― pisces, Saturday, 10 March 2007 16:57 (seventeen years ago) link
― pisces, Saturday, 10 March 2007 17:03 (seventeen years ago) link
― ledge, Saturday, 10 March 2007 17:17 (seventeen years ago) link
― kenan, Saturday, 10 March 2007 17:17 (seventeen years ago) link
― ledge, Saturday, 10 March 2007 17:23 (seventeen years ago) link
― kenan, Saturday, 10 March 2007 17:24 (seventeen years ago) link
― ledge, Saturday, 10 March 2007 17:32 (seventeen years ago) link
― Hurting 2, Saturday, 10 March 2007 17:55 (seventeen years ago) link
― Alfred, Lord Sotosyn, Saturday, 10 March 2007 21:03 (seventeen years ago) link
Special Features # SPECIAL EDITION DOUBLE-DISC SET FEATURES # All-new, restored high-definition digital transfer # Video introduction by writer-director Peter Bogdanovich # Two audio commentaries: one by filmmaker Steven Soderbergh and screenwriter Tony Gilroy, and one by film scholar Dana Polan # Shadowing "The Third Man" (2005), a ninety-minute feature documentary on the making of the film # Abridged recording of Graham Greenes treatment, read by actor Richard Clarke # "Graham Greene: The Hunted Man," an hour-long, 1968 episode of the BBC's Omnibus series, featuring a rare interview with the novelist # Who Was the Third Man? (2000), a thirty-minute Austrian documentary featuring interviews with cast and crew # The Third Man on the radio: the 1951 A Ticket to Tangiers episode of The Lives of Harry Lime series, written and performed by Orson Welles; and the 1951 Lux Radio Theatre adaptation of The Third Man # Illustrated production history with rare behind-the-scenes photos, original UK press book, and U.S. trailer # Actor Joseph Cottens alternate opening voice-over narration for the U.S. version # Archival footage of postwar Vienna # A look at the untranslated foreign dialogue in the film # PLUS: A booklet featuring essays by Luc Sante, Charles Drazin, and Philip Kerr # Also: a web-exclusive essay on Anton Karas by musician John Doe
― Ned Raggett, Friday, 16 March 2007 18:19 (seventeen years ago) link
― Eric H., Friday, 16 March 2007 18:23 (seventeen years ago) link
― ghost rider, Friday, 16 March 2007 18:32 (seventeen years ago) link
― s1ocki, Friday, 16 March 2007 18:42 (seventeen years ago) link
― s1ocki, Friday, 16 March 2007 18:43 (seventeen years ago) link
― Ned Raggett, Friday, 16 March 2007 19:00 (seventeen years ago) link
― Gukbe, Friday, 16 March 2007 19:24 (seventeen years ago) link
― milo z, Friday, 16 March 2007 19:43 (seventeen years ago) link
― ghost rider, Friday, 16 March 2007 19:51 (seventeen years ago) link
― ghost rider, Friday, 16 March 2007 19:52 (seventeen years ago) link
― Ned Raggett, Friday, 16 March 2007 19:54 (seventeen years ago) link
― ghost rider, Friday, 16 March 2007 20:00 (seventeen years ago) link
― Ned Raggett, Friday, 16 March 2007 20:01 (seventeen years ago) link
― s1ocki, Friday, 16 March 2007 20:40 (seventeen years ago) link
― Hurting 2, Friday, 16 March 2007 21:08 (seventeen years ago) link
― ghost rider, Friday, 16 March 2007 21:12 (seventeen years ago) link
I like where this thread ended up.
So anyway I got the two disc edition for Xmas and I just rewatched the movie for the first time since, well, since I started this thread. There was something that grabbed me in the first few minutes this time through that I don't think I'd mentioned on here yet but now it's slipped my mind...it'll come back. I think.
― Ned Raggett, Monday, 9 February 2009 00:52 (fifteen years ago) link
the Criterion set reports in a couple places (Soderbergh-Gilroy commentary) that Reed was able to shoot round-the-clock cuz of Benzedrine.
― Your Favorite Saturday Night Thing (Dr Morbius), Tuesday, 20 October 2009 19:50 (fourteen years ago) link
Seems kinda petty if not downright weird, but I lost some of my love for this movie after learning that Welles refused to go into the sewers (except for a little).
― Race Against Rockism (Myonga Vön Bontee), Wednesday, 21 October 2009 08:57 (fourteen years ago) link
This is the only current serious candidate for the position of 'my favourite film ever'.
― His skin is eroding. His suckers have divots. (chap), Wednesday, 21 October 2009 22:50 (fourteen years ago) link
yes, Welles was quite the diva.
― Your Favorite Saturday Night Thing (Dr Morbius), Wednesday, 21 October 2009 22:59 (fourteen years ago) link
I just watched Lady from Shanghai, and it was weird watching him try to play a tough guy.
― Your heartbeat soun like sasquatch feet (polyphonic), Wednesday, 21 October 2009 23:01 (fourteen years ago) link
It's a distanced tough guy (equally distantly Irish).
― Your Favorite Saturday Night Thing (Dr Morbius), Wednesday, 21 October 2009 23:25 (fourteen years ago) link
distantly Irish because he spoke like the Lucky Charms leprechaun?
― oater to oxidation (James Redd and the Blecchs), Thursday, 22 October 2009 00:53 (fourteen years ago) link
so many things about lady from shanghai are weird and off-key, but in a way that's what i like about it.
― flying squid attack (tipsy mothra), Thursday, 22 October 2009 01:16 (fourteen years ago) link
yes, it's a wacky noir nightmare!
and The Third Man would be unthinkable w/out it (and the earlier Welles films).
― Your Favorite Saturday Night Thing (Dr Morbius), Thursday, 22 October 2009 01:20 (fourteen years ago) link
"I never knew the old Vienna before the war, with its Strauss music, its glamour and easy charm."
― Blecch Generation (James Redd and the Blecchs), Sunday, 25 April 2010 11:31 (fourteen years ago) link
My favourite film.
― i would rather burn than spend eternity with god and rapists (chap), Sunday, 25 April 2010 14:23 (fourteen years ago) link
Did Spongebob rip off the score, or is it just me?
― frozen cookie (Abbott), Sunday, 23 May 2010 20:25 (fourteen years ago) link
I think my favorite visual from this was when the cop was like "WWII general would keep their enemies portraits on the wall" and it shows the two photos of Harry Lime in his file, looking like the most gleeful/dangerous/crazy man in existence.
― frozen cookie (Abbott), Sunday, 23 May 2010 20:27 (fourteen years ago) link
Hmm yeah, that watery zither is quite Spongebobesque, isn't it? One of my favourite scores ever.
― Myonga Vön Bontee, Monday, 24 May 2010 03:49 (fourteen years ago) link
plus, they used to show us bits of the flick in film class. as the prof noted, "watch how the screen tilts. everytime the frame is tilted like that, someone is lying to Holly."― Kingfish Beatbox (Kingfish), Thursday, February 19, 2004 3:56 AM (6 years ago) Bookmark
aw I wish I hadn't read this. the cinematography in this is so incredible, the tilted frames. winogrand eat yer heart out
― dayo, Saturday, 28 August 2010 07:07 (fourteen years ago) link
I haven't got a sensible name, Calloway.
― dayo, Saturday, 28 August 2010 07:34 (fourteen years ago) link
So did anyone know about this?
“After one year and 102 blog posts containing a collective 125,000 words, our Still Dots project was complete,” write Matt Levine and Jeremy Meckler at the Walker Art Center. “Since December 13, 2011, we’d been pulling one frame from every 62 seconds of screen time in Carol Reed‘s remarkable film The Third Man and, twice per week, writing an in-depth analysis of it…. Our analyses related to specific frames, either discussing the narrative or characters at that particular point in the film’s chronology, dissecting the mysterious visual factors that conspire to create The Third Man‘s shadowy environs, or taking wild flights of fancy based on the particularities of that frozen moment. Through our project we tied in serious thinkers and authors (from Freud to Marx, Sontag to Dostoyevsky, Einstein to Eisenstein), various films (anything from The War Game to Star Wars), and other aspects of contemporary culture (superhero comics, Looney Tunes, Mad Men, and The Wire), to name a few. Still Dots was inspired largely by Roland Barthes, who in his famous 1970 essay ‘The Third Meaning‘ considers film stills as separate from both film (since they lack the illusion of movement) and photography (since they are not photographs so much as evidence of that flickering illusion that they constitute).”
http://blogs.walkerart.org/filmvideo/category/still-dots/
http://www.fandor.com/blog/daily-the-third-man-all-year-long
― saltwater incursion (Dr Morbius), Wednesday, 16 January 2013 16:30 (eleven years ago) link
on re-watching, imo the best welles moment is cosily deciding not to throw cotton out the big wheel after all old man
― privilege as 'me me me' (darraghmac), Saturday, 13 April 2013 23:42 (eleven years ago) link
Our man in havana doesnt even approach this, someone upthread on crack
― privilege as 'me me me' (darraghmac), Sunday, 14 April 2013 00:06 (eleven years ago) link
we dug up your coffin.
and found harbin?
[nod]
...pity.
― the white queen and her caustic judgments (difficult listening hour), Sunday, 14 April 2013 00:39 (eleven years ago) link
as if i'd do anything to you. or you to me! you're just a little mixed up about things in general.
listen, i'd like to cut you in, old man. there's no one left in vienna i can really trust, and we've always done everything together. if you do want in i'll meet you any place, any time. but when we do meet, old man, it's you i want to see. not the police. you'll remember that, won't you?
― the white queen and her caustic judgments (difficult listening hour), Sunday, 14 April 2013 00:41 (eleven years ago) link
Free of income tax, old man!
― the little prince of inane false binary hype (Alfred, Lord Sotosyn), Sunday, 14 April 2013 00:45 (eleven years ago) link
the other day someone wrote into a tumblr i haven't updated in years asking a question about this movie
― the white queen and her caustic judgments (difficult listening hour), Sunday, 14 April 2013 00:46 (eleven years ago) link