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one year passes...
Bumping, in light of the reference to it in the
Keith Jarrett thread.
[Please forgive me for not re-reading everything up-thread; I will do so later and discover that whatever I say has already been said.]
I loved the series, because I tend to be ignorant of pre-bebop jazz, and there was a wealth of material that was new and wonderful from those early decades. It was nice to see the young Louis Armstrong in full possession of his mojo, and to learn that his lithe singing — quite a bit removed from the gravelly self-parody of the Louis I would see on TV as a kid — was almost the equal of his trumpet playing.
But I was among the chorus of haters (like Jarrett) who resented the coverage of the post-Ornette-goes-to-New-York years. I've calmed down since, and can see the documentary now as a history of the jazz industry rather than a history of jazz. It makes sense, in that context, to cover the fifth decades of Ellington and Armstrong's careers, rather than give adequate space to "Not Jazz as We've defined it" — New Thing, AACM, Brötzmann, fusion, and so on.
It's odd/interesting that the Ornette portion was so nicely done, considering the short shrift given to what follows him, but it makes sense in light of the later acceptance of his music by the Jazz at Lincoln Center people. Welcome to the jazz-industry canon, Mr. Coleman.
The film begs for a Jazz II, covering 1960 onwards, but with Carla Bley and Rafi Zabor replacing Wynton and Crouch as consultants. Unfortunately, that's not the sort of thing that attracts the corporate sponsorship. Give it 20 years.
― mark 0 (mark 0), Monday, 25 September 2006 14:14 (seventeen years ago) link
Wynton Marsalis supposedly loves Ornette.
Anyway, I think your approach is the right one - yeah, the film was incomplete, but now there's a perfect opportunity to create their own take on it or to cover the ground that was missed. Hell, there should be 10 films.
― A-ron Hubbard (Hurting), Monday, 25 September 2006 16:39 (seventeen years ago) link
eight years pass...