Deerhunter!

would be glad to eventually argue them over sonic youth one day

cryptograms

^ a type of ograms

I like the title track but it does run on a bit.

remember a single of theirs off p4k infinite playlist or whatever early

title track kewl

"Finding the fluorescence in the junk
By night illuminates the day
Finding ancient language in the blood
Fading a little more each day"

l0l do you guys have tumblers?

just not sure if "we" need this

holy shit i hate myself

don't hate yourself just stop posting for a bit eh?

Or consolidate a little

would feel better

if I was talking to you about rock that mattered

I mean Hi

nice to meet you

but fuck the bullshit

^ it's the new style

contenderizer has been on a tumblr i can smell it

it must be terrible to need attention so bad.

when everyone laughs with tom eventually

pout

"PUNCH" you

lol

nobody cares abhout tom

disgustingly sacred

sorry this was way too early for this

hah huh?

A. Sandwich what do you think of "Pensacola" does it make you want to rock out like you were listening to "96 Tears"?

this album rules!!!!!

kinda has a subway sect vibe

i liked em ok before but this is so much more needed
there are so many kind reverb rock post shoegaze dudes out there that are good at it but there's not that many real fucked up rackety twee punk bands

Yeah, this one is great. Wasn't much of a fan of their dopey-sounding shoegazery stuff either, but I've been listening to this a lot.

To me the sound is like if Ariel Pink made a tribute to Dylan and the Stones in the style of the Pixies.

sometimes the guitars even evoke the Voidoids, and that's heady territory for me

last 5 posts OTM

kinda has a subway sect vibe

interviewed Bradford at his home in April, he had Subway Sect 7" sitting pride of place in his 7" rack

definitely feeling alone imo of thinking this record is one of the weakest things that have come out of this group of people. after the previous album and the fantastic last lotus plaza album it feels really half assed

upon 3 listens, i'm still a bit underwhelmed. i like the idea of what they're trying to do but not much has stuck with me yet. still, i've had similar initial feelings about other things that they've done, and i've always come around, so i'll give it some more chances.

i like how half assed and sloppy it is!

but like i said i like cryptograms/flourescent grey pretty well but i didn't dig em that much

i think this is more for ppl that don't like deerhunter all that much

electricsound otm and my favorite track on monomania is lockett's

this record is kinda punk

i found nothing to latch onto here, aside from the gnarly outro of 'monomania' (the track). i second the suggestions that it is half-assed.

it's too early to say, but i wonder how much the personnel changes (McKay and Broyles in, former bassist Josh Fauver out) affected the sound and approach to Monomania.

Former bassist was brilliant on Weird Era far as I'm concerned.

Yeah this is definitely half-assed, but I kind of feel like that's the point? Not to excuse a half-ass record by one of my favorite bands going right now, since I'm feeling a little underwhelmed by it too, but I think this feels to me like some sort of purge for Bradford in a way. Like this kind of ties into the American thing he was hinting on with the last Atlas Sound record (meaning American music, rockabilly crooner sort of thing). Though this one jumps the focus up to a sort of American punk and garage rock vibe. I don't know, I've always felt like his music has, for the most part, been a nice melding of vibes and ideas but this and Parallax were both more explicit about "the past" (i.e. the pompadour and the old-time microphone on the cover of the last one). I guess this just feels really intentional in its half-assedness and, even if it doesn't succeed as one of their better "ALBUMS", I think it sort of serves a purpose in his overall discography.

Please excuse the rambling, I've been at work for about 15 hours today and am running on fuuuuumes.

sometimes the guitars even evoke the Voidoids, and that's heady territory for me

Voidoids is an apt comparison I think, cos it also has that snot-nosed Dylan in a leather jacket with a shit-eating grin vibe to it that was kicking around in the later half of the 70s that Richard Hell is as good an example of as anyone else.

I think it's pretty good. They're trying stuff out, songs are still compelling...

this may be a shitty thing to say, but i wonder how well-equipped some of the naysayers are to fairly & honestly evaluate a loosened-up garage rock record. cuz that's basically what this is, and within that ballpark, it's real damn good, imo.

Are the naysayers lo-fi/garage fans in general?

yeah, that's what i'm asking

What garage acts will you accept as sufficient to prove garage fluency?