I am the Series Editor for DA CAPO BEST MUSIC WRITING 2002, an annual anthology published by Da Capo Press. Jonathan Lethem, the novelist (MOTHERLESS BROOKLYN, etc.) and Guest Editor for this edition, has constructed a "thread" of comments about The Strokes from ilovemusic.com, to be included in the collection. Yours is one of the "voices" in the thread (which is attached in its entirety hereto).
― "Jess.", Thursday, 25 April 2002 00:00 (twenty-four years ago)
― jess, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― anthony, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― nathalie, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― Sterling Clover, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― Daver, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― Ned Raggett, Thursday, 25 April 2002 00:00 (twenty-four years ago)
Note to self: post to more threads about greasy hypes.
― Michael Daddino, Thursday, 25 April 2002 00:00 (twenty-four years ago)
i'd post the edited "thread", but i've already probably broken some sort of agreement which will sink the whole thing.
Are you guys going to get paid?
― Andrew L, Thursday, 25 April 2002 00:00 (twenty-four years ago)
Yes they absolutely should get the URL right - or at least mention FT heh heh.
― Tom, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― Dan Perry, Thursday, 25 April 2002 00:00 (twenty-four years ago)
(And, for the record, my contribution to this entire enterprise amounts to 23 words. Over Brussels.)
― fritz, Thursday, 25 April 2002 00:00 (twenty-four years ago)
"the strokes are okay, I guess, I don't really listen to their album much"...I don't think it woulda made into a book though!
well done y'all!
― jel --, Thursday, 25 April 2002 00:00 (twenty-four years ago)
I guess I could use $50, though.
― Bitsuh, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― bnw, Thursday, 25 April 2002 00:00 (twenty-four years ago)
I suspect the r3al point is just gonna be some "lookit the internet buzz" industry-wise get-hip-to-the-kidz-&-their-krazy-komputers thing.
― Mitch Lastnamewithheld, Thursday, 25 April 2002 00:00 (twenty-four years ago)
the real url be published.
a link be published to ft and/or nylpm and/or the original nylpm entry.
i know exactly HOW its going to be used.
even if they wont publish the first two, i'll include them in my "author bio" (ho ho ho.)
soz
(i haven't even finished fucking READING it yet: it is pluperfectly awful)
― mark s, Thursday, 25 April 2002 00:00 (twenty-four years ago)
Of course if I hadn't just posted something to that thread that they'd edit out, I'm sure I'd be really excited about the prospect of even going into such a book, but I would still have to think it sucks.
― Josh, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― Nicole, Thursday, 25 April 2002 00:00 (twenty-four years ago)
But the last one? Key-RIST. I cannot understand why anyone would want to immortalize all that raging banality, all that Salon-speak, all that hackdom that refuses to understand its hackness, all the tepid profiles of aging stars and all the profiles of tepid stars by aging critics. Oh there's a couple good things on there but I bet reading the thing cover to cover would just give me that sinking feeling: Mark, why did you even bother?
Any really good thead, if published whole in a mass-produced book, would have to be annotated up the wazoo. And it'd be suprisingly long.
― geeta, Thursday, 25 April 2002 00:00 (twenty-four years ago)
― Douglas, Thursday, 25 April 2002 00:00 (twenty-four years ago)
do you thing he's been googling his own name and thats how he found IL*?
This is so cool. I've just finished Motherless Brooklyn and it rocks more than rocks do.
― misterjones, Friday, 26 April 2002 00:00 (twenty-four years ago)
2. It's very nice of ppl to say oh FT has published lots of great music writing but it hasn't really. It's published 3 or 4 things I think are really really good and quite a lot more things I think are much better than almost all current print music journalism, but I don't know if it's run very much that's anthologisable. ILM is a different matter in quality terms but pretty much unusable in any non- linkable environment.
3. Josh is completely right about that thread. Sigh.
― Tom, Friday, 26 April 2002 00:00 (twenty-four years ago)
hilarious sidebar: the hero's room in the film fever pitch is actually frunished with piles of MY OLD NMES and MMs: the prop buyer = one of my oldest friends and came and took polaroids of my flat before set designing began
― mark s, Friday, 26 April 2002 00:00 (twenty-four years ago)
The truth - as ever - will out.
― Pete, Friday, 26 April 2002 00:00 (twenty-four years ago)
― Michael Daddino, Friday, 26 April 2002 00:00 (twenty-four years ago)
― mark strong (on the left), Friday, 26 April 2002 00:00 (twenty-four years ago)
It's even worse than I thought....
― Nicole, Friday, 26 April 2002 00:00 (twenty-four years ago)
I don't know about that. There have been some individual postings that work removed from their environment, and can stand alone as a good piece of writing. The only problem is that they usually work even better in the context of ILM.
― the pinefox, Friday, 26 April 2002 00:00 (twenty-four years ago)
the copyright issue is interesting, though: do i hold copyright to my posts here? i rather suspect NOT...
― RickyT, Friday, 26 April 2002 00:00 (twenty-four years ago)
― Andrew L, Friday, 26 April 2002 00:00 (twenty-four years ago)
However, I do agree that it would make for a far better piece if it did include the full thread. In its edited version, the discussion is a lot less interesting. This particularly irks me because I think my post was chosen to lead the edited thread (when it was originally about 2/3 of the way down) because it seems very "web-like" with its capital letters, parentheses, and half-baked assertations when in fact it came on the heels of lots of nice well-reasoned arguments. In its original context, I don't mind my post for what it is - a semicoherent point on The Strokes as being essentially palatable to the Brit crits but romanticized as an archetypal New York band; but this is such a time-specific, insignificant point that I really don't like having it lead the thread.
On the other hand, I see the strategy of including a post like mine because I think it is representative of some of what's fun about web writing - you're free to be reactionary, esoteric, use busted syntax etc. - but I don't think it's representative of The Best Music Writing of the year at all.
I don't know what do you folks think? Should I just quit whining and enjoy it or what?
― fritz, Friday, 26 April 2002 00:00 (twenty-four years ago)
I imagine Greenspun would not want to claim copyright, so as to firewall themselves from maximum liability for legal claims against certain kinds of posts (this is on a they-can't-have-it-both-ways principle that I just now invented, but i feel sure something notionally similar applies) (ie they won't be saying “We claim all copyright to yr nonsensical spouting except of course if it lands us in court”)
― a-33, Friday, 26 April 2002 00:00 (twenty-four years ago)
(it's like the waiver you're asked to sign when you get interviewed for some meretricious TV doc: the appeal is to the punter's vanity, the lure of the brief flash of stardom, then they can kid themselves that you "deserve everything you get" when they edit it to make you look like a clown...)
Are you uncomfortable with the edited version being perceived as representative of ILM, Tom?
― Jeff W, Friday, 26 April 2002 00:00 (twenty-four years ago)
Basically I feel like I was a member of a crowd in a photograph that someone wants to publish - they don't want to publish it cause I'm so stylish or goodlooking, they want to publish it because they want a snapshot of a crowd circa 2002. The only conscious decision I made was to be hanging out in a cool place to be photographed, everything else was chance. Yeah, I wish I wasn't making a stupid face in this photograph. Yeah, maybe I think the photograph would be better if they hadn't cropped a lot of it out. Should I let them publish it and give me some dough, why not?
(sorry if I'm vascilating on this, I'm just going through it in my mind here).
― jess, Friday, 26 April 2002 00:00 (twenty-four years ago)
― M Matos, Monday, 29 April 2002 00:00 (twenty-four years ago)
― fritz, Monday, 29 April 2002 00:00 (twenty-four years ago)
― nabisco, Thursday, 2 May 2002 00:00 (twenty-four years ago)