Last (x) movies you saw (II)

bunch of airplane streaming on the way to and from berlin, the only one i'd seen before is philadelphia story:

all about eve (mankiewicz, 1951) 10/10
paddington 2 (king, 2017) 8/10
rocky (avildsen, 1976) 8/10
the philadelphia story (cukor, 1940) 9/10
happy death day (landon, 2017) 6/10
inside out (docter, 2015) 8/10

honestly happy death day was surprisingly enjoyable for what it was

the gospel of the bear film has reached the troposphere

lol

The Raid: Redemption (Evans, 2011) 6
Mission: Impossible Fallout (McQuarrie, 2018) 7
Disney Christopher Robin (Marc Forster, 2018) 4
Marwencol (Jeff Malmberg, 2010) 8
Icarus (Bryan Fogel, 2017) 8

read that marwencol has been adapted & now will have steve carell in it

https://www.meta-sphere.com/wp-content/uploads/welcome-to-marwen_tete-600x220.jpg

yeah I watched it because i saw the trailer for the zemeckis movie. The trailer makes it out to be an "inspirational" true story but it's not really, not exactly.

baby driver (2017 edgar wright) 6.5/10
mollys game (2017 sorkin) 2/10
suburbicon (2017 clooney) 2/10
the killing of a sacred deer (2017 lanthimos) 6/10
angelo my love (1983 duvall) 3/10
eighth grade (2018 burnham) 8/10
thoroughbreds (2018 cory finley) 4/10

thoroughbreds (2018 cory finley) 4/10

I don't do the out of 10 thing but I'd give this at least a 6. It made me laugh a lot.

lil too try hard idk

*The Naked Spur : 7/10
Vampire's Kiss : 6/10
Dying Of the Light (Paul Schrader Edit): 7/10 -- only 7/10 because Nic Cage is in full on weirdo mode and Schrader's noodling around on Final Cut. The doctor accent is...wow...almost as great as the accent in "Vampire's Kiss"
*The Young One: 7/10 - minor Buñuel for me but still great

Crazy Rich Asians – kind of a riff on Philadelphia Story, but with better-looking people. Lots of film history embedded in it.

What Price Jazz (Baerwitz, 1934)
Felix Gets Broadcasted (Messmer, 1923)
High Flyers (Cline, 1937)
Inflation (Myers, 1933)
Felix in Fairyland (Messmer, 1923)
*Roast-Beef and Movies (Baerwitz, 1934)
*Big City Fantasy (Henabery, 1934)
The Magician (Bergman, 1958)
BlacKkKlansman (Lee, 2018)
Smiles of a Summer Night (Bergman, 1955)

Re-watching Whit Stillman's Barcelona tonight.

I was hoping for good things from Crazy Rich Asians, but found it fairly bland. I may have had the wrong expectations for a mainstream PG rom-com, but I felt like it needed sharper jokes.

kind of a riff on Philadelphia Story, but with better-looking people

!!! I'm sure this cast looks fine, but you are aware that Cary Grant and Kate Hepburn were considered pretty attractive, right?

in theaters July 26 - August 22

Killer’s Kiss (Stanley Kubrick, 1955) - 6/10
Summer Interlude (Ingmar Bergman, 1951) - 9/10
Eighth Grade (Bo Burnham, 2018) - 8/10
Three Identical Strangers (Tim Wardle, 2018) - 6/10
Blindspotting (Carlos López Estrada, 2018) - 7/10
Teen Titans Go! To the Movies (Peter Rida Michail, Aaron Horvath, 2018) - 3/10
BlacKkKlansman (Spike Lee, 2018) - 9/10

! at low rating for Three Identical Strangers

I knew nothing about the backstory before seeing it at SIFF but on a str8 narrative level it’s my favourite doco of the year

it is an incredible story. a documentary that makes itself, really. what bothered me was how much they reused the same footage from the same Donahue, NBC, + other TV appearances. the same lines. it kinda falls apart at the end, and felt padded even at ~95 minutes. that has nothing to do with the actual story being unresolved, i just thought with so much material to go through (and so many years passed over) the reuse of footage was bizarre.

and fwiw I knew not only the backstory but most of the twists before I saw it. I would've rated it higher if I had gone in completely cold, I wish I could've.

yeah fair enough! the repeated lines are very few & read in SUPER different context the second times around, but if you’re not seeing it / that footage cold, those won’t have the same kick

a documentary that makes itself, really.

this undermines the work they do in visuals and research and in editing the story though — I felt v impressed by how manipulative it was without cheats in the first half-hour, and how well the makers shift to mostly-archival telling thereafter.

i've seen much worse evaluations of 3IS

Apostasy (Dan Kokotajlo, 2017) - fairly ho hum drama around Jehovah's witnesses.
The Heiresses (Marcelo Martinessi, 2017) - this is going to be top 2/3 for the year. Loved the use of (de-)focus to mirror the main character's state of mind (which could've been too on the nose), the script really nails the intricacies of class mobility across a more Latin American milieu, and then the final encounter between Chela and the much younger Angy -- all that hidden passion and desire across age and class -- really was a terrific driver for the last 1/3 of the film.

Missed a trick by not taglining this thread "Oh yes... There will be blood"

https://resizing.flixster.com/2vtSOfiWCmXUQ8Brs-b4y5qFYIY=/206x305/v1.bTsxMTE3NzU3OTtqOzE3ODU5OzEyMDA7ODAwOzEyMDA

Electric Bloodaloo

Kagemusha (1980)
RoboCop (2014)
The Endless (2017)
Deadpool 2 (2018)
*The Social Network (2010)
Super Troopers 2 (2018)
A Ciambra (2017)
Frenzy (1972)
Call Me By Your Name (2017)
*The Cabin In The Woods (2012)
A Futile and Stupid Gesture (2018)
*Nightcrawler (2014)
First Reformed (2017)
*Drugstore Cowboy (1989)
Super 8 (2011)
30 Days of Night (2007)
One Sings, The Other Doesnt (1977)

Re-watched Miami Vice tonight (the director’s cut). It’s kind of maddening how 90% of the shots are fantastically beautiful, and then the other 10% look like they were shot on somebody’s flip phone.

I've gotta get on that, watched Heat a few weeks ago for the first time and loved it. Haven't seen Collateral since it opened in 2004 but remember loving it, too.

Forgetting Sarah Marshall, good movie

The Heiresses (Marcelo Martinessi, 2017) - this is going to be top 2/3 for the year. Loved the use of (de-)focus to mirror the main character's state of mind (which could've been too on the nose), the script really nails the intricacies of class mobility across a more Latin American milieu, and then the final encounter between Chela and the much younger Angy -- all that hidden passion and desire across age and class -- really was a terrific driver for the last 1/3 of the film.

― xyzzzz__, 23. august 2018 15:15 (two days ago) Bookmark Flag Post Permalink

Yeah, for one reason or another Latin American cinema works a lot with de-focus these days, I find. Sergio Armstrong, most famous for shooting most films of Pablo Larrain, is masterful at it. Apart from Larrains films he does it greatly in From Afar and The Desert Bride. It's one of the most innovative little things happening in World Cinema at the moment, but I'll admit I have no idea what to make of it.

August 1st to 16th:

* The Brothers Bloom (Johnson 2008) 📺
Teen Titans GO! To The Movies (Michail, Horvath, Jelenic 2018)
True Confession (Ruggles, Binyon 1937) 📽️
* Sneakers (Robinson 1992) 📺
The Spy Who Dumped Me (Fogel, Iverson 2018)
Nothing Sacred [Kino restoration] (Wellman, Hecht, Schulberg, Lardner Jr., Parker, Howard, Hart, Kaufman, Carson 1937)
BlacKkKLansman (Lee, Wachtel, Rabinowitz, Willmott 2018)
Madonna: Truth Or Dare (Keshishian 1991)
To Be Or Not To Be (Lubitsch, Mayer 1942) 📽️

Re-watched Miami Vice tonight (the director’s cut). It’s kind of maddening how 90% of the shots are fantastically beautiful, and then the other 10% look like they were shot on somebody’s flip phone.

― grawlix (unperson), Friday, August 24, 2018 8:01 PM (two days ago) Bookmark Flag Post Permalink

I've gotta get on that, watched Heat a few weeks ago for the first time and loved it. Haven't seen Collateral since it opened in 2004 but remember loving it, too.

― flappy bird, Friday, August 24, 2018 8:26 PM (two days ago) Bookmark Flag Post Permalink

MV is the purest distillation of the Mann aesthetic. I actually recommend the theatrical cut over the director’s cut, though I’m not sure if one is easier to track down over the other. If you’re onboard with his “thing” it’s one of the greatest action films in recent years.

You can rent the theatrical cut on Amazon but the director's cut is the only one available on DVD/Blu-Ray.

Has the director's cut of Blackhat ever been released anywhere? I never saw the first version but the re-edit is supposed to be a substantially better movie, so I'm intrigued.

Apparently MV (theatrical cut, probably) will be free via Amazon Prime starting September 1.

*Out West (Arbuckle, 1918)
Charley on the Farm (Sullivan, 1919)
The Dippy Dentist (Goulding, 1920)
Standing Pat (Montgomery, 1928)
Campus Romeos (Pratt, 1927)
A Broadway Romeo (Blumenstock, 1931)
All the King's Horses (Tuttle, 1935)
*The Black Cat (Ulmer, 1934)
Re-Animator (Gordon, 1985)
Good References (Neill, 1920)

Primary (6.5)
A Bronx Tale (7.0)
Promised Land (7.5)
Shock and Awe (5.5)
Nico, 1988 (6.0)
Nico Icon (7.0)
Singer Presents...Elvis (6.5)
Twister (6.5)
Class Action (7.5)
Sorry to Bother You (6.0)

I was going to leave Sorry to Bother You unrated because a) I drifted a bit early on, and b) as it got weirder and weirder, I just didn't know what to make of it. So take the rating as more of a question mark than any kind of comment on how good it is.

lots of Hong Sang-soo, just hook it to my veins

The Passion of Joan of Arc (Dreyer, 1928) 9/10
Minnie and Moskowitz (Cassavetes, 1971) 7/10
Happy Hour (Hamaguchi, 2015) 9/10
La Collectionneuse (Rohmer, 1967) 6/10
Right Now, Wrong Then (Hong, 2015) 8/10
Three Colours: Blue (Kieślowski, 1993) 7/10
Three Colours: White (Kieślowski, 1994) 7/10
Three Colours: Red (Kieślowski, 1994) 7/10
In Another Country (Hong, 2012) 8/10
On The Beach at Night Alone (Hong, 2017) 8/10
Blackkklansman (Lee, 2018) 7/10
The Aviators Wife (Rohmer, 1981) 9/10
Woman on the Beach (Hong, 2006) 9/10
The Day After (Hong, 2017) 7/10

Crazy Rich Asians: 7.5

*Sweet Sweetback’s Baadasssss Song (1971, Van Peebles) 8/10
The Seashell and the Clergyman (1928, Dulac) (41m) 8/10
La folie des vaillants (1926, Dulac) (46m) 6/10
La Belle dame sans merci (1920, Dulac) 7/10
Princesse Mandane (1928, Dulac) 6/10
Freaky Friday (1976, Nelson) 7/10
Surrender (1950, Dwan) 5/10
Dutchman (1967, Harvey) (55m) 7/10
Rendezvous in July (1949, Becker) 6/10
Nico, 1988 (2017, Nicchiarelli) 5/10
*The Day the Earth Caught Fire (1961, Guest) 8/10

On the Waterfront (Elia Kazan, 1954) - 10/10
A Colt is My Passport (Takashi Nomura, 1967) - 5/10
Do the Right Thing (Spike Lee, 1989) - 10/10
Starship Troopers (Paul Verhoeven, 1997) - 10/10
Auto Focus (Paul Schrader, 2002) - 7/10
Bamboozled (Spike Lee, 2000) - 10/10
Le Amiche (Michelangelo Antonioni, 1955) - 6/10
Monte Carlo (Ernst Lubitsch, 1930) - 7/10

A Ciambra, a story about a Romani family of low-level criminals in Italy, and a young boy's coming-of-age/becoming-a-scumbag.

Alex Strangelove (Johnson, 2018) 6/10
The Strange Love of Martha Ivers (Milestone, 1946) 8/10
Vision Quest (Becker, 1985) 5/10
*Mean Girls (Waters, 2004) 6/10
*Heathers (Lehmann, 1989) 9/10
A Man There Was (Sjöström, 1917) 7/10
Heartaches (Shebib, 1981) 6/10
The Story of Temple Drake (Roberts, 1933) 7/10

Nearest and Dearest (Robins, 1972) 4/10
Smiles of a Summer Night (Bergman, 1955) 8/10
The Boys From Fengkuei (Hou, 1983) 8/10
Cabaret (Fosse, 1972) 7/10
The Big Combo (Lewis, 1955) 7/10
The Final Programme (Fuest, 1973) 6/10
The Devil's Rain (Fuest, 1975) 7/10
Rawhide (Hathaway, 1951) 8/10
Further up the Creek (Guest, 1958) 6/10
The Women (Cukor, 1939) 8/10
Ant-Man and the Wasp (Reed, 2018) 6/10

The Finsl Programme is one of the rare movies that I watched, thoroughly entertained the whole way through, with absolutely no clue as to what was happening.

I'd read the book many years ago, so that maybe helped - I'm not sure it was intended to be entirely coherent, in the manner of New Wave SF. Moorcock-loving fans of my acquaintance (and Moorcock himself) detest it, but as you say it's pretty pleasurable to watch. The director, Robert Fuest, had come from TV and things like the (Steed-Peel) Avengers, and he was a great set dresser and stylist - this set is the standout in FP:

https://thegameofnerds.com/wp-content/uploads/2018/04/the-final-programme-02.jpg

The Good Marriage (Rohmer, 1982) - early to mid-80s Rohmer is really his best period. Also have an impression he is an interesting dabbler in these electronic music soundtracks - might be an idea to see them collected.

Heavy Love (Pembroke, 1926)
The Operation (Roth, 1930)
*That's the Spirit (Mack, 1933)
*Bubbles (Mack, 1930)
The Grab-Bag Bride (Hartman, 1917)
Guests Wanted (Ceder, 1932)
The Balloonatic (Keaton & Cline, 1923)
Take Next Car (Howe, 1922)
Pie-Eyed (Pembroke & Rock, 1925)
The Dummy Owner (Yarbrough, 1938)
The Door Knocker (Cline, 1931)
The Notorious Sophie Lang (Murphy & Menzies, 1934)
The Girl Ranchers (Christie, 1913)
Horseshoes (Davis & Semon, 1923)
This Can't Happen Here (Bergman, 1950)

Got the Blu-Ray of THE ABYSS this weekend; finished watching it tonight. (I started it last night. It's long.) I saw it in theaters 35 years ago and was shocked how much I remembered. Maybe my favorite Cameron movie, and it looks amazing.

Caged (John Cromwell, 1950) 8/10 for a prison movie from 1950 it's excellent
Night Killer (the Troll 2 team, 1990) good bad
A Family Finds Entertainment (Ryan Trecartin, 2005) first time watching it the whole way through
Dream Scenario (Kristoffer Borgli, 2023) 8/10

The Tall Men (1955) 2.5/5
Perfect Days (2023) 4/5
The Beast (2023) 3.5/5
Rockers (1978) 4/5
Dreadnaught (1981) 4/5
Mississippi Masala (1991) 4/5
Comrades, Almost a Love Story (1996) 3.5/5
Streetwise (1984) 4.5/5
Yakuza Graveyard (1976) 4/5
High Hopes (1988) 4/5
* One Fine Morning (2022) 4/5
* Blood Simple (1984) 5/5
* I'm Not There (2007) 5/5

In-flight entertainment, yesterday/today:
American Fiction (3/5, seemed like two scripts smooshed together with only partial success)
Barbie (2/5, honestly I am not the target market)

Lined up for the return journey in a couple of weeks if the Aer Lingus menu hasn't changed:
Oppenheimer & Killers of the Flower Moon, well that is going to be one serious and important movie session, hopefully the passenger in front won't lean their seat back too far.

Repo Man (4.0)
Krush Groove (6.0)
Make Me Famous (6.0)
Prime Cut (5.0)
The Old Oak (7.5)
Wayne’s World (6.0)
Mr. Robot (S1 - 7.5)
Vanishing Point (5.5)
Hickey & Boggs (5.5)
Belly (5.0)

Seven of these I watched in connection to two books I'm reading: Charles Taylor's Opening Wednesday at a Theater Or Drive-In Near You: The Shadow Cinema of the American '70s and Nate Patrin's The Needle and the Lens.

I know people love Repo Man, so I made sure not to post on the relevant thread. I was a so-so on it when it came out; other than the occasional clever line (still remembered "ordinary fucking people"), got nothing 40 years later. Just in general, I don't think I like cult films...not sure if I've ever liked one, in the classic sense of the term. Which may or may not even have meaning anymore: originally, as in Hoberman and Rosenbaum's book, I think it was tied in with the idea of late-night rep screenings.

in cinemas, April:
* The Thin Man (1934 Van Dyke, Hackett, Goodrich, Hammett) 📽️
Lady Snowblood [修羅雪姫] (1973 Fujita, Osada, Koike, Kamimura)
Rashōmon [羅生門] (1950 Kurosawa, Hashimoto, Akutagawa) 📽️
Green Plums And A Bamboo Horse [青梅竹馬 / Taipei Story] (1985 Yang, Chu, Hou)
Riddle Of Fire (2024 / 2023 Razooli) 📽️
Hundreds Of Beavers (2024 / 2022 Cheslik, Tews)
Late Night With The Devil (2024 / 2023 Cairnes & Cairnes)
Do Not Expect Too Much From The End Of The World (2024 / 2023 Jude)
The Homicide Incident Of The Youth On Guling Street [牯嶺街少年殺人事件 / A Brighter Summer Day] (1991 Yang, Hung, Lai, Yang, Yan)
Tampopo [タンポポ] (1985 Itami)
Mahjong [麻將] (1996 Yang)
Civil War (2024 Garland)
A Confucian Confusion [獨立時代] (1994 Yang, Hung)
* Airplane! (1980 Zucker, Abrahams, Zucker, Proft, Jorgensen, Hailey, Bartlett, Champion)
Gas Food Lodging (1992 Anders, Peck)
* Civil War (2024 Garland )
* Spider-Man 2 (2004 Raimi, Sargent, Chabon, Gough, Millar, Koepp, Ditko)
The Ministry Of Ungentlemanly Warfare (2024 Ritchie, Tamasy, Johnson, Amel, Lewis) 3/10
Sasquatch Sunset (2024 Zellner)
Inception (2010 Nolan)
Abigail (2024 Radio Silence, Shields)
The People's Joker (2024 Drew, LeRose)

home viewing:
The Thomas Crown Affair (1999 McTiernan, Dixon, Wimmer, Trustman) 📺
It's Not Just You, Murray! (1964 Scorsese, Martin) 📺 16 min
Batman & Robin (1997 Schumacher, Goldsman) 📺
Basic (2003 McTiernan, Vanderbilt) 📺

king fu rascals (1992) - 4 out of 5

Mars Express (2024) - French animation sci fi detective thriller that expertly mixes up elements from every human vs machine flick we've seen into a compelling, surprisingly original package. The entire thing was just great fun to watch and beautifully conceived.

This was really good! Exploring Blade Runner type themes but I much preferred this to the Blade Runner sequel. It did pack a lot in just under 90 minutes. It couldve done with another 10 minutes imo (I dont say that very often)

I agree it could have gone on longer. I was invested.

vampire's kiss, 1989
american psycho and also maybe vampire? bad script from the writer of after hours. saved by nic cage's insane performance.

Bought a 2008(?) Blu-Ray of Conquest of the Planet of the Apes on eBay; it showed up today. I own the original five movies on DVD, but the Blu-Ray of Conquest has the original ending, where Caesar leads the apes in violent revolution and they murder the humans. I was really struck, watching it tonight, just how violent it was; there are scenes of apes piling up the bodies of dead cops that are astonishing. And the original ending is dark as fuck. Had they released this version in the first place it would easily be regarded as the second-best movie in the series, after the original.

May:

To Die For (Van Sant, Henry after Maynard 1995)
Kiki's Delivery Service [Witch's Express Home Delivery / 魔女の宅急便] (Miyazaki after Kadono 1989)
The Marriage Circle (Lubitsch, Bern & Vance after Schmidt 1924)
Monkey Man (Patel, Angunawela, Collee 2024)
Tim Travers and the Time Traveler's Paradox (Snead 2024)
The Fall Guy (Leitch, Pearce 2024)
Wings Of Desire [4K resto / 5.1 remix] (Wenders, Handke, Reitinger 1987)
Poolman (Pine, Gotler 2024) 2/10
The Lavender Hill Mob [4K resto] (Crichton, Clarke 1951)
Making Of (Kahn, Burdino, Doux 2024)
Aggro Dr1ft (Korine 2024)
Dìdi [弟弟] (Wang 2024)
The New Boy (Thornton 2023)
Dragon Superman [神龍飛俠] (Kobayashi, Lo-hui, Hsiao-tao 1968)
Paprika [パプリカ] (Kon, Minakami after TsuTsui
2006)
Uncut Gems (Safdie, Bronstein, Safdie 2019)
Furiosa (Miller, Lathouris 2024)
Babes (Adlon, Glazer, Rabinowitz 2024)
Evil Does Not Exist [悪は存在しない] (Hamaguchi 2024)


Going In Style (Brest 1979) 📀
Millennium Actress [千年女優] (Kon, Murai, Hirasawa 2001) 📺
Beverly Hills Cop (Brest, Petrie 1984) 📺

March, April, May

The Disappearance of Shere Hite (Nicole Newnham, 2023)
The Landlord (Hal Ashby, 1970)
The Holdovers (Alexander Payne, 2023)
*MC5: A True Testimonial (David C. Thomas, 2002)
Central Station (Walter Salles, 1998)
Maestro (Bradley Cooper, 2023)
A City of Sadness (Hsiao-Hsien Hou, 1989)
Underground (Emir Kusturica, 1995)
Why Man Creates (Saul Bass, 1968)
Cure (Kiyoshi Kurosawa, 1997)
Le petit soldat (Jean-Luc Godard, 1963)
Cinéma Vérité: Defining the Moment (Peter Wintonick, 1999)
The Glass Web (Jack Arnold, 1953)
Confess, Fletch (Greg Mottola, 2022)
Poor Things (Yorgos Lanthimos, 2023)
Welcome to L.A. (Alan Rudolph, 1976)
20 Days in Mariupol (Mstyslav Chernov, 2023)
El sol del membrillo (Víctor Erice, 1992)
Code 46 (Michael Winterbottom, 2003)
The Possibilities Are Endless (James Hall, Edward Lovelace, 2014)
Killers of the Flower Moon (Martin Scorsese, 2023)
The Senator Was Indiscreet (George S. Kaufman, 1947)
Werner Herzog: Radical Dreamer (Thomas von Steinaecker, 2022)
So Close (Corey Yuen, 2002)
City Of Fear (Irving Lerner, 1959)
The American Sector (Courtney Stephens, Pacho Velez, 2020)
Le rayon vert (Éric Rohmer, 1986)
Joan Baez I Am a Noise (Miri Navasky, Maeve O'Boyle, Karen O'Connor, 2023)
Carmen (Valerie Buhagiar, 2022)
Bedwin Hacker (Nadia El Fani, 2003)
Fremont (Babak Jalali, 2023)
Pierrot le fou (Jean-Luc Godard, 1965)
The White Bus (Lindsay Anderson, 1967)
Chloe (Atom Egoyan, 2009)
Led Zeppelin Played Here (Jeff Krulik, 2014)
Mona Lisa and the Blood Moon (Ana Lily Amirpour, 2021)
The Beekeeper (David Ayer, 2024)
On the Run (Alfred Cheung, 1988)
Taking Off (Milos Forman, 1971)
Athena (Romain Gavras, 2022)
Illustrious Corpses (Francesco Rosi, 1976)
Shadowman (Georges Franju, 1974)
Epidemic (Lars von Trier, 1987)
Hôtel Terminus: The Life and Times of Klaus Barbie (Marcel Ophüls, 1988)
Befrielsesbilleder (Lars von Trier, 1982)
Vivre sa vie (Jean-Luc Godard, 1962)
Kuroi doresu no onna (Yôichi Sai, 1987)

May

In The Land of Saints and Sinners (Lorenz, 2023) 4/10
Priscilla (Coppola, 2023) 7/10
Madeline's Madeline (Decker, 2018) 7/10
Pale Rider (Eastwood, 1985) 6/10
Love Lies Bleeding (Glass, 2024) 5/10
*Nomadland (Zhao, 2020) 8/10
Mars Express (Perin, 2023) 7/10
*Perdita Durango (De La Iglesia, 1997) 6/10
Speed Racer (Wachowski, 2008) 5/10
*The French Connection (Friedkin, 1974) 8/10
House of Tolerance (Bonello, 2011) 8/10
Yankee Doodle Dandy (Curtiz, 1942) 6/10
Pom Poko (Takahata, 1994) 8/10
The Delinquents (Moreno, 2023) 7/10
*The Player (Altman, 1992) 9/10
Furiosa: A Mad Max Saga (Miller, 2024) 8/10
*Pennies From Heaven (Ross, 1981) 7/10

xp forgot to 'sterisk Die For, Desire, Lavender, Paprika, Gems and Cop

Hit Man (2024) 3/5
* The Music Room (1958) 4.5/5
I Saw the TV Glow 4/5
Furiosa 3/5
* Inherent Vice (2014) 4.5/5
Through the Olive Trees (1994) 4.5/5
Lumiere d'ete (1943) 3.5/5
* Heat (1995) 4.5/5
Life, and Nothing More... (1992) 4/5
Do Not Expect Too Much From the End of the World (2023) 4/5
Trenque Lauquen (2022) 5/5

Throw Momma From the Train (DeVito) 4/10 so i started watching always sunny, wanted to watch one of the movies devito directed. i picked a bad one.
The Children's Hour (Wyler) 4/10 audrey had some bad performances
Girl, Interrupted (Mangold) 6/10
The Girl Can't Help It (Tashlin) 7/10 how can they look so bored during that Little Richard performance
*Topsy Turvy (Leigh) 10/10
Blue Collar (Schrader) 9/10 the only good richard pryor movie?