original multi-tracks for the first time by longtime Old 97’s engineer Rip Rowan. The double LP (limited edition first pressing on translucent orange vinyl) features the LP on three sides with six of the recently unearthed tracks on Side 4. The download card included gives the buyer the complete 2-CD program. Both formats include rare photos, memorabilia and notes from Bethea.
The entire album has been remixed from original session tapes by Rip Rowan.
From the Too Far To Care reissue complete with demos (also available separately on vinyl as They Made A Monster), to the band’s sessions with the great Waylon Jennings, Omnivore continues to add to the Old 97’s legacy with this integral, early part of their history and catalog.
Return to the origins of the Old 97's with Return to Rhome!
CD TRACK LIST:
Disc One
St. Ignatius
504
Drowning In The Days
Miss Molly
Dancing With Tears
4 Leaf Clover
Wish The Worst
Old 97’s Theme
Doreen
Hands Off
Mama Tried
Stoned
If My Heart Was A Car
Desperate Times
Ken’s Polka Thing
Tupelo County Jail
Disc Two
St. Ignatius (demo cassette version)
Drowning In The Days (demo cassette version)
Making Love With You (demo cassette version)

Stoned (demo cassette version)
Dancing With Tears (demo)*
Ivy (demo)*

Eyes For You*

Crying Drunk*

Victoria*

Old 97’s Theme Spgeddi*
Alright By Me*

Desperate Times*
LP TRACK LIST:
Side One
St. Ignatius
504
Drowning In The Days
Miss Molly
Dancing With Tears
Side Two
4 Leaf Clover
Wish The Worst
Old 97’s Theme
Tupelo County Jail
Doreen
Hands Off
Side Three
Mama Tried
Stoned

If My Heart Was A Car
Desperate Times
Ken’s Polka Thing
Tupelo County Jail
Side Four
Crying Drunk*

Dancing With Tears (demo)
Ivy (demo)*

Victoria*

Eyes For You*
Old 97’s Theme Spgeddi*
* Previously unissued

From Forced Exposure:

EDIP AKBAYRAM & DOSTLAR: Nedir Ne Degildir? CD
PHARAWAY SOUNDS (Spain) / PHS 020CD
release date: 10/14/2014

DESCRIPTION

As Turkey's political factions turned more and more violent in the late 1970s, Buscemi-eyed Edip Akbayram was nearly beaten up by rioting audiences for daring to sing about rural points of view that were naturally critical of Istanbul's political leaders. This second album of Anatolian psychedelia, originally released in 1977, showed defiance even in its gatefold art, with a drawing of the band members seeming to grow straight out the ground, covered in plant tendrils. Akbayram poached members of Mogollar and Bariş Manco's Kurtalan Ekspres to get the best fuzz breaks and Hammond slams & put 'em straight in your ears. The band also tried out some mixes that pushed the vocals or a particular instrument way up front, and of course, long, low, reverberant welcomes from Edip's echo-covered voice. Remastered sound, insert/booklet with photos and liner notes by Angela Sawyer of Weirdo Records.

CEM KARACA: Nem Kaldi? CD
PHARAWAY SOUNDS (Spain) / PHS 022CD
release date: 10/14/2014

DESCRIPTION

Cem Karaca announces his intent to slay all enemies of Istanbul's leftist counterculture with stompin' prog keyboards. Sophisticated and passionate, with flamboyant taste in sunglasses, Cem Karaca led Istanbul's music fans through a period of violent political turmoil. Karaca reworked traditional folk lyrics with molten electric bass lines that played up both a poet's broiling righteousness and also his listeners' common ground with their elders in Turkey's history. 1975's Nem Kaldi? gathers more '60s-'70s singles that lead the listener through Karaca's own musical history, skipping across various collaborations. Sink deeper into the intrigue both musical & otherwise as fractious personnel changes & real-life assassins multiply, yet the double-time drums & badass synthesizer schwings pound on.

https://www.youtube.com/watch?v=K6T3vxF_xF0&list=UUAVuQPaWK_yC_0qeN4Q1b-w

ERNAN ROCH: La Onda Pesada, Mexico 1971 CD
SHADOKS MUSIC (Germany) / SHAD 141CD
release date: 9/23/2014

DESCRIPTION

Almost nothing was known about this mysterious record until Shadoks' friend Enrique Rivas managed to make contact with Ernan Roch, very much like he did with Kaleidoscope. This album was recorded in Mexico in 1970 together with the band El Amor, who recorded three albums for Capitol Records. His outstanding song "The Train" has a similar vibe to Damon's "Song of a Gypsy," with great fuzz guitar all over. Ernan sings all songs in English, which is not very common for bands from Mexico. This is the first official release of this album from Ernan Roch with great liner notes and photos. One of the best releases from Mexico. Features four bonus tracks.

https://www.youtube.com/watch?v=Gl1PsmjK93E&list=UUAVuQPaWK_yC_0qeN4Q1b-w

CHARLIES: Musiikkia Elokuvasta Julisteiden Liimaajat CD
SHADOKS MUSIC (Germany) / SHAD 163CD
release date: 9/23/2014

DESCRIPTION

One of the most influential bands from Finland are Charlies. They recorded their second album Buttocks in 1970 and also that same year, this first album. Shadoks has included six bonus tracks on this release, including their rare single from 1969. The album was recorded for an underground movie of the same title, and Charlies had full artistic freedom to create psychedelic songs and effects. Their song "Sunshine Supergirl" is a good example of classic work by this amazing underground band, featuring great guitar riffs by Eero Ravi. The original LP was pressed only a few hundred times and is a very rare collector's item today. What a great band and what a great guitar player. Dave Lindholm wrote: "Charlies was the first big Finnish rock band for me. They played loud & rough. They looked like men, not popstars. They played the music I love. Could I ask for more? Well, I didn't!"

ENSAMBLE POLIFONICO VALLENATO/SEXTETO LA CONSTELACION DE COLOMBIA : Fiesta, Que Viva La CD
STAUBGOLD (Germany) / STAUB 134CD
release date: 10/28/2014

DESCRIPTION

The first-ever release of mythic Colombian groups Ensamble Polifonico Vallenato and Sexteto La Constelacion De Colombia. A full-length album of exclusive archive recordings featuring members of the Meridian Brothers, Frente Cumbiero, Ondatropica, Romperayo and Los Piranas. Bland rock and pop music took over Colombia in the 1980s. For a country with so much musical heritage, this was blasphemy. Ensamble Polifonico Vallenato and Sexteto La Constelacion de Colombia were two groups who, in the late 90s, fought to redress the balance. Ensamble Polifonico Vallenato started as a joke, a parody of the bad vallenato music a bunch of university students would hear on the bus into campus. Their idea was simple: "to play whatever and see what happens." The resultant music was as heavy as rock, as acidic as punk and as far-out as the most left-field free-jazz. At the heart of it all was fiery accordion and acerbic vocals, often playing in call-and-response, just like the classic vallenatos of yore. The lyrics formed a big part of the group's identity; they were deep, sarcastic and surrealistic, and revelled in toying with Colombian clichés. The music soon stopped being a parody. The students began to learn more and more about Colombian folklore and their sound evolved. Soon, they ditched the accordion, replacing it with flutes from Colombia's Caribbean coast, and renamed the group Sexteto La Constelacion de Colombia. The musicians were now more mature, though no less experimental. Both groups were rebellious, counter-cultural and added to their reputations with anarchic live shows. At the time, the reaction was mixed. To quote the group, they were "approved by a few but disapproved by a lot." For many musicians who saw them play during their short lifespans, they offered an alternative, a new form of Colombian music that was rooted in their country's heritage but could be as innovative and experimental as any jazz or rock. A seed was sown that started a new branch of Colombian tropical music. The band members now play in groups like Meridian Brothers, Frente Cumbiero, Ondatropica, Romperayo and Los Piranas -- bands that have released albums and toured internationally, as well as won critical and public approval while maintaining the revolutionary spirit that will ensure that the evolution of Colombian music is not ready to stop yet.

https://soundcloud.com/staubgold/ensamble-polifonico-vallenato-chandeath

Not a reissue, but good idea for Nashville exhibition: Dylan, Cash and the Nashville Cats: A New Music City. A little too varied for Rolling Country (really didn't get that Bridge Over Troubled Water fit, though Elvis did great live version of the title track)

http://cdn.americansongwriter.com/wp-content/uploads/2014/10/unnamed-1-e1413226269117.jpg

http://www.americansongwriter.com/2014/10/country-music-hall-fame-announces-new-exhibition/

this week the first worldwide release of Ethiopian jazz and funk band Hailu Mergia and the Walias' "Tche Belew” comes out on Awesome Tapes From Africa LP/CD/Digital/Cassette.

Recorded in 1977, the album went on to become one of the most celebrated of all Ethiopian pop recordings from the golden age of Addis Ababa’s live band scene, not to mention a "holy grail” LP that collectors trade for ~$4000 on eBay.

From Smog Veil: first a reunion, then reissues:

X__X has a Cleveland date scheduled with The Gizmos, making this an extra special gig. The band also has an in-store scheduled for November 1 at Minds Eye in Lakewood. If you are lucky enough to possess X__X's 2 records originally issued on Drome Records, or the recent (and I think now out of print) retrospective LP on Ekto Records, then you know that these gigs will be ones not to miss, details are copied below. Uncertain? Check out the digital download version available at your favorite download source (he means Amazon):
http://ecx.images-amazon.com/images/I/61IKmcV1biL._SL500_AA280_.jpg
x_x
hearpen.com has a new release this month: a remix/reissue of '18 Monkeys on a Dead Man's Chest' from David Thomas and two pale boys. Here's what we know: This is the 2014 David Thomas remix of the original 2004 multitracks. Tracks were cleaned up, some modifications made and David's current mix methodology used. Nothing was added in terms of new recordings. Some elements not used in the original mix were re-introduced.

'18 Monkeys on a Dead Man's Chest' is the companion album to Pere Ubu's Carnival of Souls. 18M completes the first cycle of 2pbs albums and is a lynchpin between the 2pbs and Pere Ubu projex. The Chinese Whispers methodology had been tested and was ready for its final stage of implementation, which was going to be within the Pere Ubu structure. The stories and characters, as well as musical ideas, were taken up again for COS and, for that reason, 18M provides key elements of the backstory and is essential to the 'getting' of COS. Get it here:

There is a download single of out-takes from the 18M session that are available at a special price from hearpen.com.
Updates for all the new stuff, reviews, mp3 samples and videos available daily at the Smog Veil Facebook fan page. Check it out:

Smog Veil Records at Facebook link!
Attend a gig in your area:

X_X

Saturday, November 1: Cleveland, OH, WCSB Halloween Ball (w/The Gizmos)

BUZZ CLIC ADVENTURE

FRI, NOV 14: N. Hollywood, CA, Universal Bar

PERE UBU

Wed, Nov 12: Leicester, The Musician
Thur, Nov 13: Swansea, The Scene
Fri, Nov 14: Tunbridge Wells, The Forum
Sat, Nov 15: Manchester, Band On The Wall
Sun, Nov 16: Bristol, The Fleece
Mon, Nov 17: Cambridge, Junction 2
Tues, Nov 18: Edinburgh, Voodoo Rooms
Wed, Nov 19: Glasgow, Centre for Contemporary Arts (CCA)
Thur, Nov 20: New Brighton (Wirral, Merseyside), Floral Pavilion
Fri, Nov 21: Leeds, Brudenell Social Club
Sat, Nov 22: London, Institute of Contemporary Arts (ICA)
Sun, Nov 23: Brighton, Brighton Film Festival, Duke of York's Cinema, Underscore to Roger Corman's 'X, The Man With The X Ray Eyes'
Mon, Nov 24: Gateshead, Sage Gateshead
Thurs, Nov 27: Vitoria-Gasteiz (Basque, Spain), Jimmy Jazz
Fri, Nov 28: Barcelona, La [2] de Apolo
Sat, Nov 29: Madrid, Sala El Sol (981 Heritage)
Sun, Nov 30: Valencia, 16 Tonelades
Mon, Dec 1: Alicante, Teatro Arniches
Tue, Dec 2:
Zaragoza, CMM Las Armas
Thurs, Dec 4: Lisbon, ZDB
Fri, Dec 5: Braga, GNRnation
Sat, Dec 6: Vigo, Marco

Ok, all for now comrades...Mr. Frank/Smog Veil Boss

http://4ad.com/uploads/news/546_c_w_450_h_450.jpg

The week commencing 1st December, Pixies and 4AD will celebrate the 25th anniversary of Doolittle with the release of Pixies: Doolittle 25 - an expanded edition of the classic album that brings together all the album's B-sides, Peel Sessions and demos for the first time, with nearly half of the tracks having not been commercially released before.

The second studio album from Pixies - Black Francis, Joey Santiago, Kim Deal and David Lovering - Doolittle was to prove a pivotal moment for both band and the wider scene. Produced by Gil Norton and recorded between two studios (Downtown Recorders in Boston MA and Carriage House Studios in Stamford CT) in late-1988, it was an instant hit, containing some of the band’s most memorable singles (‘Monkey Gone To Heaven’, ‘Here Comes Your Man’, ‘Debaser’). Included among the many plaudits thrown Doolittle’s way was Pitchfork ranking it at Number 4 in their Best Albums of the 80s poll, while NME writers in 2004 named it their Second Best Album of All Time. The band toured Doolittle in 2009 to celebrate its 20th birthday and five years on, it’s now time to give it the deluxe release treatment it deserves.

The 3 CD Pixies: Doolittle 25 contains an impressive fifty tracks with the original album on disc one, two full Peel Sessions and six B-sides on disc two and the complete album in demo form plus seven bonus tracks on disc three. A gatefold double LP version is also being released, with two pieces of 180g black vinyl being pressed - the first containing six B-sides and two full Peel Sessions and the second being the album in complete demo form plus 3 bonus tracks. A download card is included, offering access to all LP tracks plus four more bonus tracks. The full tracklistings can be found below.

Like all other Pixies sleeves before it, Vaughan Oliver returns to oversee its design, reinterpreting his original artwork and Simon Larbalestier’s photographs to create a stunning design using metallic ink.

Pixies: Doolittle 25 is being released on 1st / 2nd December and is available to pre-order now direct from the band.
The band are offering an exclusive t-shirt bundle with both CD and LP pre-orders.
The album can also pre-ordered from the 4AD store, with the opportunity for one buyer to win a white label of the record.

Pixies: Doolittle 25
3CD Edition (CAD 3425CD)
Disc One - Doolittle 1. Debaser (2.52), 2. Tame (1.55), 3. Wave of Mutilation (2.04), 4. I Bleed (2.34), 5. Here Comes Your Man (3.21), 6. Dead (2.21), 7. Monkey Gone to Heaven (2.57), 8. Mr. Grieves (2.05), 9. Crackity Jones (1.24), 10. La La Love You (2.43), 11. No. 13 Baby (3.51), 12. There Goes My Gun (1.49), 13. Hey (3.31), 14. Silver (2.25), 15. Gouge Away (2.45)
Disc Two - Doolittle: Peel Sessions & B-Sides 1. Dead (Peel Session) (3.18), 2. Tame (Peel Session) (1.58)*, 3. There Goes My Gun (Peel Session) (2.18), 4. Manta Ray (Peel Session) (1.49), 5. Into The White (Peel Session) (4.11)*, 6. Wave of Mutilation (Peel Session) (2.31), 7. Down To The Well (Peel Session) (2.14), 8. Manta Ray (2.40), 9. Weird At My School (1.58), 10. Dancing The Manta Ray (2.14), 11. Wave of Mutilation (UK Surf) (3.02), 12. Into The White (4.43), 13. Bailey's Walk (2.24)
Disc Three - Doolittle: Demos 1. Debaser (3.00), 2. Tame (2.10)*, 3. Wave of Mutilation (First Demo) (2.04)*, 4. I Bleed (1.46)*, 5. Here Comes Your Man (1986 Demo) (3.07), 6. Dead (1.35)*, 7. Monkey Gone To Heaven (2.52)*, 8. Mr. Grieves (1.42)*, 9. Crackity Jones (1.21)*, 10. La La Love You (2.08)*, 11. No. 13 Baby - VIVA LA LOMA RICA (First Demo) (2.17)*, 12. There Goes My Gun (1.29)*, 13. Hey (First Demo) (3.22)*, 14. Silver (2.11)*, 15. Gouge Away (1.42)*, 16. My Manta Ray Is All Right (2.30)*, 17. Santo (2.17)*, 18. Weird At My School (First Demo) (1.53)*, 19. Wave Of Mutilation (1.30)*, 20. No. 13 Baby (3.07), 21. Debaser (First Demo) (3.37)*, 22. Gouge Away (First Demo) (2.08)*

Pixies: Doolittle 25
2LP Edition (CAD 3425)
Side One - Doolittle: B-Sides 1. Manta Ray (2.40), 2. Weird At My School (1.58), 3. Dancing The Manta Ray (2.14), 4. Wave of Mutilation (UK Surf) (3.02), 5. Into The White (4.43), 6. Bailey's Walk (2.24)
Side Two - Doolittle: Peel Sessions 1. Dead (Peel Session) (3.18), 2. Tame (Peel Session) (1.58)*, 3. There Goes My Gun (Peel Session) (2.18), 4. Manta Ray (Peel Session) (1.49), 5. Into The White (Peel Session) (4.11)*, 6. Wave of Mutilation (Peel Session) (2.31), 7. Down To The Well (Peel Session) (2.14)
Side Three - Doolittle: Demos 1. Debaser (3.00), 2. Tame (2.10)*, 3. Wave of Mutilation (First Demo) (2.04)*, 4. I Bleed (1.46)*, 5. Here Comes Your Man (1986 Demo) (3.07)*, 6. Dead (1.35)*, 7. Monkey Gone To Heaven (2.52)*, 8. Mr. Grieves (1.42)*, 9. Crackity Jones (1.21)*
Side Four - Doolittle: Demos 1. La La Love You (2.08)*, 2. No. 13 Baby - VIVA LA LOMA RICA (First Demo) (2.17)*, 3. There Goes My Gun (1.29)*, 4. Hey (First Demo) (3.22)*, 5. Silver (2.11)*, 6. Gouge Away (1.42)*, 7. My Manta Ray Is All Right (2.30)*, 8. Santo (2.17)*, 9. Weird At My School (First Demo) (1.53)*

* Denotes previously unreleased
The Peel Sessions were recorded on 18th October 1988 and 2nd May 1989 and originally broadcast on BBC Radio 1
Related Releases

LITA Black Friday Specials and 2014 Recap

(individual press releases for *most* of their 2014 reissues have already been posted here)
Record Store Day Black Friday 2014

Fall is finally upon us and the best part of the season is not gathering with family and friends for a seasonal feast, but rather the limited edition vinyl available on Black Friday, November 28th!

Lee Hazlewood
There's A Dream I've Been Saving (vinyl edition)
First up is the vinyl edition of There's A Dream I've Been Saving. Seven years in the making this is the ultimate artifact for Lee Hazlewood heads new and old. Now, for the first time, you can enjoy the entire experience on vinyl. This landmark box set contains an expansive LP-sized hard cover book detailing the label history of Lee Hazlewood Industries, accompanied by 8LPs + 4CDs and the never-before-released film Cowboy in Sweden.

Lizzy Mercier Descloux
Fire b/w Morning High, 7"
This year marks the ten-year anniversary of impassioned poet, painter, actor, and prolific, self-taught musician Lizzy Mercier Descloux’'s death. Instrumental in the late 70s New York underground, yet of Parisian origin, Mercier Descloux, with partner Michel Esteban, established the magazine Rock News and ran in the same circles as Patti Smith and Richard Hell. Lizzy became a genre defying artist and pioneer of worldbeat and avant garde rock, and supreme minimalist of the no wave genre in her own right. Next year, we will release a detailed series showcasing her work. A glimpse of what’s in store for this upcoming archival series, this 7" presents two key tracks from the Mercier Descloux catalog: the epitomic, 1979 disco-punk classic “Fire” backed with a rare session featuring Lizzy and “Godmother of Punk” Patti Smith reciting a bilingual version of Arthur Rimbaud’s poem, “Matinée d’ivresse/Morning High,” set to music by experimental contemporary Bill Laswell. Remastered from the original tapes, this 33 1/3 RPM 7” single comes pressed on “Fire” colored wax.

Wayne McGhie & The Sounds of Joy
S/T
Finally back in print and one of the pinnacle releases in our catalog, this 1970 masterpiece is the Holy Grail of Toronto Funk! The first true debut of Studio One veteran and Jackie Mittoo bandmate Wayne McGhie, this self-titled LP is a wicked mix of Caribbean Funk, Soul and reggae. For this special Black Friday edition we have expanded the album to a deluxe gatefold "tip-on" jacket with rare archival photos and extensive liner notes featuring interviews with McGhie, Alton Ellis, and Lloyd Delpratt.

LITA 2014 Reissues

Mark Lanegan- Has God Seen My Shadow? An Anthology 1989-2011
Bobby Charles- Bobby Charles
Bob Frank- Bob Frank
Peter Walker- "Second Poem To Karmela" Or Gypsies Are Important
Brothers & Sisters- Dylan's Gospel
Built to Spill- Ultimate Alternative Wavers
Michael Chapman- Playing Guitar The Easy Way
Stephen John Kalinich- A World Of Peace Must Come
Lewis- L'Amour
Big Boys- Lullabies Help The Brain Grow
Big Boys- No Matter How Long The Line At The Cafeteria, There's Always A Seat
V/A- Light In The Attic/Burger Cassette Series
V/A- Wheedle's Groove, Vol. II: Seattle Funk, Disco & Modern Soul 1972-1987
Donnie & Joe Emerson- Still Dreamin' Wild: The Lost Recordings 1979-1981
V/A- Country Funk Volume II 1967-74
Lewis Baloue- Romantic Times
Tinariwen- The Radio Tisdas Sessions
Tinariwen- Amassakoul
Sly Stone and Various Artists- I'm Just Like You: Sly's Stone Flower 1969-70
Barbara Lynn- Here Is Barbara Lynn
Sylvie Simmons- Sylvie
V/A- Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985
V/A- There's A Dream I've Been Saving: Lee Hazlewood Industries 1966-1971
Lizzy Mercier Descloux- Fire b/w Morning High
Wayne McGhie & The Sounds of Joy- S/T
Grateful Dead- Two From The Vault

GAME THEORY AND SNEAKERS
HEADLINE OMNIVORE’S VINYL OFFERINGS
FOR BLACK FRIDAY RECORD STORE DAY, NOVEMBER 28
Game Theory’s early EPs Distortion and
Pointed Accounts of People You Know reissued on 10" vinyl
Sneakers featured Chris Stamey and Will Rigby (later of the dB’s)
with Mitch Easter (Let’s Active) and Don Dixon.
Their 1976 EP, which gets expanded edition reissue,
was a prototype of American indie rock
LOS ANGELES, Calif. — Omnivore Recordings’ contributions to Record Store Day Black Friday will feature coast-to-coast exemplars of smart pop: Davis, Calif.’s Game Theory, whose early EPs Distortion and Pointed Accounts of People You Know will be issued as 10" vinyl EPs (in clear and green vinyl, respectively) and Winston-Salem, N.C.’s Sneakers, whose influential self-titled 1976 7" EP will be issued as an expended-edition 10" clear vinyl EP with added tracks. Street date for both is Black Friday, November 28, 2014.
Game Theory followed up their debut album, Blaze of Glory (recently reissued by Omnivore Recordings as the beginning of their Game Theory catalog re-launch) with a pair of EPs — 1983’s Pointed Accounts of People You Know and the following year’s Distortion. Omnivore is pleased to present the next two pieces of the Game Theory puzzle with collectible, one-time only 10" pressings of these landmark releases (Distortion on green vinyl; Pointed Accounts … on clear vinyl).
Distortion contains five tracks, including Game Theory staples “Shark Pretty” and “Nine Lives to Rigel Five.” Lead guitar was provided by David Bowie’s then-axe man Earl Slick, credited for contractual reasons on the original release as Ernie Smith.
Produced by the Three O’Clock’s Michael Quercio, Distortion showed another musical growth, as Game Theory moved toward the sound they would refine on later releases like Real Nighttime and Lolita Nation (reissues of which are on the horizon for 2015). Distortion’s green vinyl 10" contains a download card for the entire program. http://d31hzlhk6di2h5.cloudfront.net/20141023/fc/b7/78/2c/404151c8228394862a2b26dc_280x218.jpg

Pointed Accounts of People You Know contains six tracks, including Game Theory classics “Metal and Glass Exact” and “Penny, Things Won’t.” Also featured is the original version of “Selfish Again,” recently covered by Eric Matthews (who also appears on Omnivore’s new retrospective from Ireland’s Pugwash, A Rose in a Garden of Weeds). The band’s Scott Miller produced Pointed Accounts of People You Know. The vinyl EP also contains a download card for the entire program.
http://d31hzlhk6di2h5.cloudfront.net/20141023/5f/31/5d/7d/dd46dacbd715aefe0c6060c0_280x218.jpg
Both Distortion and Pointed Accounts of People You Know will see their full reissues in this one-time pressing of 1,500 units for Record Store Day Black Friday. They are destined to be highly sought-after pieces, and vital additions to any collection.
Selected tracks from both EPs also comprise the CD reissue of the French compilation Dead Center, available November 24th, and intended to remain part of the permanent Omnivore catalog.
Game Theory (Photo: Robert Toren)
Track Listing for Pointed Accounts of People You Know:
SIDE ONE
Penny, Things Won't
Metal and Glass Exact
Selfish Again
SIDE TWO
I Wanna Get Hit by a Car
Life in July

37th Day

Track Listing for Distortion:
SIDE ONE
Shark Pretty
Nine Lives to Rigel Five
The Red Baron 

SIDE TWO
Kid Convenience
Too Late for Tears

http://d31hzlhk6di2h5.cloudfront.net/20141023/00/91/c0/61/0fef8f6eb397bdbc3ed41eee_280x280.jpg

Chris Stamey and Mitch Easter, icons of indie pop, first began to explore recording techniques in Winston-Salem, N.C., during their youth. In 1976, Chris and his band, Sneakers (including drummer Will Rigby, with appearances from Easter), released a EP on Stamey’s own Carnivorous Records (later to morph into Car Records and release Chris Bell’s “I Am the Cosmos”). The sessions were engineered by Don Dixon, who would eventually produce bands such as R.E.M. (with Easter) and the Smithereens. Stamey and Rigby would go on to form the dB’s, and Easter would reappear in Let’s Active. The Sneakers EP — one of just a handful of self-released records that created the template for the modern indie avalanche — remains vital in not only independent record history, but music in general.
Omnivore Recordings is proud to reissue this seminal 7" EP as an expanded 10", clear-vinyl EP for Record Store Day Black Friday. Sneakers’ original six tracks are joined by three more tracks, including a previously unissued cover of The Grass Roots’ “Let’s Live for Today.”
Housed in a sleeve that replicates the first issue, this pressing includes a download card for the entire program. Sneakers’ 1,500 units will give people the opportunity to experience the birth of the music they love. Whether to run to the record store or just to dance, everyone needs Sneakers.

Track listing for Sneakers

SIDE ONE
1. Ruby
2. Condition Red
3. Driving

4. Love’s Like a Cuban Crisis
5. On the Brink 

SIDE TWO 

1. Let’s Live for Today
2. Story of a Girl

3. Nonsequitur

4. S’il Vous Plaît

(Don't remember Game Theory very well, but got a really good Sneakers collection from several years back; think it's on the now-defunct Collector's Choice label)

Try that cover again

http://d31hzlhk6di2h5.cloudfront.net/20141023/00/91/c0/61/0fef8f6eb397bdbc3ed41eee_280x280.jpg

From Kill Rock Stars weekly etc.:

http://dev1.mtimg.com/product_photos/imgs/000/012/932/full/Bratmobile_Pottymouth_LP-2.jpg
We are excited to announce that Bratmobile's debut Pottymouth is BACK ON VINYL for the first time in over 10 years on 11/18/2014.

Comprised of singer Allison Wolfe, guitarist Erin Smith, and drummer Molly Neuman, Bratmobile made their debut at 1991's International Pop Underground convention and quickly took the Riot Grrrl underground by storm. The band released their debut album Pottymouth in 1993 following a series of 7 inch singles on labels like Homestead, K, Four Letter Words, Simple Machines, and Twelve-Verse-Twelve. The band broke up in 1994, reunited in 1999, and released two more albums on Lookout! Records. They played their last show in 2003.

Pottymouth is one of the most beloved albums in the Kill Rock Stars back catalog and we couldn’t possibly be happier to have it back on vinyl where it belongs.
https://soundcloud.com/killrockstars/bratmobile-cool-schmool

https://www.youtube.com/watch?v=Yxa0UsDRenU

Critical praise for Pottymouth:

"Has any band ever done unalloyed, sneering contempt quite as witheringly as Pottymouth-era Bratmobile? " - Stereogum

" Pottymouth is a definitive riot grrrl record and essential listening for fans of indie rock and punk." - James Elliott, Amoeba Records

"... Pottymouth was an album full of jittery agitations, quickly solidifying the group as one of the Pacific Northwest’s garage greats." - The AV Club

Pottymouth is also available on CD and good ol’ MP3 for those without turntables.

http://www.soundsoftheuniverse.com/mailouts/img/main/535/w/discoalbumcover.jpg

This album here is an amazing collection of rare and independent tracks from Disco’s halcyon period – 1978 to 1982 – expertly compiled by Disco Patrick, who also compiled the new deluxe book. Blurring the musical lines between disco, modern soul and boogie this double album features many exclusive and hard to find records from the era.

Included here are in-demand classics such as The Fantastic Aleems featuring Leroy Burgess, John Gibbs and the US Steel Orchestra, rare Patrick Adams and Peter Brown productions, Jessie G, The Easton Assassin (a 12” given out free at boxing matches!) and much more!

The album comes as a double CD, two seperate volumes of heavyweight double-album vinyl (with free download codes) and worldwide digital release.

This album is released to coincide with the massive new 360-page deluxe hardback book Disco – An Encyclopedic Guide To The Cover Art of Disco featuring over 2,000 album cover designs as well as over 700 12” sleeves, including sections on roller disco, disco instruction albums and more. There are also interviews and introductions by Tom Moulton, Nicky Siano, Mel Cheren (West End Records), Ken Cayre (Salsoul), Marvin Schlachter (Prelude) and more. This book is compiled by Disco Patrick and Patrick Vogt, text by Claes Widlund.

Tracklisting:

CD 1/2xLP Vol.1

1. The Fantastic Aleems featuring Calebur - Hooked On Your Love

2. Superfunk - Superfunk

3. Jessie G - That's Hot

4. Jupiter Beyond - The River Drive

5. The Sunburst Band - The Easton Assassin

6. John Gibbs and The U.S. Steel Orchestra - Trinidad

7. Sparkle - Disco Madness

8. Chain Reaction - Sweet Lady (Dance With Me)

9. Wayne Ford - Dance To The Beat Freakout

CD 2/ 2xLP Vol.2

1. Sympho-State - You Know What I Like

2. The Fantastic Aleems - Movin' To The Beat

3. Something Extra - Sexy Lady

4. Stwange Poweple - Get Up (Let's Rock)

5. Chemistry - Skateboard

6. Cirt Gill and The Jam-A-Ditty Band - Turn This Disco Out

7. Sugar Bear Johnson - When Your Jones Come Down

8. Retta Young - My Man Is On His Way

9. The Imperials - Fast Freddie The Roller Disco King

10. Cordial - Wave

listen here: http://www.souljazzrecords.co.uk/releases/?id=39893

*********************************************************************************************

Soul Jazz Records presents 100% Dynamite Xmas Party:

HURRY TO GET YOUR TICKET FOR THIS EVENT NOW - ALL PREVIOUS EVENTS HAVE SOLD OUT!

Sat 20 Dec 2014 Electrowerkz, Islington, London.

(check Soul Jazz site)

http://www.soundsoftheuniverse.com/mailouts/img/main/536/w/pcjscatholic_frontweb.jpg

SOUNDS OF THE UNIVERSE RECOMMENDS: Patrick Cowley & Jorge Socarras 'Catholic'
Available Today, November 20

Cowley is known as one of the pioneers of disco in the 1970s, particularly the hi-NRG strain. This material was written and recorded with vocalist (and frequent collaborator) Jorge Socarras in San Francisco between 1975 and 1977, before the latter went to London and Cowley started a gig playing synthesizers for Sylvester. The two artists reconvened in 1979 and re-recorded some of the material, eventually sending an album to Megatone Records who ultimately decided not to sign it.
2-LP, more info & audio here: http://www.soundsoftheuniverse.com/releases/?id=40441

http://www.soundsoftheuniverse.com/img/releases/40439/t1/r-6198250-1413500305-7202.jpg
BAY AREA RETROGRADE--Various/Vols. 1&2
(Dark Entries)
Both volumes of Dark Entries’ compilation of underground music from San Francisco (and the greater Bay Area) made between 1978-1988 are available here! Collecting tracks from the Bay Area (at the time a hotbed for experimental and quirky new wave, post punk, and synthpop) that draw a comparison to New York’s No Wave scene and Berlin’s Neue Deutsche Welle.
CD, more info & audio here: http://www.soundsoftheuniverse.com/releases/?id=40439
Tracklisting
1. Nominal State — Middle Class
2. Batang Frisco — Power
3. Necropolis Of Love — Talk
4. Wasp Women — Kill Me
5. Distant Thunder — Tin Soldiers
6. Voice Farm — Voyeur
7. Danny Boy And The Serious Party Gods — Castro Boy
8. Quiet Room — Yangtzee River
9. Los Microwaves — Silent Screamers
10. Standard Of Living — N.F.A.
11. Units — Mission
12. Factrix — Night To Forget
13. Chrome — Meet You In The Subway
14. Red Asphalt — Red Asphalt
15. Tuxedomoon — Day To Day
16. Ki Di Me — Islamatic
17. Indoor Life — Gilmore Of The Fillmore
18. Baby Buddha — Little Things
19. Timmy Spence — Brand New Dance
20. Human Being Men — Human Dub
21. Wonders Of Science, The — Let’s Start A Rumor
22. Zru Vogue — Nakweda Dream

Dennis Brown---Deep Down
(Iroko)

Killer mid 70s roots album from Dennis Brown & Niney The Observer reissued with gatefold sleeve and great liner notes by David Katz. Recorded at Joe Gibbs Studio with The Soul Syndicate band and Niney at the helm. Check 'So Long Rastafari' 'Voice Of The Father' 'Tribulation' and many more.
LP, more info & audio: http://www.soundsoftheuniverse.com/releases/?id=40681

Jerry Harris---I'm For You
(Wackie's)

Very rare Wackie's deep roots album gets reissued by Deeper Knowledge people from New York. Originally released in 1982, this version has added dubs plus dropping a few weaker tracks from the original release with the added bonus of a unreleased track.
LP, more info & audio: http://www.soundsoftheuniverse.com/releases/?id=40638

Transllusion

The Opening Of The Cerebral Gate
(Tresor)

**VINYL NOW AVAILABLE**

Long-out-of-print groundbreaking C-L-A-S-S-I-C electro album - an essential lesser-konwn piece of Drexciyan history!

Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub label Tresor dedicated to a more abstract and experimental electro sound, “The Opening Of The Cerebral Gate” was conceived as the second part of the so-called Drexciyan Storms – a whopping stack of seven albums by the Detroit pair released under different monikers within a single year (the Tresor album “Harnessed The Storm” being the first). Informed by esoteric concepts, the music on this brilliant album is chock full of hypercharged arpeggios and driving pulse patterns. BRILLIANT.
2-LP, CD, more info & audio: http://www.soundsoftheuniverse.com/releases/?id=40180

From Smog Veil Newsletter---put this on 2015 by mistake

hearpen.com has a new release this month: a season-appropriate reissue of Monster Walks The Winter Lake by David Thomas and the Wooden Birds. Here's what we know of it: This is the 2014 David Thomas revision of the original 1986 two track digital recordings. Nearly six hours worth of tape were reviewed to come up with the definitive version.

This album was recorded live in the studio to two-track digital tape at Suma on November 18, 20 and 21, 1985. No overdubs or drop-ins. If something went wrong then we started again. Fostex X-15 and Tascam 144 multitrack cassette recordings were used as real time accompaniments for Coffee Train, My Town, Monster Magee and Monster Thinks About The Good Days.
more info & audio:http://hearpen.com/hr181.html

http://hearpen.com/pageart/hr181.jpg

Great album, one to play on special occasions. Hope he doesn't do anything too bloody-minded to it.

The Bangles: early 80s demos, live tracks, their first EP, all in new collection:

http://www.billboard.com/articles/columns/pop-shop/6327650/the-bangles-song-premiere-the-real-world-interview?utm_source=twitter

WARDRUNA's mesmerizing debut full-length, Runaljod - Gap Var Ginnunga, finally gets the reissue treatment in North America via Indie Recordings. Originally released in 2009, Runaljod - Gap Var Ginnunga serves as the first release in the band's stunning Runaljod trilogy, a musical rendition of the twenty-four runes in what is often referred to as the "elder futhark." Runaljod - Gap Var Ginnunga incorporates some of the oldest of Nordic instruments such as primitive deer hide frame drums, kraviklyra, tagelharpe, mouth harp, goat horn and lur, poetic metres and lyrics written in Norwegian, Old Norse and Proto-Norse tongue. Some of the recordings are captured outdoors or under circumstances of significance to each rune while other sources of sound like trees, rocks, water and torches are used. All of these elements are carefully woven into a rich musical landscape and complemented with whispering voices, melodic song and mighty choirs. Although WARDRUNA's sound shares characteristics with music typically labeled as folk, world and/or ambient, none of these genres can accurately describe their unique style. It truly must be experienced. Music from Runaljod - Gap Var Ginnunga is featured in the soundtrack to both seasons of The History Channel's Vikings series.

Runaljod - Gap Var Ginnunga Track Listing:

1. Ar var alda

2. Hagal

3. Bjarkan

4. Løyndomsriss

5. Heimta Thurs

6. Thurs

7. Jara

8. Laukr

9. Kauna

10. Algir - Stien klarnar

11. Algir - Tognatale

12. Dagr

WARDRUNA:

Kvitrafn: vocals, all instruments (except fiddle), songwriting

Lindy Fay Hella: vocals

Gaahl: vocals

WARDRUNA was founded by Einar Kvitrafn Selvik and in 2009 and enchanted listeners with Runaljod - Gap Var Ginnunga. In the ensuing years the group has spent a great deal of time adapting their music to a live format and establishing a live band, resulting in a handful of very special concerts, perhaps most notably when they performed in front of the majestic 1100-year-old Gokstad ship at the Viking Ship Museum in Norway. The second album in the Runaljod trilogy, Yggdrasil, was released in 2013. Multi-instrumentalist and songwriter Selvik, together with vocalists Kristian Espedal (aka Gaahl) and Lindy-Fay Hella, managed to create a strikingly beautiful and intense continuation of what was started with their first album, but without falling into the trap of merely repeating themselves. The band is currently working on Ragnarok, the final release of the series.

Runaljod - Gap Var Ginnunga is available on CD, black double vinyl gatefold and
digitally via Indie Recordings.

from Luaka Bop:
William O box
http://www.williamonyeabor.com/boxbrowse/WO_LP.1.jpg

William Onyeabor
CD/LP Box Set

William Onyeabor self-released 8 albums between 1978 and 1985 and then became a Born-Again Christian, refusing ever to speak about himself or his music again. Various biographies can be found online. Some say he studied cinematography in the Soviet Union and returned to Nigeria in the mid-70s to start his own film company, Wilfilms. Some say he was a lawyer with a degree from a university in Great Britain. Others portray him as a businessman who for years worked on government contracts in Enugu, Nigeria.
Now for the first time Luaka Bop will release ALL of Onyeabor's creative output, 9 albums in total. Available as 2 hand-numbered LP boxes or 1 CD box with 9 CDs. Get them while they last!

---also noteworthy

http://luakabop.com/portal/wp-content/uploads/bbcinterview2.jpg

Light In The Attic playlist starts w new track by amazing Sylvie Simmons, but think all the rest are from reissues, incl many if not all mentioned on this thread, like Native North America:

https://www.youtube.com/watch?v=G7zphev_6Wk&list=UUPFJl-I-PhIonNPBGUK0Aog

124 videos, it says here.

5-Disc Kinks box, releases & demos 1964-71 just out, http://www.amazon.com/Anthology-1964-1971-5CD-Box/dp/B00NJADEJ2/ref=sr_1_1?s=music&ie=UTF8&qid=1419558209&sr=1-1&keywords=the+kinks+anthology+1964-1971

Fresh Air interview w Ray Davies (orig Nov. 26), w backstory of several early tracks: http://www.npr.org/2014/12/25/372906846/naive-yet-revolutionary-ray-davies-on-50-years-of-the-kinks

http://ecx.images-amazon.com/images/I/A1KnKf1KA-L._SL1500_.jpg

Damn, pretty good interview! And the songs are real short, so get to hear concentrated excerpts.