Wish POLLfillment: Sonic Youth's Dirty

why?

Quite the opposite: with their tunings and those singer-lyricists I want a super-steady drummer.

dude is pretty great at buh-buh-cha, buh-buh-cha, underrated drummer skill

Probably not coincidental that Bert is the only one of the group who was in a great band *after* SY.

Kind of imagining how easily Shelley would have ruined Halloween, for example.

his drumming on Murray Street leaves me cold, his grooves feel well-rote at this point. especially with 'rain on tin', one of the more interesting tracks, his drumming is accommodating (serves the music, whatever), but i find it pretty dull. 'disconnection notice' is a basically rehash of the self obsessed and sexxee groove (not steve's fault), and the noise break of 'dude ranch nurse' remarkably recreates the "instrumental break" of becuz.. compare the drumming, it's uncanny.

I almost wrote something up around this, but nah. I would be repeating like 20 statements made on dozens of SY threads. Simple breakdown: I am glad that I am not bored by late-period Sonic Youth.

Alfred otm: Shelley's rock-solid presence has been greatest asset p much since forever. Also, surely whoever said Bert was the only one in a classic band post-SY surely meant Sclavunos, who ended up in the Bad Seeds (assertion is total bullshit as far as I can tell, and highly debatable besides)

When I think of Shelley I think of almost Keith Moon sorts of fills, like, wtf is this super-steady take on him? Esp. on Goo and Dirty, he's all rolls and fills. The first thing that pops in my head, in fact, is Kool Thing, and that is total Moon.

think they're saying that post-dirty, shelley became less explosive on record, which is probably true, but whether that's a bad thing might be up to personal taste.

I just put on Dirty Boots, and I guess it's Keith Moon if Keith Moon played buh-buh-cha, buh-buh-cha all the time. Don't want to be pedantic, but the difference between Shelley and the guys who came before is pretty huge. The only song I can really think of where Shelley was essential is Free City Rhymes, as I doubt any of the other drummers could have handled the rhythm there. It's too bad they didn't do more along those lines, if they were stuck with a metronome...

When I think of Shelley I think of almost Keith Moon sorts of fills, like, wtf is this super-steady take on him? Esp. on Goo and Dirty, he's all rolls and fills. The first thing that pops in my head, in fact, is Kool Thing, and that is total Moon.

― Josh in Chicago

Agree! I'm talking about after Dirty.

One interesting thing about early SY vs. Branca and Chatham is the looseness of the drums. Chatham especially is like listening to the Feelies, and the Branca stuff is stiff as hell as well. SY really hit on something by de-emphasizing the rhythm-keeping aspect of drums early on (after the first ep, which they clearly reacted against) but then they lost it once Shelley was firmly on board.

I kinda stopped paying close attention to the band after Dirty, maybe because the guitars and songs didn't catch my ear, so I suppose I'm not surprised Shelley toned it down along with the gang. Shelley went more Neu, but maybe he needed to get all jam-band on them.

when this came out i bought it immediately and it was my first sonic youth album.

― it's the distortion, stupid! (alex in mainhattan), Friday, 31 July 2015 16:49 (3 days ago) Permalink

THIS

fuck, i'm bout to put on SILVER SESSION.

― braunld (Lowell N. Behold'n), Sunday, August 2, 2015 10:40 AM (Yesterday) Bookmark Flag Post Permalink

everyone should do this all the time

I love "Silver Session"

think they're saying that post-dirty, shelley became less explosive on record, which is probably true, but whether that's a bad thing might be up to personal taste.

― tylerw, Monday, August 3, 2015 10:49 AM (3 hours ago)

he's got good feeling on EJSTNS, some nimble, powerful fills. there's a weight to his presence, possibly the recording/mix. i really like the dry, muted quality of the whole recording.. sort of a muted humidity (again, talked to death on other sy threads)

yeah his change in playing in the Jet Set/Washing Machine era seems very much reactive to the whole shifting mood and approach of the band. Kim switched from bass to guitar, they briefly considered changing the name of the band, there was a hiatus for baby Coco and a lot of side projects, and a general comfort with the 'elder statesmen' role. i wouldn't mind if they'd done some more fast and loud stuff in 94/95 but it might've made them seem kinda desperate at that point.

the jetsun dolma record (moore/surgal/winant) fucking rules. getting a bit off topic

went down what the fuck hill

― j., Monday, August 3, 2015 4:19 PM (Yesterday) Bookmark Flag Post Permalink

preach

while sonic youth plays a house party filled with extras
And Mike Watt!

talking with students about their music likes on the first day of class, i mentioned i was listening to sonic youth and one student sez

I have never listened to sonic youth by choice but my dad always forced us to listen to it in car rides.

dad dream nation

If I was a dad I would do this.

Dad puts on piece for Jetsun Dolma... "alright kids, this is how it's done."

There's the Lee Ranaldo dads, the 'nothing past 1988' dads, the SYR dads..

then there's the us maple dads.. in their minds, sy lost it somewhere after a thousand leaves. at first they settled for the maple, guitar sounds/figures filling the void, and then they realized that the prime 'mape is superior in most ways. You've got the talker dads, who are excitable, and then you have the more seasoned, rock-reared, purple on time. dads, who still need a beat. they probably like Pissed Jeans or something, and zone out on The Field or some bullshit.

(aka the SYR dads)

http://www.aquariumdrunkard.com/2015/09/08/sonic-youth-brixton-academy-london-december-14-1992/

shelley a monster here

Yeah, that was good!

when i was a kid i stole the 1988 (elle macpherson) and 1989 (kathy ireland 25th anniversary giant edition) sports illustrated swimsuit issues from my local library, which i think made me extra receptive to 'swimsuit issue'

i also stole stephen king's 'IT' and 'firestarter', but only to read and return undetected (except my mom found 'IT' and i got in trouble, or didn't, i don't remember)

I BELIEVE ANITA HILL

Haha this thread is my favorite child

I really hope kids these days are listening to this album and wondering "What the fuck is a swimsuit issue?!"

Idg that one. Isn't the SI Swimsuit Issue as big as it has ever been?

this thread def contains the worst steve shelley discussion on this board

especially with 'rain on tin', one of the more interesting tracks, his drumming is accommodating (serves the music, whatever), but i find it pretty dull

lmao imagine

Probably not coincidental that Bert is the only one of the group who was in a great band *after* SY.

― dlp9001, Monday, August 3, 2015 8:42 AM (four years ago)

Yikes. Here's a selection of bands and artists who Jim (S) recorded/toured with post-SY:

Alex Chilton (1983)
Tav Falco's Panther Burns (1983, 1992-1994)
Lydia Lunch (1984-1986, 1991-1992)
The Cramps (1991-1992)
Congo Norvell (1992-1996)
Nick Cave & The Bad Seeds (1994 - present)

Surprised to see Youth Against Fascism place so high. Always saw it as a a cheap concession to Alternative Nation.

A sieg heil-in' squirt
you're an impotent jerk
Yeah, a fascist twerp
it's the song I hate
it's the song I hate

I think I've listened to enough Sonic Youth now to know they're not really my thing, but I adore this album

It was my first Sonic Youth album, so maybe that's the reason it's the one I latched onto. But I probably need to check out more of their albums. Goo felt similar to Dirty to me, if not as cohesive. I did enjoy a lot of Bad Moon Rising.

I was definitely scarred when I picked up Daydream Nation - said by many to be their best - and found it interminable and ponderous instead. This was years ago though, in the days of committing $17 to a CD when you just wanted to try something. It was enough to keep me from exploring their other albums. I should probably make it a point to dip my toes back in now that they're on Spotify.

I really dig that little guitar break in “Purr” (from like 2:40 until the main riff comes in again)… are there other SY things with that particular sound?

Ranaldo's leads in "Stones"? 2:50 in "Dirty Boots"?

Thx... "Stones" is nice. I think there's something almost Pavement-y about that "Purr" gtr, maybe that's why I like it so much

I know this is a basic-ass SY opinion, but "Sugar Kane" is such a great song... prob my favorite of theirs overall (it's a little funny when Thurston sings, "Kiss me like a frog"... I think it puts a different image in my head than was intended).