My dilemma is, having gone this far, should I go the whole hog and allow my picture to be shown as well as publish my story? Am in inconsistent in hiding my face - does this perpetuate the myth that rape shames and stigmatises? Do I want to define myself as 'the rape victim' when there's a lot more to me than that? Is it fair on my family and employers ? And will people who know me but don't know about the rape, such as business contacts feel awful and have probs dealing with me normally afterwards?
Advice and feedback appreciated, internet strangers, if you can help? Thanks x
― anon, for now, Thursday, 29 April 2004 20:51 (twenty-two years ago)
If you think there's even a chance that you'll regret this, I wouldn't do it.
― miloauckerman (miloauckerman), Thursday, 29 April 2004 20:58 (twenty-two years ago)
However, I think it would be very naive to say that refusing to show your face wouldn't stigmatize rape victims in some circles. I don't think there's a panacea for this particular question; it boils down to me to "do what you feel most comfortable with".
(xpost with milo)
― VengaDan Perry (Dan Perry), Thursday, 29 April 2004 21:00 (twenty-two years ago)
― Ned Raggett (Ned), Thursday, 29 April 2004 21:01 (twenty-two years ago)
― deb, Thursday, 29 April 2004 21:04 (twenty-two years ago)
However, all the 'veiling the victim ' stuff in the media conflicts with my belief that it ISN'T something that should stigmatise people. I wouldn't be asked if I felt 'defiled' if I'd survived the Soho nail bomb or the Madrid nail bomb for example, or been mugged. So I guess it boils down to my principles vs. my desire for a quiet life. Argh.
― anon, for now, Thursday, 29 April 2004 21:09 (twenty-two years ago)
― Martin Skidmore (Martin Skidmore), Thursday, 29 April 2004 21:12 (twenty-two years ago)
― VengaDan Perry (Dan Perry), Thursday, 29 April 2004 21:15 (twenty-two years ago)
― hstencil (hstencil), Thursday, 29 April 2004 21:16 (twenty-two years ago)
In the long-term you might feel good for having done it, I dunno.
As everyone else says, whichever you choose, don't feel bad about it.
― N. (nickdastoor), Thursday, 29 April 2004 21:23 (twenty-two years ago)
― Martin Skidmore (Martin Skidmore), Thursday, 29 April 2004 21:27 (twenty-two years ago)
― luna (luna.c), Thursday, 29 April 2004 21:29 (twenty-two years ago)
As you said, it boils down to principles vs. a quiet life
― mei (mei), Thursday, 29 April 2004 21:42 (twenty-two years ago)
― anon, for now, Thursday, 29 April 2004 21:51 (twenty-two years ago)
― Poppy (poppy), Thursday, 29 April 2004 22:17 (twenty-two years ago)
― VengaDan Perry (Dan Perry), Thursday, 29 April 2004 22:26 (twenty-two years ago)
― Matos W.K. (M Matos), Thursday, 29 April 2004 22:37 (twenty-two years ago)
I am curious about one thing, though, because I'm a professional writer: did you choose not to be paid for the piece? And if so, why? I'm definitely of the mind that if you write for a paying publication (and this piece sounds like it's for one), you should be paid for it. But maybe I missed something above.
― Matos W.K. (M Matos), Thursday, 29 April 2004 22:40 (twenty-two years ago)
― Rickey Wright (Rrrickey), Thursday, 29 April 2004 22:44 (twenty-two years ago)
Do you have some copy approval here? It's not unusual, given that this is for charity, some obligations like this can be met out of respect for your situation. If no, a July issue of a mainstream mag is probably close to end of production so if you want to check it out get the charity's PR to help you out. That's what s/he's there for.
Would some of your friends and colleagues you haven't told be disappointed not having prior knowledge about your experience and take it as a demotion of sorts if you didn't confide in them or at least give them the heads-up that the article is to appear, if it did appear as your own story?
For people who are likely to be both uncomfortable with the information (I refuse to use the word 'confession' to describe what you'd tell them) but disappointed both ways by not hearing it from you, it's important to emphasise that you're doing it to help a charity you support. That makes you proactive and not a victim. Anyone further outside your circle isn't really a priority, and for all the aggrandizing journalists do about themselves and how centrale they are this is a human interest story with limited shelf time, probably a one-off, and a potential employer is probably not going to see it in his or her dentist's office anyway, or just plain not retain the information if they do. If you came into my office I'd respect you, if I'd read it and it stuck with me.
The difficulty I have with anonymity is that journalists, especially in MOR women's publications, tend to use you to construct an archetype if your identity is secret. I'm a writer for magazines and worry that the media use really hackneyed archetypes to create empathy in female readers, and even the best journalists and writers get sucked into certain agendas completely by accident. I'm constantly policing myself for this. It's less likely you'll know what they've written in the anon situ, but more likely to be posited as archetypal, or just kind of OTT triumph over adversity cliche, meant well nonetheless.
Did you read Alice Sebold's 'Lucky'? - it's amazing and you should. She was raped and went public with her story in this book and it's a harrowing read, and you think she's so strong yet when you meet her at a launch (apols, but relevant) she seems both spooked and a wee bit spooky in her shyness. But it is also incredibly incisive, especially with regard to her own cynicism about the whole construct of the good girl, and having to play up to it in excelsis to achieve a result.
― suzy (suzy), Thursday, 29 April 2004 22:48 (twenty-two years ago)