Not all messages are displayed:
show all messages (194 of them)
four weeks pass...
If I had to guess the backstory for Teen Hearts, I'm thinking it is a group of techies who realized the venture capital they secured for they're web 2.0 project (blerf.com or some such) wasn't working out, so they're burning the funds on the band. Good thing they bundled in Logic Studio when they all bought themselves the MacBook Pros. Looking at the MySpace, they clearly had the contracts with the swag manufactures already worked out.
Matty: Guitar, Hearty Heron, Cloud Services
Max: Drums, Apache, MySQL
Charity: Keyboard, PHP, CSS
Kelly: Vocals, MBA
― bendy, Sunday, 17 January 2010 13:11 (fourteen years ago) link
from http://latimesblogs.latimes.com/music_blog/2008/11/in-which-we-pon.html
"What we have here are the hideous side effects of Internet-culture music poptimism: a world in which every trope of every genre, sub- or not, is so instantly accessible, consumable and repeatable that to "like" something is completely subsumed by the act of "acknowledging" something. As terrifying as "Freaxxx" is to listen to, its main function is not as song, but as a checklist of pop culture talking points -- there is autotune, there is screamo, there are awful house beats, there is casual misogyny and committed misogyny...There are so many inscrutable moments in the song and video (for instance, how would an eager young lady go about taking off her panties, then her pants, as the song suggests?) that it could amply reward a whole afternoon of putting off work for repeat viewings."
― serious business, Sunday, 31 January 2010 04:17 (fourteen years ago) link
two months pass...
Few artists talk about their spiritual beliefs, even fewer let them rule their life as openly as New York's Darwin Deez.
Deez, as well as fronting his own band, is a Baba Lover: a follower of the teachings of 20th century Indian spiritualist Meher Baba.
The preacher, who adopted silence from the age of 31 until he died at 74 in 1969, advocated the mantra 'Don't worry be happy' (later picked up by Bobby McFerrin for his 1988 hit) and denigrated the use of drugs.
"It can be a challenge for real, but I think it's a worthwhile challenge," says Deez, pondering his life choices. "It helps people to exude cheerfulness. Baba always said cheerfulness has spiritual value."
Waiter by day
Indeed, Deez, who waits tables at a vegan restaurant by day and plays gigs with his band by night, is exceptionally cheerful.
But he also finds the archetypal life of a rock 'n' roller at odds with his own clean-living beliefs.
"It's going to feel a little strange just going from one oasis of liquor to another night after night," he explains, on the subject of an upcoming US tour.
"If you want to be a musician, if you want to be a songwriter, at some point you've got to service the drunkies (sic)."
If all this makes Deez sound like a boring hippy with an allergy to fun, he's anything but.
He writes positive songs reminiscent of NYC buddies The Strokes, whilst his live gigs are explosions of joy - often involving syncopated dance interludes - like a low-budget Flaming Lips production.
"The first song I ever wrote was called Missing and it was probably when I was 11 after I got my guitar. My parents got me a guitar for my birthday," he laughs. "In fact I still play it - it was a little catchy two-cord song."
Debut single
Speaking of catchy songs, Constellations is Deez's debut single out in December - a rickety indie anthem which references Twinkle Twinkle, Little Star.
"There was a period where I would go to the open mic night every week at the sidewalk café (New York)," he elaborates.
Darwin Deez Darwin Deez and his band
"Some cool people used to do that like Regina Spektor, Adam Green (Moldy Peaches) and this guy Latch - I started hearing things I liked. I stole the idea to reference a children's song. That is how the lyrics of Constellations got started.
Now, he's on his second album Astrological Epochs And The Sands Of Time ("my first album, I never released it or performed it"). It is set for release sometime in 2010.
"I feel like the music that I've made on this record has far reaching appeal," he says.
"The next record will be a little more introspective, emotional, Radiohead-whatever."
But for the moment, in between pursuing his deep interest in philosophy, he's grabbing every opportunity that comes knocking.
"I want my songs to be famous whether I'm the one singing them or not," he states, before embarking another in-depth tangent about Animal Collective's work ethic.
"The physical world is ultimately illusion," he says colourfully. "It keeps changing."
So begins this Darwin's evolution.
― Shannon Whirry and the Bad Brains, Tuesday, 6 April 2010 11:06 (fourteen years ago) link