OK, is this the worst piece of music writing ever?

http://s18.postimg.org/jhuhbt3vd/royals.png

oh my god, Todd VanDerWerff is terrible enough when he stays in his own lane

ikr!

and yeah i never read the articles because i'm trying to not drive myself to violence and the titles are literally enough for an entire lifetime of hate

i should post quotes from Todd's ode to Royals' finger snaps to rile you up

haha the first line: "It’s the finger snaps, I think." no that's it for me.

the other hilarious thing is that with their disgusting redesign they also decided to ramp up their # of regular features 5000% so every time i visit there are like eight new supposed regular features i'm seeing for the first time and will possibly never see again and every one has some long introductory paragraph explaining the regular feature

it seems tragically difficult to maintain it all and now they're probably realizing they could just scrap the regular features thing and be like every other website on the internet

I think they have a regular column dedicated to food scenes in movies, which is a nadir of something

seriously i have never seen these before this week:

Sketchhistory
Internet Film School
Keyboard Geniuses
What Are You Playing This Weekend?
Stop the Presses!
Firsties

oh god, "Firsties"

insert ouroboros.jpg here

Internet Film School isn't too bad, it's actually written by Scott Eric Kaufman of the Lawyers, Guns and Money blog; he also teaches visual rhetoric at UC Irvine. But yeah, overall AVC has gone right over a cliff.

At this point I only read the Newswire and select TV stuff. The music coverage has always been suspect at best, though.

no, not always.

Hi there, UCI employee here. Known Scott for a while but he left a year or two ago and now lives in Baton Rouge. And yes, the best writer of the current AVC bunch by a mile.

I like Ignatiy Vishnavetsky a lot too, he's way too good to be writing for AVC, but whatever, I bet they pay better than any other gig he's had, save that time he co-hosted Ebert Presents or whatever it was called.

no, not always.

As far back as I can remember, at least. Did it have a non-crappy heyday?

Admittedly I did like their metal column. 'Till it got axed.

sean o'neal's a treasure and they're lucky to have him

not a huge fan of the stuff i've read from ignatiy, never sure what the hype is about

http://www.buzzfeed.com/perpetua/macklemore-grammys

this is as bad as you think

i don't really remember the dates i liked the av club for music. there was a period around 2002-2005 that i read it pretty frequently and treated it as a 'second opinion' after the voice that i tended to trust more than e.g. most glossies, and then i sorta drifted away from paying attention and i couldn't tell you what happened since why. from that period there were a bunch of names that ended up showing up elsewhere/around both online and in print that were all pretty decent too. i think a lotta good ppl probably passed thru there over the years.

there’s certainly no other major rapper willing to be as overtly pro-LGBT on a record

this is surely false - plz counter, ILX

get the feeling that perp is ignoring a lot of female rappers there for a start

"i think a lotta good ppl probably passed thru there over the years."

yeah -- in the current publishing climate, "too good for __________" is a weird thing to say about any writer.

nicki fucking minaj

was the article about the importance of pharrell's hat any good?

av club was early on in taking a catholic approach across genres. wide-ranging coverage, including serious reviews of pop albums, etc. better than most alt-weeklies. i was in chicago at the time and the reader had a good music section but it was sort of specific and featurish. for general reviews and coverage the av club (which i read thru the print edition) was way better than any other weekly i could get my hands on, physically.

omg are we going to count on him to defend the racist music industry every few weeks now?

Just seen this from 2012
http://blogs.telegraph.co.uk/culture/lucyjones/100063781/should-paul-simon-have-defied-a-un-boycott-to-make-graceland-in-south-africa-under-apartheid/

"Music-lovers will find it difficult not to take his side, as Philip Glass, Paul McCartney, David Byrne and Oprah do in the film. It is said that he put a “human face on apartheid” and raised awareness about what was happening in South Africa. It is said that without his chutzpah Ladysmith Black Mambazo and other musicians wouldn't have had so much global success. It is even said that without Graceland, there would be no hiphop".

read that last sentence again

what the

it is even said by morons that without Graceland, there would be no hiphop

oh wow

it is even said that without graceland, there would be no martin luther king

now say that in the voice of Herman Cain

ok this is like 10x more minor, but it really irks me when people miss the point of this line:

So he took off to the home of Elvis, saw the 'Mississipi Delta shining like a national guitar' and eventually decided to just go with it.

by not capitalizing National. The line is a reference to National brand resophonic guitars, which are very silvery and shiny, and are also used a lot in blues. Yes, there's also a play on words, with the mississippi delta being like a "national" guitar of the united states, but that makes no fucking sense without the reference. Why would a national guitar of the US be shiny?

it is said it is shiny

Clearly, art cannot exist in a vacuum, in some sealed-off Arcadia in the clouds. But then… how I adore Graceland. I remember exactly where I first heard it, sitting on the floor of a friend’s room in my first year of university, drinking cheap red wine. There’s a moment in the film where the drummer breaks into a grin at the riff of You Can Call Me Al. Perhaps we should just be glad it exists – but even more so that apartheid is over.

The Magic of "Graceland"
By Jay Nordlinger
January 28, 2014 5:32 PM 43 Comments

Clearly, art cannot exist in a vacuum, in some sealed-off Arcadia in the clouds. But then… how I adore Graceland. I remember exactly where I first heard it, sitting on the floor of a friend’s room in my first year of university, drinking cheap red wine. There’s a moment in the film where the drummer breaks into a grin at the riff of You Can Call Me Al. Perhaps we should just be glad it exists – but even more so that apartheid is over.

not to put too fine a point on it

meanwhile in MN, Meagan Pittelko is writing the most heartfelt thank-you note of her life

http://blogs.telegraph.co.uk/culture/lucyjones/100065085/this-gotye-and-call-me-maybe-mash-up-could-be-number-one-for-the-rest-of-the-yeardecadehistory/

mon-wed

TV Club 10
Adapt and Die
The Single File
One-Season Wonders, Weirdos and Wannabes

It is even said that without Graceland, there would be no hiphop

<3

"without Graceland, there would be no hiphop"

1 result (0.32 seconds)

At av club andy battaglia was great back in the day.

Oh, apparently the 'no hip hop' argument is made in the Under African Skies documentary, rather than just being something the telegraph blogger invented. So I suppose she is correct that 'it is (even) said'

She didn't bother to take it to task so one can presume she believed it to be true.

sometimes just reporting the words is enough

Paul Simon time-traveled to the Bronx 1971 and performed Planet Rock at the Under the Sea dance.

it is believed that "Bridge Over Troubled Water" by Grandmaster Paul & Gar-Funkenstein prophetically refers to the Marley Marl/KRS-One beef of the mid-late 80s.

Little known fact but he also paved the way for bands like Operation Ivy and the Mighty Mighty Bosstones with his song Ska-Bro Fare.

it is believed that "Bridge Over Troubled Water" by Grandmaster Paul & Gar-Funkenstein prophetically refers to the Marley Marl/KRS-One beef of the mid-late 80s.

― Just noise and screaming and no musical value at all. (Colonel Poo), Wednesday, January 29, 2014 10:23 AM (13 minutes ago) Bookmark Flag Post Permalink

ftw

also recorded the early diss track "A Message to Benedict Art" after his group broke up