People You Suspect Are Frighteningly Overrated But Don't Actually Know Enough About To Say So

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The rough, hot and manly passions of icosahedrons, even.

Ned Raggett, Friday, 2 August 2002 00:00 (twenty-one years ago) link

er yes ned

*backs away w/o sudden movements*

mark s, Friday, 2 August 2002 00:00 (twenty-one years ago) link

Of course there are still a few Hamiltons around to be derisory to men.

Pete, Friday, 2 August 2002 00:00 (twenty-one years ago) link

I have scared Mark S = I can achieve no more in this life.

Ned Raggett, Friday, 2 August 2002 00:00 (twenty-one years ago) link

i think that crux dude is talking a big load of bull's pizzle, and i'm not even (close to being) a mathematician! and "essentially impersonal field" like what, so it therefore has no scope for genius?

Most of the time, "genius" is a term for people who simultaneously impress and confuse. All it marks is a refusal to doubt or understand on the part of whoever applied it. Not unlike terming a work of art "a masterpiece" and stowing it in a vault so that it will never be subject to criticism. A mathematician can do very useful work, but I don't think there is any big scheme in which to rank it. Not only will someone make his discoveries if he does not; someone may also make them with equal or much greater efficiency. Ramunajan (sp?) probably had an intuitive understanding of certain areas that far surpassed Gauss', but that doesn't make him the "greater" of the two.

, Friday, 2 August 2002 00:00 (twenty-one years ago) link

crux is saying there is no difference between realising something no one thought of before and not noticing it (because, after all, someone else might later)

mark s, Friday, 2 August 2002 00:00 (twenty-one years ago) link

Spot on. Do you doubt this??

I think I understand the criteria by which Gauss and friends are rated, disagree though I may with them, and still wonder why you consider him higher-rated than he should be. Or were you being iconoclastic for its own sake?

, Friday, 2 August 2002 00:00 (twenty-one years ago) link

Yes, it impresses people as big and clever to suggest that a mathematician might be overrated. We think Mark is hard and dangerous because of this.

Aren't random googlers funny?

I liked jel's nomination way back of "gothic archies". Would that be the comic where Betty & Veronica become vampires?

Martin Skidmore, Friday, 2 August 2002 00:00 (twenty-one years ago) link

I'm amusing myself by trying to apply false_crux's line of reasoning to something like jazz. AND SUCCEEDING!

(ha. most of the discussion works so far if for mark s Gauss= Coltrane)

The Actual Mr. Jones, Friday, 2 August 2002 00:00 (twenty-one years ago) link

(...and toby= my right-brain)

The Actual Mr. Jones, Friday, 2 August 2002 00:00 (twenty-one years ago) link

Please, no monkey-typewriter nonsense. Artistic causality is (we hope) essentially random. Mathematical reasoning is not, only the thoughts that lead individuals to reason--whence their ultimate expendability.

Before you try refuting me: are you just a skeptic, or do you have any beliefs of your own about this?

, Friday, 2 August 2002 00:00 (twenty-one years ago) link

Mr Crux, meet the concept of "zeitgeist".

Sterling Clover, Friday, 2 August 2002 00:00 (twenty-one years ago) link

'artistic causality is random'!!!!

'just' a skeptic!!!!!

Josh, Friday, 2 August 2002 00:00 (twenty-one years ago) link

shhh you're all talking over my flight of fancy! Weeee! Einstein's funny hair etc.!... hee hee now he's playing a saxophone. la la la.

The other day I tipped thrice the cost of my coffee in an embarrassed math-panic, so to answer your arch-villainish challenge, falsecrux: no I'm quite out of my league. And yes thanks I get it; math isn't art. Still, in my experience, after "artistic causality" comes a not insignificant amount of reasoning which FITS EXACTLY the criteria by which you discount the idea of genius above. I am skeptical only of the implication that mathematicians are continually calculating from birth, that something doesn't point them down a particular path of reasoning at a given point in time, and that that something may not be called "inspiration".

(I gather this makes me something called a platonist, which can't be good. When i master the craft of the generous-but-not- ridiculous gratuity perhaps i will grow more pragmatic in these more complicated matters too)

The Actual Mr. Jones, Friday, 2 August 2002 00:00 (twenty-one years ago) link

'just' a skeptic!!!!!

And you talk to me about Platonism...

What is art, then? A component of all imaginable universes? Divine aesthetics made manifest? Something other than accident? This would make the over-/underrated distinction a lot simpler, I have to admit.

, Friday, 2 August 2002 00:00 (twenty-one years ago) link

with this talk of 'accident' you make it sound like artists don't have to think, know, understand, learn, work, etc. (gee so do mathematicians, that makes them sort of similar!)

Josh, Friday, 2 August 2002 00:00 (twenty-one years ago) link

You seem to have construed "random" in a much narrower sense than I intended. Art is random inasmuch as all human activity is random, and so is math...almost. A person is attracted to mathematical pursuits entirely by accident, selects a field by accident, selects problems to work on by accident. But the sequence of steps through which one tackles a problem and the connections one finds between definitions are necessary.

Some perceive more connections than others, yes, but no correct approach could lead to results different from theirs, and so none of what they conclude depends on them as individuals.

, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

Pi was in the flowers. It was there long before you or me came along.

Archaeologists who discover big dinosaur bones - genius or just finding something that was there? (Albeit a lot more easily than finding Pi).

david h(owie), Saturday, 3 August 2002 00:00 (twenty-one years ago) link

Starry: OTM.

david h(owie), Saturday, 3 August 2002 00:00 (twenty-one years ago) link

'sequence of steps... are necessary': have you ever actually done any math? I don't think it goes like this at all. perhaps making sure that what you write down is logically consistent brings the process into contact with necessity, but it's not as if that necessity is driving the thing forward in some mystical way: you try things, play with alternatives, follow some blind alleys, see if conclusions you can draw eventually contradict something you know to be true, see if any of these still seem attractive enough that you'd like to keep modifying it to see what you can get... none of that seems to me in any interesting way 'necessary'. and they all seem to be potentially very individually marked.

Josh, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

writing it down in steps is a social gesture that comes after: to convince other people it's not just crAZEEE guesswork

mark s, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

Can I be the first to mention Hardt & Negri on this thread? It's not that I mistrust Mark S, for whom I have near infinite respect, so much that I have yet to see a big theory of any kind where I haven't thought (at best) "well, okay, but what about X? And Y is much more complex than that. And this stuff about Z isn't really true." See my negativity about progress elsewhere. I realise that this amounts to sitting here and saying "Nope, you haven't got it right" while offering bugger all myself, but that is because I regard all of these areas as too complex to usefully summarise in a theory, even at fat-book length. I'm not foolish enough to predict whether science's quest for a theory of everything will come good, but I am 100% certain that science is much, much farther away from this than scientists frequently claim: it is nonetheless a hell of a lot closer than other philosophical areas such as sociology or psychology or ethics or politics or aesthetics. I don't believe they will ever get there. (And, parenthetically, we have known for ages (since Godel) that maths ain't getting there, and you'd think that was the best bet of all!) Having said that, I'm all in favour of the efforts since they almost always lead to a richer understanding, and in aesthetics they provoke interesting new approaches.

Martin Skidmore, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

'sequence of steps... are necessary': have you ever actually done any math? I don't think it goes like this at all. perhaps making sure that what you write down is logically consistent brings the process into contact with necessity, but it's not as if that necessity is driving the thing forward in some mystical way: you try things, play with alternatives, follow some blind alleys, see if conclusions you can draw eventually contradict something you know to be true, see if any of these still seem attractive enough that you'd like to keep modifying it to see what you can get... none of that seems to me in any interesting way 'necessary'. and they all seem to be potentially very individually marked.

You still miss the point. Of course it is possible for different people to choose different methods, to make missteps, to reach dead- ends. The validity of each step, however--whether or not one perceives it--is determined by the conclusions it implies, not by individual choice.

An artist may do more or less exactly what another has done, but it may still be said that "he just can't do it like [predecessor]". Can you imagine hearing, when someone independently proves the Fundamental Theorem of Algebra, "nice, but he's no Karl Friedrich"??

, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

yes, I can. a number of other facts are highly relevant: other (original) work performed, elegance of results (especially in the case of new proofs of old theorems), general intellectual climate (it was to gauss's advantage, say, that mathematics was not at the state of development that it is currently; also, what's considered useful or interesting by other mathematicians and nonmathematicians matters a great deal).

Josh, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

"independently" like they didn't already know it proved, or independently like they found a new way to prove it, knowing it was already true? (either way the answer's yes, btw: actual real-life mathematicians talk like this all the time, x's proofs are more elegant, y's are more intuitive, z's are more imaginative, a gets to the core of the problem faster, but b's steps are more secure and naturally ordered blah blah)

haha crux's position is the sort of position it's usually ME taking!!

mark s, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

in other words: what the fuck does what we're talking about have to do with validity or correctness?

Josh, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

haha mark s in brane sharing shockah

Josh, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

in fact i *did* already take it: hence my original joke sheesh!!

mark s, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

yes josh but yr solution is more secure and naturally ordered

mark s, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

well I have more 'maths' training than you HAHAHA

Josh, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

in other words: what the fuck does what we're talking about have to do with validity or correctness?

Uh, just the fact that this concept doesn't figure in any artistic achievement and only provisionally in other scientific achievements, which suggests that they should be evaluated differently from achievements in which it is nearly the only thing of importance.

, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

By the way, only the letter of my hypothetical question was answered. I took into account all the variables you mentioned--elegance, intuition, etc.--except relevance (everyone's work gets more relevant as time progresses, I think). Again: if one independently discovers Gauss' results in exactly the same way, apart from meaningless factors such as the notation and counting system, how is it different from what Gauss did?

, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

("as time progresses" = as they become more aware of their environment.)

, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

erm crux we have actually answered the spirit yr question about fifteen times now: "rating" w. mathematicians is a matter of comparison of elegance/intuition/speed (also quantity: which derives from speed I guess) => just because you think this is immensely strange and silly won't make it not so

however if it will make you happier, whatever it is you saying is totally brilliantly correct and amazingly valid and the route you got there is immensly more/less elegant than everyone's else, were they ever to think this, whatever it is: no mathematician is in any sense better than any other mathematician, or indeed any non-mathematician hurrah!

you in particular are rated exactly correctly: your prize is the chance to study some mathematics at last, or to ignore it, or something equivalent

mark s, Saturday, 3 August 2002 00:00 (twenty-one years ago) link

one year passes...
1) Why is Robbie Williams popular?
2) How can he have a greatest hits album?
3) Is he at all known in the U.S.?

Thank you.

Skottie, Wednesday, 5 November 2003 01:29 (twenty years ago) link

He had one very mildly popular song here.

oops (Oops), Wednesday, 5 November 2003 01:42 (twenty years ago) link

As in, his record label tried hard to push him, but he never 'broke'.

oops (Oops), Wednesday, 5 November 2003 01:43 (twenty years ago) link

That was kind of my impression, but wasn't sure

Skottie, Wednesday, 5 November 2003 01:44 (twenty years ago) link

my sister's in scotland for a year and evidently people are always asking her why Robbie Williams hasn't broken in the U.S.

America has no need for a Robbie Williams whatsoever, though that "Millenium" song was kinda cute.

Anthony Miccio (Anthony Miccio), Wednesday, 5 November 2003 01:46 (twenty years ago) link

He'll be back, as UK artists know they have to conquer the US savages....

Nichole Graham (Nichole Graham), Wednesday, 5 November 2003 01:47 (twenty years ago) link

I almost went blind when I saw Tom say he liked Wilco upthread (and two years ago).

M Matos (M Matos), Wednesday, 5 November 2003 01:52 (twenty years ago) link

that's pre-YHF!

cinniblount (James Blount), Wednesday, 5 November 2003 01:56 (twenty years ago) link

hell, I LOVVVED summer teeth!

cinniblount (James Blount), Wednesday, 5 November 2003 01:57 (twenty years ago) link

that's pre-YHF!

Only by technicality.

Girolamo Savonarola, Wednesday, 5 November 2003 02:00 (twenty years ago) link

yeah, by this point it'd been floating around so there is a chance tom had heard it (deny everything mr. ewing!)

cinniblount (James Blount), Wednesday, 5 November 2003 02:02 (twenty years ago) link

Am I the only person who'll admit that Yankee Hotel Foxtrot is good (though yeah Summerteeth is way way better)?

Anthony Miccio (Anthony Miccio), Wednesday, 5 November 2003 02:04 (twenty years ago) link

America has no need for a Robbie Williams whatsoever

Especially since they have a Timberlake (sadly, this is not an example of trading up).

Ned Raggett (Ned), Wednesday, 5 November 2003 02:07 (twenty years ago) link

yhf alot better than some say, not nearly as good as others say (see also: nearly every other record ever made)

cinniblount (James Blount), Wednesday, 5 November 2003 02:07 (twenty years ago) link

Funny to think of Ronan as an alt.country fan now, maybe he still is when he's not listening to Dave Clarke white labels.

Billy Dods (Billy Dods), Wednesday, 5 November 2003 09:30 (twenty years ago) link

HI DERE

Amazing Randy (Amazing Randy), Wednesday, 5 November 2003 10:14 (twenty years ago) link


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