I looked at Allmusic's entry for D.C.... told me absolutely nothing. I searched the ILM archives... and only found Alex NYC's diatribes, which not only described nothing, but made me especially favorable towards the band.
All of the above make me feel there might actually be some worth to Dashboard Confessional's music, invoking the ever popular "contrarian/bad press amongst the elite must mean SOMETHING" corollary.
So how about it? Can someone describe the elements, comparisons, etc. of Dashboard Confessional, right here right now.. without siting once how good or bad looking Chris "I'm the Nice Fonzie" Carraba is? If it's anything that approximates Green Day, No Knife, Mysteries Of Life, or even The Gloria Record or Sunny Day Real Estate, there's a chance I might like it.
― donut bitch (donut), Thursday, 17 October 2002 20:15 (twenty-three years ago)
― jess (dubplatestyle), Thursday, 17 October 2002 20:18 (twenty-three years ago)
― donut bitch (donut), Thursday, 17 October 2002 20:22 (twenty-three years ago)
― jel -- (jel), Thursday, 17 October 2002 20:23 (twenty-three years ago)
― Yancey (ystrickler), Thursday, 17 October 2002 20:34 (twenty-three years ago)
So, is this a case where Dashboard Confessional are more like a less memorable Goo Goo Dolls or Lemonheads, with some minor "emo" elements?
Thanks jess and Yancey, in any case. Please keep the descriptions coming.
― donut bitch (donut), Thursday, 17 October 2002 20:39 (twenty-three years ago)
― donut bitch (donut), Thursday, 17 October 2002 20:42 (twenty-three years ago)
I don't like Sunny Day, but I do like No Knife's Fire in the City, by the way.
― Yancey (ystrickler), Thursday, 17 October 2002 20:49 (twenty-three years ago)
― jess (dubplatestyle), Thursday, 17 October 2002 20:53 (twenty-three years ago)
Jess... yes, didn't mean to jump the gun. I'd happily encourage the ILE to kick down still. You may be right after all.
― donut bitch (donut), Thursday, 17 October 2002 20:55 (twenty-three years ago)
― Maria (Maria), Thursday, 17 October 2002 21:18 (twenty-three years ago)
That is true. Technically, Dashboard Confessional IS Christopher Carraba. DC is not the typical band. Carraba is the only constant member. He gets other musicians to play with him as needed. Carraba considered being a solo act and using his own name, but felt it wouldn't let him achieve his primary goal of having his audience sing along and be a part of the performance. The *real* DC thus becomes a *group* composed of Carraba, the musicians, and the audience singing songs in unison or together alternately. Last summer, MTV's "Unplugged" featured DC; it fantastically showed how Carraba's audience participation concept works.
Perhaps a reason many people have difficulty with DC's songs is that they are not lyrically poetic. In his unique rebellious buck-the-trend style, Carraba doesn't write his songs in traditional stanzas. His songs are prose set to music. Please read his songs; they're good short stories.
Another reason may be Carraba focuses on intimate and intense emo-tional subjects. He plunges directly into a Pandora's box of feelings and continues to dive deeper. Songs center on sad situations with significant feelings of angst and despair. Carraba offers few silver linings amid the dark clouds.
Another possible reason ... Carrba's songs lack refrains. Without a repeated verse to interrupt the progression of the song, there is no aesthestic distance to comfort listeners.
Carraba's tunes and lyrics are good. Unfortuately when he unites them, his delivery can come across as jolting instead of harmonic. He often sounds like his is shouting out in rage more than singing melodically. For some songs that works brilliantly, yet others need a more wistful or melancholic delivery. Interestingly, the best part of the MTV show was his audience singing his novella-like songs from memory in a way that made them sound lyrical.
Can someone describe ... Dashboard Confessional ... without citing once how good or bad looking Chris
That seems impossible. Not just for Carraba, but for any singer or group. Appearance is a significant part of artistic persona. Listeners who find a singer or band unattractive are less likely to find their music appealing. And obviously, vice versa. That's not to say that everyone who finds a singer or band attractive will like their music, but they will be more apt to listen. As you noted DonutBitch, perhaps your friends judged DC more on Carraba than they did his music.
Diatribe over.
Personal note: Do I get a cookie for following your order and babbling ad nauseum, Sire?
And just to say ... I am not Christopher Carraba. Though I would gladly play beach blanket bingo with him any day. Or night. ;-)
― Christopher, Friday, 18 October 2002 06:39 (twenty-three years ago)