S/D -- The Numero Group

speaking as a Light Sounds Dark fan, lol, hypocrisy

Ha ha. Light Sounds Dark take it to ridiculous degrees but then they are bootlegs pretty much so i guess they have to. i do love a dose of LSD too though.

i guess for Numero comps it depends on the comp. For some I'd want to know what time the drummer was born but some, like 'Planisphere' I'm happy to listen as a sort of anonymoys concept album.

plus the idea of them prepping the 247th comp of local soul singles from Wichita Falls or w/e

I LOLd

but probably because I'm in the key demo for such things

what release are y'all talking about?

The one brimstead posted is what prompted my post - doubly annoying because part of the gimmick there is it's a cigarette case so at the top there's a "seal" you have to rip to get at the actual record, so you're damaging the gimmick - but I was also thinking of stuff like Escape From Synth City and "imaginary soundtrack" You're Not From Around Here. They seem to all be part of the Cabinet Of Curiosities line:

http://www.numerogroup.com/d/the-cabinet-of-curiosities-a-numero-universe

I'm generally trying to buy less vinyl these days so I don't have any particular views on the packages here - but I think the point of these Cabinet of Curiosities comps is the rather abstracted, conceptual links they draw between things rather than it documenting a scene/period/genre/location. Tbh this approach will rise or fall on the music, but what I will say is that the extended essay thing about the Reach comp (linked further up the thread) had me adding the album to my basket without listening to a single note. (And I think Numero 95 is a great concept, though obviously the jury's out on whether it'll hold up as a listening experience.)

i guess the danger w/out the historical scene is it just becomes guys playlisting things. i trust them based on previous experiences with them but don't necessarily trust it as a permanent direction, and think there are lots of scenes and styles of music that could use this kind of curatorial ear that have been ignored

Their Spotify playlists are the only Spotify playlists I trust

I'm generally trying to buy less vinyl these days so I don't have any particular views on the packages here - but I think the point of these Cabinet of Curiosities comps is the rather abstracted, conceptual links they draw between things rather than it documenting a scene/period/genre/location.

Yes, but these links are interesting in and of themselves and thus worthy of liner notes instead of just telegraphing "you know, super mario" or "well it's like noir" via packaging. This is even more the case because the artists featured on these compilations are as obscure as anything Numero put out, so it's not like a playlist where some David Bowie b-side follows an Ebo Taylor track or whatever.

Fair point - I'm mainly thinking about the Reach comp here, where the online notes not only set out their stall well but persuaded me to actually buy it. (It's really good.)

"Santa Claus Ain't A Hippie", from the recently released Christmas Dreamers: Yuletide Country (1960​-​1972) is like a Marine Todd meme in song; totally baffling premise of hippies protesting against Santa and the song's protagonist righteously defending his honour.

It came out three years after "Okie From Muskogee" so was prolly riding the wave

https://www.youtube.com/watch?v=L-MBp1V7WRs

Massive Pre-Order Announcement...
Bound For Hell: On The Sunset Strip, our latest and most savage boxset to date...

Heavy metal? Glam? Hard rock? Make your own call, you poser. We're not gonna do it for you. pic.twitter.com/evm9HIWqzU

— numerogroup (@numerogroup) August 10, 2022

technicolor paradise 3LP repressed, your choice of four different colors. still regret selling the original so i went for “moon mist”

90s bands anniversary gig. Anyone go?