Kaitlyn Aurelia Smith

EARS is fantastic, can't wait to see her open for the AC next month.

this album is gorgeous and i love it. i wasn't going to say anything bc i have little to contribute beyond this but i wanted to annoy lj.

Yeah, I'm into this.

this is such a gift

Shared this album with a couple friends the other day very loud on the home hifi. They kind of just sat back and just said "wow" once the first track finished. After the album was done, we looked at each other and wondered aloud how we were going to put on another album after this one.

so good. have been nerding out on modular stuff lately - but more the gear than the music being made by it - so to hear something come along like this and just blow you away is a welcome correction as much as anything else.

GOOD MUSIC

yep

i might prefer euclid to the new one tbh

i do 2 but the new one is still wonderful

looking fw to seeing her live in NY soon. Put a song on this mix:

http://www.imposemagazine.com/bytes/new-music/dan-selzer-a-heavenly-imposition-mix

imago was complaining about this in another thread so i checked it out and am loving it so far, thanks LJ! :)

complaining?

Bitterly at that. His loss!

seriously, I don't keep up with most new ilx threads, but I don't see how this record is particularly ILX-friendly. Maybe because the review compares it to Fever Ray/The Knife?

i think it's just ilx friendly bc it's good and ilm posters are suckers for good music

not feeling this album. there are some good synth sounds on it but a lot of unpleasant sounds too.

which thread is all this complaining happening on?

OK, is this the worst piece of music writing ever?

http://cdn.fansided.com/wp-content/blogs.dir/229/files/2015/02/simpsons-pitchforks.jpg

fwiw i think this is p good but not standing out for me so far. i listen to a lot of music like this, it's nice but it's not blowing my mind.

The album is good

― Whiney G. Weingarten, Tuesday, April 5, 2016 12:19 PM (3 minutes ago)

Für lj - this is a staggering monument of artistic genius and musical magnificence. surely the greatest album of the year, if not the century. ten thumbs up - highly recommended!

We should just have "good"/"bad" polls from now on.

that's too absolutist. options should just be OK and eh

Is anyone else into Kara-lis Coverdale? I sort of group them together in my mind due to similarity of names, and KLC's music has more of an ecclesiastical Tim Hecker vibe but they both push the same emotional buttons for me.

(FYI if anyone is too much of a bottler to post on this entirely peaceable thread then their opinion basically doesn't exist and is irrelevant).

i like her colorful wires

this album sounds like aurelia smith traveled back to the garden of eden and captured the natural noises made by the birds of paradise soaring above lush fields and dense wet forests and two naked bodies listening, carefully, they embrace, moved by the music to tears and a sense of heavenly grace that can be shattered by nothing - not by snakes in the grass or fruit growing on trees. the album ends and they look at each other and wonder aloud how they can put on another album after this one.

this album is like breathing for the first time

i had never even seen a shooting star before.

25 years of rotations, passes through comets' paths, and travel, and to my memory I had never witnessed burning debris scratch across the night sky.

It's wonderful. Totally claustrophobic and warm and, yes, self-indulgent, but she is on a mission to prove she's more than a synth artist tinkling on some keyboards. Totally pulls it off in a dreamy, hazy, muffly way.

Also, I saw her play in an outdoor space in Silver Lake and everyone was just floored by the sincerity of it all. She is no joke.

Multiple xp to LG - I think this sounds like a lot of stuff that already exists but it excels at it.

I didn't think any of the posts in this thread were excessively effusive, but who wants to enjoy nice music when we can turn it into a clusterfuck of some kind

The experience and emotions tied to listening to Kaitlyn Aurelia Smith's Ears are like witnessing the stillborn birth of a child while simultaneously having the opportunity to see her play in the afterlife on Imax.

sorry i'm just dicking around, i think lj is being a dork, and i love this album even if euclid is a little better

lol

this album (EARS) is aptly titled because I literally feel like I truly have been given a new pair of EARS and am listening to music for the first time in my life

looooooool

http://www.tmchoir.org/wp-content/uploads/NewEars.png

Is anyone else into Kara-lis Coverdale? I sort of group them together in my mind due to similarity of names, and KLC's music has more of an ecclesiastical Tim Hecker vibe but they both push the same emotional buttons for me.

yeah same, i thought the kara-lis coverdale & lxv album from last year was particularly nice. (apologies for the embarrassingly effusive praise)

i listen to a lot of music ~like this~ and this album initially seemed like just a fairly decent version of it but it's completely embedded itself in my life after a couple of months - it feels perfectly balanced between all its elements, there's always something happening so it's not just ambient mood and yet she never breaks the spell

really i only checked this out because of euclid placing in the ilm poll - i didn't love it (off the cursory listen i gave it) but it was interesting enough for me to give this some attention, am really glad i did and intend to return to her previous albums as soon as i can tear myself away from this

xp aftertouches was a v good walking around the city in the sunlight album, felt colder than KAS

k-l c is cool imo, will check out the artist mentioned on this thread

lex OTM. Sums up my feelings too. An album hasn't grabbed me like this, from start to finish as a singular entity, in a while. Maybe years. Hard not to continue gushing. And listening to it loud on a really nice stereo is quite something.

It really is quite good. Whiney is just trying to kill your buzz because that's who he is and what he duzz

JFC what did you people do to this thread.

got excited reading about this (thanks to this thread).

had a deep listen and pretty disappointed really... it's nice enough mood music but i'm not really hearing what separates this musically from the thousands of mid-late-00s synth stuff. a bit more measured sure, some woodwind in there and some 4th world 5ths pitchshifting...

just yer standard vertically-composed arp-scapes really? what are people hearing as being exciting about this

yeah that feels about right to me. i sometimes feel like ilm and maybe the wider world goes crazy for artists around the point where they are becoming less interesting. like julia holter felt the same.

i know that sounds like "oh their early stuff is better" - i mean sometimes an artist's sort of breakout album is some kind of middlepoint of note, but other times i just think the part that is making it appeal more seems to nullify whatever i liked in the first place. and here's why and that's okay.

anyway i am going to give this another listen.

just yer standard vertically-composed arp-scapes really? what are people hearing as being exciting about this

Sometimes it's difficult to explain why a vibe works but it this case it just does, just texturally and melodically really satisfying at the same time. I suppose it depends on what you hope to get from music like this - I don't listen to ambient because it's "interesting" (although that helps), it's entirely about the emotional effect for me.

The arp scapes comment kinda makes sense to me in that this is sort of the ambient equivalent of Lindstrom c. Smalhans, when what it's doing is sort of rudimentary but at the same time really works.

the last track reminds me a bit of sasha and digweed

Revisiting this thread, reminded of more comfortable, more inconsequential, more moribund times

Real lol at this:

she's grifting live on the p4k IG right now:

"Grifting" should become common usage as a verb to describe somebody using a modular synth

beats "wiggling"

But surely one sketches on a music easel.

New track: https://kaitlynaureliasmith.bandcamp.com/track/lagoon

https://www.youtube.com/watch?v=rpXOlcpoj1c

Every time I listen to this record I forget it's on until "Expanding Electricity" rolls around. Really poor first single to album quality ratio.

yeah, couldn't wait after listening to the preview, got the album off bandcamp and it was such a let down after that first release.

Still waiting for the vinyl from Bandcamp, which was ordered on the first bandcamp friday!

holy fuck, this new record……. my god

I saw Max Tundra bigging this up, and reports are that it's a whole new sound, so I'll chance a listen, even though she's done nothing but annoy me before

Nah, same stuff repackaged. Maybe a bit less ambient than before, and there's probably more variation, but so many of the vocal, melodic, timbral choices are purpose-built to infuriate me still. Track 7 is quite good though! There I said it etc.

it leaked?

it came out yesterday

saw it being described as hyperpop and am disappointed it didn't live up to that

Well an hour ago when I posted that the bandcamp still had it in pre-order status. Just checked again and the page has updated, how about that.

I've given the new one a couple of half listens, and it's really not connecting. It seems too disjointed, and not in a fun po-mo OPN kind of way. Just ideas clashing with one another, with no real conceptual basis.

I still adore EARS though, and Sunergy. Guess I'm more into the bubbling synth arpeggios and orchestration, and less into the vocals and attempts at subversive 'structure'. KAS is great at ambient textures, and not so hot at 'songs' imo.

She’s playing a free show in a couple weeks at the museum where I work - in LA

https://hammer.ucla.edu/programs-events/2023/kaitlyn-aurelia-smith