question for writers/journos on ILE - did you study journalism or do a course?

Message Bookmarked
Bookmark Removed
or did you avoid schooling in journalism?
has it helped?
was it a waste of time?
do you want to study or get some training?

im thinking of getting some official training so i can be more sure of structuring and approaches to my work. im sure not everyone needs this but i think it would be give me some good grounding.

dickvandyke (dickvandyke), Thursday, 26 August 2004 15:43 (twenty-one years ago)

it won't kill ya.

Huck, Thursday, 26 August 2004 15:45 (twenty-one years ago)

it builds contacts, which can be helpful.

kelsey (kelstarry), Thursday, 26 August 2004 16:00 (twenty-one years ago)

Internships can be invaluable. Or they can be useless. But usually, esp. in j'lism, they're very profitable in the longterm.

Huck, Thursday, 26 August 2004 16:03 (twenty-one years ago)

I get the impression that nothing is particularly profitable in journalism, Huck.

hstencil (hstencil), Thursday, 26 August 2004 16:04 (twenty-one years ago)

I did some stuff for my college paper and lit mag, but I never went to j-school proper. I picked up most of my "training" on my own, on the fly.

It's good to know the nuts and bolts stuff that j-school teaches you, and more pro/am writers could use the discipline and rigor it tends to instill. That said, a full-on j-school indoctrination tends to groom you for working for a daily, which is to say that it tends to beat down anything distinctive or original or creative in your work, which actually makes you somewhat less suited for, say, an alt-weekly. As a woman I met at a newspaper conference put it, "J schools these days tend to turn out 25-year-olds who write like 50-year-olds."

Lee G (Lee G), Thursday, 26 August 2004 16:07 (twenty-one years ago)

School can be a good place to learn about mechanics, grammar, structure, etc. I say go for it. Sometimes I wish that I had gone to school and learned how to write before I started writing.

scott seward (scott seward), Thursday, 26 August 2004 16:12 (twenty-one years ago)

You know what, that's not true--that I learned it all on my own. I learned a shitload from a few key editors early on, including during an internship that turned into my first job and my entree into the world of professional journo. You can really learn a lot from Someone Who Knows, if they get the idea that you really, really wanna Know.

Lee G (Lee G), Thursday, 26 August 2004 16:12 (twenty-one years ago)

Like Lee, I just dove right in, myself. I lobbied my high school for a student newspaper, and even ran for student council on that platform. I lost, but apparently the school admins thought it was a good enough idea that when the local paper wanted a student columnist, they gave the job to me. When I finally went on to university, I dropped by the student paper there and made myself useful. Apparently editors often find that hands-on training a bit more useful than someone fresh out of j-school who's never actually gone out there and DONE it.

Because of that, I eventually managed to pick up a freelance gig that wound up being a full-time position at a tech mag, and now that I'm freelance again, I'm starting to write for some fairly large Canadian pubs...slowly, but surely.

If you don't have any experience in the field at all, journalism courses can certainly help you learn all of the stuff you need to know in a hurry, and give you the focus required to meet your editor's needs. Not everyone has the luxury of just dinking around with it for years, like I did.

Sean Carruthers (SeanC), Thursday, 26 August 2004 16:13 (twenty-one years ago)

Just remember the 4 W's:

What the fuck?

Who died and made you boss?

Why should I care?

When's lunch?

scott seward (scott seward), Thursday, 26 August 2004 16:14 (twenty-one years ago)

i think this question can sometimes be a toss up . . . i've thought about going back to school for jouralism, but sometimes work experience can be more useful for both learning & building your resume/having actual job contacts, etc. that said, i'm still on the fence.

kelsey (kelstarry), Thursday, 26 August 2004 16:14 (twenty-one years ago)

OTF OTM

I've considered going to school for a bit of a top-up, especially in some of the areas I have less experience with. It can't hurt.

Sean Carruthers (SeanC), Thursday, 26 August 2004 16:20 (twenty-one years ago)

okay this is a big issue for me, because in my current job (that I hate and want to walk out on, like, today) I am considered a "journalist." What I do isn't journalism, though, it's basically writing a 5th grade level book report once a week. After a bit of roughness at the beginning (because I wasn't given any direction as to what the fuck I should be doing, column-wise), I've got the style and the form and everything down cold (content is sometimes a problem because getting info from chemical industry people is like pulling teeth), but my bosses have repeatedly said that they want me to take a journalism class. At this point, even though I'm interested in journalism, I'm refusing because 1. as I said before, this isn't journalism 2. yes the company will reimburse, but they don't pay me enough for me to save the money to spend on even a night-school course, so how do they expect me to do this? I'm sure I probably come off as "immature" or something but fuck this place.

Sorry, rant over.

hstencil (hstencil), Thursday, 26 August 2004 16:25 (twenty-one years ago)

i didn't do any j-school or anything of the like, i just fell ass-backwards into it

s1ocki (slutsky), Thursday, 26 August 2004 16:27 (twenty-one years ago)

story of my life really.

s1ocki (slutsky), Thursday, 26 August 2004 16:28 (twenty-one years ago)

Stumbled into it. Had been DJing at UCLA for my undergrad years and written a semi-recurrent column at their student newspaper for the last of those years -- to become a 'full' writer would have meant I needed to take some journalism classes, and I think that could have been a good idea. ;-) Can't remember why I didn't.

But when I ended up at UCI, their station and newspaper were literally down the hall from each other, and what's more UCI had no journalism program as such -- it was pretty much 'can you write and do you have the time?' So I threw myself into things as a general entertainment writer but after a few articles thought to myself "Well, I like talking about music the most, why not just concentrate on that?" I started pitching more and more reviews of things I liked, and within a few months had built up enough record company contacts to pitch for and get a column that ran every week for about four years. Then I also discovered alt.music.alternative and another venue for just writing a lot...

Ned Raggett (Ned), Thursday, 26 August 2004 16:31 (twenty-one years ago)

i didn't do any j-school or anything of the like, i just fell ass-backwards into it

I work with a dozen other people in the edit department here, and maybe one of them went to j-school, if I recall correctly. Of course, alt-weeklies are sort of like the Island of Misfit Toys: Most of us backed into it or aborted other ostensible careers cause we decided we liked this better.

It used to be you could do that at dailies too, but these days you gotta have the right profile, which usually includes a decent j-school and some substantial time at a smaller paper.

I dunno, it seems to me the main things you learn in j-school are technique and ethics. With the right breaks, some decent guidance, and, most of all, some talent and some smarts, you can pick those up with practical experience. And if you do good reporting and/or writing, a smart editor's not gonna care where you learned it.

Lee G (Lee G), Thursday, 26 August 2004 16:42 (twenty-one years ago)

otm (thank you slack alt-weeklies!)

s1ocki (slutsky), Thursday, 26 August 2004 16:46 (twenty-one years ago)

What I do
isn't journalism, though, it's basically writing a 5th grade level book report once a week.

Right, journalists do that five times a week.

Huck, Thursday, 26 August 2004 16:46 (twenty-one years ago)

right, so maybe I shouldn't go to journalism school.

hstencil (hstencil), Thursday, 26 August 2004 16:47 (twenty-one years ago)

The only thing holding me back from being a real reporter at the paper I work for is that I don't have a car.

Huck, Thursday, 26 August 2004 16:47 (twenty-one years ago)

stence, just write up a fake receipt and see if they pay for it. Or do they want it from an "accredited" j-school?

Sean Carruthers (SeanC), Thursday, 26 August 2004 16:48 (twenty-one years ago)

it's a little more complicated than that, the whole reimbursement procedure and whatnot. Remember, I'm talking about the same people who now won't spend approx. $600 to send me to a conference on the chemicals I cover.

hstencil (hstencil), Thursday, 26 August 2004 16:50 (twenty-one years ago)

I took as many writing and reporting classes as I could as an undergrad. That was the extent of my formal writing education. I say definitely take them.

Je4nne Ć’ury (Jeanne Fury), Thursday, 26 August 2004 16:52 (twenty-one years ago)

Yeah, what are you afraid of? Getting even better?

Huck, Thursday, 26 August 2004 16:52 (twenty-one years ago)

Well, Huck has a point. Can't hurt. Probably not anyway.

Lee G (Lee G), Thursday, 26 August 2004 16:57 (twenty-one years ago)

it can hurt my wallet, which is already badly wounded.

hstencil (hstencil), Thursday, 26 August 2004 16:58 (twenty-one years ago)

Well, it was really Je4nne's point.

xpost

That's a different issue, Hstencil. Have you talked to your employer about the fact that you don't have the dosh to lay down so that it might be reimbursed? Get 'em to write a cashier's cheque or something.

Huck, Thursday, 26 August 2004 17:00 (twenty-one years ago)

p.s. I have no idea what a cashier's cheque is.

Huck, Thursday, 26 August 2004 17:00 (twenty-one years ago)

haha i'm in a journo course and i've never been paid for writing a thing.

g--ff (gcannon), Thursday, 26 August 2004 17:07 (twenty-one years ago)

When I was a sophomore in high school one of my uncle's friends (my uncle ran the Mpls. vice squad and would occasionally be a consultant for writers and filmmakers) offered me a book deal. I declined! Though I took it as a pretty good sign that I'd be successful. I was getting into postpunk and the music and style press and had a few friends for a change, since I was involved with high-school journalism while also writing stories and novels (I'd had stuff published at an absurdly young age, hence interest from uncle's friend), and although I got into two j-schools for college, the place that offered me the chance to do fiction writing won out through offering me more money.

While taking fiction courses, my other work at college was considered 'journalistic' in a good way (meaning the profs didn't doze off reading it) and I interned at SPIN for the best part of a year. I was working for a writers' charity just after graduation and my British friends urged me to come to London. About a week after I got here, I phoned the NME. A combination of the work experience and the writing sample got me the gig days later.

suzy (suzy), Thursday, 26 August 2004 17:16 (twenty-one years ago)

Hi Suzy.

Huck, Thursday, 26 August 2004 17:19 (twenty-one years ago)

oh suzy you are lucky.

dickvandyke (dickvandyke), Thursday, 26 August 2004 17:23 (twenty-one years ago)

I don't work as a journalist, but man, the classes I took in college taught me things that I never could have learned anywhere else. I wrote a lot of 40-page research papers for liberal arts classes, and I've found that a lot of those programs don't teach you to scrutinize your writing the way a journalism writing class does. You can get away with a lot of bad, florid writing in academic circles.

But in journalism class, I'd turn in a piece that I'd worked all night on, and I'd get it back and it would be full of red ink. You notice quirks and bad habits that other teachers don't bother to point out to you.

Then we also had a writing lab where the instructor would walk in and say, 'okay - write about turkeys for the next two hours'. I swear.

Having come from Catholic schools, I had a taste for that sort of discipline. It was like boot camp, but ultimately I enjoyed it.

Kerry (dymaxia), Thursday, 26 August 2004 17:30 (twenty-one years ago)

where did you do that class kerry, if you dont mind me asking? im going to look into whether i should do a night class or do a full on course, etc.

dickvandyke (dickvandyke), Thursday, 26 August 2004 17:34 (twenty-one years ago)

Well, it was really Je4nne's point.

Yeah, but you drove it home.

You can get away with a lot of bad, florid writing in academic circles.

You mean there's any other kind of writing in academic circles?

One of the giveaways that someone learned to write by writing term papers: wall-to-wall passive voice.

Lee G (Lee G), Thursday, 26 August 2004 17:46 (twenty-one years ago)

I don't think it was luck at all. Some low cunning and specialist knowledge came into play - and rule number one is that you make your own luck. I did that by writing something practically every day of my adolescent life.

Kerry is right that you have to be a ruthless editor of your own stuff before you even show it to anyone. I have that tendency anyway, and my HS journalism department was first stop for some pretty prominent journalists, which the teacher referenced if we needed aspiration/inspiration. Our aim was to produce a better standard of writing than the local paper, and when that paper is the Minneapolis Star & Tribune that's bloody easy to do. After beginning in this style, you invariably have high standards.

I used to believe an ideal writing seminar setting would be The Algebra Class. An algebra teacher would be hired to drone on about algebra while a classful of furtive writers ignored him or her to concentrate on their manuscripts. I was an insolent teenager who answered 'what do you think you are doing?' questions with 'what does it look like? I'm writing a book!'

suzy (suzy), Thursday, 26 August 2004 17:48 (twenty-one years ago)

what do you mean by a 'wall to wall passive voice'? sometimes i prefer it when the writer doesnt blather on about their own opinion and just sticks to narration/commentary to ease the reader along.

splooge (thesplooge), Thursday, 26 August 2004 17:49 (twenty-one years ago)

Look, think about it this way. If you scrape up the money, take a course, learn something, and then get reimbursed, you can take that (ultimately) free learning and use it to get yourself a better job where you can put those talents/skills to work in a way that feels better and pays better. A bit pollyanna, I suppose, but it's better than doing something you don't like and being unhappy about it.

Lee G (Lee G), Thursday, 26 August 2004 17:51 (twenty-one years ago)

My journalism teachers hated that passive voice, but they used to ridicule 'academic' writing all the time.

DVD3000, it was at Northwestern, as an undergrad, but their continuing ed. program offers journalistic writing I and II (and the prof. is pretty good, too).

Kerry (dymaxia), Thursday, 26 August 2004 17:52 (twenty-one years ago)

what do you mean by a 'wall to wall passive voice'? sometimes i prefer it when the writer doesnt blather on about their own opinion and just sticks to narration/commentary to ease the reader along.

It doesn't really have anything to do with opinion or withholding of same. And nothing moves narration/commentary along better than people/things/ideas doing something than just being something.

Lee G (Lee G), Thursday, 26 August 2004 17:59 (twenty-one years ago)

It uses extra words, and that's BAD in journo-land.

Kerry (dymaxia), Thursday, 26 August 2004 18:01 (twenty-one years ago)

i dunno, the notion of a passive voice could mean anything.

splooge (thesplooge), Thursday, 26 August 2004 18:03 (twenty-one years ago)

it's not a value judgment, it's a grammatical convention.

huck, Thursday, 26 August 2004 18:09 (twenty-one years ago)

Bachelor in mass comm, concentration on print. Learned a lot, including that I was "wasting my talent" (per my advisor) writing about music.

Rickey Wright (Rrrickey), Thursday, 26 August 2004 22:15 (twenty-one years ago)

I did a writing degree (BFA), which included a fair bit of journalism and a 5 co-op terms of "professional writing" jobs, as well as writing workshops in poetry, etc. A nice, rounded combination of creative writing, editing, and the essentials of journalism. All the work I've done since has been related to writing and editing. Now I'm in a media studies master's program (b/c I love theory). But what school does is make you aware of your potential, all the opportunities open to you, and yeah, how to "network". I'd say, work that shite job, save money, and then check out 1-year diploma programs in professional writing, communications, journalism if your aim is to flesh out your skills and see what opportunities are out there. Then do some work you actually enjoy. (yeah, yeah, I'm a dreamer.)

rrrobyn (rrrobyn), Thursday, 26 August 2004 23:03 (twenty-one years ago)


You must be logged in to post. Please either login here, or if you are not registered, you may register here.