― amateur!st (amateurist), Saturday, 15 May 2004 04:37 (twenty years ago) link
― mei (mei), Saturday, 15 May 2004 06:28 (twenty years ago) link
Also, Pitchfork agrees with my view, so of course I am correct
― Vic (Vic), Saturday, 15 May 2004 07:42 (twenty years ago) link
― Andy K (Andy K), Saturday, 15 May 2004 11:56 (twenty years ago) link
― Tim Finney (Tim Finney), Saturday, 15 May 2004 12:17 (twenty years ago) link
eh, but she sings them nicely though.
― amateur!st (amateurist), Saturday, 15 May 2004 16:44 (twenty years ago) link
― JesusMaryChain, Saturday, 15 May 2004 19:00 (twenty years ago) link
― cozen (Cozen), Saturday, 15 May 2004 20:27 (twenty years ago) link
― Robert Moore (treble), Friday, 28 May 2004 10:16 (twenty years ago) link
― Marcello Carlin, Friday, 28 May 2004 11:29 (twenty years ago) link
As usual I have to remind myself that it's not the fault of Petridish, who I suppose can't help being stupid, but the idiots who pay him money to excrete his shit in a broadsheet newspaper.
― Marcello Carlin, Friday, 28 May 2004 11:33 (twenty years ago) link
― Chris Ott (Chris Ott), Friday, 28 May 2004 12:37 (twenty years ago) link
― Sick Mouthy (Nick Southall), Friday, 28 May 2004 15:25 (twenty years ago) link
I'm not that big a PJ Harvey fan really, I can't stand the songs when she goes mental.. but her melodic songs are great. The Letter's really grown on me.. I didn't like it much at first, but the guitars in that are cool.
The thing that puzzled me last night was how both the blokes and the girls were obsessed with what she was wearing (a yellow dress and pink stillettos by the way.. photos here. You don't get that when you have blokes performing.. even if they were wearing cool boots.
― jellybean (jellybean), Friday, 28 May 2004 15:33 (twenty years ago) link
― jellybean (jellybean), Friday, 28 May 2004 15:35 (twenty years ago) link
― toby (tsg20), Friday, 28 May 2004 17:48 (twenty years ago) link
I'm thinking that this'll be where the glamour-kitten image of Stories... and the dirty blues intensity of Dance Hall At Louse Point meet.
― The Lex (The Lex), Friday, 28 May 2004 22:46 (twenty years ago) link
Man, I had the biggest crush on Alexis Petridis when I was 18 or so. ...my how times change.
― ipsofacto (ipsofacto), Friday, 28 May 2004 23:07 (twenty years ago) link
― jellybean (jellybean), Saturday, 29 May 2004 09:07 (twenty years ago) link
yep.
― thesplooge (thesplooge), Saturday, 29 May 2004 12:38 (twenty years ago) link
Ha ha and of course "Taut" is the best thing Kim Gordon never did.
― Tim Finney (Tim Finney), Sunday, 30 May 2004 22:52 (twenty years ago) link
― Chris Dahlen (Chris Dahlen), Monday, 31 May 2004 00:13 (twenty years ago) link
Anyway, since then I've had some guilt about not picking up "Is This Desire?" Just never got around to it.
I agree the new album's title and sleeve are both incredibly awful, but I'd like to hear it.
― Bimble (bimble), Monday, 31 May 2004 00:41 (twenty years ago) link
― Raymond Cummings (Raymond Cummings), Monday, 31 May 2004 15:21 (twenty years ago) link
― jed_ (jed), Monday, 31 May 2004 16:59 (twenty years ago) link
"Taut" is the best thing ever - "even the sonofgodhadtoDIEMYDARLIN'!!"
― The Lex (The Lex), Monday, 31 May 2004 17:19 (twenty years ago) link
I thought "Stories" was her best LP ever, actually; I could care less about Thom Yorke but it still worked, that track. Didn't care for her Hal Hartley film too much but so what. Coming to New York did her some good I guess and I like the way she says "San Diego" on that last album. I like the way she seemed to have been all freaked out by America, too, I like her and above poster is right--what she does shouldn't work, it seems kinda simple and stupid but then she sings. Maybe she's been listening to Hasil Adkins or Jandek, judging by the new CD's cover, that's fine.
― eddie hurt (ddduncan), Monday, 31 May 2004 18:30 (twenty years ago) link
so, the michael medved of music criticism, then.
― amateur!st (amateurist), Monday, 31 May 2004 19:02 (twenty years ago) link
I like Rid of Me about as much as the subsequent three actually. I bought it when I was thirteen (one of my very first albums) and I still find that I like it more each time I play it (which is not a whole lot, admittedly!).
I'm actually quite looking forward to this album and I love the title and the cover more and more all the time.
― Tim Finney (Tim Finney), Monday, 31 May 2004 23:01 (twenty years ago) link
Uh Huh Her was meant to arrive today... where is it? where? Fucking Royal Mail. Grrr.
― The Lex (The Lex), Tuesday, 1 June 2004 07:30 (twenty years ago) link
― J.D. (Justyn Dillingham), Tuesday, 1 June 2004 08:44 (twenty years ago) link
― Spencer Chow (spencermfi), Wednesday, 2 June 2004 22:00 (twenty years ago) link
― kyle (akmonday), Wednesday, 2 June 2004 22:18 (twenty years ago) link
― Tim Finney (Tim Finney), Wednesday, 2 June 2004 22:56 (twenty years ago) link
― kyle (akmonday), Thursday, 3 June 2004 22:08 (twenty years ago) link
― Spencer Chow (spencermfi), Thursday, 3 June 2004 22:21 (twenty years ago) link
― David A. (Davant), Thursday, 3 June 2004 22:31 (twenty years ago) link
― David A. (Davant), Thursday, 3 June 2004 22:34 (twenty years ago) link
― kyle (akmonday), Thursday, 3 June 2004 22:49 (twenty years ago) link
― David A. (Davant), Thursday, 3 June 2004 23:34 (twenty years ago) link
― JoB (JoB), Friday, 4 June 2004 00:00 (twenty years ago) link
On first listening, Uh Huh Her is definitely a step back toward some kind of emotional coherence and direction. Like her earlier stuff, it's understated, with few muddying layers, and seems half-written initially. This is a good thing. Many of these songs, while retaining the raw blues spine of her early 90s work, are wrapped in more Latin flesh. And thankfully, her unique eroticism is back, female but not generic.
At times, she almost sounds like she's flirting with preciousness a la Sinéad O'Connor circa I Do Not Want What I Haven't Got, and she gets away with it. At others, she's a dark savant sibling to early Hole Courtney sans the histrionics. In fact, by mostly shedding her own histrionics, and injecting some kind of Patti Smithery (she's done that before, more overtly), her voice has reached its apotheosis (perhaps) without ever succumbing to the dreaded word/concept "mature".
Oh. Another quick observation: the album gets progressively stronger.
Fuck, this is nice. It'll change, I'm sure, but for now, standouts are "The Life and Death of Mr. Badmouth", "Shame", "The Slow Drug", "It's You", "The Desperate Kingdom of Love" and "The Darker Days of Me and Him".
The shorter songs/interludes help stitch it together. It feels like it all belongs. (Even those seagulls.)
Embarrassing as it sounds, I love her (music!) more than ever. This makes me very happy.
― David A. (Davant), Friday, 4 June 2004 03:52 (twenty years ago) link
I just want to defend Albini's production of Rid Of Me wholeheartedly. I remember when I first heard his production of Wedding Present Seamonsters and it took me years to get used to it despite my respect for both him and the Weddoes. With PJ, though, his production made perfect sense because there was more silence, more breathing room. It's hard to imagine that album having been better without him.
― Bimble (bimble), Friday, 4 June 2004 05:06 (twenty years ago) link
(As for my synopsis, I've quit worrying about embarrassing myself on ILM -- my personality leans toward the ridiculously effusive and enthusiastic, I just can't do hipster reserve, so I no longer even try.)
― David A. (Davant), Friday, 4 June 2004 05:40 (twenty years ago) link
― Bimble (bimble), Friday, 4 June 2004 15:36 (twenty years ago) link
― David A. (Davant), Friday, 4 June 2004 16:46 (twenty years ago) link
― Unknown User, Friday, 4 June 2004 17:02 (twenty years ago) link
― J.D. (Justyn Dillingham), Friday, 4 June 2004 17:16 (twenty years ago) link
― David A. (Davant), Friday, 4 June 2004 17:25 (twenty years ago) link
― J.D. (Justyn Dillingham), Friday, 4 June 2004 17:32 (twenty years ago) link