get out (2017, dir. jordan peele)

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so this was good! just a very well-constructed thriller that synthesizes a lot of established works in horror and suspense that also function as allegories about racism (included in peele's recent bam showcase were night of the living dead and candyman) or are just total showcases of conspiracy and dread (imo stepford wives and the '70s invasion of the body snatchers are present, and the finale feels like an inverse funny games in the best possible way) into a movie that's also literally about racism, appropriation, miscegenation, microaggression, etc. hard to determine if this is necessarily a trend or just an observation about horror movies recently finding non-traditional audiences, but it feels potentially like a horror movie that people who don't watch horror movies will like a la babadook/it follows etc. but feels stronger than most of those bc the metaphor, though just as transparent, is much richer. (it's also a pretty funny movie, like there is literally a character who serves entirely as comic relief.) at first i was sort of underwhelmed with the cinematography, everything felt kinda drained of color (maybe on purpose) but about halfway through it settles into some very pretty kubrickian asymmetries. the score also rules

the raindrops and drop tops of lived, earned experience (BradNelson), Monday, 27 February 2017 18:45 (one year ago) Permalink

this was surprisingly controversial in my circles. I really enjoyed it. the cast is great. with some very smart casting choices I won't get into for reasons.

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 18:47 (one year ago) Permalink

i really liked it. great job of building tension, really creepy performances (especially the groundskeeper and maid but also all the party guests). my main quibbles were i could have done without the comic relief (dude was funny but the tonal shifts whenever he appeared were abrupt) and it kind of falls apart in the action scenes a bit (but this is a very common issue with high-concept horror/thriller movies).

na (NA), Monday, 27 February 2017 18:49 (one year ago) Permalink

currently sitting at 100% on Rotten Tomatoes, guess I should go see it

frogbs, Monday, 27 February 2017 18:51 (one year ago) Permalink

are we doing spoilers on this thread or no

na (NA), Monday, 27 February 2017 18:51 (one year ago) Permalink

I think we probably should

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 18:56 (one year ago) Permalink

actually scratch my babadook/it follows categorization upthread, the recent horror film this resembles most is the invitation imo

the raindrops and drop tops of lived, earned experience (BradNelson), Monday, 27 February 2017 19:19 (one year ago) Permalink

SPOILERS FOR A COUPLE OF MOVIES

what was funniest to me is that it very closely parallels the not as good A Cure for Wellness which came out the previous week - our hero hits a deer, then ends up in an idyllic, very white place where everyone is freakishly content, led by a friendly patriarch, discovers the seamy underbelly (and in both cases the truth evokes creepy eugenics shit and racial pseudoscience), there's a supernatural dimension to both revelations, the hero is rendered immobile during a key expository sequence, in the end the hero gets out alive with the help of their only ally after killing off the mad scientist and burning the place to the ground

obviously a lot of those are just general genre touchstones but there were some amusing similarities to me

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 19:26 (one year ago) Permalink

one of the best theater going experiences I've had in years. multiple applause breaks, cheering, people cracking jokes and the crowd laughing at them, total silence when it was tense.... an amazing experience, and a great great movie.

flappy bird, Monday, 27 February 2017 19:55 (one year ago) Permalink

my audience's reaction to the cop car pulling up was profound

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 20:02 (one year ago) Permalink

i feel like i've seen a bunch of horror/thriller movies that start with the hero hitting an animal with their car (including the aforementioned "the invitation"). i think it's a new cliche. but it works well with the backstory in this case.

na (NA), Monday, 27 February 2017 20:03 (one year ago) Permalink

can't think of direct precedents for some reason but it is definitely not a new cliche

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 20:04 (one year ago) Permalink

SPOILERS
it was pretty tightly plotted, but i wasn't sure why he kept asking rose for the car keys even after he knew she was involved in the plot. maybe he thought she was just hypnotized too, but even then, why would she be able to give him the keys?

na (NA), Monday, 27 February 2017 20:05 (one year ago) Permalink

my audience's reaction to the cop car pulling up was profound

― a serious and fascinating fartist (Simon H.), Monday, February 27, 2017 3:02 PM (four minutes ago) Bookmark Flag Post Permalink

yes!!!!!!!!!!!!!!!! DUDE. it was incredible

flappy bird, Monday, 27 February 2017 20:07 (one year ago) Permalink

and then "man I told you not to go up there," roaring laughter

flappy bird, Monday, 27 February 2017 20:08 (one year ago) Permalink

Horror is not my genre, esp the gory kind, so I'll hold off til i can watch this at home. If yer not in NYC you may want to replicate this Peele-programmed series:

http://www.bam.org/film/2017/jordan-peele

Supercreditor (Dr Morbius), Monday, 27 February 2017 20:09 (one year ago) Permalink

this is really not very violent/gory fwiw (esp by contemporary standards), about as violent as say Under the Skin (which it echoes in some pretty specific ways)

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 20:12 (one year ago) Permalink

there's only one particularly gooey scene

the raindrops and drop tops of lived, earned experience (BradNelson), Monday, 27 February 2017 20:13 (one year ago) Permalink

yeah it's certainly not DON'T BREATHE, the last horror movie i saw theatrically. awful, way too gross...

flappy bird, Monday, 27 February 2017 20:16 (one year ago) Permalink

...though frankly that also had one incredible moment of audience reaction

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 20:17 (one year ago) Permalink

If yer not in NYC you may want to replicate this Peele-programmed series:

... Guess Who's Coming To Dinner?!

insidious assymetrical weapons (Eric H.), Monday, 27 February 2017 20:17 (one year ago) Permalink

well there's obviously an influence/spin there.

Supercreditor (Dr Morbius), Monday, 27 February 2017 20:20 (one year ago) Permalink

besides the more obvious touchstones in his series it reminded me a little of those oddball suburban paranoia horror flicks of the late 80s like Society and Parents (albeit less eccentric)

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 20:24 (one year ago) Permalink

or the original Stepfather

a serious and fascinating fartist (Simon H.), Monday, 27 February 2017 20:26 (one year ago) Permalink

the parents reminded me of the parents in HEATHERS ("Oh, you.")

flappy bird, Monday, 27 February 2017 20:27 (one year ago) Permalink

There's a reason why The 'Burbs is included.

Ned Raggett, Monday, 27 February 2017 20:27 (one year ago) Permalink

it feels potentially like a horror movie that people who don't watch horror movies will like

True in my case.

JRN, Monday, 27 February 2017 20:35 (one year ago) Permalink

I loved it.

SPOILERD

the asking Rose for the keys thing...at that point I thought it was still possible that she was hypnotized, like maybe she keeps bringing people home and then is hypnotized to forget it. I wasn't sure until the final twist. With hindsight, her not being in on it doesn't make nearly as good a story.

And the cop car showing up at the end was great, I was at a pretty empty showing but that was the loudest it got, and a fun play on the Night of the Living Dead ending.

dan selzer, Monday, 27 February 2017 20:43 (one year ago) Permalink

I am not a horror movie guy, but if more were like this, I would be converted easily. Key & Peele fans will be gratified if not surprised that this works so well. If you are this insightful at working an audience for both laughs and terror, you've got some formidable talent.

Chris L, Tuesday, 28 February 2017 17:49 (one year ago) Permalink

hahahaha classic

Οὖτις, Tuesday, 28 February 2017 23:50 (one year ago) Permalink

White wrote of Peele’s film: “‘Get Out’ does not rank with America’s notable race comedies — Brian De Palma’s ‘Hi, Mom!’, Ossie Davis’s ‘Gone Are the Days! (Purlie Victorious)’, Robert Downey Sr.’s ‘Putney Swope,’ Melvin Van Peebles’s ‘Sweet Sweetback’, Hal Ashby’s ‘The Landlord,’ Rusty Cundieff’s ‘Fear of a Black Hat,’ or any of the genre spoofs by the Wayans family, … or the recent Eddie Murphy films that are so personal and ingenious, they transcend racial categorization.”

Still taking this in.

Ned Raggett, Tuesday, 28 February 2017 23:51 (one year ago) Permalink

So I had to double check and yes, he DID love Norbit:

http://www.nypress.com/norbit-well-fat-suited/

Ned Raggett, Tuesday, 28 February 2017 23:52 (one year ago) Permalink

lol @ Armond calling "Sweet Sweetback" a "comedy"

Οὖτις, Tuesday, 28 February 2017 23:52 (one year ago) Permalink

it's that among other things

ppl caring about perfect RT scores -- ah internet + movies = DOOMSDAY

Supercreditor (Dr Morbius), Wednesday, 1 March 2017 00:07 (one year ago) Permalink

Whites review was ridiculous in many ways regardless.

dan selzer, Wednesday, 1 March 2017 00:10 (one year ago) Permalink

I fucking hate rotten tomatoes so much

a serious and fascinating fartist (Simon H.), Wednesday, 1 March 2017 00:12 (one year ago) Permalink

I just read Armond's pan of Fences, which RT somehow lists as "fresh"

Supercreditor (Dr Morbius), Wednesday, 1 March 2017 00:14 (one year ago) Permalink

congrats to armond on managing to write something dumb and grossly offensive even by the standards of national review

(The Other) J.D. (J.D.), Wednesday, 1 March 2017 00:18 (one year ago) Permalink

I loved this. the comedy was great. I feel like Peele's plot developments were a bit familiar (I mean it was v similar to the plot of that shit movie The Skeleton Key which wasn't exactly original when it came out) but twists weren't the point really.

I liked the cheesy over the top horror moments like the evil latin music while Bradley Whitford was ...uhh....doing something that I won't reveal.

waht, I am true black metal worrior (Neanderthal), Wednesday, 1 March 2017 00:41 (one year ago) Permalink

not really 'scary' but I'm hard to scare so I'm not a good metric for that

waht, I am true black metal worrior (Neanderthal), Wednesday, 1 March 2017 00:41 (one year ago) Permalink

one of the best theater going experiences I've had in years. multiple applause breaks, cheering, people cracking jokes and the crowd laughing at them, total silence when it was tense.... an amazing experience, and a great great movie.

― flappy bird, Monday, February 27, 2017 2:55 PM Bookmark Flag Post Permalink

yeah the audience was howling at the TSA guy throughout. it was one of the few times I enjoyed being in a packed theatre.

waht, I am true black metal worrior (Neanderthal), Wednesday, 1 March 2017 00:44 (one year ago) Permalink

i really liked this a lot. there were echoes of a lot of other horror films (one that kept coming to mind was "house of the devil," which had a similar scene where the main character has an important revelation through stumbling on some old photographs) but it all felt surprising and fresh. i saw it a couple days ago and i'm still thinking about it a lot, which is unusual for me.

spoiler

rose's sudden change was really chilling, she dragged that scene out just long enough where i genuinely wasn't sure whether she was in on it or not, and then that ice-cold delivery of that single line: "you know i can't give you the keys." creepiest scene in the movie for me.

(The Other) J.D. (J.D.), Wednesday, 1 March 2017 00:52 (one year ago) Permalink

yeah I loved that. I was fairly certain given the reveal a moment prior but her transition (and then her subsequent acting job on the phone call) were chilling.

her "you were my favorite" and kiss blow too.

waht, I am true black metal worrior (Neanderthal), Wednesday, 1 March 2017 00:55 (one year ago) Permalink

*one of my favorites

that was the creepiest line for me

flappy bird, Wednesday, 1 March 2017 00:57 (one year ago) Permalink

her not noticing the commotion due to listening to (I've Had) the Time of My Life on headphones was funny as hell too

waht, I am true black metal worrior (Neanderthal), Wednesday, 1 March 2017 00:59 (one year ago) Permalink

Speaking of Eddie Murphy the film's title is taken from this:

https://www.youtube.com/watch?v=5IH6IeiLtts

carthago delenda est (mayor jingleberries), Wednesday, 1 March 2017 01:02 (one year ago) Permalink

This was so good.

Fiddle Catstro (latebloomer), Thursday, 2 March 2017 04:14 (one year ago) Permalink

the Jeffrey Dahmer sequence w/ the TSA guy is perhaps the most I've laughed in a movie theatre in eons. the whole theatre was roaring to where I almost couldn't hear dialogue.

waht, I am true black metal worrior (Neanderthal), Thursday, 2 March 2017 04:19 (one year ago) Permalink

kind of nice to see horror with actual comedy as the moments of levity rather than the stilted laughs you typically see in horror films.

waht, I am true black metal worrior (Neanderthal), Thursday, 2 March 2017 04:20 (one year ago) Permalink

Maybe not. But it can be perhaps inferred, and it's an extension of reducing black people down to less than people, just vessels for their attributes or talents.

Josh in Chicago, Wednesday, 3 January 2018 15:34 (eight months ago) Permalink

I agree, though, from a logical standpoint, talking your way out of a ticket by saying you're not *really* black seems unlikely. I think I got the vibe they were starting an isolated community/commune upstate, a la the werewolf commune in The Howling.

Josh in Chicago, Wednesday, 3 January 2018 15:35 (eight months ago) Permalink

well, that's not overtly indicated at any point.

― ice cream social justice (Dr Morbius), Wednesday, January 3, 2018 10:29 AM (six minutes ago) Bookmark Flag Post Permalink

does it need to be? really?

call all destroyer, Wednesday, 3 January 2018 15:36 (eight months ago) Permalink

xpost Yeah, it's noteworthy that they weren't, like, moving to the city or something after taking possession of a black body. They remained where they knew they'd continue to be accepted as 'one of the good ones'.

Bobby Buttrock (Old Lunch), Wednesday, 3 January 2018 15:38 (eight months ago) Permalink

seems like a dubious transaction; I don't ask much of horror scenarios, but the mechanics needed to be a little more, um, fleshed out.

Also once Chris started kicking ass, I anticipated each of the beats perfectly. It was too rote.

ice cream social justice (Dr Morbius), Wednesday, 3 January 2018 15:47 (eight months ago) Permalink

I liked this:

https://www.youtube.com/watch?v=hBvcngHRTFg

Josh in Chicago, Wednesday, 3 January 2018 16:54 (eight months ago) Permalink

Yeah, it's noteworthy that they weren't, like, moving to the city or something after taking possession of a black body. They remained where they knew they'd continue to be accepted as 'one of the good ones'.

It's not even that--everyone in the community knows the truth, they are accepted because they are literally the same person in a different body. And also staying within the community prevents them from accidental exposure to flashes and stuff without having Keener there to bring them back. What price immortality?

Never Learn To Mike Love (C. Grisso/McCain), Wednesday, 3 January 2018 17:24 (eight months ago) Permalink

but why would they yearn to be groundskeepers and maids?

ice cream social justice (Dr Morbius), Wednesday, 3 January 2018 17:28 (eight months ago) Permalink

I thought maybe they were only groundskeepers and maids and whatnot when outsiders were around?

Monster fatberg (Phil D.), Wednesday, 3 January 2018 17:35 (eight months ago) Permalink

XP They're not always groundskeepers and maids? Remember, alot of what we see is putting on airs in reverse because of the guest.

Never Learn To Mike Love (C. Grisso/McCain), Wednesday, 3 January 2018 17:37 (eight months ago) Permalink

Haven't seen this since it came out, but isn't the implication behind Root's character picking Chris that he will continue on in Chris's career as a photographer? Likewise Rose looking at basketball players. The groundskeeper and maid were just who was at hand when they did the switch and they're only performing those jobs while Chris is around

rob, Wednesday, 3 January 2018 17:44 (eight months ago) Permalink

many xps - yea that video was great! thanks for sharing

flappy bird, Wednesday, 3 January 2018 17:51 (eight months ago) Permalink

I didn't see that as them only playing those roles, but actually relishing the ability to do so. Grandmother get's to serve and dote on her kids and grandkids and serve them lemonade? Grandpa gets to do yardwork? Sounds like an ideal retirements scenario for any number of seniors.

dan selzer, Wednesday, 3 January 2018 18:07 (eight months ago) Permalink

also raises less suspicions

, Wednesday, 3 January 2018 18:12 (eight months ago) Permalink

I need to rewatch this for sure, but I got the sense that part of the strain that they're under, which allows their real personalities to surface, is in having to act out uncomfortable/unwanted roles. I'd have to agree with Morbz otherwise: why would rich white people used to having servants want to retire as those servants?

rob, Wednesday, 3 January 2018 18:16 (eight months ago) Permalink

Surprised to see Dr Morbz on the side of The Plausibles.

Akdov Telmig (Ward Fowler), Wednesday, 3 January 2018 18:26 (eight months ago) Permalink

the other part of the equation is that black people who go missing simply don't get as much media attention as white people who go missing - i think that was explained in the film?

, Wednesday, 3 January 2018 18:31 (eight months ago) Permalink

why would rich white people used to having servants want to retire as those servants?

Because they weren't actually servants! They were only acting that way for the benefit of Chris, literally the only person there who did not know the truth.

Josh in Chicago, Wednesday, 3 January 2018 20:15 (eight months ago) Permalink

I didn't see that as them only playing those roles, but actually relishing the ability to do so. Grandmother get's to serve and dote on her kids and grandkids and serve them lemonade? Grandpa gets to do yardwork? Sounds like an ideal retirements scenario for any number of seniors.

― dan selzer, Wednesday, January 3, 2018 1:07 PM (two hours ago) Bookmark Flag Post Permalink

yeah this

call all destroyer, Wednesday, 3 January 2018 20:29 (eight months ago) Permalink

xp
yeah i know I said that in my prev post. in this one I was responding to dan selzer saying that they likely "relish" the opportunity to serve lemonade and do yardwork. I don't think that's an egregiously wrong interpretation or anything and I like that the movie doesn't spell everything out, but I think it more likely that when Chris isn't there they're not serving lemonade or doing yardwork at all.

Anyway, I think Morbius asked an interesting question (why would privileged white people want to give up that privilege in order to be black?), and I think the answer is that the form of liberal white racism that Peele is exploring here covets, fetishizes, envies black struggle, which is something they, as white people, cannot ever possess

rob, Wednesday, 3 January 2018 20:48 (eight months ago) Permalink

I thought maybe they were only groundskeepers and maids and whatnot when outsiders were around?

That seems a good intuitive guess, but dammit again, we need to see that, somehow.

Ward, there's a difference between being a Plausible and noting details that seem thematically and narratively sloppy.

ice cream social justice (Dr Morbius), Wednesday, 3 January 2018 21:30 (eight months ago) Permalink

idk I thought that was pretty obvious. and rob is otm about this particular set of upper middle class centrist liberals and how they fetishize blackness - "I would've voted for Obama a third time" is a great joke but it also tells us a lot about the kind of people they are.

flappy bird, Wednesday, 3 January 2018 21:33 (eight months ago) Permalink

When Rod the TSA Guy says that something's wrong because dandified Logan King/Andre is "from Brooklyn," that strikes me as a subtle joke about the New Brooklyn, bcz there are plenty of A-A guys in Fort Greene who dress like that.

ice cream social justice (Dr Morbius), Wednesday, 3 January 2018 21:38 (eight months ago) Permalink

alison williams drinking milk through a straw, eating dry froot loops & listening to Dirty Dancing .... perfect, hilarious & almost horrifyingly TOO REAL lol, like i felt kinda paranoid/embarrassed at how familiar it was

Squeaky Fromage (VegemiteGrrl), Wednesday, 3 January 2018 21:48 (eight months ago) Permalink

xp haha yeah that line made me do a double take

Josefa, Wednesday, 3 January 2018 22:01 (eight months ago) Permalink

one month passes...

This was good

I kinda think that herself might have come up as a known person of interest in the ten or w/ever missing persons cases though.

But this was good

Alderweireld Horses (darraghmac), Saturday, 10 February 2018 19:05 (seven months ago) Permalink

Jordan Peele tells the Hollywood Reporter’s Stephen Galloway that he’s currently writing and plans to direct his next film later this year. “One thing I know is that this is genre; and playing around with the thriller, horror, action, fun genre of intrigue is my favorite. That’s my sweet spot. So I think tonally it should resemble Get Out. That said, I want to make a completely different movie. I want to address something different than race in the next one.”

https://www.hollywoodreporter.com/rambling-reporter/jordan-peele-reveals-plans-shoot-next-movie-year-1085424

ice cream social justice (Dr Morbius), Tuesday, 20 February 2018 22:04 (seven months ago) Permalink

Can't fucking wait

flappy bird, Wednesday, 21 February 2018 02:22 (seven months ago) Permalink

(taking a wild guess here) excited for Peele's gun-culture movie

Simon H., Wednesday, 21 February 2018 02:27 (seven months ago) Permalink

I hope he's better at other genre mechanics than he was in Act III of GO.

ice cream social justice (Dr Morbius), Wednesday, 21 February 2018 12:23 (seven months ago) Permalink

no you don't

A True White Kid that can Jump (Granny Dainger), Wednesday, 21 February 2018 18:29 (seven months ago) Permalink

i had to look up his filmography to see if he was in Go (1999)

flappy bird, Wednesday, 21 February 2018 18:37 (seven months ago) Permalink

i finally watched this and liked it okay. kinda reminded me of an old tales from the crypt episode or something. wish it had been a little scarier. it definitely felt like a movie made by someone who had never made a thriller/horror movie before. and i'm still more of a Keanu fan. i loved that movie.

scott seward, Wednesday, 21 February 2018 18:42 (seven months ago) Permalink

Keanu is so sick. Anna Faris omg

flappy bird, Wednesday, 21 February 2018 18:44 (seven months ago) Permalink

those tense close-ups of people talking definitely creepy though. the brother. the grandma. etc.

scott seward, Wednesday, 21 February 2018 18:44 (seven months ago) Permalink

Keanu was awful, wtf

Simon H., Wednesday, 21 February 2018 18:46 (seven months ago) Permalink

yeah keanu was pish

khat person (jim in vancouver), Wednesday, 21 February 2018 18:48 (seven months ago) Permalink

I didn't make it through Keanu.

how's life, Wednesday, 21 February 2018 18:49 (seven months ago) Permalink

the most literally one-joke / single-sketch-brutally-extended-to-feature-length comedy in recent memory

Simon H., Wednesday, 21 February 2018 18:50 (seven months ago) Permalink

Haha, I enjoyed Keanu when it came out, but it took me several minutes to figure out why you all were suddenly talking about Keanu Reeves on this thread, which I guess shows how well that film stuck with me.

Moodles, Wednesday, 21 February 2018 19:04 (seven months ago) Permalink

I saw Keanu on a plane and enjoyed it, was able to rewind the bit I'd napped through

Haribo Hancock (sic), Wednesday, 21 February 2018 19:22 (seven months ago) Permalink

a good oral history on vulture about the film's genesis: http://www.vulture.com/2018/02/making-get-out-jordan-peele.html

includes this nugget:

Peele: I was trying to figure out what genre this movie was, and horror didn’t quite do it. Psychological thriller didn’t do it, and so I thought, Social thriller. The bad guy is society — these things that are innate in all of us, and provide good things, but ultimately prove that humans are always going to be barbaric, to an extent. I think I coined the term social thriller, but I definitely didn’t invent it.

Footnoted with:

To coincide with Get Out’s release, Peele curated a selection of classic thrillers that dealt with social issues for BAM: Guess Who’s Coming to Dinner and Rosemary’s Baby made his list, along with Misery, Rear Window, The Shining, Candyman, and more.

This is kind of an interesting list:

  • Rosemary's Baby
  • Night of The Living Dead
  • The People Under The Stairs
  • Guess Who's Coming To Dinner
  • Get Out
  • Funny Games
  • Candyman
  • Scream
  • Rear Window
  • The Silence of The Lambs
  • Misery
  • The Shining
  • The 'Burbs

El Tomboto, Thursday, 22 February 2018 20:31 (seven months ago) Permalink

i linked to that series way up dere about a year ago

ice cream social justice (Dr Morbius), Thursday, 22 February 2018 20:33 (seven months ago) Permalink

I probably had you blocked at the time, sorry

El Tomboto, Thursday, 22 February 2018 20:40 (seven months ago) Permalink

I wonder if JP's seen Society.

Simon H., Thursday, 22 February 2018 20:42 (seven months ago) Permalink

My buddy's been harping about Society @ me for decades now. It's streaming on Amazon Prime (in the U.S.) so I may finally check it out.

Rod Steel (musicfanatic), Thursday, 22 February 2018 22:17 (seven months ago) Permalink

two months pass...

Meantime, next year...

pic.twitter.com/6j43s9YC8e

— Jordan Peele (@JordanPeele) May 9, 2018

Ned Raggett, Wednesday, 9 May 2018 00:40 (four months ago) Permalink

Awesome

flappy bird, Wednesday, 9 May 2018 02:02 (four months ago) Permalink

Is the last OG good?

dan selzer, Wednesday, 9 May 2018 02:23 (four months ago) Permalink

I saw the first episode behind someone's head in a bar, with the sound off, which is the only time I have heard of it at all, in any way

chilis=lyrics...hypocrits (sic), Wednesday, 9 May 2018 07:09 (four months ago) Permalink


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