darren aronofsky's mother!

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Is it? I've always seen her as rather imperious.

the Rain Man of nationalism. (Alfred, Lord Sotosyn), Monday, 18 September 2017 15:22 (six years ago) link

Yeah Wiig was great & casting made perfect sense

flappy bird, Monday, 18 September 2017 16:17 (six years ago) link

“There were actors we were talking to, but when I heard Kristen was available, I said, ‘Sure.’ I think it works with the whole weird dream vibe of the movie. That suddenly this familiar face shows up. I don’t want to say that Kristen shows up in a nightmare, but it’s very strange and odd. You’re not expecting it, and it kind of throws audiences. I think it’s just another way of people going, ‘What’s she doing?’ and seeing her character take all these surprise turns you would never expect of her. It was fun, and about giving audiences a little gift in the middle of the film.”

https://www.vanityfair.com/hollywood/2017/09/darren-aronofsky-explains-mother

Whiney G. Weingarten, Monday, 18 September 2017 16:24 (six years ago) link

movie made like 7.5m over the weekend and had a 'F' rating on cinemascore

officer sonny bonds, lytton pd (mayor jingleberries), Monday, 18 September 2017 16:36 (six years ago) link

yeah, imagine Americans being dumb dipshits that would watch the scary clown reboot that looks like a live action Five Nights at Freddys

Whiney G. Weingarten, Monday, 18 September 2017 16:45 (six years ago) link

*imagines this with zero difficulty*

davey, Monday, 18 September 2017 18:46 (six years ago) link

Haven't seen it, in no hurry to see it, etc. (or It, for that matter). But $7.5 million seems so super low to blame just on bad word of mouth or cinemascore numbers or whatever, right? You'd think enough people would be just curious enough to see the movie (which features a host of big names) to top $7.5. I assume that's why Paramount opened it so wide, to get the most while it could. Maybe this is just the downside of keeping something so totally batshit under such tight wraps that no one even had an idea what the movie was, let alone who it stared or whatever.

Josh in Chicago, Monday, 18 September 2017 20:54 (six years ago) link

I mean it's a 30 million dollar flick which for hollywood is basically a writeoff, and it's not like they went nuts with the marketing budget (that trailer they released last week was hilariously misleading)

a serious and fascinating fartist (Simon H.), Monday, 18 September 2017 21:09 (six years ago) link

I'm pretty sure they preferred it make money over losing money.

Josh in Chicago, Monday, 18 September 2017 21:19 (six years ago) link

Cinemascores & especially RT have so much more impact now just bc they're so easily accessible & right next to showtimes on most apps.

flappy bird, Monday, 18 September 2017 21:19 (six years ago) link

But people had to see the movie first, right? Critical pans don't usually hurt a film that badly, and Cinemascore also gauges responses, right? It just surprises me that it couldn't do more than $7.5 million even taking into account those shitty negatives. Like, $15 million might still have been a bad opening at the scale it was opened at.

Josh in Chicago, Monday, 18 September 2017 21:21 (six years ago) link

Jennifer Lawrence is a bankable star, so I feel like it could have done better with a bigger marketing push, even if it meant tipping the public off that this is a fucked up movie. Maybe the chatter around it will bring more people in.

jmm, Monday, 18 September 2017 21:23 (six years ago) link

I mean it's a 30 million dollar flick which for hollywood is basically a writeoff

― a serious and fascinating fartist (Simon H.), Monday, September 18, 2017 9:09 PM

https://www.youtube.com/watch?v=XEL65gywwHQ

Le Bateau Ivre, Monday, 18 September 2017 21:26 (six years ago) link

Could also be the clown movie overperforming and drawing audiences away from Mother.

jmm, Monday, 18 September 2017 21:27 (six years ago) link

I haven't seen the film but, based on the plot synopsis I read, the allegories seem to have been very, very blatant so I can't tell if you're being serious or sarcastic

― this iphone speaks many languages (DJP), Monday, September 18, 2017 10:45 AM (seven hours ago) Bookmark Flag Post Permalink

serious

flopson, Monday, 18 September 2017 22:00 (six years ago) link

ok so upon reflecting for five seconds

bardem: god
pfeiffer: eve
adam: ed harris
sons: cain & abel

who's jlau? who's who in the second half

flopson, Monday, 18 September 2017 22:07 (six years ago) link

I know that Brody has his fans, but friends of mine went through a bad streak of watching movies they hated based on raves in the New Yorker, so I asked them who the writer was, an inevitably it was always Richard Brody. Now, he obviously knows his movies, and makes a case for all sorts of esoteric stuff, but he reminds me a lot of Rosenbaum in that his raves (and pans) often need to be taken in context, let alone with a grain of salt.

Josh in Chicago, Monday, 18 September 2017 22:09 (six years ago) link

re Mother vs It, whichever you prefer the former is inarguably more meorable

a serious and fascinating fartist (Simon H.), Monday, 18 September 2017 22:12 (six years ago) link

*memorable

a serious and fascinating fartist (Simon H.), Monday, 18 September 2017 22:12 (six years ago) link

when Brody tweeted out his review he started with 'beyond good or bad, ' lol i don't think it's a ringing endorsement

flopson, Monday, 18 September 2017 22:15 (six years ago) link

Is that not a nietzsche joke/ref

Οὖτις, Monday, 18 September 2017 22:22 (six years ago) link

so what about Darren Aronofsky's mother

the Rain Man of nationalism. (Alfred, Lord Sotosyn), Monday, 18 September 2017 22:23 (six years ago) link

The bitch got knocked up by a clown, but not the one from It!

calzino, Monday, 18 September 2017 22:43 (six years ago) link

This was a terrible incoherent mess

Well bissogled trotters (Michael B), Monday, 18 September 2017 23:47 (six years ago) link

who's jlau? who's who in the second half

JLaw = Earth, the various ppl in the second half = humanity getting religion super wrong

Again, I am talking out of my ass because I just read a plot synopsis but that seems to be what it was describing

this iphone speaks many languages (DJP), Monday, 18 September 2017 23:49 (six years ago) link

I guess strictly speaking JLaw= the heavens and the earth

this iphone speaks many languages (DJP), Monday, 18 September 2017 23:50 (six years ago) link

so this is aronofsky's third more or less religious film? I don't know what to think about that, but it seems generally worth thinking about.

Josh in Chicago, Monday, 18 September 2017 23:55 (six years ago) link

he's in his dylan christian period

ToddBonzalez (BradNelson), Tuesday, 19 September 2017 00:05 (six years ago) link

Which other one was aside from Noah?

I guess Pi had kabbalah elements.

Stoop Crone (Trayce), Tuesday, 19 September 2017 00:15 (six years ago) link

The Fountain yo

Οὖτις, Tuesday, 19 September 2017 00:27 (six years ago) link

Yeah, I guess.

Josh in Chicago, Tuesday, 19 September 2017 00:38 (six years ago) link

O rite, thats the only one I havent seen haha.

Stoop Crone (Trayce), Tuesday, 19 September 2017 00:44 (six years ago) link

Aronofsky always sounds like the biggest fraud when he speaks about his movies: http://www.indiewire.com/2017/09/mother-darren-aronofsky-explains-mythology-allegory-bible-jennifer-lawrence-1201877848/

Frederik B, Tuesday, 19 September 2017 15:06 (six years ago) link

Paramount Defends 'mother!' Against Bad Box Office and 'F' CinemaScore: 'This Movie is Brave'

'Rick and Morty' Review: 'Morty's Mind Blowers' Clip Show Subterfuge is the Show at its Most Dependable

Whiney G. Weingarten, Tuesday, 19 September 2017 15:43 (six years ago) link

I want Aronofsky to stop saying "allegory"

Whiney G. Weingarten, Tuesday, 19 September 2017 15:47 (six years ago) link

Explaining your movies = dud.

Explaining your movie, the week it comes out = DUUUUUUDDDDDD

flappy bird, Tuesday, 19 September 2017 17:10 (six years ago) link

Explaining your movie the week it bombs

the Rain Man of nationalism. (Alfred, Lord Sotosyn), Tuesday, 19 September 2017 17:32 (six years ago) link

yeah, the whole idea of wanting people to see it with fresh eyes doesn't exactly hold water if you're explaining the symbolism by week's end.

places like Alamo/Arclight could have probably kept a single Darko-esque nightly screening going for weeks just on the chatter of nerds

Whiney G. Weingarten, Tuesday, 19 September 2017 17:42 (six years ago) link

yeah exactly. that entertainment weekly interview is so fucking dumb. when the interviewer asks him "that thing in the toilet - was it the rib of Adam?" and he just says "Ding ding ding!" ---- wtf dude

flappy bird, Tuesday, 19 September 2017 18:16 (six years ago) link

The worst part is stuff like this: ' “The fame stuff is purely a side effect,” said Aronofsky. “A lot of people are seeing that. It is because we have Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer dealing with the crowd, the paparazzi and autograph seekers. When I was writing I wasn’t seeking comment about that, it was about the allegorical sense of worship.”' The idea that you should sort out what's 'side effects' and what's the true and proper artistic effect. But if people are getting a wrong idea due to the casting, well that kinda means the film was miscast. A lot of directors wouldn't have used so many big stars for pretty much exactly this reason.

Frederik B, Tuesday, 19 September 2017 18:39 (six years ago) link

I'm now going to see this just so i can complain about how terrible it is

-_- (jim in vancouver), Tuesday, 19 September 2017 18:41 (six years ago) link

hell yeah

flappy bird, Tuesday, 19 September 2017 18:47 (six years ago) link

It's kind of cool to see Aronofsky fully transform into Michael Haneke.

this iphone speaks many languages (DJP), Tuesday, 19 September 2017 19:07 (six years ago) link

Given the massive "let me explain!" reverse promotion going on, they are obviously desperate to salvage what they can. Aronofsky, Jennifer, Javier all doing interviews all over.

Josh in Chicago, Tuesday, 19 September 2017 19:11 (six years ago) link

I appreciate Paramount sticking up for the film, though. http://www.vulture.com/2017/09/paramount-shades-netflix-in-mother-backlash-response.html

flappy bird, Tuesday, 19 September 2017 19:18 (six years ago) link

“My first instinct when I first wrote it was that there would be that twist at the end, that final twist of just like, ‘Oh God it doesn’t end and this guy is just more and more of a narcissist and it just doesn’t end,’ and that would be like just another smack to the character and to the themes. How that lines up with the metaphor doesn’t fit perfectly, but I think that’s where the human story kind of takes over a little bit more and replaces the metaphor.”

I like that more than the cyclical thing. End with Him delivering his most narcissistic line yet and then iris out on Mother looking completely exasperated.

jmm, Tuesday, 19 September 2017 19:26 (six years ago) link

It's kind of cool to see Aronofsky fully transform into Michael Haneke.

xp Aronofsky wishes

Anne of the Thousand Gays (Eric H.), Tuesday, 19 September 2017 19:38 (six years ago) link

It's kind of cool to see Aronofsky fully transform into Michael Haneke.

― this iphone speaks many languages (DJP), Tuesday, September 19, 2017 7:07 PM (one hour ago) Bookmark Flag Post Permalink

Yeah, but no: Haneke's actually got a great oeuvre to show for. Aronofsky could only hope.

Le Bateau Ivre, Tuesday, 19 September 2017 20:43 (six years ago) link

Yeah no comparison

Well bissogled trotters (Michael B), Tuesday, 19 September 2017 20:44 (six years ago) link


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