― william (william), Sunday, 8 May 2005 20:13 (nineteen years ago) link
― Morley Timmons (Donna Brown), Monday, 9 May 2005 04:24 (nineteen years ago) link
― donut debonair (donut), Monday, 9 May 2005 04:26 (nineteen years ago) link
― The Silent Disco of Glastonbury (Bimble...), Monday, 9 May 2005 04:47 (nineteen years ago) link
...yup...it was white with a black front door. jon king used a short baseball bat type club to utterly destroy it. again...i can't urge people enough to catch them should they play your town in the next two weeks. i was really surprised the commodore ballroom was not more than 75% full.
― william (william), Monday, 9 May 2005 06:01 (nineteen years ago) link
― Rickey Wright (Rrrickey), Monday, 9 May 2005 06:07 (nineteen years ago) link
Did he start banging on it while it was on a platform of some kind and then continued to bang on it as it fell on the floor of the stage? What happened to the microwave on your end? I recall a roadie also conveniently moving the microphone closer when it fell on the floor.
xpost - brilliant! A destroyed microwave from Gang of 4! Next trend in music will be...toaster ovens on stage!
― The Silent Disco of Glastonbury (Bimble...), Monday, 9 May 2005 06:10 (nineteen years ago) link
― Rickey Wright (Rrrickey), Monday, 9 May 2005 06:20 (nineteen years ago) link
― The Silent Disco of Glastonbury (Bimble...), Monday, 9 May 2005 06:44 (nineteen years ago) link
― Rickey Wright (Rrrickey), Monday, 9 May 2005 08:10 (nineteen years ago) link
― That's not cocaine! It's Ian Riese-Moraine! (Eastern Mantra), Monday, 9 May 2005 09:23 (nineteen years ago) link
― jake b. (cerybut), Monday, 9 May 2005 09:48 (nineteen years ago) link
― Geir Hongro (GeirHong), Monday, 9 May 2005 09:50 (nineteen years ago) link
― steve-k, Monday, 9 May 2005 12:33 (nineteen years ago) link
(You can like !!! better if you wish, though.. no one's going to stop you there)
― donut debonair (donut), Monday, 9 May 2005 17:51 (nineteen years ago) link
― edd s hurt (ddduncan), Monday, 9 May 2005 17:54 (nineteen years ago) link
(They were a really weird disco-punk band in that they fully integrated a Syd Barrett/"Nuggets" Acid Bubblegum element to their post-punk-disco that was pretty genius.)
― donut debonair (donut), Monday, 9 May 2005 17:57 (nineteen years ago) link
― Geir Hongro (GeirHong), Monday, 9 May 2005 18:07 (nineteen years ago) link
― Matos-Webster Dictionary (M Matos), Monday, 9 May 2005 18:17 (nineteen years ago) link
― That's not cocaine! It's Ian Riese-Moraine! (Eastern Mantra), Monday, 9 May 2005 18:54 (nineteen years ago) link
"Hit Me with Your Rhythm Stick" and "I Love A Man in Uniform" musically are sorta in the same ballpark. I like 'em both.
I like Ian and the G04 but for the most part, it's kinda apples and oranges. I'll take Entertainment over New Boots, if I haveta choose.
― steve-k, Monday, 9 May 2005 18:58 (nineteen years ago) link
What they do have in common is they mixed new wave and disco. Although Ian Dury's music hall/pubrock was of course a different kind of new wave from GoF's postpunk.
― Geir Hongro (GeirHong), Monday, 9 May 2005 20:02 (nineteen years ago) link
― Rickey Wright (Rrrickey), Monday, 9 May 2005 22:28 (nineteen years ago) link
― Ned Raggett (Ned), Monday, 9 May 2005 23:02 (nineteen years ago) link
― Rickey Wright (Rrrickey), Monday, 9 May 2005 23:13 (nineteen years ago) link
― Morley Timmons (Donna Brown), Tuesday, 10 May 2005 04:03 (nineteen years ago) link
― Ned Raggett (Ned), Tuesday, 10 May 2005 04:56 (nineteen years ago) link
I think I have not heard their music for years, but I have a feeling it is rubbish, also.
― the bluefox, Tuesday, 10 May 2005 17:56 (nineteen years ago) link
― kyle (akmonday), Tuesday, 10 May 2005 18:04 (nineteen years ago) link
― peepee (peepee), Tuesday, 10 May 2005 19:41 (nineteen years ago) link
― donut debonair (donut), Tuesday, 10 May 2005 21:56 (nineteen years ago) link
― box of socks, Wednesday, 11 May 2005 03:39 (nineteen years ago) link
― peepee (peepee), Friday, 13 May 2005 13:54 (nineteen years ago) link
Radio 4 looked like the fucking Mighty Mighty Bosstones after weight loss and a class in Disco-Wave-Punk 101. (Sorry to the Radio 4 lovers.) They're not terrible live, but I'd punch their mugs if I had to deal with them in a bar or, oh say, a dressing room.
― donut debonair (donut), Friday, 13 May 2005 14:02 (nineteen years ago) link
― donut debonair (donut), Friday, 13 May 2005 14:03 (nineteen years ago) link
Not quite praise there, is it?
― peepee (peepee), Friday, 13 May 2005 16:33 (nineteen years ago) link
i missed radio 4, thank god
― g e o f f (gcannon), Friday, 13 May 2005 17:06 (nineteen years ago) link
― box of socks, Friday, 13 May 2005 19:49 (nineteen years ago) link
Gang of Four I thought were pretty fantasic...a few flubs, but what energy and just the sense of "wow this is what the REAL THING looks/sounds like"
radio 4 can eat a bag of bongo dicks.
― M@tt He1geson (Matt Helgeson), Friday, 13 May 2005 19:54 (nineteen years ago) link
― Morley Timmons (Donna Brown), Friday, 13 May 2005 21:53 (nineteen years ago) link
1/ Took everyone's advise and walked in just to see the last song by Radio 4. Not terrible live may be true, but seemed way too calculated and faux-earnest. Plus, it didn't help to have Ben Stiller fronting the band2/ Reminded about how many great drum riffs Hugeo had (has)3/ Shocked at the intensity of the Gang of Four. I've seen them now 6 times, and this may have been the best. Part of that is the minusing of Sara Lee and the addition of Dave Allen, but part was the abandonement of playing near the end of a tour that may be their last, FOREVER. They seemed older, and that sure hampered Jon's gyrating rhythm into the show, but he sure made up with it with sheer relentlessness.4/ Little hints that there's still difficulty between them, esp. Andy and Jon.5/ A bit surprised that Dave played with a pick. When I saw him with Shriekback, he was tremendous, and played without a pick. This time around, the bass sound was way too tinny and had little bottom.6/ I expected there to be more youngsters there.7/ I became more solid with the idea of reunions. After last night, and seeing Wire a couple of years ago, I imagined how great it'd be if the young wannabeez could sit at desks, watching these two aged bands play, and LEARN HOW TO DO IT RIGHT.8/ Was surprised to heard something offa Shrinkwrapped.9/ wtf, He'd Sent In The Army,? That was amazing!
Because of this thread, I'd expected greatness, and got it.
― peepee (peepee), Saturday, 14 May 2005 22:17 (nineteen years ago) link
If you didn't believe me, Ben Rayner said the same thing in this morning's Toronto Star.
― peepee (peepee), Monday, 16 May 2005 15:29 (nineteen years ago) link
"To Hell with Poverty" was the greatest live music moment I've ever been involved with.
Jesus fucking Christ.
Pardon my French.
Worth the 25 fucking dollars.
Goddamn.......my neck hurts.
― PB, Saturday, 21 May 2005 05:14 (nineteen years ago) link
― I.M. (I.M.), Saturday, 21 May 2005 05:18 (nineteen years ago) link
― Steve K (Steve K), Saturday, 21 May 2005 05:55 (nineteen years ago) link
Anyway, yes, he saw show..
― donut debonair (donut), Saturday, 21 May 2005 10:48 (nineteen years ago) link
"All that fell away with the set's final song, 1981's "To Hell With Poverty"; as they performed it, everyone in the room held their breath. It belongs to the handful of greatest single-song live performances I've ever seen."
― PB, Saturday, 21 May 2005 16:20 (nineteen years ago) link
Unreal.
― PB, Saturday, 21 May 2005 16:22 (nineteen years ago) link
From upthread:
I thought that their sociopolitical stance was what made their aesthetic work. Isn't the tension inherent in their being a pop band critical of pop commodity-selling as an enterprise what makes them still worth listening to today, not just that Dave Allen could really play bass [...] isn't that just the thing that keeps them from being totally rigid and unfun, that they express the confusion and conflict of "false consciousness" and don't just present a line of dogma, like other bands of their ilk? [...] it seems like this is the stuff is what really makes them artists worth listening to and thinking about [...] Are they still coming from somewhere near the same stance that they did back in the day, or is this just a payday for them? And does that matter?
Discuss, please. I mean, they're still totally compelling live singing vowel sounds, but what do people make of the (rest of the) lyrical content in This Year Of Our Lord 2005?
― box of socks, Saturday, 21 May 2005 17:16 (nineteen years ago) link
― box of socks, Saturday, 21 May 2005 18:45 (nineteen years ago) link