― mark s (mark s), Wednesday, 26 February 2003 15:02 (twenty-three years ago)
― mark s (mark s), Wednesday, 26 February 2003 15:03 (twenty-three years ago)
― jel -- (jel), Wednesday, 26 February 2003 15:11 (twenty-three years ago)
― jess (dubplatestyle), Wednesday, 26 February 2003 15:18 (twenty-three years ago)
Yes, it was my first time. Coo, its good innit.I have the unenviable task of having to do a presentation on it tonight without going "coo its good innit". Handles its stillness so well - and I'm a sucker for "bystander to history" stories anyway but what's most impressive is the way it manages to create its atmosphere in such a short amount of time. Ending is a bit of a downer though (pushing for cyclical version of history and pessimism of independence).
― Pete (Pete), Thursday, 27 February 2003 14:18 (twenty-three years ago)
the only space she is free is is her music, before AND after the revolution: the bleakness of this freedom after is i think heartbreaking*
good i think also on the shabbiness and banality of power-in-its-backrooms
*you cd also look at it in light of upcoming war shenanigans: the version of liberation being promised — which this woman commits herself to and is betrayed by — as a phantasm of radio-chatter and guy-blather
― mark s (mark s), Thursday, 27 February 2003 16:13 (twenty-three years ago)
― mark s (mark s), Thursday, 27 February 2003 17:34 (twenty-three years ago)
― Pete (Pete), Friday, 28 February 2003 11:47 (twenty-three years ago)
Music is what allows her to transcend her place, but dopesn't achieve anything in the long run. As she says at the end, her life has been just as pointless (I resist allegory but its irresistable here).
― Pete (Pete), Friday, 28 February 2003 12:11 (twenty-three years ago)