Moment when it became like cool to like commercial pop music?

i mean like genuine commercial made for your money under the indiepop glaze for people who like their starbucks iphone identity but no longer of the generation instinctively and cynically averse to blatant commercialism and instead are of the gen where identity is found within it rather than in opposition to it. Emimem's violent rap against a pop queen finds himself in a era he's not familiar with in that when he was going at pop stars in his pomp because now they curry favour in we are cool and knowledgeable circles rather than just been teen pop who you can say what you like about without anyone serious giving a shit

2011?

☮

http://i.imgur.com/zi7hd.gif

💩

.

definitely 2011

I was there when it happened I'll tell you about it some time

shit was cray

I don't wanna give too much away, but it was a little like this

http://www.ynetnews.com/PicServer2/20122005/776483/Camp-David_wa.jpg

reading all my posts like I'm Quavo

iirc it was a fun meeting when we all agreed on this. Good catering.

Geir Hongro was the dissenting vote but then I dropped FutureSex/LoveSounds and he was all like "AHHHHHHHHH!"

call me gotye

hurting, was this really the place for your big reveal

http://sprudge.com/wp-content/uploads/2014/09/Starbucks-Tattoo-2.jpg

2012: ? The commercial but careful unassumingly cool image for the uncynical tumblr user? (Lana Del Rey and Lorde) Was it that recent?

http://sprudge.com/wp-content/uploads/2014/09/1-img_6313.jpg

http://sprudge.com/wp-content/uploads/2014/09/starbucks-tattoo.jpg

http://sprudge.com/wp-content/uploads/2014/09/VNFZlU7eegqTQDHM.jpg

excellent thread, and yeah, I'd say 2011 for sure.

2004?

2011 ??

turning point = 2005

reason = rachel stevens : come and get it.

(that said, surely girls aloud hit this spot given the chaos on ilm/charts at the time !)

http://s19.postimg.org/s2rc9if77/Starbucks_Tattoo_38009.jpg

reminder that starbucks is the reason we no longer have seattle supersonics.

Grimes professing her love for Mariah Carey right when Visions came out was a big moment, I think.

https://c2.staticflickr.com/8/7285/8747451498_a9d9f93bc6_z.jpg

http://thumbs3.ebaystatic.com/m/mte6a4VxA_vpyZf02xIWVlQ/140.jpg

http://image2.archambault.ca/2/A/1/B/ZIK2759619.1336698594.580x580.jpg

http://i.ytimg.com/vi/MxfLat5x-AI/hqdefault.jpg

Grimes professing her love for Mariah Carey right when Visions came out was a big moment, I think.

― ET sippin the wig (spazzmatazz), Thursday, November 13, 2014 8:46 PM (59 seconds ago) Bookmark Flag Post Permalink

I was thinking of her love of Justin Bieber too ("I mean I don't get why he gets so much hate, it's really amazing what he's acheived at his age, by himself, and he's actually like a really good singer" etc). it doesn't matter whether it's genuine or not, point is it was now a thing to actively support commercialism in music than be anything else towards it, and it never really was before that.

You guys are way off. This happened in September 1992.

http://snappingphotos.com/wp-content/plugins/yet-another-photoblog/YapbThumbnailer.php?post_id=38&w=600

https://c2.staticflickr.com/4/3499/3183242174_9c031c77aa_z.jpg?zz=1

haha jinx

the real answer is the Prague Spring.

http://www.globalnerdy.com/wordpress/wp-content/uploads/2013/04/raccoon-coffee.png

http://images.sodahead.com/profiles/0/0/3/8/2/4/3/8/1/starbucks-overrated-lifestyle-coffee-124278086015.png

2004? http://www.nytimes.com/2004/10/31/arts/music/31sann.html?ei=5088&en=bae986089f3d2d35&ex=1256965200&partner=rssnyt&pagewanted=all&position=&_r=1&

Mordy

Great shout as an early misguided attempt. Ashlee Simpson happened though, before ironic cool tmblr wave, so she had no real options for crossover appeal other than what she tried. And it was never going to work. It was only possible for this sort of thing to work at a certain recent time in our history. The /wmv is the clue to why.

“Overrated and a Waste of Money”
2 of 5 stars Reviewed 4 March 2014

Yes, it's a great place to chill out, but to be honest there are better (or at least just as good) coffee places to go nearby. Don't waste your money just because of the name. Go somewhere else for a fraction of the price.
Visited July 2013
Was this review helpful? Yes 1

This Starbucks is always busy so get used to it. Starbucks is overrated and over priced anyway. The only thing I ever get from here is an iced green tea or a green tea frap. The coffee sucks.

https://img0.etsystatic.com/028/0/5449023/il_340x270.658601286_depd.jpg

First off, Starbucks sucks. Their only good drink is the Caramel Frap. Starbucks is probably the most overrated cafe in the history of the world.

The only reason I gave this two stars is because the service isn't bad.

Starbucks is also a smoke-free environment, which is stupid. Are you kidding me? Yeah, I'm a smoker and cigarette is a compliment to coffee as much as sugar or creamer.

The crowd that comes here varies, and may affect your experience.

Unlike most, I think Starbucks is quite overrated and too expensive. When my office was nearby I went there fairly often. Now almost never and I wonder why I ever went there. The coffee always tastes burnt and ALWAYS requires "additives" to make it palatable. The pastries they sell are grossly over-priced and mediocre at best. Bread Compny or Eiensteins are always better choices.

I've always thought Starbucks was overrated. To me, they are like the Walmart of the coffee world - too ubiquitous and not as great as their reputation makes them out to be.

the brownies are good!

where's dave cool when you need him

starbucks

who the fuck is huevo?

2004: Kelly Clarkson - Since U Been Gone

http://library.indstate.edu/about/units/rbsc/kirk/images/sm1909_i_love.jpg

no one came to my lieder parties after that one hit the charts

everyone gtfo with this starbucks business, this is a serious thread. are we so vain ?

dudes in a room unite, you have nothing to lose but your cool

another potentially serious answer - 2003:

https://www.youtube.com/watch?v=LOZuxwVk7TU

Ok, I will indulge in one serious response though -- I have a distinct memory of being at a hangout on a rooftop and a friend putting on Justified who I wouldn't have expected to like *pop music*, and being sort of surprised, and then finding a lot of other people I wouldn't expect were also into that record. But that was more just a watershed moment in my corny indie consciousness than in the culture at large.

even 1999 i remember hearing travis do 'baby one more time' and thinking (nb i was 15 at the time) oh! britney spears could be cool. but that was more distant/mocking and not sincere liked.

http://s.pixogs.com/image/R-1789539-1356465446-1930.jpeg

Mid 00's. Rock completely died after a laughable attempt of garage revival and hip hop took its place. So some producers like Timbaland and the Neptunes made cool to like commercial pop music and here we are.

^^^^pretty OTM

Justified in 2002, then Speakerboxx/The Love Below in 2003, the proliferation of "guilty pleasure" thinkpieces, the Voice's music criticism, and, of course, ILM, all around that early to mid-00s period for me. I think of it more as it becoming uncool to say "I don't listen to pop music" rather than the other way around.

hey everyone I'm sorry if I drowned out spazzmatazz and raccoon tanuki proffering their $0.00 on this v important question, I will leave them to dance their pas de douche into the night

namaste

lol @ "proffering their "$0.00"

I don't listen to pop music

HOW IS THIS DISCUSSION HAPPENING ON THIS BOARD

I KNOW SEARCHING IS 'HARD' BUT JESUS CHRIST

^searchist

xpost i think people were just trying to countertroll an obvious troll move by the opposable thumb-less shitooki at first and then serious answers started rolling in

as well as many lols, for the record

abandon thread

http://i.dailymail.co.uk/i/pix/2012/02/24/article-2105882-11DDEE4C000005DC-701_468x711.jpg

http://s3-ec.buzzfed.com/static/enhanced/webdr06/2013/7/25/14/anigif_enhanced-buzz-6217-1374776284-31.gif

^^^

we have reached perfection

lock thread.

2008 recession was the end of "selling out" unless you're talking about Wal-Mart or Haliburton.

Mid 00's. Rock completely died after a laughable attempt of garage revival and hip hop took its place. So some producers like Timbaland and the Neptunes made cool to like commercial pop music and here we are.

― Moka, Thursday, November 13, 2014 4:49 PM (3 hours ago) Bookmark Flag Post Permalink

totally otm. animal collective was the seminal rock band of 2005-2009, but it makes sense they didn't breakthrough until pure electro pop "my girls"

it's true, they jizzed all over the place

mpp was the best load of their life

Mid 00's. Rock completely died after a laughable attempt of garage revival and hip hop took its place. So some producers like Timbaland and the Neptunes made cool to like commercial pop music and here we are.

― Moka, Thursday, November 13, 2014 4:49 PM (3 hours ago) Bookmark Flag Post Permalink

totally otm. animal collective was the seminal rock band of 2005-2009, but it makes sense they didn't breakthrough until pure electro pop "my girls"

― ET sippin the wig (spazzmatazz), Friday, November 14, 2014 1:10 AM (4 minutes ago) Bookmark Flag Post Permalink

actually this is all b/s but i don't think this is the thread in which to have a real debate on the topic.

has anybody done the Scanners gif yet cos i can#'t be bothered to check back

came here to say Toxic too.

i think when motown got big
or frank sinatra

i blame the film american psycho. critics heard patrick bateman's game and were like "damn, that's next level"

lingering woodstock iii guilt, that was also an influence

the international pop underground convention was an early combination of pop, cool and coffee consumption

it has always been cool, u guys are nerds

no jazz used to be cool

the cool people liked jazz, the lame people liked pop

in fact the film girls town, when paul anka defeats the thuggish mel torme, that might have been an early turning point

basically every 15 year old hates pop music and then about half of them realize they like it somewhere between 16 and 60 and decide they're the first person/generation to ever embrace the power of pop music

summer 2003

remember when critics were like "wannabe that's a good song" and the hip were like "too soon"

no

lol yes, before opening the thread i answered 2 myself that kelefa sanneh's 2004 piece was *the moment* when it suddenly became cool

"Wannabe" was definitely an interesting cultural moment in the sense that America had banned really sugary girly pop for a few years but the UK still loved it so much that it started to spill over to us and it seemed so out of place here

i'm still here, believing in indie rock, not downloading taylor swift albums. but that might just be me

that's our hackshaw!

"stop" by spice girls (music video playing on a projection screen during COSMIC BOWLING) was the first time i really fell in love with a pop song. any song, really. i was 9. seminal moment, it was. then i kept pretty snobby until toxic.

wait why are we taking this thread seriously

FPing myself

i would say this started post-chillwave, can vaguely remember the Wavves dude making a big deal out of liking Blink 182, i.e. "hey this is actually really good!!!"

and then the insinuating RnB trend drove that point even closer and the Grimes thing as previously mentioned and here we are

Kogan and Eddy were the first critics I liked who were into pop music, ca. late '80s.

Like sort of explicitly into pop music, I guess. I read Christgau, too.

Ariel Pink fits somewhere into this narrative as well.

WHAT A YARN

It's not cool to like commercial pop music

Dido & Eminem

kenny loggins' first soundtrack

pop music is cool and fun but make sure you also spend a lot of time analyzing it. pop stars are here for you. they want you to weigh in on their actions and tweet tweet tweet

it's about ethics in game journalism

hackshaw chain tuggins

It's not cool to like commercial pop music

― brimstead, Thursday, November 13, 2014 11:43 PM Bookmark Flag Post Permalink

only babies and little girls like commercial pop. adults, who are cool, listen to real music that isn't commercial pop like the beatles and eminem and sometimes coldplay

animal collective was the seminal rock band of 2005-2009, but it makes sense they didn't breakthrough until pure electro pop "my girls"

¯\_(ツ)_/¯

some dude otm

is this a real thread or just a dream

I was afraid some ppl might have been tempted to post serious answers itt but luckily it doesn't look like that's happened

is this a real thread, is this just fantasy? caught in a landslide, no escape from reality

https://www.youtube.com/watch?v=po0jY4WvCIc

https://www.youtube.com/watch?v=uxOUP_vA8-8

https://www.youtube.com/watch?v=zVCDLroxl6o

the definitive rock album of the 2000s was dynasty by the grace period and they only achieved recognition when the drummer went on american idol and achieved fame singing as Carrie Underwood

It all began with Motown imo

the few attempts at serious answers itt are actually more hilarious than the joke ones. omg @ actually thinking pop became cool with "toxic"

hey ya

but wut about when beethoven put a choral movement in a symphony WHAT A FUCKING CHUMP MOVE IMO TOTAL CONCESSION TO THE BOURGEOISIE, that was CLEARLY when we began this despicable slide into "popular music."

from "ode to joy" and onward two hundred rotten years to "come & get it" and "style." my god. doesn't anyone have standards.

http://eil.com/images/main/John-Coltrane-My-Favorite-Thing-564786.jpg

Was 2003 really the year that pop "broke"?

the few attempts at serious answers itt are actually more hilarious than the joke ones. omg @ actually thinking pop became cool with "toxic"

― lex pretend, Friday, November 14, 2014 3:50 AM (5 hours ago) Bookmark Flag Post Permalink

otm

would be more curious about what kinds of music are not cool to like.

would be more curious about what kinds of music are not cool to like.

― ryan, viernes 14 de noviembre de 2014 14:45 (2 seconds ago) Bookmark Flag Post Permalink

Flaming lips.

paris hilton

the few attempts at serious answers itt are actually more hilarious than the joke ones. omg @ actually thinking pop became cool with "toxic"

― lex pretend, Friday, November 14, 2014 3:50 AM (5 hours ago) Bookmark Flag Post Permalink

otm

― marcos, Friday, November 14, 2014 8:36 AM (47 minutes ago) Bookmark Flag Post Permalink

it took decades for pop music to win much popular support

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Whiney sure seems to have achieved poppage, at least.

many xposts ago to someone asking for this
http://media.giphy.com/media/oaPcDncoLfgjK/giphy.gif

Before I go on there's a difference between -someone making cool pop music- and -commercial pop music no longer being sneered at- which most people haven't seemed to grasped ITT.

2004: Kelly Clarkson - Since U Been Gone

― MarkoP, Thursday, November 13, 2014 9:08 PM (Yesterday) Bookmark Flag Post Permalink

This is just good power pop rock, like we've seen loads of. I'm not talking about good pop songs.

another potentially serious answer - 2003: Britney: Toxic

― Mordy,

No.

Ok, I will indulge in one serious response though -- I have a distinct memory of being at a hangout on a rooftop and a friend putting on Justified who I wouldn't have expected to like *pop music*, and being sort of surprised, and then finding a lot of other people I wouldn't expect were also into that record. But that was more just a watershed moment in my corny indie consciousness than in the culture at large.

― my jaw left (Hurting 2),

I had exact experience with someone with Justified, minus the rooftop. It did crossover into more discerning adult's collections who definitely didn't listen to NSync at any point. Justified is just good quality pop, like we've always had. But it's not the point I was trying to talk about.

even 1999 i remember hearing travis do 'baby one more time' and thinking (nb i was 15 at the time) oh! britney spears could be cool. but that was more distant/mocking and not sincere liked.

― Mordy

That blew up so much on radio for it's perceived shock value , but it was way too early, and didn't make anyone whoe didn't like pop music like it more. it was more just funny/huh/wow reactions.

Mid 00's. Rock completely died after a laughable attempt of garage revival and hip hop took its place. So some producers like Timbaland and the Neptunes made cool to like commercial pop music and here we are.

― Moka,

Pharrell and Tim have no part in this discussion, again.

Speakerboxx/The Love Below in 2003

You're all mixed up. That's not commercial pop. Hey Ya crossed over. They were doing on Speakerboxx what they were doing on Stankonia. Love Below wasn't an attempt at commercial gains.

basically every 15 year old hates pop music and then about half of them realize they like it somewhere between 16 and 60 and decide they're the first person/generation to ever embrace the power of pop music

― nakhchi little van (some dude),

Not at all, you're speaking for a small proportion of people during a small period of time as if it's the norm. "every 15 year old" doesn't "hate" pop, Westlife and Backstreet sold more records with 15 year olds than anyone else. My parents and all their generation grew up loving The Beatles, and then continuing to as the got older.

The peak anti-pop feels of 90s and rooted in 80s, but cheesy pop was as strong as ever at the same time in the 90s. And anyway, the point your making is not in connection to thread.

"Wannabe" was definitely an interesting cultural moment in the sense that America had banned really sugary girly pop for a few years but the UK still loved it so much that it started to spill over to us and it seemed so out of place here

― nakhchi little van (some dude),

?? America had banned sugary girly pop in 1996? That definitely didn't happen, and Spice Girls weren't "sugary girly pop", that was their whole point, to be in your face, and UK didn't "still love girly sugary pop so much", I have no idea where you're pulling that from. That whole post is hilarious in fact.

Ariel Pink fits somewhere into this narrative as well.

― hackshaw,

In that he doesn't at all in any way? The guy who's spent his whole life idolising R Stevie Moore is commercially orientated?

Dido & Eminem

― the man with the black wigs (Eazy),

Again no. I feel a lot of people are just missing the whole point.

lmao

https://www.youtube.com/watch?v=s1tAYmMjLdY

it's not cool to like commercial pop music, it's cool to smoke cigarettes. what is happening to the word "cool", is it just the default now, synonymous for acceptable?

liking music is not cool a anymore because of spotify, i read a cool thinkpiece on it a few weeks ago

http://media.giphy.com/media/ToMjGpDP1FHvHOTWuNa/giphy.gif

hope nuki remembered to flag all those off-base posts as he was c/ping them

Chefs are the new cool musicians. I only listen to music made by chefs.

who's the coolest poster in this thread

i mean what's the coolest post, didn't mean to be so rockist

us realizing we're uncool in real time
http://media.giphy.com/media/S8Dv4JCz6wWBy/giphy.gif

http://i.kinja-img.com/gawker-media/image/upload/s--XtSSOkmA--/c_fit,fl_progressive,q_80,w_636/195m0cuduh4asjpg.jpg

haha the gore gifs are making it really tough to look at this thread at work.

Seriously, although this thread doesn't need feeding, does anyone remember the name of the reviewer at New York Rocker whose beat was specifically pop music? His column was actually very eye-opening to me in the early 80s, when I was pretty much only listening to punk and new wave. I remember reviews of everything from Abba and Bucks Fizz to BB&Q band.

slothpro and feng is an angry dude who spends their time obsessivly following me around a low post forum along with a few other dsiciples because i don't like taylor swift, now THAT's cool

Dan: Ken Barnes.

https://www.youtube.com/watch?v=YOKpDidUq-w

everyone has their own "exact moment" that's what makes it beautiful

http://i278.photobucket.com/albums/kk95/AggromanLives/Reagan.gif

http://media.giphy.com/media/qwEUso0sqlGRa/giphy.gif

from Regan to Reagan and back again

ILE in a nutshell

moment it became absolutely clear you were never going to make even minimum wage money writing about Bob Pollard ever again = moment many writers discovered their love of vacuous mainstream horseshit

wow, in that context, the endurance of magnet magazine is all the more impressive

I saw the best minds of my generation destroyed by
madness, starving hysterical naked,
dragging themselves through the negro streets at dawn
looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
connection to the starry dynamo in the machin-
ery of night,
who poverty and tatters and hollow-eyed and high sat
up smoking in the supernatural darkness of
cold-water flats floating across the tops of cities
contemplating jazz,
who bared their brains to Heaven under the El and
saw Mohammedan angels staggering on tene-
ment roofs illuminated,
who passed through universities with radiant cool eyes
hallucinating Arkansas and Blake-light tragedy
among the scholars of war,
who were expelled from the academies for crazy &
publishing obscene odes on the windows of the
skull,
who cowered in unshaven rooms in underwear, burn-
ing their money in wastebaskets and listening
to the Terror through the wall,
who got busted in their pubic beards returning through
Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
Paradise Alley, death, or purgatoried their
torsos night after night
with dreams, with drugs, with waking nightmares, al-
cohol and cock and endless balls,
incomparable blind; streets of shuddering cloud and
lightning in the mind leaping toward poles of
Canada & Paterson, illuminating all the mo-
tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
dawns, wine drunkenness over the rooftops,
storefront boroughs of teahead joyride neon
blinking traffic light, sun and moon and tree
vibrations in the roaring winter dusks of Brook-
lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
ride from Battery to holy Bronx on benzedrine
until the noise of wheels and children brought
them down shuddering mouth-wracked and
battered bleak of brain all drained of brilliance
in the drear light of Zoo,
who sank all night in submarine light of Bickford's
floated out and sat through the stale beer after
noon in desolate Fugazzi's, listening to the crack
of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
pad to bar to Bellevue to museum to the Brook-
lyn Bridge,
lost battalion of platonic conversationalists jumping
down the stoops off fire escapes off windowsills
off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
and memories and anecdotes and eyeball kicks
and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
and nights with brilliant eyes, meat for the
Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
trail of ambiguous picture postcards of Atlantic
City Hall,
suffering Eastern sweats and Tangerian bone-grind-
ings and migraines of China under junk-with-
drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
railroad yard wondering where to go, and went,
leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
through snow toward lonesome farms in grand-
father night,
who studied Plotinus Poe St. John of the Cross telep-
athy and bop kabbalah because the cosmos in-
stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
ionary indian angels who were visionary indian
angels,
who thought they were only mad when Baltimore
gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
homa on the impulse of winter midnight street
light smalltown rain,
who lounged hungry and lonesome through Houston
seeking jazz or sex or soup, and followed the
brilliant Spaniard to converse about America
and Eternity, a hopeless task, and so took ship
to Africa,
who disappeared into the volcanoes of Mexico leaving
behind nothing but the shadow of dungarees
and the lava and ash of poetry scattered in fire
place Chicago,
who reappeared on the West Coast investigating the
F.B.I. in beards and shorts with big pacifist
eyes sexy in their dark skin passing out incom-
prehensible leaflets,
who burned cigarette holes in their arms protesting
the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
Square weeping and undressing while the sirens
of Los Alamos wailed them down, and wailed
down Wall, and the Staten Island ferry also
wailed,
who broke down crying in white gymnasiums naked
and trembling before the machinery of other
skeletons,
who bit detectives in the neck and shrieked with delight
in policecars for committing no crime but their
own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
dragged off the roof waving genitals and manu-
scripts,
who let themselves be fucked in the ass by saintly
motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
the sailors, caresses of Atlantic and Caribbean
love,
who balled in the morning in the evenings in rose
gardens and the grass of public parks and
cemeteries scattering their semen freely to
whomever come who may,
who hiccuped endlessly trying to giggle but wound up
with a sob behind a partition in a Turkish Bath
when the blond & naked angel came to pierce
them with a sword,
who lost their loveboys to the three old shrews of fate
the one eyed shrew of the heterosexual dollar
the one eyed shrew that winks out of the womb
and the one eyed shrew that does nothing but
sit on her ass and snip the intellectual golden
threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
beer a sweetheart a package of cigarettes a can-
dle and fell off the bed, and continued along
the floor and down the hall and ended fainting
on the wall with a vision of ultimate cunt and
come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
in the sunset, and were red eyed in the morning
but prepared to sweeten the snatch of the sun
rise, flashing buttocks under barns and naked
in the lake,
who went out whoring through Colorado in myriad
stolen night-cars, N.C., secret hero of these
poems, cocksman and Adonis of Denver-joy
to the memory of his innumerable lays of girls
in empty lots & diner backyards, moviehouses'
rickety rows, on mountaintops in caves or with
gaunt waitresses in familiar roadside lonely pet-
ticoat upliftings & especially secret gas-station
solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
dreams, woke on a sudden Manhattan, and
picked themselves up out of basements hung
over with heartless Tokay and horrors of Third
Avenue iron dreams & stumbled to unemploy-
ment offices,
who walked all night with their shoes full of blood on
the snowbank docks waiting for a door in the
East River to open to a room full of steamheat
and opium,
who created great suicidal dramas on the apartment
cliff-banks of the Hudson under the wartime
blue floodlight of the moon & their heads shall
be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
the crab at the muddy bottom of the rivers of
Bowery,
who wept at the romance of the streets with their
pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
bridge, and rose up to build harpsichords in
their lofts,
who coughed on the sixth floor of Harlem crowned
with flame under the tubercular sky surrounded
by orange crates of theology,
who scribbled all night rocking and rolling over lofty
incantations which in the yellow morning were
stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
& tortillas dreaming of the pure vegetable
kingdom,
who plunged themselves under meat trucks looking for
an egg,
who threw their watches off the roof to cast their ballot
for Eternity outside of Time, & alarm clocks
fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
fully, gave up and were forced to open antique
stores where they thought they were growing
old and cried,
who were burned alive in their innocent flannel suits
on Madison Avenue amid blasts of leaden verse
& the tanked-up clatter of the iron regiments
of fashion & the nitroglycerine shrieks of the
fairies of advertising & the mustard gas of sinis-
ter intelligent editors, or were run down by the
drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
pened and walked away unknown and forgotten
into the ghostly daze of Chinatown soup alley
ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
the subway window, jumped in the filthy Pas-
saic, leaped on negroes, cried all over the street,
danced on broken wineglasses barefoot smashed
phonograph records of nostalgic European
1930s German jazz finished the whiskey and
threw up groaning into the bloody toilet, moans
in their ears and the blast of colossal steam
whistles,
who barreled down the highways of the past journeying
to each other's hotrod-Golgotha jail-solitude
watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
if I had a vision or you had a vision or he had
a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
came back to Denver & waited in vain, who
watched over Denver & brooded & loned in
Denver and finally went away to find out the
Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
for each other's salvation and light and breasts,
until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
impossible criminals with golden heads and the
charm of reality in their hearts who sang sweet
blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
Mount to tender Buddha or Tangiers to boys
or Southern Pacific to the black locomotive or
Harvard to Narcissus to Woodlawn to the
daisychain or grave,
who demanded sanity trials accusing the radio of hyp
notism & were left with their insanity & their
hands & a hung jury,
who threw potato salad at CCNY lecturers on Dadaism
and subsequently presented themselves on the
granite steps of the madhouse with shaven heads
and harlequin speech of suicide, demanding in-
stantaneous lobotomy,
and who were given instead the concrete void of insulin
Metrazol electricity hydrotherapy psycho-
therapy occupational therapy pingpong &
amnesia,
who in humorless protest overturned only one symbolic
pingpong table, resting briefly in catatonia,
returning years later truly bald except for a wig of
blood, and tears and fingers, to the visible mad
man doom of the wards of the madtowns of the
East,
Pilgrim State's Rockland's and Greystone's foetid
halls, bickering with the echoes of the soul, rock-
ing and rolling in the midnight solitude-bench
dolmen-realms of love, dream of life a night-
mare, bodies turned to stone as heavy as the
moon,
with mother finally ******, and the last fantastic book
flung out of the tenement window, and the last
door closed at 4. A.M. and the last telephone
slammed at the wall in reply and the last fur-
nished room emptied down to the last piece of
mental furniture, a yellow paper rose twisted
on a wire hanger in the closet, and even that
imaginary, nothing but a hopeful little bit of
hallucination
ah, Carl, while you are not safe I am not safe, and
now you're really in the total animal soup of
time
and who therefore ran through the icy streets obsessed
with a sudden flash of the alchemy of the use
of the ellipse the catalog the meter & the vibrat-
ing plane,
who dreamt and made incarnate gaps in Time & Space
through images juxtaposed, and trapped the
archangel of the soul between 2 visual images
and joined the elemental verbs and set the noun
and dash of consciousness together jumping
with sensation of Pater Omnipotens Aeterna
Deus
to recreate the syntax and measure of poor human
prose and stand before you speechless and intel-
ligent and shaking with shame, rejected yet con-
fessing out the soul to conform to the rhythm
of thought in his naked and endless head,
the madman bum and angel beat in Time, unknown,
yet putting down here what might be left to say
in time come after death,
and rose reincarnate in the ghostly clothes of jazz in
the goldhorn shadow of the band and blew the
suffering of America's naked mind for love into
an eli eli lamma lamma sabacthani saxophone
cry that shivered the cities down to the last radio
with the absolute heart of the poem of life butchered
out of their own bodies good to eat a thousand
years.

the wisdom lit of Bob Pollard

http://www.giantbomb.com/forums/off-topic-31/whenwhy-did-it-become-cool-to-be-a-hipster-546639/

Clemenza, that's it, Ken Barnes, thanks! I owe my appreciation of Bucks Fizz to him.

I knew I knew who it was--Chuck Eddy often cites him as an influence--but I did have to Google it; found an early Charles Aaron singles column in Spin where he cited Barnes as the column's inspiration. I only ever bought one copy of New York Rocker myself, the Johnny Thunders/Alan Vega cover.

I still pick up the occasional copy of NYR on ebay when I can find them cheap.

moment it became absolutely clear you were never going to make even minimum wage money writing about Bob Pollard ever again = moment many writers discovered their love of vacuous mainstream horseshit

― Jimmywine Dyspeptic, Friday, November 14, 2014 5:38 PM (6 minutes ago) Bookmark Flag Post Permalink

indie rock definitely takes up a smaller (but still disproportionately large) slice of the music writing economy pie than it used to, but i kinda doubt anyone focusing on it saw their money slow up more than anyone else in the industry or started covering (gasp) other stuff simply as a matter of survival

moment when it became cool to take the thread seriously?

THE MOMENT PERPETUA STARTED GIFFING AT BUZZFEED AND DON PASADINO GOT BANNED FROM ILX

THAT WAS LITERALLY THE SAME MOMENT IIRC

Blame the internet. People no longer had to be silently judged by the rockist at the cash register. People were no longer ashamed of listening to Donna Lewis at their homes.

the first "like" in this thread title is underrated......

tanuki is my favorite kind of message board idiot, the one who goes "everybody, gather round, look at me!.....stop following me, you stalker"

I do think this is an interesting question, even though it invites derisive responses. I alluded to something similar in a year-end ballot a couple of years ago; a friend who’s usually on the same page as me when it comes to this stuff disagreed--saying that nothing much had changed in the last few years--so that gave me pause.

To prove that nothing has changed, people will usually point out that there have always been rock critics who wrote enthusiastically about chart pop (true: the aforementioned Ken Barnes’s name will turn up, a few others), and that there have always been certain pop singles that did really well in Pazz & Jop (also true--“Jump,” “MMMBop,” etc.) I’m not sure such songs are the best place to look for counter-evidence.

Things feel different to me. And I don’t think it’s just age (it’s partly age), but I don’t know.

http://i.imgur.com/Lipwcyr.gifv

Blame the internet. People no longer had to be silently judged by the rockist at the cash register. People were no longer ashamed of listening to Donna Lewis at their homes.

― Moka

Hadn't actually thought about this, may be more than something in that.

I do think this is an interesting question, even though it invites derisive responses. I alluded to something similar in a year-end ballot a couple of years ago; a friend who’s usually on the same page as me when it comes to this stuff disagreed--saying that nothing much had changed in the last few years--so that gave me pause.

To prove that nothing has changed, people will usually point out that there have always been rock critics who wrote enthusiastically about chart pop (true: the aforementioned Ken Barnes’s name will turn up, a few others), and that there have always been certain pop singles that did really well in Pazz & Jop (also true--“Jump,” “MMMBop,” etc.) I’m not sure such songs are the best place to look for counter-evidence.

Things feel different to me. And I don’t think it’s just age (it’s partly age), but I don’t know.

― clemenza,

Ill come back to this, but short stupid ans is rise of corporate commercialism as not being a thing to be cynical about

something about Davos and Ted Talks

Awaiting long stupid ans w bated breath

rise of corporate commercialism as not being a thing to be cynical about

― Raccoon Tanuki, Saturday, November 15, 2014 9:58 AM (3 hours ago) Bookmark Flag Post Permalink

actually think there might be something in this, though not pertaining to pop or any genre in particular but in terms of how music fans and critics obsess not only over the music but about the promo campaign and the overall brand-building without too much cynicism (i guess this is partic evident around daft punk, jay-z etc?)

apols for dignifying this thread w a serious answer, carry on as you were

At what point did it become cool to care about the branding and promo surrounding a campaign promoting a pop star?

Warhol, so somewhere between the Exploding Plastic Inevitable and the founding of Interview Magazine.

The rest of the thread is basically the equivalent of "Moment when it became cool to like girls and stop thinking they have cooties" which is, y'know, it's a different age for each of you, and some of you may never get there.

guys there's one thing that we are forgetting here that fantado also layed out in his aezlia banks review that is one, how branding and consumer culture is basically in what is the same as how aggressive it is and permeates the culture, and two the whole social media and things are so much faster now on the internet, streaming

just my $0.02

At what point did it become cool to care about the branding and promo surrounding a campaign promoting a pop star?

It's called marketing, and it works. But that's only a minor part, really. Only the marketing for commercial pop (Lorde, Lana, Taylor, Miley) has changed its targets, become smarter and cooler, has more of an influence on the cool market that it never used to, or that the cool market never cared about, i/e you were never ever getting a radiohead fan to ever be also respecting of the talents and buying the cds of britney or backstreet boys in the 90s. Now they can overlap.

The rest of the thread is basically the equivalent of "Moment when it became cool to like girls and stop thinking they have cooties" which is, y'know, it's a different age for each of you, and some of you may never get there.

― Nicki Minaj - The Pink Floyd (Branwell with an N),

That's either them missing the point, or you. The game has changed coposter. Embrace the mechanical irony in the game of Kim Kardashian or step off.

"you were never ever getting a radiohead fan to ever be also respecting of the talents and buying the cds of britney or backstreet boys in the 90s."

Yeah, see, this shows you don't know what you're talking about, which is what makes this thread so stupid. Read 90s issues of the NME or Melody Maker, and you'll find plenty of appreciation of commercial pop from people who mostly wrote about "cool" indie music. And that's been continuous back at least since the post-modern re-appraisal of pop in the 80s; meanwhile, before the late 60s, there wasn't a widely understood category of "cool" which was all that distinct from commercial pop. So what you maybe should be asking is, how and why did the ideas of cool and commercial briefly diverge in the 70s?

lol missingNO credulously quoted theneedledrop, i'm done

Yeah, see, this shows you don't know what you're talking about, which is what makes this thread so stupid. Read 90s issues of the NME or Melody Maker, and you'll find plenty of appreciation of commercial pop from people who mostly wrote about "cool" indie music. And that's been continuous back at least since the post-modern re-appraisal of pop in the 80s; meanwhile, before the late 60s, there wasn't a widely understood category of "cool" which was all that distinct from commercial pop. So what you maybe should be asking is, how and why did the ideas of cool and commercial briefly diverge in the 70s?

Yeah man!!

I do think this is an interesting question, even though it invites derisive responses. I alluded to something similar in a year-end ballot a couple of years ago; a friend who’s usually on the same page as me when it comes to this stuff disagreed--saying that nothing much had changed in the last few years--so that gave me pause.

To prove that nothing has changed, people will usually point out that there have always been rock critics who wrote enthusiastically about chart pop (true: the aforementioned Ken Barnes’s name will turn up, a few others), and that there have always been certain pop singles that did really well in Pazz & Jop (also true--“Jump,” “MMMBop,” etc.) I’m not sure such songs are the best place to look for counter-evidence.

Things feel different to me. And I don’t think it’s just age (it’s partly age), but I don’t know.

― clemenza,

Literally a few posts later someone here cited "NME and Melody Maker" as evidence that pop has always been cool to cool people in exactly the same way it is now.

sd otm that kind of credulity is a lil embarrassing

Xp yeah how ridiculous that ppl keep citing actual instances dates & songs which clearly don't count, why aren't they taking into account your & clemenza's vaguely-defined feeling that "things" are "different" now

'Cool' isn't the same as it was back in the 60s, 70s and 80s. It got popularised and democratised.

Let's say cool people started liking pop in June 2013 how's that

Now I'm off to listen to Justin bieber, so beloved of cool music buffs across the internet

this thread is a corpse without lefsetz

real answer =

http://rodrigomattardotcom.files.wordpress.com/2013/08/new_zealand_a_hard_days_night_lp.jpg

http://www.beatlesbible.com/1963/12/27/the-times-what-songs-the-beatles-sang-by-william-mann/

The outstanding English composers of 1963 must seem to have been John Lennon and Paul McCartney, the talented young musicians from Liverpool whose songs have been sweeping the country since last Christmas, whether performed by their own group, the Beatles, or by the numerous other teams of English troubadours that they also supply with songs.
I am not concerned here with the social phenomenon of Beatlemania, which finds expression in handbags, balloons and other articles bearing the likenesses of the loved ones, or in the hysterical screaming of young girls whenever the Beatle Quartet performs in public, but with the musical phenomenon. For several decades, in fact since the decline of the music-hall, England has taken her popular songs from the United States, either directly or by mimicry. But the songs of Lennon and McCartney are distinctly indigenous in character, the most imaginative and inventive examples of a style that has been developing on Merseyside during the past few years. And there is a nice, rather flattering irony in the news that the Beatles have now become prime favourites in America, too.
The strength of character in pop songs seems, and quite understandably, to be determined usually by the number of composers involved; when three or four people are required to make the original tunesmith's work publicly presentable it is unlikely to retain much individuality or to wear very well. The virtue of the Beatles' repertory is that, apparently, they do it themselves; three of the four are composers, they are versatile instrumentalists, and when they do borrow a song from another repertory, their treatment is idiosyncratic - as when Paul McCartney sings Till There Was You from The Music Man, a cool, easy, tasteful version of this ballad, quite without artificial sentimentality.
Their noisy items are the ones that arouse teenagers' excitement. Glutinous crooning is generally out of fashion these days, and even a songs about 'Misery' sounds fundamentally quite cheerful; the slow, sad song about 'This Boy', which features prominently in Beatle programmes, is expressively unusual for its lugubrious music, but harmonically it is one of their most intriguing, with its chains of pandiationic clusters, and the sentiment is acceptable because voiced cleanly and crisply. But harmonic interest is typical of their quicker songs, too, and one gets the impression that they think simultaneously of harmony and melody, so firmly are the major tonic sevenths and ninths built into their tunes, and the flat submediant key switches, so natural is the Aeolian cadence at the end of Not A Second Time (the chord progression which ends Mahler's Song of the Earth).
Those submediant switches from C major into A flat major, and to a lesser extent mediant ones (eg the octave ascent in the famous I Want To Hold Your Hand) are a trademark of Lennon-McCartney songs - they do not figure much in other pop repertories, or in the Beatles' arrangements of borrowed material - and show signs of becoming a mannerism. The other trademark of their compositions is a firm and purposeful bass line with a musical life of its own; how Lennon and McCartney divide their creative responsibilites I have yet to discover, but it is perhaps significant that Paul is the bass guitarist of the group. It may also be significant that George Harrison's song Don't Bother Me is harmonically a good deal more primitive, though it is nicely enough presented.
I suppose it is the sheer loudness of the music that appeals to Beatle admirers (there is something to be heard even through the squeals) and many parents must have cursed the electric guitar's amplification this Christmas - how fresh and euphonious the ordinary guitars sound in the Beatles' version of Till There Was You - but parents who are still managing to survive the decibels and, after copious repetition over several months, still deriving some musical pleasure from the overhearing, do so because there is a good deal of variety - oh, so welcome in pop music - about what they sing.
The autocratic but not by any means ungrammatical attitude to tonality (closer to, say, Peter Maxwell Davies's carols in O Magnum Mysteriumthan to Gershwin or Loewe or even Lionel Bart); the exhilarating and often quasi-instrumental vocal duetting, sometimes in scat or in falsetto, behind the melodic line; the melismas with altered vowels ('I saw her yesterday-ee-ay') which have not quite become mannered, and the discreet, sometimes subtle, varieties of instrumentation - a suspicion of piano or organ, a few bars of mouth-organ obbligato, an excursion on the claves or maraccas; the translation of African Blues or American western idioms (in Baby It's You, the Magyar 8/8 metre, too) into tough, sensitive Merseyside.
These are some of the qualities that make one wonder with interest what the Beatles, and particularly Lennon and McCartney, will do next, and if America will spoil them or hold on to them, and if their next record will wear as well as the others. They have brought a distinctive and exhilarating flavour into a genre of music that was in danger of ceasing to be music at all.

Moment when it became cool to seriously post in the "Moment when it became like cool to like commercial pop music?" thread?

wall o' jangle

Moment when it became cool to seriously post in the "Moment when it became like cool to like commercial pop music?" thread?

― a total laugh package (s.clover), Monday, November 17, 2014 10:33 AM (5 minutes ago) Bookmark Flag Post Permalink

s.clover you are MISSING THE POINT. this post has ATOMIC SCALE ROUGHNESS ONLY because ALL POINTS ARE MISSED.

i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in
i wish that i could be like the cool kids
cause all the cool kids they seem to fit in

i wish that i could be like the cool kids
cause all the cool kids they seem to fit in

https://espngrantland.files.wordpress.com/2014/11/nuggest-botched-pr.gif?w=694

With technology has come increased corporate gobalization and control. U.S. corporations now spend about 200 billion dollars a year in advertising. I mentioned tumblr earlier because the role of imagery in advertising has become more potent than anytime before in history with our masssively increased screen time, even post TV. We should be asking questions about the role of corporate in our music today more than ever. They have incredible ability to maniulplate tastes. Taylor Swifts father's removal of her from Spotify, a democratic system in interesting, even though they were set to make $1,000,000 this year off it. It's not the money, it's that they can't control it's content.

i bet Taylor was so mad about her dad doing that, she'd be like "awww Daaaaaaaaad, you've ruined my life" and then she'd stomp off to her room but maybe later she'd cool down and he'd take her out for ice cream and she'd understand he was just looking after her interests

we should def be asking questions about the role of corporations to manipulate democratic systems like spotify

*in manipulating

yeah man, who knows how far that goes

Raccoon, honest question here: how old are you?

http://i.imgur.com/4BLmb7n.jpg

No results found for "an actual sock filled with actual shit actually jumping over an actual shark".

The problem with that query is that socks don't actually jump.

http://broadviewthomsonpta.com/wp-content/uploads/2014/06/sockhop.jpg

xp
yes, that "rap against rockism" article.
2004.
i personally noticed a change around this time. prior to that year, there weren't nearly as many emo/indie/alt kids who were into built to spill and jimmy eat world claiming "ashlee simpson autobiography: album of the year." but in 2004 weezer fans were def saying this and believing it. and it seems as though many of the more open-minded music fans have gotten a kick out of challenging rockists with similar claims ever since. 10 years later, it's become far more commonplace and ordinary for swans and ariana grande to comprise someone's top 2 of 2014.

i mean, the correct answer is who gives a fuck, and just worry about whenever it happened for you specifically, which is what i thought the question was asking prior to reading the OP. and if that moment never took place for you, and you've been listening without bias all along, then good for you. you're the big winner.

xp
agreeing that "Toxic" signified some of this change.

"Taylor Swift's dad removes her songs from Spotify" is totally going to be a line in the updated "We Didn't Start the Fire."

Again no. I feel a lot of people are just missing the whole point.
― Raccoon Tanuki, Friday, November 14, 2014 4:10 PM (4 days ago) Bookmark

ok then ignore nothing to see here

The actual serious answer to this thread is as usual not really about the music or what people like but more about the changing face of music journalism and its publication/distribution, and how that intersects with online fandom and tribalism/interconnectedness.

Like, the first question people should be trying to answer is: "given that, statistically, commercially successful pop music is more likely to be liked by any given person than commercially unsuccessful music, why is it that I am only just now noticing that some people in my own social milieu like some of it?"

the role of imagery in advertising has become more potent than anytime before in history

cause when you're
raccoon
tanuki raccoon tanuki
ya gotta believe em

yes, that "rap against rockism" article.
2004.
i personally noticed a change around this time. prior to that year, there weren't nearly as many emo/indie/alt kids who were into built to spill and jimmy eat world claiming "ashlee simpson autobiography: album of the year." but in 2004 weezer fans were def saying this and believing it. and it seems as though many of the more open-minded music fans have gotten a kick out of challenging rockists with similar claims ever since. 10 years later, it's become far more commonplace and ordinary for swans and ariana grande to comprise someone's top 2 of 2014.

i mean, the correct answer is who gives a fuck, and just worry about whenever it happened for you specifically, which is what i thought the question was asking prior to reading the OP. and if that moment never took place for you, and you've been listening without bias all along, then good for you. you're the big winner.

They weren't into Ashlee Simpson because it hadn't been figured out properly yet how to market this new idea of cool image pop star. They tried with her, but failed. Progression of the internet changed the game. It was no possible to market music made for commercial reasons in a pitch perfect cool image. For example, Lorde, her major label Universal had been carefully preparing her image for years before she even released. Yet when she came out it was made out, deliberately, that she had "come out of no where", it was all corporate marketing, all carefully planned. What the web changed was the ability to do this even more effectively than before even on TV, which did the same thing in creating MJ, Madonna, Elvis. All about the marketed image. Now it was different with those guys, but essentially the system works the same. But during the 90s and 90s there was a popular rebellion against this corp manipulation that corp basicallly embraced and went with for decades, contented as money was so fluent at this time there was no problem in many genres diversifying. But a mindset among people from this period changed away from this, in around 2008-11, to embracing again corporate music as cool. The question is why, the answer is internet, advertising, shrinking profits, electronic music, corporate globalization at levels impossible before the tech rise of the last decade.

Rise of electronic homogeneity in music played a role in enabling too (bands were squeezed out, it's become far easier to learn garageband alone than guitar with friends), which goes in hand with the increase in tech. We've never questioned the role of tech in corporate capitalism essentially, it's only ever fed as a positive thing because the places we are fed info about it are themselves tech based companies. The lack of questioning of "who is benfitting from this?" means we walk blindofld into getting U2 albums force fed onto our new $8000 Iphones

wait where are you buying your iphones?

i can't watch

nuki has a pager obvs because #FEDSWATCHING

Just noticing all these guys deriding this thread posting their favourite songs in that One Direction thread.

This probably happened around the time it began to become more difficult to kick a ball in the street, the irony of course being that in many respects (modern footwear, lighter balls), its actually never been easier to kick a ball in the street. We've become a society that knows better than ever before exactly how to kick, yet isnt capable of kicking. Its almost impossible to pinpoint when this started but I first became aware of it in 2006

one day i'll be living in raccoon tanuki
and all you're ever gonna be is mean

http://media2.giphy.com/media/snzf0ayzx1gn6/200.gif

This song (2001) should also be mentioned in the timeline:

https://www.youtube.com/watch?v=TWZKw_MgUPI

It didn't in the end have a huge influence but I remember at the time it was seen as a kind of surprising song for non fans of NSync's usual music. Obviously the lyrics talk about how pop boy band music deserves more respect but it was probably their first song that really warranted it. I was surprised a little that is was as far back as 2001.

Failed attempt:

http://upload.wikimedia.org/wikipedia/en/9/96/U2-Pop-cover.png

I remember being a little obsessed with this song in 99:

https://www.youtube.com/watch?v=ijXcYLV1aNg

I never had any hang ups on pop music growing up even though I mostly listened to non pop. I seem to remember being avidly tuned into the USA charts at this time, that were mostly dominated by Rnb and rap of the time, often worked into pop, something the UK charts mostly lacked. But NSync's "Pop" song seemed like a break from RnB influence nearer to EDM of today?

i keep seeing this thread title pop up and each time i think, "WTF?" what an ahistorical question.

i finally clicked on it... and look who it is!

surprise surprise

the weirdest thing i encounter on ILX is people whose historical consciousness seems to date back no farther than the late 1990s. i don't know if ILXORs are getting younger or what. maybe some of them were born then.

yea this is a terrible thread

sorry raccoon

meh, i understood what raccoon was asking even if obv it can be picked a part pretty easily. he meant when did it become cool among hipsterati 20-30something urban white males to like pop music.

yeah but the fact that he didn't make that context explicit -- and therefore assumed that frame of reference -- strikes me as deeply weird (not to say dumb). but then again I'm an old dude.

i don't think he was looking for the point that 20th century classical music diverged from folk vernacular or whatever

xpost

and btw i still think the way you phrased it, mordy, is completely ahistorical and weird. speaking as a guy who has witnessed numerous changes (just in the past 10-20 years!) in the way that the "hipsterati" have approached/appreciated chart music.

the idea that there was One Moment When It All Changed just seems patently absurd

...but very ILM, maybe.

Still think focusing on specific pieces of music qua music is a mistake. Confusing effects with causes.

?

are you saying that is your belief, or are you ascribing it someone else? and what is the context here? what do you mean? maybe it would make sense if i was following the whole thread, but you couldn't pay me to do that. :(

The actual serious answer to this thread is as usual not really about the music or what people like but more about the changing face of music journalism and its publication/distribution, and how that intersects with online fandom and tribalism/interconnectedness.
― Tim F, Tuesday, 18 November 2014 21:22 (2 days ago) Bookmark Flag Post Permalink

Like, the first question people should be trying to answer is: "given that, statistically, commercially successful pop music is more likely to be liked by any given person than commercially unsuccessful music, why is it that I am only just now noticing that some people in my own social milieu like some of it?"
― Tim F, Tuesday, 18 November 2014 21:25 (2 days ago) Bookmark Flag Post Permalink

ah yes, i don't think a formalist answer would be the right way to approach OP's question, as misguided as it is.

amateruist you're as condescending as it gets, wow.

As in, the thing that has changed more than anything else is the way the information about and tastes in music are publicised, disseminated and shared, and this is the main cause of pretty much all perceived recent changes in the critical climate.

amateruist you're as condescending as it gets, wow.

― Raccoon Tanuki, Thursday, November 20, 2014 2:23 PM (1 minute ago) Bookmark Flag Post Permalink

yeah, well, look who i'm talking to!

As the lyrics in Nsync song I posted showed, in 2001 there was a disconnect between respect for clean Pop music to other types of music. No pop star today is required to justify their credibility, back then you were, because there were, because of competing genres and other reasons like a distaste and cynicism for commercialism in general, IMO, in *comparison* to today.

huh?

huh what?

hipsters didn't listen to Mary J Blige, TLC, and Mariah in the nineties apparently

there are so many gaseous superwords being employed in this discussion ("popular" "hipster" "credibility" "commercialism") that i'm surprised the thread hasn't blasted off and started orbiting the earth

You could say pop has done a 180 From Nsync getting defensive over their credibility to Lorde's Royals being able to actively attacking mainstream tropes (moronically, yes) while being one of the most pop things of its time. You could never have had NSync attacking the music of others.

As has been mentioned by others in the thread there were numerous attempts at making pop music cool in the intermediate years 2000-2006 like Ashlee Simpson that all failed in a kind of humiliation. No doubt though in another branch Timbo and Pharrell played a role in branching pop off and Gwen Stefani love angel music baby was cool enough for people to get with but still had the rnb influence all over it of late 90s early o's. So i can't really put it in the frame like pop hipster glean of lana or lorde, because what Gwen did on that album was never not cool.

hipsters didn't listen to Mary J Blige, TLC, and Mariah in the nineties apparently

You're mistaking rnb/hip hop with commercial pop, why.

because R&B and hip hop WERE commercial pop in the nineties.

shh, don't tell him alfred. this is almost cute

The question is framed wrong but there was a definite change in critics perception towards pop from the start of the 00's to the end.

Take per example Daft Punk's Discovery. I remember when it was first released in 2000 it was almost universally panned by most critics that where expecting a house album and got this stupid pop album instead, but by the mid 00's almost all of them reassessed their opinions of it and by the end of the 00's it was in almost every best albums of the decade list. Without this shift of attitudes towards pop music it would have been a struggle uphill.

In 2003 Pitchfork had Beyonce, Justin Timberlake and Kelis in their top 10 songs list and they list those songs without cynicism or excuses because they are great songs. The 90's were way more uptight, it was frowned upon to love all kinds of music, music for many people was more about cred and personality than music itself.

I was going to post a genuine respone. Then I feared the backlash/criticism/laughing

So, instead I'll say this: What's a good book on this topic?

when did it become cool to read books

Pamphlets are the new books.

I'm the kind of person that didn't care back then and I still don't care. So maybe Raccoon hates Starbucks and Apple and commercial pop music and bright lights. I think it's kind of nice more people stopped caring about what their music says about them.

because R&B and hip hop WERE commercial pop in the nineties.

― guess that bundt gettin eaten (Alfred, Lord Sotosyn),

WOW! Thanks for that!!! Had no idea!! Seriously this is like banging head on a brick wall. You can't be missing the point this much. It's like talking with Bill O Reilly on climate change.

shh, don't tell him alfred. this is almost cute

― maura,

http://i.imgur.com/LVPEIhM.png

you are a dolt

it was only a matter of time before the ethics in gaming journalism-esque stuff began

great job finding that tweet. it has so much to do with this discussion.

The question is framed wrong but there was a definite change in critics perception towards pop from the start of the 00's to the end.

Take per example Daft Punk's Discovery. I remember when it was first released in 2000 it was almost universally panned by most critics that where expecting a house album and got this stupid pop album instead, but by the mid 00's almost all of them reassessed their opinions of it and by the end of the 00's it was in almost every best albums of the decade list. Without this shift of attitudes towards pop music it would have been a struggle uphill.

In 2003 Pitchfork had Beyonce, Justin Timberlake and Kelis in their top 10 songs list and they list those songs without cynicism or excuses because they are great songs. The 90's were way more uptight, it was frowned upon to love all kinds of music, music for many people was more about cred and personality than music itself.

Exactly - although it wasn't framed wrong it was framed perfectly it's just the One Direction and Taylor Swift fans that flooded this thread were never going to accept it.

I don't think 90s were more uptight ( i think the opposite in fact), i think they were more discerning because there was a bigger vairety and a totally different area based scenes. Like I said pre-internet everything was different. If you didn't like what commerical driven TV or radio were giving you you went away and did your own thing. There was more room for rebellion and it became, with the advent of Punk, a huge part of your personality, it was serious, not just music. See hip hop 'way of life' attitudes.

A lot of what the 80s and 90s showed was music by people who weren't expecting to get popular becoming popular almost by acccident and becoming the tastemakers. Happened countless times from Nirvana to Wu Tang, people that had no expectation or desire that their music could sell millions. But the time was ripe for anti commmerical music and hip hop and rock were what's cool, no one wanted that pre-made commercial pop anymore. It wasn't cool. NOW they do again.

Looking back at those solo Wu Tang albums that went platinum it's almost bizarre looking back and this type of completely uncommerical music being dominant in it's genre. But then I compare Chief Keef arrival as another "antidote" music, similar to how Wu or whoever were. People do want that rawness in their music still, it's just theyre not given it as much.

you are a dolt

― goole,

Says the 1D and Harry Styles fan.

i begin to read a raccoon tanuki post and my brain just edits it out like it's on auto-skip, it's very weird

that means you missed his claim that Wu Tang became popular "almost by accident" and that they had no "desire that their music could sell millions"

i'm glad you came

that means you missed his claim that Wu Tang became popular "almost by accident" and that they had no "desire that their music could sell millions"

― The question is why, the answer is internet (rob)

Another bullshit snide pretentious comment that is all people around here seem to be able to come up with. Why contribute without substance? Your just wasting your life in a sea of lame internet board comments. Wanna debate me on Wu Tang or keep making bitch comments like that?

I would never guessed Taylor Swift fans were so bitchy and mean, oh, wait..

what's there to debate? your little word picture of the halcyon rebellious 90s up there is a tired myth, as multiple posters have explained to you. but even ignoring them, I would think anyone who pays attention to music in 2014 would have heard how much commercial pop sold in the 90s, so the idea that no one wanted it anymore is just factually wrong.

as for Wu Tang, I'm not a rap expert but their whole origin story is about RZA securing a record deal for the group that didn't lock down the individual members -- why would he do that if he wasn't planning for success?

point taken about wasting my life reading lame comments

i'm quite sure that at least some of the people responding negatively to your takes are not necessarily taylor swift fans and/or not remotely "offended" in any real sense by you having a bone to pick with commercial pop music

rob you happen to be quite correct about how RZA structured wu's deals, IIRC.

this thread is a week old

http://hyakumonogatari.files.wordpress.com/2013/08/mizuki_shigeru_tanuki_big_balls.png?w=535&h=390

xpost ugh yeah i feel dumb for getting sucked back in/actually responding with things that arent just gifs of horrific violence (or in one case boogie cousins)

can some admin kill this or something

http://media2.giphy.com/media/snzf0ayzx1gn6/200.gif

We're all playing into RT's dick drum scheme

xxp

This thread is a cautionary tale.

no thats no way for him has he no manners nor no refinement nor no nothing in his nature slapping
us behind like that on my bottom because I didnt call him Hugh the ignoramus that doesnt know
poetry from a cabbage thats what you get for not keeping them in their proper place pulling off his
shoes and trousers there on the chair before me so barefaced without even asking permission and
standing out that vulgar way in the half of a shirt they wear to be admired like a priest or a butcher
or those old hypocrites in the time of Julius Caesar of course hes right enough in his way to pass the
time as a joke sure you might as well be in bed with what with a lion God Im sure hed have
something better to say for himself an old Lion would O well I suppose its because they were so
plump and tempting in my short petticoat he couldnt resist they excite myself sometimes its well for
men all the amount of pleasure they get off a womans body were so round and white for them
always I wished I was one myself for a change just to try with that thing they have swelling up on
you so hard and at the same time so soft when you touch it my uncle John has a thing long I heard
those cornerboys saying passing the comer of Marrowbone lane my aunt Mary has a thing hairy
because it was dark and they knew a girl was passing it didnt make me blush why should it either its
only nature and he puts his thing long into my aunt Marys hairy etcetera and turns out to be you put
the handle in a sweepingbrush men again all over they can pick and choose what they please a
married woman or a fast widow or a girl for their different tastes like those houses round behind
Irish street no but were to be always chained up theyre not going to be chaining me up no damn fear
once I start I tell you for their stupid husbands jealousy why cant we all remain friends over it
instead of quarrelling her husband found it out what they did together well naturally and if he did
can he undo it hes coronado anyway whatever he does and then he going to the other mad extreme
about the wife in Fair Tyrants of course the man never even casts a 2nd thought on the husband or
wife either its the woman he wants and he gets her what else were we given all those desires for Id
like to know I cant help it if Im young still can I its a wonder Im not an old shrivelled hag before
my time living with him so cold never embracing me except sometimes when hes asleep the wrong
end of me not knowing I suppose who he has any man thatd kiss a womans bottom Id throw my hat
at him after that hed kiss anything unnatural where we havent I atom of any kind of expression in us
all of us the same 2 lumps of lard before ever Id do that to a man pfooh the dirty brutes the mere
thought is enough I kiss the feet of you senorita theres some sense in that didnt he kiss our halldoor
yes he did what a madman nobody understands his cracked ideas but me still of course a woman
wants to be embraced 20 times a day almost to make her look young no matter by who so long as to
be in love or loved by somebody if the fellow you want isnt there sometimes by the Lord God I was
thinking would I go around by the quays there some dark evening where nobodyd know me and
pick up a sailor off the sea thatd be hot on for it and not care a pin whose I was only do it off up in a
gate somewhere or one of those wildlooking gipsies in Rathfarnham had their camp pitched near the
Bloomfield laundry to try and steal our things if they could I only sent mine there a few times for
the name model laundry sending me back over and over some old ones odd stockings that
blackguardlooking fellow with the fine eyes peeling a switch attack me in the dark and ride me up
against the wall without a word or a murderer anybody what they do themselves the fine gentlemen
in their silk hats that K C lives up somewhere this way coming out of Hardwicke lane the night he
gave us the fish supper on account of winning over the boxing match of course it was for me he
gave it I knew him by his gaiters and the walk and when I turned round a minute after just to see
there was a woman after coming out of it too some filthy prostitute then he goes home to his wife
after that only I suppose the half of those sailors are rotten again with disease O move over your big
carcass out of that for the love of Mike listen to him the winds that waft my sighs to thee so well he
may sleep and sigh the great Suggester Don Poldo de la Flora if he knew how he came out on the
cards this morning hed have something to sigh for a dark man in some perplexity between 2 7s too
in prison for Lord knows what he does that I dont know and Im to be slooching around down in the
kitchen to get his lordship his breakfast while hes rolled up like a mummy will I indeed did you
ever see me running Id just like to see myself at it show them attention and they treat you like dirt I
dont care what anybody says itd be much better for the world to be governed by the women in it
you wouldnt see women going and killing one another and slaughtering when do you ever see

Exactly - although it wasn't framed wrong it was framed perfectly

women rolling around drunk like they do or gambling every penny they have and losing it on horses
yes because a woman whatever she does she knows where to stop sure they wouldnt be in the world
at all only for us they dont know what it is to be a woman and a mother how could they where
would they all of them be if they hadnt all a mother to look after them what I never had thats why I
suppose hes running wild now out at night away from his books and studies and not living at home
on account of the usual rowy house I suppose well its a poor case that those that have a fine son like
that theyre not satisfied and I none was he not able to make one it wasnt my fault we came together
when I was watching the two dogs up in her behind in the middle of the naked street that
disheartened me altogether I suppose I oughtnt to have buried him in that little woolly jacket I
knitted crying as I was but give it to some poor child but I knew well Id never have another our 1st
death too it was we were never the same since O Im not going to think myself into the glooms about
that any more I wonder why he wouldnt stay the night I felt all the time it was somebody strange he
brought in instead of roving around the city meeting God knows who nightwalkers and pickpockets
his poor mother wouldnt like that if she was alive ruining himself for life perhaps still its a lovely
hour so silent I used to love coming home after dances the air of the night they have friends they
can talk to weve none either he wants what he wont get or its some woman ready to stick her knife
in you I hate that in women no wonder they treat us the way they do we are a dreadful lot of bitches
I suppose its all the troubles we have makes us so snappy Im not like that he could easy have slept
in there on the sofa in the other room I suppose he was as shy as a boy he being so young hardly 20
of me in the next room hed have heard me on the chamber arrah what harm Dedalus I wonder its
like those names in Gibraltar Delapaz Delagracia they had the devils queer names there father
Vilaplana of Santa Maria that gave me the rosary Rosales y OReilly in the Calle las Siete Revueltas
and Pisimbo and Mrs Opisso in Governor street O what a name Id go and drown myself in the first
river if I had a name like her O my and all the bits of streets Paradise ramp and Bedlam ramp and
Rodgers ramp and Crutchetts ramp and the devils gap steps well small blame to me if I am a
harumscarum I know I am a bit I declare to God I dont feel a day older than then I wonder could I
get my tongue round any of the Spanish como esta usted muy bien gracias y usted see I havent
forgotten it all I thought I had only for the grammar a noun is the name of any person place or thing
pity I never tried to read that novel cantankerous Mrs Rubio lent me by Valera with the questions in
it all upside down the two ways I always knew wed go away in the end I can tell him the Spanish
and he tell me the Italian then hell see Im not so ignorant what a pity he didnt stay Im sure the poor
fellow was dead tired and wanted a good sleep badly I could have brought him in his breakfast in
bed with a bit of toast so long as I didnt do it on the knife for bad luck or if the woman was going
her rounds with the watercress and something nice and tasty there are a few olives in the kitchen he
might like I never could bear the look of them in Abrines I could do the criada the room looks all
right since I changed it the other way you see something was telling me all the time Id have to
introduce myself not knowing me from Adam very funny wouldnt it Im his wife or pretend we were
in Spain with him half awake without a Gods notion where he is dos huevos estrellados senor Lord
the cracked things come into my head sometimes itd be great fun supposing he stayed with us why
not theres the room upstairs empty and Millys bed in the back room he could do his writing and
studies at the table in there for all the scribbling he does at it and if he wants to read in bed in the
morning like me as hes making the breakfast for I he can make it for 2 Im sure Im not going to take
in lodgers off the street for him if he takes a gesabo of a house like this Id love to have a long talk
with an intelligent welleducated person Id have to get a nice pair of red slippers like those Turks
with the fez used to sell or yellow and a nice semitransparent morning gown that I badly want or a
peachblossom dressing jacket like the one long ago in Walpoles only 8/6 or 18/6 111 just give him
one more chance 111 get up early in the morning Im sick of Cohens old bed in any case I might go
over to the markets to see all the vegetables and cabbages and tomatoes and carrots and all kinds of
splendid fruits all coming in lovely and fresh who knows whod be the 1st man Id meet theyre out
looking for it in the morning Mamy Dillon used to say they are and the night too that was her
massgoing Id love a big juicy pear now to melt in your mouth like when I used to be in the longing
way then 111 throw him up his eggs and tea in the moustachecup she gave him to make his mouth

bigger I suppose hed like my nice cream too I know what 111 do 111 go about rather gay not too much
singing a bit now and then mi fa pieta Masetto then 111 start dressing myself to go out presto non son
piu forte 111 put on my best shift and drawers let him have a good eyeful out of that to make his
micky stand for him 111 let him know if thats what he wanted that his wife is I s 1 o fucked yes and
damn well fucked too up to my neck nearly not by him 5 or 6 times handrunning theres the mark of
his spunk on the clean sheet I wouldnt bother to even iron it out that ought to satisfy him if you dont
believe me feel my belly unless I made him stand there and put him into me Ive a mind to tell him
every scrap and make him do it out in front of me serve him right its all his own fault if I am an
adulteress as the thing in the gallery said O much about it if thats all the harm ever we did in this
vale of tears God knows its not much doesnt everybody only they hide it I suppose thats what a
woman is supposed to be there for or He wouldnt have made us the way He did so attractive to men
then if he wants to kiss my bottom 111 drag open my drawers and bulge it right out in his face as
large as life he can stick his tongue 7 miles up my hole as hes there my brown part then 111 tell him I
want LI or perhaps 30/ — 111 tell him I want to buy underclothes then if he gives me that well he
wont be too bad I dont want to soak it all out of him like other women do I could often have written
out a fine cheque for myself and write his name on it for a couple of pounds a few times he forgot to
lock it up besides he wont spend it 111 let him do it off on me behind provided he doesnt smear all
my good drawers O I suppose that cant be helped 111 do the indifferent 1 or 2 questions 111 know by
the answers when hes like that he cant keep a thing back I know every turn in him 111 tighten my
bottom well and let out a few smutty words smellrump or lick my shit or the first mad thing comes
into my head then 111 suggest about yes O wait now sonny my turn is coming 111 be quite gay and
friendly over it O but I was forgetting this bloody pest of a thing pfooh you wouldnt know which to
laugh or cry were such a mixture of plum and apple no 111 have to wear the old things so much the
better itll be more pointed hell never know whether he did it or not there thats good enough for you
any old thing at all then 111 wipe him off me just like a business his omission then 111 go out 111 have
him eying up at the ceiling where is she gone now make him want me thats the only way a quarter
after what an unearthly hour I suppose theyre just getting up in China now combing out their
pigtails for the day well soon have the nuns ringing the angelus theyve nobody coming in to spoil
their sleep except an odd priest or two for his night office or the alarmclock next door at cockshout
clattering the brains out of itself let me see if I can doze off 1 2 3 4 5 what kind of flowers are those
they invented like the stars the wallpaper in Lombard street was much nicer the apron he gave me
was like that something only I only wore it twice better lower this lamp and try again so as I can get
up early 111 go to Lambes there beside Findlaters and get them to send us some flowers to put about
the place in case he brings him home tomorrow today I mean no no Fridays an unlucky day first I
want to do the place up someway the dust grows in it I think while Im asleep then we can have
music and cigarettes I can accompany him first I must clean the keys of the piano with milk whatll I
wear shall I wear a white rose or those fairy cakes in Liptons I love the smell of a rich big shop at 7
l/2d a lb or the other ones with the cherries in them and the pinky sugar 1 Id a couple of lbs of those
a nice plant for the middle of the table Id get that cheaper in wait wheres this I saw them not long
ago I love flowers Id love to have the whole place swimming in roses God of heaven theres nothing
like nature the wild mountains then the sea and the waves rushing then the beautiful country with
the fields of oats and wheat and all kinds of things and all the fine cattle going about that would do
your heart good to see rivers and lakes and flowers all sorts of shapes and smells and colours
springing up even out of the ditches primroses and violets nature it is as for them saying theres no
God I wouldnt give a snap of my two fingers for all their learning why dont they go and create
something I often asked him atheists or whatever they call themselves go and wash the cobbles off
themselves first then they go howling for the priest and they dying and why why because theyre
afraid of hell on account of their bad conscience ah yes I know them well who was the first person
in the universe before there was anybody that made it all who ah that they dont know neither do I so
there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he
said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his
straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my

mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my
breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that
was one true thing he said in his life and the sun shines for you today yes that was why I liked him
because I saw he understood or felt what a woman is and I knew I could always get round him and I
gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer
first only looked out over the sea and the sky I was thinking of so many things he didnt know of
Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all
birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of
the governors house with the thing round his white helmet poor devil half roasted and the Spanish
girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and
the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street
and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep
and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts
of the bulls and the old castle thousands of years old yes and those handsome Moors all in white
and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old
windows of the posadas 2 glancing eyes a lattice hid for her lover to kiss the iron and the wineshops
half open at night and the castanets and the night we missed the boat at Algeciras the watchman
going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson
sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the
queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine
and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I
put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me
under the Moorish wall and I thought well as well him as another and then I asked him with my
eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I
put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes
and his heart was going like mad and yes I said yes I will Yes.

WE
ARE NEVER EVER EVER
RACCOON TANUKI

Exactly - although Racoon wasn't framed wrong Racoon was framed perfectly

riverrun, past Eve and Adam's, from swerve of shore to bend
of bay, brings us by a commodius vicus of recirculation back to
Howth Castle and Environs.
Sir Tristram, violer d'amores, fr'over the short sea, had passen-
core rearrived from North Armorica on this side the scraggy
isthmus of Europe Minor to wielderfight his penisolate war: nor
had topsawyer's rocks by the stream Oconee exaggerated themselse
to Laurens County's gorgios while they went doublin their mumper
all the time: nor avoice from afire bellowsed mishe mishe to
tauftauf thuartpeatrick: not yet, though venissoon after, had a
kidscad buttended a bland old isaac: not yet, though all's fair in
vanessy, were sosie sesthers wroth with twone nathandjoe. Rot a
peck of pa's malt had Jhem or Shen brewed by arclight and rory
end to the regginbrow was to be seen ringsome on the aquaface.
The fall (bababadalgharaghtakamminarronnkonnbronntonner-
ronntuonnthunntrovarrhounawnskawntoohoohoordenenthur-
nuk!) of a once wallstrait oldparr is retaled early in bed and later
on life down through all christian minstrelsy. The great fall of the
offwall entailed at such short notice the pftjschute of Finnegan,
erse solid man, that the humptyhillhead of humself prumptly sends
an unquiring one well to the west in quest of his tumptytumtoes:
and their upturnpikepointandplace is at the knock out in the park
where oranges have been laid to rust upon the green since dev-
linsfirst loved livvy.

What clashes here of wills gen wonts, oystrygods gaggin fishy-
gods! Brékkek Kékkek Kékkek Kékkek! Kóax Kóax Kóax! Ualu
Ualu Ualu! Quaouauh! Where the Baddelaries partisans are still
out to mathmaster Malachus Micgranes and the Verdons cata-
pelting the camibalistics out of the Whoyteboyce of Hoodie
Head. Assiegates and boomeringstroms. Sod's brood, be me fear!
Sanglorians, save! Arms apeal with larms, appalling. Killykill-
killy: a toll, a toll. What chance cuddleys, what cashels aired
and ventilated! What bidimetoloves sinduced by what tegotetab-
solvers! What true feeling for their's hayair with what strawng
voice of false jiccup! O here here how hoth sprowled met the
duskt the father of fornicationists but, (O my shining stars and
body!) how hath fanespanned most high heaven the skysign of
soft advertisement! But was iz? Iseut? Ere were sewers? The oaks
of ald now they lie in peat yet elms leap where askes lay. Phall if
you but will, rise you must: and none so soon either shall the
pharce for the nunce come to a setdown secular phoenish.
Bygmester Finnegan, of the Stuttering Hand, freemen's mau-
rer, lived in the broadest way immarginable in his rushlit toofar-
back for messuages before joshuan judges had given us numbers
or Helviticus committed deuteronomy (one yeastyday he sternely
struxk his tete in a tub for to watsch the future of his fates but ere
he swiftly stook it out again, by the might of moses, the very wat-
er was eviparated and all the guenneses had met their exodus so
that ought to show you what a pentschanjeuchy chap he was!)
and during mighty odd years this man of hod, cement and edi-
fices in Toper's Thorp piled buildung supra buildung pon the
banks for the livers by the Soangso. He addle liddle phifie Annie
ugged the little craythur. Wither hayre in honds tuck up your part
inher. Oftwhile balbulous, mithre ahead, with goodly trowel in
grasp and ivoroiled overalls which he habitacularly fondseed, like
Haroun Childeric Eggeberth he would caligulate by multiplicab-
les the alltitude and malltitude until he seesaw by neatlight of the
liquor wheretwin 'twas born, his roundhead staple of other days
to rise in undress maisonry upstanded (joygrantit!), a waalworth
of a skyerscape of most eyeful hoyth entowerly, erigenating from

Sloth stop posting your diary entries here.

as for Wu Tang, I'm not a rap expert

OK well I am, and especially when it comes to Wu Tang, so why are you talking about Wu Tang like you know more about them than me in that pretentious, condescending way you did? This is unbelievable bullshit on every level.

You heard about RZA's smart dealings with recording industry. It's common knowledge. Well done though. Saying any one else in the group took any of it seriously or expected it to happen, is ridiculous. You've shown yourself as clueless as the rest of these Taylor Swfit fans in here.

Not only did most of Wu Tang not take their success serious, for the entirety of the 90s they did about as much to jeopardize their success as possibily could. Including punching smarmy snidey bullshit music journalists of the type we see posting here, getting into shootouts, robbing chains, PCP, weird anti-commercial and not only anti commercial but straight hostile to any inclinations of commercial sounds. Yes RZA and his Brother and business sense but more than that a determination not a clear expectation from selling PYN out of truck boots.

This active hostility to anything commercial that Wu and others displayed, even on Forever, is mirrored in say Coabin's lifelong distaste for Nevermind, that was the feeling of the time not a "tired myth" as you ridiculously put it.

'one joke' and finnegans wake

Look how pissed off this thread has got people though. The Taylor and 1D fans wasting their time spamming the thread says it all for me. I feel like Karl Marx in a Tea Party demo.

https://www.youtube.com/watch?v=VYhzjNAt73c

I only have the demo too. Asked Santa for the full version.

http://hipknitism.com/classes/basic_ribbed_socks/graphics/finished_sock.jpg

lol brooooooooooooooooo that's not even close to what its about how do you not see that, this is why everything thinks you're a sock

*everyone

The question is framed wrong but there was a definite change in critics perception towards pop from the start of the 00's to the end.

Take per example Daft Punk's Discovery. I remember when it was first released in 2000 it was almost universally panned by most critics that where expecting a house album and got this stupid pop album instead, but by the mid 00's almost all of them reassessed their opinions of it and by the end of the 00's it was in almost every best albums of the decade list. Without this shift of attitudes towards pop music it would have been a struggle uphill.

In 2003 Pitchfork had Beyonce, Justin Timberlake and Kelis in their top 10 songs list and they list those songs without cynicism or excuses because they are great songs. The 90's were way more uptight, it was frowned upon to love all kinds of music, music for many people was more about cred and personality than music itself.

― Moka, Thursday, November 20, 2014 9:05 PM (1 hour ago) Bookmark Flag Post Permalink

Actually 'Discovery' got rave reviews from basically every corner that wasn't an indie rock corner.

I think you're elevating a very specific case of a shift-in-attitude (namely Ryan Schreiber's) into a universal truth. That story is less about a broader change in musical tastes and more about the growing pains of any magazine or website moving from a niche market (indie rock) to a broad market.

The best 90s equivalent for contemporary Pitchfork probably is 90s Spin, which covered pop music about as much and about as enthusiastically as Pitchfork does now.

I would say that there is one quite specific way in which critical hostility to pop has changed in the past 15 years, which is that no-one much complains of "manufactured" pop anymore - someone hating on Katy Perry or Taylor Swift or One Direction will still invoke all sorts of sub-Culture Industry arguments, but whereas the idea of these mindless soulless plastic robots used to be the centerpiece of any criticism, it's fallen to the back of the pack. I have a whole bunch of nascent theories about this but it probably merits a whole 'nother thread.

Best new poster

So on this "tired myth" as you put it that there was a rebellion to commercial music in the 90s, I find hilarious denialism. You're flat out denying there was any kind of hostility to commercialism in popular 90s scenes? How odd you would think that.

What scenes are you talking about

denialism isn't just a riverism

I'm trying to find ways of distilling my message. How about

"manufactured pop in the 90s was aimed at teen girls and not taken seriously by grown or discerning music fans whereas today manufactured pop is aimed at broad range of listeners and not taken with similar cynicism"

keep distilling

xp and that message is kind of bullshit?

also by "grown and discerning music fans" maybe you should just say "schlubby white indie dudes?"

i think we can still get this message down to something more to-the-point. like a hand motion.

http://fmdust.com/wp/wp-content/uploads/2014/04/poptimism-graphic.jpg

xp and that message is kind of bullshit?

also by "grown and discerning music fans" maybe you should just say "schlubby white indie dudes?"

― marcos,

er no? I'm talking about the fans of every other genre, of which there were many in the 90s to choose from. And there were even more genres within genres. Music is getting homogenous.

schlubby people of all colors and genders

"Contemporary music criticism is a minefield rife with nasty, ad hominem attacks, and the most popular target, in recent years, has been those professing inadequate fealty to pop.

Poptimism is a studied reaction to the musical past. It is, to paraphrase a summary offered by Kelefa Sanneh some years ago in The New York Times in an article on the perils of “rockism”: disco, not punk; pop, not rock; synthesizers, not guitars; the music video, not the live show. It is to privilege the deliriously artificial over the artificially genuine. "

The Pernicious Rise of Poptimism

we're kind of ignoring the anti-vaccination movement (the lack of cooties shots making people more susceptible to manufactured pop) and climate change (the drying up of the genres)

http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html

"Poptimism wants to be in touch with the taste of average music fans, to speak to the rush that comes from hearing a great single on the radio, or YouTube, and to value it no differently from a song with more “serious” artistic intent. It’s a laudable goal, emerging in part from the identity politics of the 1990s "

:)

i thought we all agreed that the next time the word "poptimism" came up we'd all just lie down and take a nap

oh my god you did not just drop the saul austerlitz piece in here oh sweet lord

that dude doesn't exactly have positive feelings toward rap, Ka mention notwithstanding, so idk if you want him as the pushing-40 paleface backing you up

not that that'll stop you when you're on a roll

this is a pretty lol xpost now, but:
dude, honestly, the reason people are responding to you with snide gifs is that this board has a long and easily searchable history of pushing back against the idea that "teen girls" are not "discerning music fans" (are teen boys discerning?).

This article is brilliant, and exactly what I've been distilling but in a poorer more convoluted and distracted way

"Rosen is describing poptimism as a reaction to what I think of as “Rolling Stone disease,” whereby Bob Dylan and Bruce Springsteen were treated as geniuses and the likes of Marvin Gaye and Madonna as mere pop singers. Obviously there should be no test of race or gender in musical immortality. But now the reaction has swamped the initial problem and created a wildly distorted version of the music world in 2014, as reflected in the way it’s covered.

Poptimism now not only demands devotion to pop idols; it has instigated an increasingly shrill shouting match with those who might not be equally enamored of pop music. Disliking Taylor Swift or Beyoncé is not just to proffer a musical opinion, but to reveal potential proof of bias."

Bolded text links into my reasons why the poptimism reaction has swamped the initial problem that is related to corporate control x internet advertising.

what work is the word "manufactured" doing in "manufactured pop"

what is the not-manufactured pop. or the manufactured not-pop?

what genres have gone away since the 90s? i suppose polka and latin jazz among others are no longer grammy categories. is this what you're referring to?

"So why is music criticism more or less alone in this affectation? Unlike those other disciplines, it has had to wrestle with the fact that music is now effectively free. Music criticism’s former priority — telling consumers what to purchase — has been rendered null and void for most fans. In its stead, I believe, many critics have become cheerleaders for pop stars.

It is no accident that poptimism is an Internet-era permutation. Obsessive coverage of stars like Drake and Justin Bieber drives Web traffic in a way that more judicious, varied coverage of the likes of, say, the Tuareg guitar wizard Bombino generally cannot. Once, we learned about new music by listening to the radio, reading Spin or watching MTV. Today MTV is largely a reality-TV channel, and most people prefer their iPods or Spotify playlists or Pandora stations to fusty radio programming.

In this way, poptimism embraces the familiar as a means of keeping music criticism relevant."

thisthisthis

"Admit It"

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

"Admit It"

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

"Admit It"

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

"Admit It"

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

"Admit It"

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

Admit it!
Despite your pseudo-bohemian appearance
And vaguely leftist doctrine of beliefs
You know nothing about art or sex
That you couldn’t read in any trendy New York underground fashion magazine
Prototypical non-conformist
You are a vacuous soldier of the thrift store Gestapo
You adhere to a set of standards and tastes
That appear to be determined by an unseen panel of hipster judges (bullshit)
Giving a thumbs up or thumbs down to incoming and outgoing trends and styles of music and art
Go analog baby, you’re so post-modern
You’re diving face forward into a antiquated past
It’s disgusting, it's offensive, don’t stick your nose up at me

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

You spend your time sitting in circles with your friends
Pontificating to each other
Forever competing for that one moment of self-aggrandizing glory
In which you hog the intellectual spotlight
Holding dominion over the entire shallow pointless conversation
Oh, we’re not worthy
When you walk by a group of quote-unquote normal people
You chuckle to yourself patting yourself on the back as you scoff
It's the same superiority complex
Shared by the high school jocks who made your life a living hell
And makes you a slave to the competitive capitalist dogma
You spend every moment of your waking life bitching about

Yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah
And I say yeah, what do you have to say for yourself?
Whoah, whoah, whoah, whoah

'Cause I’m proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my guitar, yeah

Well let me tell you this, I am shamelessly self-involved
I spend hours in front of the mirror, making my hair elegantly disheveled
I worry about how this album will sell
Because I believe it will determine the amount of sex I will have in the future
I self medicate with drugs and alcohol to treat my extreme social anxiety

You are a faker (admit it)
You are a fraud (admit it)
Yeah, you’re living a lie (hey) living a lie (hey) you’re life is living a lie
You don’t impress me (admit it)
You don’t intimidate me (admit it)
Why don’t you bow down, get on the ground, walk this fucking plank (yeah!)

Yeah, what do you have to say for yourself
Whoah, whoah, whoah, whoah
And I say yeah (what do you..)

Proud of my life and the things that I have done
Proud of myself and the loner I’ve become
You’re free to whine, it will not get you far
I do just fine, my car and my..
Guitar, guitar go!

I drift, drift, drift, drift, drift, yeah
I drift, drift, drift, drift, drift, yeah oh

And I am done with this
I wanna taste the breeze of every great city
My car and my guitar
My car and my guitar
So you'll come to be, made of these urges unfulfilled
Oh no, no, no, no, no
When I'm dead I'll rest
When I'm dead I'll rest, lay still
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest
When I'm dead I'll rest, I'll rest

its about ethics in music journalism

YOU DON'T KNOW YOU'RE TANUKIFUL
THAT'S WHAT MAKES YOU TANUKIFUL

R̳͇̬̲̫̪̣͈͍̦͎̟͕̗͙͍̤̉ͤͯ̔ͬ͊̆̓̑͛̂̉͂̾̉͌̀ͅA̤̞̥͙̞̹͕ͩ͛̐ͭ̔̓̋͒ͩͭ͋͊C̪̦̞̩̜̦̣̣͔̙̪̙̳̙̃̀̑͛̈́̀ͮͫ̃̔ͧͅͅC̦̗̻̝̯͚͎ͫ͊ͯ̍̏͐̂̾͆͛ͭO̩̗̤̗̞͕̖͎̭͎̩ͨ̓͆͛ͭ̂͆̊͗͂͐ͫͥ̅͑̂̈̈O̳̻͓̞͈̼̟͎̝̦̫̮͔̟͋̌̉̌̑ͧ͑Ñ͉̗͚͔̫̼̼͎̼̫̭͎̭̱͚̖ͨ̂̍͆̈́̐̊̅͋̽̉ͭ̔ͯ̀̐̚ͅ ̪̦͚̞͇̯͕̭͖͎̠͙̥̳̼̪̭̉̊ͨ͌ͬ̽̚T̙̦͈̗̰̯ͪͩͧ͌̆̈̐̐́̔̏̄ͦ̽̈̊̃̚A̹̙͓̥̙̪͕̅̎͐ͣ̑̎̚N͎̯̻̼̮̪̝͉̲̮͎̳̥̤̜̲̙̒́̎͗̒͗̌͐ͨ̋̈͐͐ͯͅȔ͚̠͙̞̦͖̣̭͇͖̰̪̱̝͈̥ͮ̏ͧK̩̺̟̠̠̬̞̘͉̝̃̑ͥͧ̀̍͆̇́̉ͤͨ̔I̱̮̩̲̥̮͓̪ͩ̎̍̊

R̳͇̬̲̫̪̣͈͍̦͎̟͕̗͙͍̤̉ͤͯ̔ͬ͊̆̓̑͛̂̉͂̾̉͌̀ͅA̤̞̥͙̞̹͕ͩ͛̐ͭ̔̓̋͒ͩͭ͋͊C̪̦̞̩̜̦̣̣͔̙̪̙̳̙̃̀̑͛̈́̀ͮͫ̃̔ͧͅͅC̦̗̻̝̯͚͎ͫ͊ͯ̍̏͐̂̾͆͛ͭO̩̗̤̗̞͕̖͎̭͎̩ͨ̓͆͛ͭ̂͆̊͗͂͐ͫͥ̅͑̂̈̈O̳̻͓̞͈̼̟͎̝̦̫̮͔̟͋̌̉̌̑ͧ͑Ñ͉̗͚͔̫̼̼͎̼̫̭͎̭̱͚̖ͨ̂̍͆̈́̐̊̅͋̽̉ͭ̔ͯ̀̐̚ͅ ̪̦͚̞͇̯͕̭͖͎̠͙̥̳̼̪̭̉̊ͨ͌ͬ̽̚T̙̦͈̗̰̯ͪͩͧ͌̆̈̐̐́̔̏̄ͦ̽̈̊̃̚A̹̙͓̥̙̪͕̅̎͐ͣ̑̎̚N͎̯̻̼̮̪̝͉̲̮͎̳̥̤̜̲̙̒́̎͗̒͗̌͐ͨ̋̈͐͐ͯͅȔ͚̠͙̞̦͖̣̭͇͖̰̪̱̝͈̥ͮ̏ͧK̩̺̟̠̠̬̞̘͉̝̃̑ͥͧ̀̍͆̇́̉ͤͨ̔I̱̮̩̲̥̮͓̪ͩ̎̍̊

R̳͇̬̲̫̪̣͈͍̦͎̟͕̗͙͍̤̉ͤͯ̔ͬ͊̆̓̑͛̂̉͂̾̉͌̀ͅA̤̞̥͙̞̹͕ͩ͛̐ͭ̔̓̋͒ͩͭ͋͊C̪̦̞̩̜̦̣̣͔̙̪̙̳̙̃̀̑͛̈́̀ͮͫ̃̔ͧͅͅC̦̗̻̝̯͚͎ͫ͊ͯ̍̏͐̂̾͆͛ͭO̩̗̤̗̞͕̖͎̭͎̩ͨ̓͆͛ͭ̂͆̊͗͂͐ͫͥ̅͑̂̈̈O̳̻͓̞͈̼̟͎̝̦̫̮͔̟͋̌̉̌̑ͧ͑Ñ͉̗͚͔̫̼̼͎̼̫̭͎̭̱͚̖ͨ̂̍͆̈́̐̊̅͋̽̉ͭ̔ͯ̀̐̚ͅ ̪̦͚̞͇̯͕̭͖͎̠͙̥̳̼̪̭̉̊ͨ͌ͬ̽̚T̙̦͈̗̰̯ͪͩͧ͌̆̈̐̐́̔̏̄ͦ̽̈̊̃̚A̹̙͓̥̙̪͕̅̎͐ͣ̑̎̚N͎̯̻̼̮̪̝͉̲̮͎̳̥̤̜̲̙̒́̎͗̒͗̌͐ͨ̋̈͐͐ͯͅȔ͚̠͙̞̦͖̣̭͇͖̰̪̱̝͈̥ͮ̏ͧK̩̺̟̠̠̬̞̘͉̝̃̑ͥͧ̀̍͆̇́̉ͤͨ̔I̱̮̩̲̥̮͓̪ͩ̎̍̊

R̳͇̬̲̫̪̣͈͍̦͎̟͕̗͙͍̤̉ͤͯ̔ͬ͊̆̓̑͛̂̉͂̾̉͌̀ͅA̤̞̥͙̞̹͕ͩ͛̐ͭ̔̓̋͒ͩͭ͋͊C̪̦̞̩̜̦̣̣͔̙̪̙̳̙̃̀̑͛̈́̀ͮͫ̃̔ͧͅͅC̦̗̻̝̯͚͎ͫ͊ͯ̍̏͐̂̾͆͛ͭO̩̗̤̗̞͕̖͎̭͎̩ͨ̓͆͛ͭ̂͆̊͗͂͐ͫͥ̅͑̂̈̈O̳̻͓̞͈̼̟͎̝̦̫̮͔̟͋̌̉̌̑ͧ͑Ñ͉̗͚͔̫̼̼͎̼̫̭͎̭̱͚̖ͨ̂̍͆̈́̐̊̅͋̽̉ͭ̔ͯ̀̐̚ͅ ̪̦͚̞͇̯͕̭͖͎̠͙̥̳̼̪̭̉̊ͨ͌ͬ̽̚T̙̦͈̗̰̯ͪͩͧ͌̆̈̐̐́̔̏̄ͦ̽̈̊̃̚A̹̙͓̥̙̪͕̅̎͐ͣ̑̎̚N͎̯̻̼̮̪̝͉̲̮͎̳̥̤̜̲̙̒́̎͗̒͗̌͐ͨ̋̈͐͐ͯͅȔ͚̠͙̞̦͖̣̭͇͖̰̪̱̝͈̥ͮ̏ͧK̩̺̟̠̠̬̞̘͉̝̃̑ͥͧ̀̍͆̇́̉ͤͨ̔I̱̮̩̲̥̮͓̪ͩ̎̍̊

http://assets-s3.usmagazine.com/uploads/assets/articles/69832-justin-bieber-wears-prison-jumpsuit-in-bond-court-after-arrest-bail-set-at-2500/1390502918_bieber_in_court.gif

RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN

RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦNRACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN
________RACoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦoͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦͦN

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̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿TANUK ̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿TANUK ̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿TANUK ̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿TANUK ̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿̿

ha, you mad!

The Pernicious Rise of Poptimism

http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html

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

could you repeat that tanuki i didn't quite get it

RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI

RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ

Look at this, pathetic!. Can't handle the truth and facts being posted so you're trying cover up the good posts people are trying to make with this ridiculous spam.

This article says all you need to know about the dudes in this thread getting pissed http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html . This shit got you guys down to a T, and you can't stand it!

I think my job is done here.

http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html
http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html
http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html

RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ RACOON #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ TANUKI #فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ#فͤ҈ͨͥ҉҉ͦ҈҉ͨ҈ͩ҉ͪ҈ͣͯͫ҉ͥͬͨ҈ͭ҉ͮ҈ͯ҉ͨ҈ͭͭͬ҉ͧͥ҈ͣ҉ͨ҉҉҈ͧͥ҉ͯ҈ͮͥ҉ͭ҈ͤ҈ͦ҈ͥ҉ͧ҈ͩͯ҉ͭ҈ͨ҉ͨͥ҉҉ͣ҉ͣͪ҉ͧ҈ͭ҉ͩ҈ͤ҉ͮ҈ͯͥ҈ͬ҈ͭ҈ͦ҈ͨͣ҉ͥ҈ͯ҉҉ͣͧ҈ͫ҉ͭ҈ͥͯͯ҉ͦ҈ͥ҉ͧ҉҈ͩ҉ͭ҈ͣͨ҉ͣͥ҈ͪ҉ͧ҈ͭ

CAN YOU SAY THAT AGAIN TANUKI JUST YELL IT RIGHT IN MY EAR

My job is done. Weingarten showing himself as the bitter cretin he is. Face facts poptimism hacks, your a scam.

http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html

i've sent Weingarten into a denial spiral of shame and anger. You're gonna regret how this came across in the morning Weingarten.

Read it and weep, turds!

http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html

whiney g., the bill laimbeer of ilx posters, made to look silly by raccoon tanuki, the michael jordan of ilx posters

this is hilarious

http://wwwwwwwww.jodi.org/

"Poptimism wants to be in touch with the taste of average music fans, to speak to the rush that comes from hearing a great single on the radio, or YouTube, and to value it no differently from a song with more “serious” artistic intent. It’s a laudable goal, emerging in part from the identity politics of the 1990s "

:)

"Contemporary music criticism is a minefield rife with nasty, ad hominem attacks, and the most popular target, in recent years, has been those professing inadequate fealty to pop.

Poptimism is a studied reaction to the musical past. It is, to paraphrase a summary offered by Kelefa Sanneh some years ago in The New York Times in an article on the perils of “rockism”: disco, not punk; pop, not rock; synthesizers, not guitars; the music video, not the live show. It is to privilege the deliriously artificial over the artificially genuine. "

The Pernicious Rise of Poptimism

"Rosen is describing poptimism as a reaction to what I think of as “Rolling Stone disease,” whereby Bob Dylan and Bruce Springsteen were treated as geniuses and the likes of Marvin Gaye and Madonna as mere pop singers. Obviously there should be no test of race or gender in musical immortality. But now the reaction has swamped the initial problem and created a wildly distorted version of the music world in 2014, as reflected in the way it’s covered.

Poptimism now not only demands devotion to pop idols; it has instigated an increasingly shrill shouting match with those who might not be equally enamored of pop music. Disliking Taylor Swift or Beyoncé is not just to proffer a musical opinion, but to reveal potential proof of bias."

Bolded text links into my reasons why the poptimism reaction has swamped the initial problem that is related to corporate control x internet advertising.

http://www.nytimes.com/2014/04/06/magazine/the-pernicious-rise-of-poptimism.html

Whiney and Maura; sewn up.

how white people built America

https://vine.co/v/OMFpWQ7D5TP

http://www.clker.com/cliparts/Z/0/h/6/4/b/dirty-socks-md.png

https://vine.co/v/OKEpEU7rvxe

I think there's something to the theory that music-obsessed consumers, by and large, are less ashamed of their pop-music leanings. Albums/songs that 15 years ago would be labeled guilty pleasures are now relegated without that "guilty" association. I feel that may just be me getting old with not feeling guilty at all but what I listen to/like. But then again, maybe today's youth still live by those distinctions.

And I may be wrong, as my view of pop-music happenings is greatly distorted by ILM, but don't millennial music lovers as a group share a lack of cynicism when it comes to corporate-backed pop music? This observation is purely anecdotal, but I remember back in my youth really caring how "authentic" my favorite bands came off in the music press, embarrassingly. And the very notion of licencing a song off of an album by a alternative band was an act of career suicide. That sure doesn't seem to be the case anymore (thankfully). I feel like if there actually was a time in the last decade where pop music became "cool" to like, it may coincide with peoples' general acceptance of "in-authenticity".

Please don't ban me.

banned

we could not ban you if we tried

(relief)

(talk to me boy)
i can't wait tanuki in my arms
(talk to me boy)
bet i'll have tanuki by the end of this song

great thread!

ͤ ͬͤ ͬͬͤ ͦͬͬͤ ͬͦͬͬͤ ͤͬͦͬͬͤ ͬͤͬͦͬͬͤ ͬͬͤͬͦͬͬͤ ͦͬͬͤͬͦͬͬͤ ͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬͤ ͬͤͬͦͬͬͤͬͦͬͬͤ ͬͬͤͬͦͬͬͤͬͦͬͬͤ ͦͬͬͤͬͦͬͬͤͬͦͬͬͤ ͬͦͬͬͤͬͦͬͬͤͬͦͬͬͤ ͦͬͬͤͬͦͬͬͤͬͦͬͬͤ ͬͬͤͬͦͬͬͤͬͦͬͬͤ ͬͤͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬͤ ͬͦͬͬͤͬͦͬͬͤ ͦͬͬͤͬͦͬͬͤ ͬͬͤͬͦͬͬͤ ͬͤͬͦͬͬͤ ͤͬͦͬͬͤ ͬͦͬͬͤ ͦͬͬͤ ͬͬͤ ͬͤ ͤ ͤ ͬͤ ͬͬͤ ͦͬͬͤ ͬͦͬͬͤ ͤͬͦͬͬͤ ͬͤͬͦͬͬͤ ͬͬͤͬͦͬͬͤ ͦͬͬͤͬͦͬͬͤ ͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬͤ ͬͤͬͦͬͬͤͬͦͬͬͤ ͬͬͤͬͦͬͬͤͬͦͬͬͤ ͦͬͬͤͬͦͬͬͤͬͦͬͬͤ ͬͦͬͬͤͬͦͬͬͤͬͦͬͬͤ ͦͬͬͤͬͦͬͬͤͬͦͬͬͤ ͬͬͤͬͦͬͬͤͬͦͬͬͤ ͬͤͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬͤ ͬͦͬͬͤͬͦͬͬͤ ͦͬͬͤͬͦͬͬͤ ͬͬͤͬͦͬͬͤ ͬͤͬͦͬͬͤ ͤͬͦͬͬͤ ͬͦͬͬͤ ͦͬͬͤ ͬͬͤ ͬͤ ͤ

Glitchr shared a link.
March 24
ͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬ ͬͤͬͦͬͬͤͬͦͬ ͬͬͤͬͦͬͬͤͬͦ ͦͬͬͤͬͦͬͬͤͬ ͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬ ͬͤͬͦͬͬͤͬͦͬ ͬͬͤͬͦͬͬͤͬͦ ͦͬͬͤͬͦͬͬͤͬ ͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬ ͬͤͬͦͬͬͤͬͦͬ ͬͬͤͬͦͬͬͤͬͦ ͦͬͬͤͬͦͬͬͤͬ ͬͦͬͬͤͬͦͬͬͤ ͤͬͦͬͬͤͬͦͬͬ ͬͤͬͦͬͬͤͬͦͬ ͬͬͤͬͦͬͬͤͬͦ ͦͬͬͤͬͦͬͬͤͬ..

I think there's something to the theory that music-obsessed consumers, by and large, are less ashamed of their pop-music leanings. Albums/songs that 15 years ago would be labeled guilty pleasures are now relegated without that "guilty" association. I feel that may just be me getting old with not feeling guilty at all but what I listen to/like. But then again, maybe today's youth still live by those distinctions.

And I may be wrong, as my view of pop-music happenings is greatly distorted by ILM, but don't millennial music lovers as a group share a lack of cynicism when it comes to corporate-backed pop music? This observation is purely anecdotal, but I remember back in my youth really caring how "authentic" my favorite bands came off in the music press, embarrassingly. And the very notion of licencing a song off of an album by a alternative band was an act of career suicide. That sure doesn't seem to be the case anymore (thankfully). I feel like if there actually was a time in the last decade where pop music became "cool" to like, it may coincide with peoples' general acceptance of "in-authenticity".

Please don't ban me.

― Rod Steel (musicfanatic),

thems are banning words son

how the fuck did it take a week for me to find out that i was a pioneer? jesus, this is why comments suck

also racoon tanuki if you're such a hard stan for austerlitz you should start a tv thread about when it became cool to like sitcoms, which are on - wait for it - commercial tv, and which mister crusader for real art wrote a whole BOOK about

i pretty sure maura likes afghan whigs so i can vouch that she's not a narc fellow rock dudes

i'm holding fire until i hear what Stan Leipzig and Dave Marengo have to say

which mister crusader for real art

calm down popstalinism

whatsamatter tanuki is your world being demolished

you can tell that nytime article got the poptimists shook in that non of them mentioned it for the whole thread, yet apparently they know of it, I came across by chance just a few hours back, and that since it's arrival non have even attempted arguing any of it's points, preferring to on it's arrival scream, shout, spam, call for bans, disrupt thread and call names.

we were trying to keep it buried, tanuki. we were hoping it would never be found. we thought it never could be found.

but there was one thing we hadn't planned for, tanuki... you

probably no one mentioned it because we all demolished it when it came out, because it was a bunch of useless hand-wringing about superficiality from someone who couldn't be arsed to read anything that didn't fit his thesis

Sorry Maura isn't there a VMA's best dressed article you should be writing about now?

i bet if i found out how old you were i'd be bummed out

haha sick burn dude the vmas were in september

http://img4.wikia.nocookie.net/__cb20120518002849/mario/images/7/78/Tanooki_Mario_Artwork_-_Super_Mario_Bros._3.png

https://www.youtube.com/watch?v=M6KOEMJKdEI

otm

probably no one mentioned it because we all demolished it when it came out
-maura

By blasting Paramore at full blast and locking yourself in your room?

https://www.youtube.com/watch?v=lsrQYVanGO0
My job is done. Weingarten showing himself as the bitter cretin he is. Face facts poptimism hacks, your a scam.

still can't figure whether tanuki will turn out to be one of the likely suspects or some heretofore unnoticed follower of rockwrite who could lurk no longer

By blasting Paramore at full blast and locking yourself in your room?

― Raccoon Tanuki, Thursday, November 20, 2014 7:47 PM (1 minute ago) Bookmark Flag Post Permalink

oh honey if you're gonna place yourself as a smarter-than-thou pedant you should at least do a google news search. anyway have fun bashing your tail against bricks

ooooh what if it's dero, possessed by the symbiote

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https://www.youtube.com/watch?v=DQQMElBSJLo

http://media-cache-ak0.pinimg.com/236x/32/cc/b5/32ccb5705a277f00e92fba72b56f7fcb.jpg

http://img3.wikia.nocookie.net/__cb20101017224536/phineasandferb/images/0/03/Agent_R_fighting.jpg

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̧͉I̮̪̣͘nv̟̣o̲͔̙̣͟ͅk̰̭͜in̷͖͍͔͓g̢̰͚͔ ̤t͔͚̣ẖ͖̬̥̤̹̦e͕̹̰̩ ̼f̗̬̹͞e̺e̙̙͎l̲į̣̱͈̻͇̗͚ṋ͚̠g̖̺̺̙ ͕̗͕̤͡o̸̖̠ͅf̷̣̗͔̖͓̬ ͞c̴̖͇̠͍h̵̫a̵̬̹o͉̗̺s̠̼̫̗̰̻.
͔͙͉̠W̢̩̬̠̺̟̫ͅi̦͈̲̯͉͇ͅt̠h̤̳͕ o̙͔͔u̮̹͜t͇̠͖̱͞ ͖̤o̤̩͉ͅṟ̘̫͔̜̞͝ͅd̷͓̠̹e̖̫r̬̝̤̜͎͔͢.̳̺̩̩
͘Th̟͎͙̹e͉̙ N͓͚̣̣̙ez̲͖̳̞̯p͉̳̗̭̠͚̳e̶͈͖͖̳̦r̗̺̲͇d͉̭̩̜̜̯̦͡i͎̭͉̙̟͇a̙͜n̩͈̪̟̯͖͙ ͖̱̲͕͙̕h͓̗ive̝̙̹̼͎-̬̹̘̲͇̗͝m̯̠̺̻̜̼͝ͅi҉͇̱̲͔̰̜̹n͔̪̪̺̘̩d̸̫ ̬̰̗͕o̧̲̗f̭̘͉̩͞ ͏̮͉̙̱̰ch̛͔̝͍͎͇̦a͏̦͍̗o̱͓̙̬͔̣̯s̵̖͓͚ͅ.̞͖̼ ̬̫Z̷a̷͎̣̘͉͇̥͇l͚͇g̴͔̳̥̬͕͚̣o̵̳̱͕̪̹.̮̰͉͝ͅ
̹H̨̩e̜̪̺̭̯̳̕ ̮w̲̟̻͚̭họ̢̜̘ ͎͙̰̗̹̬̲W͔a̻͖̝i̡͎̖̜̘̠t̸̟̬͕͓̘ͅş̥ ̛̤̞̼B̰͖̬̗̭͘e̻̠̻̤͍͖̕h̛̪͎̟̹̜̙índ̥͍͎̠̞͞ ̧͎͖̬̜̫ͅT̗̭̘͈̳h͙͓̬̺͞e ͉̱̰̟W̘̫a͝l͔l̝̠͍̗.̺̰͖͔̕
̝̙͚̤͓͎͡Z̦̥͕̞̞À͕̜̰Ĺ͙͍̺̲G̡̺̦͇̲̼̲O͕̥̰̠͎͉̖!͏

https://www.youtube.com/watch?v=dUpaHawFLUk

raccoon tanuki do you have bennies

JUST FUN TIMES ON THE INTERWEBZ Y'ALL

xpost IM SAYIN. ott has been my half-serious pet theory this whole time, although as some dude pointed out in the goon thread ott doesn't exactly (one assumes) know enough about rap to fake it for a troll sock identity

dude most likely spends too much time refreshing pitchfork for indie buzz bands he can mock and/or/including angrily staring at ryan schreiber's name on the masthead to pay much attention to even what p4k considers cover-able rap