Talking Heads - Remain In Light poll

Xpost, as great as SMS is, I don't think they hit the ecstatic heights of their 1980 tour

https://m.youtube.com/watch?v=2KQjy02eqOk

Embed fail, follow link for The Great Curve in the Rome show.

Wasn't it quite common back then for vinyl albums to have the tracklisting out of order on the back?

No

lol to be honest at the time i assumed it was some kind of deliberate eno/byrne conceptual thing, like the obscure strategy card said "put the track listing out of order"

can't wait to do this poll. it will be the next one that i do.

Wasn't it quite common back then for vinyl albums to have the tracklisting out of order on the back?

― TARANTINO! (dog latin), Tuesday, August 23, 2016 4:07 AM (17 hours ago) Bookmark Flag Post Permalink

yeah actually i swear i've seen this before...not sure...

IIRC, Let It Bleed did this.

I'm excited for this poll too, Bee OK!

xps I've seen it a bunch of times. I think Lennon/Ono's 'Double Fantasy' does this. Usually it's because the track order wasn't finalised before going to print.

I'll check my copy of DF when I get home. This might've been somewhat common because the window between mixing/mastering and printing the jackets was so much shorter in the 70s/80s.

40 years old today!

well shit, didn't know it came out three days after i was born. there's a thing

"Listening Wind" is so unspeakably beautiful.

In Kurt Cobain's Journals, there is a page for potential NEVERMIND producers. I
was impressed that he considered Dave Jerden, and he cited NOTHING'S SHOCKING and
his engineering work on REMAIN IN LIGHT

I watched Stop Making Sense for the umpteenth time on Monday and was surprised to notice only two songs from RiL on there. I think they recorded a version of The Great Curve but it didn't make the cut

Setlist FM is good for these things; The Great Curve was last performed in 1981

https://www.setlist.fm/stats/talking-heads-3bd6b808.html

Typical sets for the SMS tour looked like this

https://www.setlist.fm/setlist/talking-heads/1983/saratoga-performing-arts-center-saratoga-springs-ny-73d522f5.html

It's amazing they did so little of RIL, although i guess minus Belew some of those songs were impossible.

After doing so many weird extended jams of those songs on the previous tours I'm not surprised they moved away from RiL a bit. That being said Ive always been disappointed that a version of "Houses in Motion" didnt make it into the film, that must have been so great with the SMS band.

Dirty Mind and Remain in Light landing on the same day. A bright spot before a shitty end to that year.

you don't even have to click the link, how convenient:

https://faroutmagazine.co.uk/nine-inch-nails-trent-reznor-favourite-album-talking-heads-remain-in-light/

First sentence of that clickbait:

There aren’t many musicians in the public eye right now who is quite as expansive as Nine Inch Nails maestro Trent Reznor.

But there is also a link to the real piece, which is here:

https://vinylwriters.com/trent-reznor-on-talking-heads-remain-in-light-1980/

And this is what Reznor said:

There are a few candidates for this question, but one of my absolutely favorite records is Remain In Light by the Talking Heads. It is an album I didn’t understand when I listened to it for the first time in the beginning of the 80s. Back then, I was living in a rural small-town that was widely cut off from interesting culture. And then suddenly this album landed. A strange, synthetic, polyrhytmical piece of art with African influences which confused me in every way. With good albums it is the case that at the beginning you don’t know what you are actually dealing with. But you are fascinated by it, and with about six listens it slowly reveals itself to you. With the 10th listen you are completely thrilled, but even when you listen for the 30th time you still discover something new. Remain In Light taught me that. The record enlightened and changed me. It showed me what music can do, how song structures can look like, or how drum parts can interact with other parts. Since I started making music myself, this wonderful album has been something I can always consult. The great thing is that the record can still be approached from so many different directions without losing its puzzles.

I had the privilege to moderate an evening of public discussion with Talking Heads frontman David Byrne in 2012. He had written a book called “How Music Works” and I was asked to take part in its reading tour. He is a super nice guy and a true gentleman.