Best BLACK FLAG Album Poll !

Has this been posted anywhere?

http://trickledown.files.wordpress.com/2010/06/blackflaghair_chronology.jpg

If I'd seen this picture before, say, today I'd have made it my profile picture on FB.

shouts out to kira and bill for absolutely killing it on "the bars"

think slip it in is my fav black flag record these days

I feel that

As I said way the fuck upthread:

Fuck vocals; Slip It In wins for me because of Bill Stevenson's drumming on the title track and on "The Bars."

i often forget that both of the live records are really great

who the fuck voted for Family Man??

i like their style tbh

rollins' early writing is kinda charmingly amateurish to me, like very self-consciously Dark and Heavy, Man while also getting very playful and silly. "armageddon man" + the instrumental side are great and have always been imo

OK good point on the instrumentals

the timeline of this band is fucking wild to me. early singles with lineup shifts seemingly every few seconds -> damaged -> two years of legally being unable to record -> five studio albums in two years -> break up

x-post

I did not vote for Family Man but I bet my finger hovered over the button for a few seconds

Not mention in two yrs being unable to record they went through three drummers!

An insane band

would prob vote for in my head at this point, beautifully deranged record

rollins/ginn/roessler/stevenson is objectively the best lineup of this band

Their most iconic work (Damaged) is not their best. This I am sure of. Mostly because it sounds like absolute dogshit. It’s not even the good kind of crappy production. Muddy is OK with hardcore (cf. the Bad Brains ROIR debut); paper-thin bass and drums is not.

First Four Years is my go-to, but those last two records are intriguing and I need to revisit them.

all you really need is whos got the 10 1/2 and damaged!

Much as I have trouble with Rollins, it'd have to be a tie between Damaged (though the occasional goofiness detracts) and My War (esp. when they get into that proto-Caspar Brotzmann Massaker slow groove). Can only dream of how great those records would have been with Dez singing.

Muddy is OK with hardcore (cf. the Bad Brains ROIR debut); paper-thin bass and drums is not.

I've only ever owned a beaten-up vinyl copy of Damaged but it sounds great and not paper-thin to my ears (I've always thought SST CDs sounded p bad)

damaged is totally their best-sounding record.... lol

i do love the watery flooded basement sound where every instrument feels like it's recorded separately yet is still slightly out of sync

in the best cases (second side of my war, entirety of in my head it serves the murky confusion of the music itself

Damaged sounds physical, like you're being whalloped by a heavy object or something

Anyone notice that The Stains, the early SST band whose freak guitar arguably influenced Ginn's guitar style, just started an instagram page? Their debut is brilliant, and costs $$$ and has never been reissued.

otm - great album

Black Flag records do sound pretty murky - sometimes wonder if someone accidentally turned the treble down when they were mixing the albums

The treble supply was used up making the Husker Du records.

lmao

also lmao

people say oh well it was an underground punk label they had a low budget but I think we have to accept that SST were just shit at recording punk music. there are loads of punk labels and bands from that time with a lot less sales than SST that sound way better

like Dischord releases from then sure they sound a little thin maybe but it blares out of the speakers

https://www.youtube.com/watch?v=sp_x1BIGwUs

hello

I think a lot of it is Spot's aesthetic. But also, those records are what they are, and I don't know if production can always be plotted on an axis of good/bad. And Meat Puppets II still sounds divine to me.

Blight would have been a better nickname for Spot

My fav recording of the band was teh one time I saw them marquee 84. the 4 piece with Kira and Bill Stephenson. Seemed to have an element of Link Wray or similar buried in the sound alongside the writhing heaviosity. Not sure if that comes out as much elsewhere . Didn't seem to feature in Live 84 to what I could hear, I know the live video was within a couple of days of that Marquee gig so may be there.
Do wonder how different taht band would have been if Kira had been writing her own parts. Not sure how long jam sessions worked with her using lines Ginn had given her. Anyway do love that sound in 84 and that particular live set is one that I have probably listened to more than any other live set.
The material they were recording around taht time sounds really great in the form of the 5 piece band with Dukowski still on bass and Cadena on 2nd guitar in the recordings of the final days of that lineup and the demoes introducing the material .
But that heavy, writhing thing that I think was a major influence on the stoner rock of a few years later is so great. I think it was heavily disliked in the hardcore scene at the time but presumably must have been influential there too.
THink the band might be another one that was much better live. & My War was recorded with Ginn on bass under a pseudonym so means tha teh set up presumably wasn't as great as it could be. I assume the best set up for recording would have been as close to live as possible certainly not with a whole part being missing. Doesn't that effect spontaneity etc. & i thought improvisation was part of teh sound by tht point at least.
I do like Damaged a lot too

Love the Bill and Kira era rhythm section, and often think of what Kira told me while I was researching my Flag book, that she and Bill would rehearse the songs at half-speed, and slowly increase the tempo, so they could be both fast and heavy.

I appreciated that part of the interviews, yes

Damaged sounds amazing, wtf. listen too "What I See" for the full bass/drum overload attack

would love to hear the rhythm section playing together with anybody else. has that happened at all? Like her now ex Mike Watt spent like half his career playing around in different combinations often pretty pick up, so taht wasn't a habit she got into at all was it.
Like not sure who else she played with at all outside of BF & Dos with Mike Watt.

My opinion on Damaged is a big challop (controp?), one of the only ones I actually have about a canonical record. But I only know the CD - maybe a poor master was the problem. But I also don't have the same issue with any Husker Du before Candy Apple Grey, or even most other Spot productions. Damaged just sounds thin, thin, thin to me. Anemic. I was SO disappointed when I got it as a teenager, and unlike a lot of other consensus classics it never grew on me with repeat listens. And I blame the production. Just not my style.

What can I say - I hate tinny-ass drum sounds. Took me decades to really appreciate something as foundational as the 808 in rap, for instance, but I got there eventually. Maybe I'll come around on Damaged, too. Songwriting-wise, I like the first side fine. And I do love the cover.

And sound quality aside, I'd still argue that First Four Years beats Damaged song-for-song. I'll take Bad Brains or Minor Threat over pretty much any Black Flag, though. BF were funnier, I'll give them that.

Spot was a terrible producer, face it. Almost everything he touched could have sounded much better. But it is what it is.