Anticipating Linklater's "Boyhood"

The general atmosphere is very "Golden Girls"-ish.

Thank Christ those seasonal gay threads are over

anyway, why hasn't Linklater been called out as a Grumpy Old Man for putting his Facebook Zombie monologue in the mouth of a poor teenage actor?

http://31.media.tumblr.com/64d92f610a8a106a5075318c6ba08323/tumblr_mn6xfvQyVM1sp9olpo1_500.gif

johnwayneshootsthegoldengirls.gif

why hasn't Linklater been called out as a Grumpy Old Man for putting his Facebook Zombie monologue in the mouth of a poor teenage actor?

cuz he's almost model-handsome

http://24.media.tumblr.com/tumblr_lj02wyz89E1qakh43o1_400.gif

anyway, why hasn't Linklater been called out as a Grumpy Old Man for putting his Facebook Zombie monologue in the mouth of a poor teenage actor?

― son of a lewd monk (Dr Morbius), Tuesday, July 29, 2014 8:27 AM (41 minutes ago)

the (really great) Vulture profile on Ellar Coltrane you posted upthread says it was the kid's idea:

Linklater would give him extracurricular assignments: “When you find yourself alone talking to a girl in an intimate situation, go home and write it up.” Two write-ups — about Star Wars and the evils of Facebook — made it into the movie.

Ellar Coltrane: A New Hope

this is cute

amorbsable

his movies have these Authentic Young Male Experiences while the boys around the protag are all of lesser meaning, lacking that spark of significance and philosophy and vulnerability and artistic concern, and the girls are all just crushes or girlfriends or some sort of seductresses.

i don't think there's only one kind of teenage protagonist to portray, & so sure there are probably wilder terrains into which linklater could drag his movies about youth, but i do think that portraying a teenager with reference to the distance between him & his peers, or by focusing on the myopic solipsism of adolescents, is something that would be common to a lot of those portrayals, rather than evidence that they're all the same. it's a key characteristic of that group, perceived specialness & vividness & realness compared to others. those monologues aren't there as conversation with the viewer, they're there as demonstrations of his thinking & priorities as a, whatever, nineteen year old; semi-sanctimonious, internalised & attempting to distinguish himself. reminded of gus van sant's beautifully captured kinda anomic youths in paranoid park - you aren't watching it to hang out & be persuaded by the insights of teenagers but to be reminded of the kind of logic that felt available, then.

paranoid park is sort of the opposite though -- a singular teenager desperately yearning to fit in with the cool subculture kids (with casualties) who aren't really presented as special (other than for the aesthetic wonders of being good at sk8board), and neither is he, he's just a kid dealing with the depression of teen ennui/shitty experiences/accidentally killing a dude/really wanting to feel loved. the narrative structures mason as having that special spark as though other kids his age aren't all filled with those feelings of romance. not necessarily saying that linklater presents him as being better than everyone else (there's clearly some self-awareness of youth/naivete) just that he only likes writing these male characters built around vulnerability/sensitivity/artistic inclinations/philosophy-garble-a-la-waking-life while that one character's peers blend in with the normal old wallpaper of life, or they're girls that "get" him but are too busy being girls to "get" him enough. it gets boring!

if he has that "special spark," it's because the movie is about a kid whose has a talent that may or may not be realized. That ambiguity is important! There's no suggestion that his future is made

couldn't POSSIBLY get as boring as Paranoid Park

yeah Linklater has been a tot hottie for decades but after the teo films preceding this one he goes back in the line.

There were things I liked, and I was never bored, and I definitely liked it better than the last two Great American Films, The Master and The Tree of Life. What’s most admirable about the film--that it almost wholly stays clear of manufactured great moments--is also kind of where it fell it a little short for me, though. I wish it had risked a few of those. In the end, I just was never really moved, like with (to pick the most obvious parallel) the Apu Trilogy.

--interesting how much Mason’s girlfriend looked like a young Patricia Arquette; I thought Ethan Hawke was about to mention that when they were talking on the club’s balcony, but no one ever did
--Lorelei Linklater as the daughter must have done a great job, because there were times when I really hated her
--not sure what was up with the music; there was some at the beginning, then it would disappear for long stretches...not saying I wanted American Graffiti or Dazed and Confused, that wouldn't have worked at all, it just felt unfinished; Yo La Tengo was nice
--having Arquette essentially go through the same thing twice with her second and third husbands was odd (though it set up a funny line from Mason)
--liked the ending

Saw it at a multiplex, and the theatre was more than half-full for an afternoon screening (holiday Monday here)--more than I expected.

also if you even refer to me on so much as a film thread i will hunt you down

― son of a lewd monk (Dr Morbius)

I think my favourite moment in the film was the Harry Potter girl who got her book right after Mason--you could see the joy in her face. Wish there'd been a little more of that. I've read through the thread, and at the risk of resurrecting a little flare-up, I don't think Aimless's point was unreasonable. By the time Ellar Coltrane hits 15, I had lost the connection to his younger self--if it had been a different actor, I don't think that would have changed my feelings about the film at all. But I do understand the other side, that if it's a different actor, the film loses the very thing that makes it special.

I understand the point but it didn't bother me: kids change a lot in a couple years. A dull boy suddenly discovers a talent. or vice versa.

http://www.buzzfeed.com/ethanhawke/boyhood-the-black-album

I liked the Beatles scene. Nothing to do with the Beatles, it just seemed very genuine--that Hawke would take the trouble to put together that CD (and, as the daughter said, endlessly fuss over it), and that he'd be so excited about giving it to his son. Having done the same myself many times, I related. And to the son's response, a "Cool" that amounted to a shrug of the shoulders. I remember giving a friend a 5-CD set for her birthday that had the entire Top 100 on the day she was born, and basically it was, "Hmph--why would you ever do that?"

His new wife, I mean, not the daughter.

how comes Ethan Hawke suddenly started dressing like his grandfather in chinos and such?? woulda been more convincing had he kept on wearing 'cool dad' clothes as he got older and older. those suits and stuff really jarred.

My initial reaction to the film was that this was good...has some cringy moments, but not bad and certainly nowhere near amazing.

It seems most on this thread liked it but I hear no one raving that this is a cinematic masterpiece.

So why the unanimous critical rapture ?

We don't write for newspapers?

Movie critics see so much shit that anything remotely good gets extra scrutiny and praise.

it took a really long time

I have been thinking about the film today, and that's a good thing. I thought the ending was great. Not so much the philosophical content--in a way that was almost funny, but a good kind of funny, not so-bad-it's-funny; I was laughing when I thought of how my dad would have reacted to a three-hour movie that ends with Mason's clarifying thought--but just the overall feeling, and the smile on the girl's face. (I was also jealous that I didn't look like Mason--where were all these girls throwing themselves at me when I went through university?)

I was listening to the Wussy album in the car today, and this song felt like it contained some of Boyhood.

https://www.youtube.com/watch?v=lxvKiQKBxTs

Actually my audience of Brooklyn elitists laughed initially at the final lines, thinking it "druggy" and then bringing themselves up short when they realized the intent was Serious. These are the type of people I blame for the Before Trilogy Cult.

It did have some drugginess to it, for sure, but I thought it walked right up to the point where you might laugh it, where it could have been something Cheech or Chong would have said, but worked perfectly--as a summation of the film, as perfectly true to the characters, and as just a nice note to go out on. It had a touch of lightness to it (as opposed to, for me, the dreariness of Tree of Life).

Kevin Turan of the LA Times had a nice dissenting opinion review of it recently, but it seems to be behind their paywall. I kind of agree that while I liked it a lot, I don't think it's a great movie or even a top-10 of the year movie. And I can't help but think that if it didn't have its 12-year, same actors thing, it wouldn't be getting all this adulation.

I disagree with most of it -- too many equivocations and apologies.

My initial reaction to the film was that this was good...has some cringy moments, but not bad and certainly nowhere near amazing.

It seems most on this thread liked it but I hear no one raving that this is a cinematic masterpiece.

So why the unanimous critical rapture ?

― oscar, Tuesday, August 5, 2014 7:51 PM (Yesterday) Bookmark Flag Post Permalink

Because many critics are parents who feel sad about their kids leaving the nest

Pinning down the Boyhood game:

https://sports.yahoo.com/blogs/mlb-big-league-stew/which-astros-game-did-the--boyhood--characters-attend-164003306.html

I may be way off here, but I think the movie may rehabilitate Clemens somewhat in the public eye. Clemens, at this point, has been reduced to a symbol and a caricature. I know as I watched the scene myself, he was just Clemens again--it was the person, and it felt immediate.

― clemenza, Wednesday, August 6, 2014 5:43 PM (2 hours ago) Bookmark Flag Post Permalink

UPDATE (August 5): Steve from the Astros got back to us after doing some digging and confirmed the above theory. On August 18, 2005, the crew went and shot the game Clemens pitched. The following April, on the 17, Ethan Hawke and the other actors went to the game where Lane homered to left. A big thanks to the Astros for confirming our detective work.

lies, so many lies, simply disgusting

I agree that Turan spends too much time setting up his review, but it felt honest, and I related to some of it (independent of Boyhood itself). Just in terms of ILX, I didn't post much on The Tree of Life, The Master, or The Wolf of Wall Street. I don't enjoy being a contrary voice either. There was a time when I did--I wrote a long fanzine piece in the mid-'90s detailing all the things I didn't like about Pulp Fiction (conceding that I loved some of it--and like Turan, I'm still basically in the same place). I felt like I was absolutely right, and enjoyed railing on about it.

I don't have the energy anymore, and it always does feel a little contrived to me when I'm in that position. I still say my piece, but I try not to belabor the point--it's not like you're going to change the mind of anybody who loved something you hated, and really, why would want to?

they actually shot one pitch per game over the course of an 81 home-game season

I've written more than my share of against the grain reviews and when I was an editor commisioned them, and never with the intention of changing anyone's mind. The point, I think, beyond the pleasure of writing such an appraisal, is to raise questions, examine points missed by others, provoke second and third thoughts. Turan's skittishness was the wrong approach. Just grit your teeth and say what you mean -- don't apologize to readers for not getting it.

I agree with that. I got where he was coming from within a paragraph or two, and he didn't need four more rephrasing the same set-up. I thought his specific objections to the film were well stated, but he also said he liked things about it, and he should have spent some time on that.

shit, I've read a few intelligent demurrals and dismissals on this thread.

my main problem aside from the Obama-sign stuff was that THE INSTANT Drunk Husband #1 is seen in that first classroom scene, everyone can say "Oh there's a dick."

I didn't.

And I think it was nicely done, the way they show her teaching at San Marcos and it's very visible that she's learned from and to some extent adopted his style as a teacher, even as he turned out to be a drunk asshole and she got rid of him as a husband.

Yeah Drunk Husband #1 didn't strike me as immediately dickish

tend to think going out with a student is dickish even if the student is a real adult and not a teenager

Fair point, but I don't think one sees the mom as a fool for not anticipating what kind of dick he'd turn out to be. It's not a "don't open that door you idiot!" horror movie situation.

Similarly, the fact that some of the characters are depicted canvassing for Obama doesn't read, except to a few nutjobs, as evidence of zombification being passed between generations.

In the scene in his classroom, he seemed awkward and maybe a little bland to me, but I didn't foresee that he was going to be this tyrannical drunk, no.

I liked the Obama scene. Nothing particularly to do with Obama, I just thought the way the guy said "Do I look like a Barack Hussein Obama supporter?" was funny. Reminded me of the NWA line, "Do I look like motherfucking role model?"

BTW I am one of those people who thought this was a really, really great movie. Surely the best I've seen this year though tbf I haven't seen many movies this year.

I noticed during Arquette's classroom lecture that she's indirectly responding to husband #1's behaviorist tendencies.

It's not a "don't open that door you idiot!" horror movie situation.

That's exactly what it was for me