Mr Tundra played a track from this on his radio show on Sat and very good it sounded too. Must give the rest a listen; thank you for the link.
― piskie sour (a passing spacecadet), Monday, 26 July 2010 11:19 (thirteen years ago) link
I keep not hearing Max Tundra's show...is there a place where they're all podcast?
― Anti-Suggest Ban Order (acoleuthic), Monday, 26 July 2010 12:52 (thirteen years ago) link
new yorkers please come see me and my friends on saturday :)
http://img833.imageshack.us/img833/5061/coco66.jpg
― Dominique, Wednesday, 15 September 2010 20:10 (thirteen years ago) link
I will attend in spirit.
― Ned Raggett, Wednesday, 15 September 2010 20:10 (thirteen years ago) link
no longer has a beard fyi
― sarahel, Thursday, 16 September 2010 02:23 (thirteen years ago) link
fuck it, it's my thread
Today is Igor Stravinsky’s 129th birthday. Were the legendary Russian composer alive today, well, he’d probably be kept under constant watch, donned in thin layers of radiation-resistant cloth, and under many layers of glass. But were he functional, he’d likely be pretty curious about an event happening this summer in the Bay Area. In short, we’d like to formally announce a new recording of his classic Les Noces (The Wedding), and two performances that will be among the most unique and inspired recreations of the work.
So without further ado, here’s all the info about our Stravinsky cover thing!
NEW RECORDING
LES NOCES (2011)http://dominiqueleone.bandcamp.com/album/les-noces
DOWNLOAD for FREE!
Produced by Dominique LeoneKanoko Nishi, Regina Schaffer: pianosNicole Ginelli: cover art
ABOUT LES NOCES
Stravinsky (1882-1971) composed his ballet Les Noces (“The Wedding”) during 1913-1917, and as with The Rite of Spring, Petrushka and The Firebird, premiered it with the Ballets Russes group and choreography by Bronislava Nijinska. Its “story” is but scenes from a typical Russian wedding, with characters such as the bride, groom and surrounding family fretting about the event, and each other.
Unlike the composer’s previous works, Les Noces was originally realized through a decidedly non-symphonic arrangement of four pianos, percussion, and a vocal ensemble of four soloists and chorus. Stripped down to these most basic elements, the intensity of Stravinsky’s composition shines through like a razor-sharp beacon. Rhythms pound furiously, vocal lines criss-cross before the storm of percussion and pianos lest they be flattened by the fiery stomp. Les Noces is often considered the last great piece of Stravinsky’s “Russian” period, before the composer dove into other idioms, such as neo-classicism and 12-tone music.
Another interesting aspect of Les Noces is that before deciding on his four-piano arrangement, Stravinsky had ideas of using the “pianola”, a mechanical piano that could play pre-recorded music via metallic rolls. Indeed, the pianola was closer to modern-day sequencer/synthesizer in that its player could record parts that were unplayable by a human being. As a composer, Stravinsky was naturally attracted to the instrument as a tool for composition and performance. Pierre Boulez premiered a version of the score using pianola in 1981, and though the definitive 1923 score with four pianos is the one most often performed today, it is easy to hear the multi-layered genius at work in the piece and imagine the possibilities off pulling it off with something rather less than a full-size orchestra and chorus.
ABOUT THE NEW RECORDING
Enter Dominique Leone, Kanoko Nishi and Regina Schaffer. With only two pianos, one singer and a computer, their Les Noces is realized as forcefully and true to its spirit as any prior recording. And note: this is no “redux” or re-imagining of the piece. Leone, Nishi and Schaffer have stayed entirely true to the score, but simplifying four pianos down to two, and with Leone singing all vocal parts with just a little help from a single pitch-shifter for soprano and bass parts. This is as inspired and magnificently irreverent performance of Stravinsky’s work as has ever been created—but don’t take our word for it, check the link!
PERFORMANCE DETAILS
Maybeck Recital Hall, also known as Maybeck Studio for Performing Arts, is located inside the Kennedy-Nixon House in Berkeley, California, USA. It was built in 1914 by Bernard Maybeck. The hall seats up to 50 people and was designed upon commission for the Nixon family, local arts patrons who wanted a live-in studio for their daughter Milda's piano teacher, Mrs. Alma Kennedy. The room is paneled in unfinished clear-heart redwood, which contributes to an unusually rich and warm, yet bright and clear acoustic quality. There are two grand pianos in the space: a Yamaha S-400, and a Yamaha C7. Maybeck originally designed the space to accommodate an 1898 7-foot Bechstein.
In 1987, the house was purchased by jazz pianist Dick Whittington, who opened the hall for public recitals. Between 1989 and 1995, Concord Records produced 42 solo piano recitals in Maybeck Recital Hall. Each recital featured a different jazz pianist, and all 42 recordings were released on CD. Concord also recorded 10 jazz duets at Maybeck during the same time period, which were also released as a series of CDs sold by Concord.
The Maybeck will host Les Noces on July 29 and 30, 2011 at 8 p.m.
― Dominique, Friday, 17 June 2011 16:32 (thirteen years ago) link
dominique leone sounds so hot as a soprano
― the manarchist cookbook (Edward III), Friday, 17 June 2011 16:39 (thirteen years ago) link
srsly tho this is awesome and you know it
― the manarchist cookbook (Edward III), Friday, 17 June 2011 16:40 (thirteen years ago) link
Listened to this yesterday, very cool.
― Mr. Patrick Batman (WmC), Friday, 17 June 2011 16:54 (thirteen years ago) link
thanks ya'll!
― Dominique, Friday, 17 June 2011 17:18 (thirteen years ago) link
tl;dr
― James & Bobby Quantify (James Redd and the Blecchs), Friday, 17 June 2011 17:34 (thirteen years ago) link
But will try to listen to tonight ;)
― James & Bobby Quantify (James Redd and the Blecchs), Friday, 17 June 2011 17:35 (thirteen years ago) link
Very exciting! Will listen soon.
― JacobSanders, Friday, 17 June 2011 18:08 (thirteen years ago) link
love DL in, broadly speaking, zeuhl mode. so, I'm obviously all over this one. great stuff!
― original bgm, Tuesday, 21 June 2011 19:49 (twelve years ago) link
Absolutely loving this - looking forward to photographs/&c of the live performance as I'm in the wrong hemisphere.
― etc, Thursday, 23 June 2011 03:46 (twelve years ago) link
"the return" is one of the best epics in recent years. damn
― reggie (qualmsley), Friday, 30 September 2011 14:27 (twelve years ago) link
abstract expression is one of my favorite albums, full stop
― Lamborghini mercy, yo sledge she's so percy (m bison), Monday, 19 November 2012 14:22 (eleven years ago) link
one song a day for one year -- leaning into it now
http://dominiqueleone.bandcamp.com/album/february
― Milton Parker, Tuesday, 5 February 2013 02:47 (eleven years ago) link
It's been great. Snagged every one.
― Ned Raggett, Tuesday, 5 February 2013 02:56 (eleven years ago) link
https://www.youtube.com/watch?v=hErXtnZsGrQ
― space phwoar (Hurting 2), Tuesday, 5 February 2013 03:04 (eleven years ago) link
if you live in europe you can see dleone LIVE IN CONCERT this month
i miss him already
― geeta, Tuesday, 5 February 2013 03:11 (eleven years ago) link
abstract expression's a great album, love her
― puff puff post (uh oh I'm having a fantasy), Tuesday, 5 February 2013 03:22 (eleven years ago) link
you never her
― space phwoar (Hurting 2), Tuesday, 5 February 2013 04:32 (eleven years ago) link
I wonder if this guy has ever made a bad decision
― flamboyant goon tie included, Tuesday, 5 February 2013 05:13 (eleven years ago) link
pretty sure he's gotten at least one parking ticket, so yes.
― sarahell, Tuesday, 5 February 2013 06:56 (eleven years ago) link
Where tho? It's pretty big... Europe.
― Le petit chat est mort (Tom D.), Tuesday, 5 February 2013 12:22 (eleven years ago) link
oh my god he actually did this
jan 1st and 2nd are both great. holy shit imagine every track is this good. what will I do? how will I cope? I wanna *reduce*, *compartmentalise*. guess this is the antidote to all that
― imago, Tuesday, 5 February 2013 12:31 (eleven years ago) link
if dominique's listening I'd also be very interested to hear about the creative process for this - how do you force 365 songs out while maintaining high artistic standards? do you simply have to enter an ultra-creative zone where every single musical idea is engaged with enthusiastically and constructively - almost as if the project is to turn any and every idea into a good song? and if so, does this get exhausting? has this been in the works for a while? do you fear slipping into formulas? what methods do you employ for creative invigoration? how difficult is it really - was the timescale stretched enough that only one or two songs composed per day was, given existence within aforesaid 'zone', not that strenuous a task? regardless of all of these questions, this project has my ultimate respect
jan 3 is even better than the other two. my god.
― imago, Tuesday, 5 February 2013 12:38 (eleven years ago) link
Scary.
― Mark G, Tuesday, 5 February 2013 12:45 (eleven years ago) link
two things -
1) I have to go to fucking work :(
2) Can I just pre-emptively award the whole project Album Of The Year? In as many senses as feels appropriate :)
― imago, Tuesday, 5 February 2013 12:46 (eleven years ago) link
What the ...
― Jeff W, Tuesday, 5 February 2013 12:59 (eleven years ago) link
Scary is right, I got two weeks into February and every song, everything is obscenely good
― flamboyant goon tie included, Tuesday, 5 February 2013 14:08 (eleven years ago) link
mozart-satie-ilm-progression :)
― willem, Tuesday, 5 February 2013 14:26 (eleven years ago) link
i have to say that i accidentally started "UB313" in two different tabs, about 30 seconds apart, and it was awesome.
― ryan, Tuesday, 5 February 2013 17:02 (eleven years ago) link
this...this is *phenomenal*
i can't even begin to say how happy this is making me
― imago, Tuesday, 5 February 2013 23:13 (eleven years ago) link
here's the info on dominique's tour!
FEB 2013 UNNATURAL WAYS EUROPEAN TOUR
Ava Mendoza- guitar/voxDominique Leone- synthesizersNick Tamburro (The Dead Science)- drums 2/6 TOURS, FR @ Le Petit Facheux w/ Shampoo Meuchiine2/8 NANTES, FR @ Espace Diderot w/ Elwood & Guthrie2/9 PARIS, FR @ La Societe de Curiosites w/ Berangere Maximin2/10 WURZBURG, DE@ Immerhin, presented by Freakshow Wurzburg w/ Cowboys from Hell2/11 VIENNA, AU @ Rhiz w/ Bulbul2/12 LJUBLJANA, SI @ Menza (Metelkova)2/13 GRAZ, AU @ Club Waakum, presented by Interpentration2/14 VICENZA, IT @ Centro Stabile di Cultura2/15 9 pm FREISING, DE @ Abseits2/16 9 pm HANOVER, DE@ Sturmglocke w/ Sean Noonan Trio2/17 MAINZ, DE @ Zitadelle Mainz, Gewolbekeller2/18 OSTRAVA @ PLAN B w/ Massola (Jap)2/19 CESKE BUDEJOVICE, CZ @ Ostinato2/20 PRAGUE, CZ @ Nova Synteza
― geeta, Tuesday, 5 February 2013 23:16 (eleven years ago) link
come to britain, yall can crash on my couch
onto february and it's arguably getting even better. although it has the almost-annoying habit of constructing something totally compelling and brilliant that's only 1 minute long. which isn't so bad, i guess, because wanting more and all that
my questions upthread stand, but i guess when you're clearly having this much fun making music the inspiration can't be hard to come by. also really glad that the DL track from beforehand that seems to be echoed most here is 'sometimes you've got to be happy', which is possibly (imo) the pinnacle of his art until now ('nous tombons dans elle' and '40/60' can play too)
― imago, Wednesday, 6 February 2013 00:18 (eleven years ago) link
february has been straight-up unbelievable so far (now onto 'paul and diane - i believe in you' after an astonishing 5-track run of jawdropping splendour). this might be my favourite music from the past few years. sorry to be going all multipost hypeman over this but i've got the fever, got it bad
― imago, Wednesday, 6 February 2013 00:38 (eleven years ago) link
ok techno heist of 'you can never, ever stop me from loving you' = i am hyperventilating
won't say any more. shouldn't. ok, will. i'm blown. i'm...i'm...(can someone else take this)
― imago, Wednesday, 6 February 2013 00:45 (eleven years ago) link
I know some of these go back to at least 2005-6 -- there were maybe three or four albums worth of tracks he had in the can right after finishing that 'debut' CD of his, all in the vein of that one. so while there's a bit of cleaning house going on, a lot of this stuff is daily brand new and I think some of the old tracks are getting a final few sprinkles before being mastered and sent out the door, so this is an intense effort
'debut' is in quotes because there are a few pre-2005 albums that are raw and utterly crazy and I'm looking forward to hearing them in the shuffle
signed, resident dleone archivist / pal
― Milton Parker, Wednesday, 6 February 2013 02:18 (eleven years ago) link
I'm somewhat relieved to hear this. If he was writing and recording songs of this quality on a daily basis I would shave my head and camp on his lawn
― dry rub come save beef (flamboyant goon tie included), Wednesday, 6 February 2013 02:39 (eleven years ago) link
yeah don't worry about it, it's more like a tri-weekly basis
― Milton Parker, Wednesday, 6 February 2013 02:54 (eleven years ago) link
definition 1 of triweekly
― Milton Parker, Wednesday, 6 February 2013 02:55 (eleven years ago) link
He supplied a track for the third ILX compilation which was quite jaw-dropping when I played it on receipt, and was also surprised that it wasn't immediately included in his next album.
Dude is prolific and impressive..
― Mark G, Wednesday, 6 February 2013 07:27 (eleven years ago) link
come to britain
Seconded
― Le petit chat est mort (Tom D.), Wednesday, 6 February 2013 15:04 (eleven years ago) link
Ah so these aren't even all done yet? I'd totally make a birthday request, except that my birthday is already amply catered-for by Wish You Could Be Here, which is heaps and heaps of fun and whose lead into the final chorus is possibly my favourite lead into a chorus EVER! I believe I entirely laughed out loud at the brilliance of it.
― imago, Wednesday, 6 February 2013 22:10 (eleven years ago) link
It's been great. Smanged every one.
― Ned Raggett, Monday, February 4, 2013 8:56 PM (2 days ago) Bookmark Flag Post Permalink
― downton arby (upper mississippi sh@kedown), Wednesday, 6 February 2013 23:29 (eleven years ago) link
Tsk.
― Ned Raggett, Wednesday, 6 February 2013 23:30 (eleven years ago) link
march is just as good. how the fuck are you doing this, man?
the dub one is particularly fantastic, as is 'smear campaign'. and 'dinner with kris'. and 'fab train'. jesus. how many elves you got chained in yr homestudio???
― c'est magnifique, mais ce n'est pas le beurre (imago), Wednesday, 13 March 2013 00:56 (eleven years ago) link
thanks man. no elves, just outsourced malaysian prog children
― Dominique, Wednesday, 13 March 2013 18:01 (eleven years ago) link