S/D: Oren Ambarchi (and projects)

the last track burrows into this blue mood where all the twelve strings and abraham's piano feel like they should be framing something, but nothing "central" is there .. just this endlessly shifting, ghostly presence of sound in the middle. i'm always listening for jim o'rourke's contributions in these kinds of situations and that sort of harsh is it ring modulated synth that appears toward the end there is brutal in a way. there's real heart to this, a lot of human presence, but it's also at a remove, its power feels directed toward emphasizing ephemerality.

Shebang is ridiculously good — wow!

really enjoying this

i'm listening to this a lot, it's kind of addicting.

had the stoned thought today that the whole piece feels like it's the soundtrack to a single human life. the brightness at first and then the kinetic deepening, the appearance of the drum strokes which seem to mark days, the longer blend of elements on top that are like strokes of personality, the reoccurence of those strokes, the little eddies throughout, the downshift into the vigor and seriousness of the 3rd and 4th parts, how there isn't really a climax but just this beautiful deepening/opening and then the brief release at the end.

when abraham's piano appears at the beginning of iii, it sounds so urgent - i don't know if i've ever felt such a sense of urgency at the sound of piano before haha.

and one minor quibble with the reynolds review, the last piece is in the same key as the first one, just minor not major afaict

overall a very nice and otm review as usual

which review?

sorry, sherburne, duh, *farts*

this one: https://pitchfork.com/reviews/albums/oren-ambarchi-shebang/

i love how this is both calm and very intricate, with lots of moods represented but at a distance.

is a lot of ecm stuff really like this? divine quiet epic music?

i should go back to those early necks records.

i think oren ambarchi's guitar work is definitely the glue that holds everything together, it's really central to how iv evolves especially.

The last Necks record, ‘Three’, was somewhat in this vein. Otherwise the closest fits are ‘Hanging Gardens’, ‘Drive-By’ and ‘Chemist’ I think.

In terms of ECM, I’d try Nik Bartsch’s Ronin and Mobile projects.

thanks

One of the Mobile albums is even called “Ritual Groove Music” which is a great description of this general style.

oh wow 'ritual groove music' is sounding fantastic

Check the rym list for zen-funk, map. Enjoy the rabbit hole!

I wish "Hubris" was a genre so I could listen to stuff like it all day (now I just listen to "Hubris" all day)

i would like him to come to USA soon

Ghosted II out today. I thought the first one was good but not great; very into this one though.

I loved the first one, this is sounding great too.

OMG i love this so much already