If all around you is essentially failing (frienships, lovelife, finances etc) is that beneficial in itself to you and/or the creative 'thing' you are working on?
Can something creative be improved by a tunnel-vision all-or-bust fuck-everything-else-but-my-work approach?
Is it necessary for the 'other stuff' in your life to be 'a success' in order for your creativity to thrive?
Isn't The Work what, at the end of the day, the stuff that really matters?
― Mustthetoadworksquat?, Wednesday, 23 March 2005 00:40 (twenty-one years ago)
― mookieproof (mookieproof), Wednesday, 23 March 2005 00:43 (twenty-one years ago)
― Autumn Almanac (Autumn Almanac), Wednesday, 23 March 2005 00:44 (twenty-one years ago)
― Alex in SF (Alex in SF), Wednesday, 23 March 2005 00:45 (twenty-one years ago)
― Eyeball Kicks (Eyeball Kicks), Wednesday, 23 March 2005 00:49 (twenty-one years ago)
― andy --, Wednesday, 23 March 2005 00:52 (twenty-one years ago)
― Eyeball Kicks (Eyeball Kicks), Wednesday, 23 March 2005 00:59 (twenty-one years ago)
― Alex in SF (Alex in SF), Wednesday, 23 March 2005 01:03 (twenty-one years ago)
― Miss Misery (thatgirl), Wednesday, 23 March 2005 01:06 (twenty-one years ago)
― mookieproof (mookieproof), Wednesday, 23 March 2005 01:07 (twenty-one years ago)
I guess people come first, inc. yourself (welfare, commitments etc.), but after that yes, my personal creative work is the most important thing in my life - it's crucial to my lifestyle and it's how i define myself largely.
'If all around you is essentially failing (frienships, lovelife, finances etc) is that beneficial in itself to you and/or the creative 'thing' you are working on?'
Could be, fuelling the desire to succeed and triumph over adversity etc. But being in a relatively content state can be equally benficial to the creative process if not more so, I'm convinced. The 'starving, tortured artist' cliche isn't necessarily de rigeur.
'Can something creative be improved by a tunnel-vision all-or-bust fuck-everything-else-but-my-work approach?'
Not sure, I'm a 'last minute' guy so don't know any other way. But working on my own projects in my own time I DO see how I can produce better work, having contemplated and planned it more. I definitely get things done by shutting everything else out for a good few hours though.
'Is it necessary for the 'other stuff' in your life to be 'a success' in order for your creativity to thrive?'
See earlier answer - not necessar(il)y
'Isn't The Work what, at the end of the day, the stuff that really matters?'
Personally without My Work I feel that I would have very little to show for myself and my life would mean less.
― Sven Bastard (blueski), Wednesday, 23 March 2005 01:12 (twenty-one years ago)
― Miss Misery (thatgirl), Wednesday, 23 March 2005 01:34 (twenty-one years ago)
the most important thing is that nothing's important.
― hstencil (hstencil), Wednesday, 23 March 2005 01:37 (twenty-one years ago)
― Jordan (Jordan), Wednesday, 23 March 2005 01:48 (twenty-one years ago)
― tokyo rosemary (rosemary), Wednesday, 23 March 2005 01:49 (twenty-one years ago)
― mookieproof (mookieproof), Wednesday, 23 March 2005 01:58 (twenty-one years ago)
― hstencil (hstencil), Wednesday, 23 March 2005 02:15 (twenty-one years ago)
― mookieproof (mookieproof), Wednesday, 23 March 2005 02:16 (twenty-one years ago)
― hstencil (hstencil), Wednesday, 23 March 2005 02:17 (twenty-one years ago)
― mookieproof (mookieproof), Wednesday, 23 March 2005 02:20 (twenty-one years ago)
― hstencil (hstencil), Wednesday, 23 March 2005 02:23 (twenty-one years ago)
These are the last lines of Chekhov's Uncle Vanya, and I've never quite understood them, at least in relation to everything that came before. The whole play is taken up with faded pseduo-aristocrats inventing crises for themselves, mooing about, settling old scores, indulging ridiculous fantasieseverything, that is, aside from doing a little work. The state of the family's finances reflects these priorities. The play's final scene, when the beautiful young professor's wife has gone and the impending drunkard doctor Astrov has toasted himself one last glass of vodka and departed, sees a calm and peaceful scene that flows directly from Vanya and Sonia's decision to sit down and quietly put their books in order. Carrying the one; totting up columns; that kind of thing. A guitar strums gently in the background. Work appears to be the one thing to give the characters any sense of rest or serenity. So why Sonia's still moaning about it I don't know. The monologue is always played straight - as you have to; Sonia's a very play-it-straight kind of girl; and anyway, it's almost impossible to wink at the audience during any monologue, much less this one - but I wonder if Chekhov hasn't given her a speech that expresses precisely the opposite of what's really going on.
― Tracer Hand (tracerhand), Wednesday, 23 March 2005 02:36 (twenty-one years ago)
― mouse (mouse), Wednesday, 23 March 2005 04:15 (twenty-one years ago)
― dan (dan), Wednesday, 23 March 2005 04:25 (twenty-one years ago)
― sunburned and snowblind (kenan), Wednesday, 23 March 2005 04:48 (twenty-one years ago)
Fuck, the prismacolors are calling me. Later.
― Austin, motherfucker! (Austin, Still), Wednesday, 23 March 2005 07:16 (twenty-one years ago)
I mean, art is nice, and I'm proud of it and all, but really, it doesn't exactly keep me warm at night, now does it?
― Masonic Cathedral (kate), Wednesday, 23 March 2005 09:37 (twenty-one years ago)
― Ste (Fuzzy), Wednesday, 23 March 2005 10:38 (twenty-one years ago)
― Huey (Huey), Wednesday, 23 March 2005 10:49 (twenty-one years ago)