search: pop songs with weird time signatures and metric shifts

Message Bookmarked
Bookmark Removed
Not all messages are displayed: show all messages (476 of them)

OK, extra level of confusion over "Anyone Who Had A Heart" is the way the bars are grouped, there are five bar phrases alternating with four bar phrases.

James Redd and the Blecchs, Tuesday, 5 February 2008 19:38 (sixteen years ago) link

Hm, maybe there's no chopped off bar, just a little hiccup of syncopation. I guess people mean 5/4 and 4/4 with triplets, so what I was calling 5 bars is considered one bar.

James Redd and the Blecchs, Tuesday, 5 February 2008 19:53 (sixteen years ago) link

Anyone who killed a thread...

James Redd and the Blecchs, Tuesday, 5 February 2008 20:18 (sixteen years ago) link

The Fiery Furnaces - Straight Street

I would call this a pop song.

our work is never over, Tuesday, 5 February 2008 20:18 (sixteen years ago) link

The Go-Betweens had their fair share: "Cattle and Cane," "Two Steps, Step Out," "The Ghost and the Black Hat."

Jazzbo, Tuesday, 5 February 2008 20:43 (sixteen years ago) link

What's going on in 'Fake Empire' by The National? Some bits are 4/4, others 3/4 - or maybe it's 4/4 throughout but the drums are 3/4 - or maybe the drummer just uses triplets a lot, I don't know. This is why I'm not a musician.

Ismael Klata, Tuesday, 5 February 2008 21:11 (sixteen years ago) link

The song is in 3/4, but the piano is playing that dotted 8th note pattern that creates a 4/4 feel over the top.

Jordan, Tuesday, 5 February 2008 21:22 (sixteen years ago) link

The Elvin Jones/Greek bandleader joke is in the "Jokes" section of Jazz Anecdotes.

James Redd and the Blecchs, Tuesday, 12 February 2008 02:39 (sixteen years ago) link

"Welcome To The Cheap Seats" by The Wonderstuff is in 5/4 plus it has some triplets in the chorus which adds to the rhythmic complexity.

Geir Hongro, Tuesday, 12 February 2008 22:09 (sixteen years ago) link

I was listening to a tune of the newest Low album last night that's in 9. Can't remember which one offhand but I'll check later.

Jordan, Wednesday, 13 February 2008 21:26 (sixteen years ago) link

Oingo Boingo were big on playing half- or third-measures all the time

Curt1s Stephens, Wednesday, 13 February 2008 23:09 (sixteen years ago) link

two years pass...

Surprised no one's mentioned:

Sugababes - Round Round

daavid, Saturday, 31 July 2010 02:31 (thirteen years ago) link

"Hey Ya" is definitely crowded with weird time signature, and that is very much a major reason for its appeal and impact. Not at least because it is from a genre where this kind of thing (apart from polyrhythmics and other microrhythmic tendencies, it must be added) is so unusual.

― Geir Hongro (GeirHong), Friday, September 22, 2006 8:00 AM (3 years ago) Bookmark Suggest Ban Permalink

LOOOOOOOOOOOOOL

krippendorf's trife (Whiney G. Weingarten), Saturday, 31 July 2010 02:38 (thirteen years ago) link

that TOTALLY PROG bar of 2/4

krippendorf's trife (Whiney G. Weingarten), Saturday, 31 July 2010 02:38 (thirteen years ago) link

one month passes...

The verses of Arcade Fire's "Modern Man" have a very weird structure.

This is as best as I can figure out the first verse, from when the guitar comes in:

one measure of 8
four measures of 9 (Win's vocal comes in on the second)
two measures of 8
two measures of 9
two measures of 8
four measures of 9
one measure of 8

jaymc, Wednesday, 1 September 2010 18:20 (thirteen years ago) link

"i love rock and roll"

bernard goony (The Reverend), Wednesday, 1 September 2010 21:49 (thirteen years ago) link

(some accelerated turnaround bars of 7 in there)

bernard goony (The Reverend), Wednesday, 1 September 2010 21:50 (thirteen years ago) link

okay i generally don't listen to the arcade fire but i am on the case

the parking garage has more facebook followers than my band (Jordan), Wednesday, 1 September 2010 22:08 (thirteen years ago) link

jaymc, are you counting 8th notes? here's why i think it comes off as tricky: there are bars of 5/4, but they always accent the "&" of 5 before the one, and don't really mark the one (at least in the drums). usually when people play odd times they hit the one pretty clearly, and you only hear that kind of anticipation in 4/4.

so, i hear the verse as alternating measures of 4/4 and 5/4, but downbeat of the 4/4 bars is anticipated by an 8th note. does that make sense?

the parking garage has more facebook followers than my band (Jordan), Wednesday, 1 September 2010 22:11 (thirteen years ago) link

I believe Juliana Hatfield's 'Spin the bottle' is in 5/4.

Neil A.Simpson, Thursday, 2 September 2010 09:45 (thirteen years ago) link

xp I guess that makes sense; I've always been lousy at counting off-beats.

jaymc, Friday, 3 September 2010 15:36 (thirteen years ago) link

three months pass...

It's been mentione upthread but just a moment ago I was listening to 'hey ya' and noticed for the first time it doesn't have a straight 4/4 time signature.

Moka, Sunday, 5 December 2010 01:00 (thirteen years ago) link

one year passes...

I think we discussed this in another thread but there's a single bar of 3/4 at the end of the bridge in Beyonce's "Single Ladies".

The Reverend, Monday, 20 February 2012 04:23 (twelve years ago) link

There was a really good article in an old issue of the English musicology journal Popular Music on the really free meter in some early Incredible String Band songs. "October Song" from the first album is a good example.

timellison, Monday, 20 February 2012 04:29 (twelve years ago) link

And, interestingly, both of those guys did it. Try counting the meter in "Gently Tender."

timellison, Monday, 20 February 2012 04:34 (twelve years ago) link

Pink Floyd - "Bike"

everything else is secondary (Lee626), Monday, 20 February 2012 05:19 (twelve years ago) link

https://www.youtube.com/watch?v=WIkOVe0MF1k

LeRooLeRoo, Monday, 20 February 2012 14:32 (twelve years ago) link

lots of early Pretenders songs boast unexpected time signatures ("Tattooed Love Boys") and chord changes ("The Phone Call").

Exile in lolville (Alfred, Lord Sotosyn), Monday, 20 February 2012 14:39 (twelve years ago) link

Ignition (Remix) adds an extra bit of a bar here and there

Alexandre Dumbass (dog latin), Monday, 20 February 2012 14:40 (twelve years ago) link

There was a really good article in an old issue of the English musicology journal Popular Music on the really free meter in some early Incredible String Band songs. "October Song" from the first album is a good example.

Pop songs. I could list 20 songs from "Trout Mask Replica" if you just want songs with funny time signatures etc

Charles Kennedy Jumped Up, He Called 'Oh No'. (Tom D.), Monday, 20 February 2012 14:48 (twelve years ago) link

That's a great deal more obvious, though. If someone had pointed it out in a Donovan song or something, I wouldn't imagine anyone would raise that objection.

timellison, Monday, 20 February 2012 17:56 (twelve years ago) link

I think we discussed this in another thread but there's a single bar of 3/4 at the end of the bridge in Beyonce's "Single Ladies".

ha, we discussed this in great detail iirc

Ignition (Remix) adds an extra bit of a bar here and there

yeah but it's always even (like a two beat extension, standard pop stuff)

40oz of tears (Jordan), Monday, 20 February 2012 18:01 (twelve years ago) link

Plus, the main thing about that article was how extreme those ISB songs are.

"Painting Box" was released as a single from the 2nd album, is in 4/4, and doesn't sound like a different genre entirely from the songs that are all over the place metrically.

timellison, Monday, 20 February 2012 18:06 (twelve years ago) link

It's been mentioned upthread, but recently experienced firsthand that phenomenon of thinking a song might be in a weird time signature, The Smiths's "Oscillate Wildly," when actually it was on 4/4, but with the eighth notes grouped 3-3-2, which I guess is not actually that uncommon

Can You Please POLL Out Your Window? (James Redd and the Blecchs), Monday, 20 February 2012 18:07 (twelve years ago) link

i tried and failed to find that 'single ladies' discussion, but i definitely remember dan and i arguing about the bar at the end of the bridge.

40oz of tears (Jordan), Monday, 20 February 2012 18:09 (twelve years ago) link

Maybe it's naive on my part, but I tend to defer to your judgement in these discussions since you're a drummer.

Can You Please POLL Out Your Window? (James Redd and the Blecchs), Monday, 20 February 2012 18:14 (twelve years ago) link

nine months pass...

Devo's "It's Not Right" is I think 6/4, 2/4, 4/4, 2/4 during the verse, but there are variations in there as well where they omit the 6/4 and use 4/4. It's great.

On the same LP, "Snowball" is in 4/4 but it has an accent on the "and" of 4, which makes it sound like an odd meter.

Johnny Hotcox, Wednesday, 21 November 2012 15:23 (eleven years ago) link

Wow, my ear sucked five years ago.

EveningStar (Sund4r), Wednesday, 21 November 2012 15:32 (eleven years ago) link

Anyway, an obvious one that wasn't mentioned here: "Strawberry Fields Forever" (a bar of 9/8 on the title line).

EveningStar (Sund4r), Wednesday, 21 November 2012 15:33 (eleven years ago) link

Try counting this one.

https://www.youtube.com/watch?v=ODJ-AAmCM-A

Johnny Hotcox, Wednesday, 21 November 2012 15:34 (eleven years ago) link

Will do when I get home.

EveningStar (Sund4r), Wednesday, 21 November 2012 15:36 (eleven years ago) link

the main reason that one is so hard to count is that there is counting in it

drunk 'n' white's elements of style (Hurting 2), Wednesday, 21 November 2012 15:37 (eleven years ago) link

Ha, yeah they were messing us kids up

I think it's 7 - 7 - 4 - 4 - 3 - 3 - 4 - 4 - 2??

Johnny Hotcox, Wednesday, 21 November 2012 15:40 (eleven years ago) link

It's two bars of 14/8 (or four bars of 7/8), followed by a bar of 11/8, then a bar of 15/8, then I think it's either 16 or 17 -- the transition to the bridge confuses me

drunk 'n' white's elements of style (Hurting 2), Wednesday, 21 November 2012 15:42 (eleven years ago) link

actually johnny's divisions make more sense

drunk 'n' white's elements of style (Hurting 2), Wednesday, 21 November 2012 15:42 (eleven years ago) link

The vibe solo's in 4/4!

Johnny Hotcox, Wednesday, 21 November 2012 15:44 (eleven years ago) link

Steel drums, rather

Johnny Hotcox, Wednesday, 21 November 2012 15:44 (eleven years ago) link

right, but there's a weird extra bar going into it I think

drunk 'n' white's elements of style (Hurting 2), Wednesday, 21 November 2012 15:47 (eleven years ago) link

I mean extra beat

drunk 'n' white's elements of style (Hurting 2), Wednesday, 21 November 2012 15:48 (eleven years ago) link


You must be logged in to post. Please either login here, or if you are not registered, you may register here.