What is the most offputting barrier to you listening to and enjoying certain types of music

I would like to see peoples opinions on this. Especially with BB's interesting experiment on the go Can You Force Yourself To Like A Record Through Blunt-Force Repetition?

Dude. You have got to be fucking joking.

Because if you really want my opinions, setting up a FAKE FEMALE SOCK in order to bring up and then handwave away "sexism" is one surefire way to make sure that I will never address myself to you again. There is no universe in which this is OK, ever. And the fact that you don't even understand *why* this is not OK makes it quite plain that trying to talk to you about anything else would be a complete waste of time.

NOT OK. Now good day to you, sir.

I didn't ask your opinion. I said your experiment was interesting. I am not interested in anything you have to say. Ever.

only one of these i can relate to = "I've given the music a cursory listen but there is just no way in for me at all." seems a legit objection, like "this shit is boring," or "this shit makes me want to gouge my skin off and die."

"there's just no way in" speaks to me cuz i often feel exactly that way about super harsh & techy death metal (like gorguts f'rinstance). i can hear the sounds just fine but not the music. i expect that there really IS music in there somewhere - perhaps even good music, if people whose taste i respect seem to dig it - but i lack the capacity.

fwiw, i tried again w/ colored sands the other day. played some nowadays techy death-type stuff i genuinely enjoy as a ramp-up (black dahlia murder and revocation), and i kind of halfway got there, briefly appreciated the gorgutseses relatively fluid and organic approach (relative to the arguably artless pounding i seem to prefer), but i still didn't really LIKE it much. my loss...

I voted 'vocals" because I find that I like metal bands friends will play for me right until that moment when the vocals come in. Most recent example: Kowloon Walled City. Went from "Now this I can get into" to "no way man" in like a second.

Grew up on Earache records - Carcass and Deicide were big faves, and I love Surgical Steel - but I find I have little space in my life for those sorts of bludgeonings these days. I may just be old.

These

"Too aggressive."
"It's too basic and primal and not enough inventiveness."
"No tunes"

are all runners up.

Metal bands I do listen to, on a somewhat regular basis: Electric Wizard, Bone Awl, Portal, Wold, Velvet Caccoon, old Witchcraft (circa Firewood, Monarch, The Body, Wolves In The Throne Room, Esoteric, most Blake Judd-related things, old thrash like Kreator, etc. But after any of these, I'm usually ready for, like, Eno, or the Dead, or Eric Dolphy; all things, I must say, I vastly prefer to any metal band I've ever heard. Guess I dig 'inventiveness' and actually maybe should have voted that one. I work with metal dudes and they're always trying to play me NAAM or Weedeater or Thou or something but it hardly ever sticks to my ribs. Sounds cool enough when it's on, but then, poof, gone, ready for some J-Dilla.

But, given my above profile, I'd love some recommendations. I realize I risk ILX ridicule for this question, but aren't there any 'jammy' metal bands? Like, I don't mean Kyuss and Nebula and boring shit like that. I mean heavy, tuned-down-to-C bands that also feature some adventurous playing? Maybe even - gasp! - without the aid of a Bug Muff? This, I believe plays into the "too aggressive" complaint, perhaps. It's not a dealbreaker, but the maleness of metal (yes I'm aware of the many, many female-fronted metal bands, but also aware that metal is still the only genre that regularly publishes magazines and promotes gigs with phrases like "Hottest Chicks In...") bums me out (but no less than those same qualities in, say, Led Zep or Hendrix or the Stones).

Also, can I ask a metal dude why metal dudes don't go crazy for Bardo Pond?

Bardo Pond are one of my fave bands.

I like Bardo Pond, but they're not really a metal band at all.

Well, I realize that, but I also wonder what it is that they lack that prevents them from crossing over. I mean: big, distorted guitars played by stoned dudes obsessed with tone; hippie elements like flute and catatonic-sounding femme vox; long songs with heavy, even occasionally aggressive doom-y sounding parts, etc. Market those guys to the Rise Above crowd and I don't think anyone's calling foul, is all I'm saying.

Do you like SubRosa? They made one of the best albums of last year. Sublime female-fronted doom with two lead violins, gorgeous and genuinely moving lyrics, long expansive songs with real emotional depth.

I second SubRosa their last 2 albums have been sublime

and jimmywine dyspeptic , the bardo pond album did make the ilm metal poll, so some metallers do like them.

Well, their album is called Rise Above, so... I dunno, I think a lot of elements you mention JD would only appeal to a certain type of metaller.

tbf so does a lot of metal

but this thread shouldnt just be about metal its supposed to be any genres

unless of course metal is the only one ilxors cant get into

i am crazy about bardo pond tbh

"Fans of metal bands keep telling me I need to check out "this band" and their enthusiasm puts me off as

How does that option end? The poll code cuts off the line after x characters.

(dying here at K making a sock and kicking it off with a metal poll)

It's not interesting enough to warrant my time is probably my #1 excuse.

oh, if we're not talking metal (and if we're not, the poll doesn't really make sense), I can answer this question with a single word: "wacky." Anything that can be described as 'wacky' and I'm gone. I don't mean Jandek or Beefheart wacky; I mean the whole 'let's-cover-this-Madonna-song-inna-grindcore-style' wacky. Also, anything remotely like Ben Folds / Barenaked Ladies / MC 900 ft Jesus / Soul Coughing etc. "Ironic covers" also sums this up.

anything remotely like Ben Folds / Barenaked Ladies

ugh

and yeah i hate metal bands doing covers just to get a hit,

and JWD you can talk about metal as well as other genres. its a free for all.

but this thread shouldnt just be about metal its supposed to be any genres

unless of course metal is the only one ilxors cant get into

Mentions of Metal in the poll options = 6
Mentions of any other genre = 0

The poll questions are exclusively about metal but I would welcome all opinions w/r/t other music that often provokes negative reactions. Country/Jazz/Reggae/Opera et al

but if the only genre people cant relate to is metal thats fine!

now tom d tell us how you dislike prog rock!

I like it more than metal

lol

your idea of hell would be prog-metal, right?

Not necessarily, it might be an improvement on common or garden metal

Anyway I thought was metal was "in" with young interesting and hip people... and ILXors

you're never allowed *in* metal. (go read deafheaven thread)

Oh I won't be doing that

i bet you liked sabbath as a kid

Was there any heavy metal bands from Paisley?

not just metal, but many genres to me sound like undifferentiated mush, but with regards to metal, I watched the entire documentary on wacken,
and this is not only my most favorite "metal" performance, but the only one I remember from it:

https://www.youtube.com/watch?v=w6YWG69Eja0

but isn't that supposed to be the charming thing about metal? that it sounds the same in blazing hot florida and south america as it does in crypt-like cold of the umlauted regions?

Culture
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James Rhodes
theguardian.com, Tuesday 4 February 2014 15.43 GMT
Jump to comments (38)

Marin Alsop conducts the Filarmonica della Scala orchestra
Recipient of snide comments … the American conductor Marin Alsop with the Filarmonica della Scala orchestra. Photograph: Marco Brescia/AP

Classical music is not dying (pace yet another overly-enthusiastic report at Slate.com) but there are clearly many problems in the industry.

Most of them are brought on by those of us in the business itself, be it the musicians (who are for the most part precious, egocentric, grandiose and socially stunted), the gatekeepers (narcissistic, obtuse, living in the past, as resistant to change as they are entrenched in their cliques) or the record labels (risk-averse and budget-deprived, relying on their back catalogue as a life raft).

sound familiar for other genres?

that was only supposed to be the last bit

http://www.npr.org/blogs/deceptivecadence/2012/02/16/146997896/why-do-people-hate-rap-and-opera

the reason I don't listen to much metal is that, while heavy/uptempo rock is some of my favorite music in the world, most of the stuff that passes muster as 'metal' seems to seek out some extreme territory where it's either so fast or so slow that it doesn't really rock to me. nevermind that the 70s metal/proto metal that i like has the kind of hooks that would get a current band downgraded to mere 'hard rock.'

i dunno if there's a list option for that, though, or what the nearest equivalent would be.

I've never, ever been able to work out whether or not being into a piece of music is individual or more of a communal thing. If it's a communal thing and the music is part of a group ritual, then disliking the group (IF this is w/ good reason, if) might be more okay as a big part of why you don't like the music?

Anyway, I might not be who this thread is aimed at because I had significant teenage flings with Slayer, Pantera and Mayhem, and also a brief affair with Sunn, so it's more why didn't I keep them around.

But you know. Metal often seems to be trying to go for nihilism and negativity, but expects to find those things in conventional places. But there's more nihilism in Buddy Bolden's Blues

https://www.youtube.com/watch?v=vgmZyImasvA

isn't there? And more negativity in

https://www.youtube.com/watch?v=jPnZZTVp_2A

surely?

That prob is questionable but you know what I mean

formally anticipating the nihilism realness clusterfuck thread

Feel like I've been seeing K3rrangst about this topic on like 5 different threads recently. Ramona, I have to ask: do you accept that any of these as satisfactory reasons for people not to listen to metal a genre?

http://flavorwire.com/436419/does-underground-metal-have-a-place-in-the-mainstream/

That prob is questionable but you know what I mean

haha, i don't

Ooh, I bet you're wondering how I knew
'bout you're plans to make me blue
with some other guy that you knew before.
Between the two of us guys
you know I love you more.
It took me by surprise I must say,
when I found out yesterday.
Don't you know that...

I heard it through the grapevine
not much longer would you be mine.
Oh I heard it through the grapevine,
Oh and I'm just about to lose my mind.
Honey, honey yeah.

I know that a man ain't supposed to cry,
but these tears I can't hold inside.
Losin' you would end my life you see,
cause you mean that much to me.
You could have told me yourself
that you love someone else.
Instead...

People say believe half of what you see,
son, and none of what you hear.
I can't help bein' confused
if it's true please tell me dear?
Do you plan to let me go
for the other guy you loved before?
Don't you know...

1a. I thought I heard Buddy Bolden say,
Funky butt funky butt, take it away,
Stinky butt funky butt, take it away,
I thought I heard him say.

1b. I thought I heard Buddy Bolden shout,
Open up the window an’ let the bad air out,
Open up the window an’ let the bad air out,
I thought I heard him shout.

2a. I thought I heard Judge Fogarty say,
Give him thirty days in the market, take him away,
Give him a good broom and take the prisoner away,
I thought I heard him say.

2b. I thought I heard Frankie Dusen shout,
Give me our money or I’ll beat it out,
Give me our money or I’ll beat it out,
I thought I heard him shout.

3a. I thought I heard Buddy Bolden say,
Monkey butt, funky butt take it away,
Funky butt, stinky butt take it away,
I thought I heard him say.

3b. I thought I heard Buddy Bolden shout,
Open up the window an’ let this foul air out,
Open up the window an’ let the foul air out,
I thought I heard him shout.

Ultimately, what is most important is how mainstream coverage benefits the bands. Do they see an increase in album sales or attendance at shows? Journalist Kim Kelly, who writes for Pitchfork (where she specializes in underground black metal and doom bands), along with the UK metal mag Iron Fist, The FADER and several others, says the feedback she gets from bands she covers in her more mainstream writing gigs proves that they are. “Sometimes I’ll get an email asking if I have covered something recently, because the band saw a spike in Bandcamp sales and figured I was behind it! I know for a fact that my scribblings have made certain bands money, gotten them gigs, or helped them make valuable connections, and that’s all the justification I need to keep on keepin’ on.”

kkdomitor nails it

1. Shredded Humans

Early hours, open road, family of five - on their way home
Having enjoyed a day in the sun, their encounter with gore has just begun
A homicidal fool not knowing left from right, now has the family in his sight
Trying to perceive if he's blind or insane,
he steers his car into the other lane

Both of them collide, expressions horrified
Head on at full speed, the vultures will soon feed

The father of three was impaled on the wheel,
as his skull became a part of the dash
His eyeballs ejected his sight uneffected, he saw his own organs collapse
His seatbelt was useless for holding him back, it simply cut him in two
Legs were crushed, out leaked pus as his spinal cord took off and flew
The mother took flight through the glass, and ended up impaled on a sign
Her intestines stretched from the car down the road for a quarter of a mile

Fourth child on the way, won't live another day
Fetus on the road, with mangled little bones
Little children fly, not a chance to wonder why
Smashed against the ceiling, all their skin burning and peeling
Shards of glass explode, chest and skull now implode
Corpses they've become, and graves will have to be dug

Underneath the wheels, burning rubber on your face
Bleeding from your eyes, the slaughtered victims lies
Knowing what he's done, he just backs up one more time
Laughing at the mess, a pile of meat on the street

One child left slowly dying now, arteries gushing blood
Now it's time to feed on flesh, the gore has just begun

Early hours, open road, family of five - on their way home
Having enjoyed a day in the sun, their encounter with gore has just begun
A homicidal fool not knowing left from right, now has the family in his sight
Trying to perceive if he's blind or insane,
he steers his car into the other lane

The look of death in my eye
Surely no-one will survive
Just a pile of mush
Left to dry in the sun

I see my fresh kill
Left in the road
Remains of your bodies
Mangled and torn

sorry cardamon i don't know what you're talking about

the reason I don't listen to much metal is that, while heavy/uptempo rock is some of my favorite music in the world, most of the stuff that passes muster as 'metal' seems to seek out some extreme territory where it's either so fast or so slow that it doesn't really rock to me. nevermind that the 70s metal/proto metal that i like has the kind of hooks that would get a current band downgraded to mere 'hard rock.'

i dunno if there's a list option for that, though, or what the nearest equivalent would be.

― scott c-word (some dude), Tuesday, February 4, 2014 8:50 PM (Yesterday) Bookmark Flag Post Permalink

This more-or-less mirrors my views. But the biggest barrier to getting into most post-Sabbath metal is the drum sound. It's either reverbed to shit, heavily gated, a broad flump or (usually) all of the above. And the bass drum just sounds like a low click. I love electronic drums/drum machines in other contexts, but in metal it just sounds goofy (and pointless, when an acoustic bass drum is made to sound indistinguishable from an electronic bass drum).

Also cardomon otm re: nihilism.

Also, Cookie Monster vocals. Are...are you actually trying to scare...anybody? And has it ever worked?

I love old school metal, but I agree--I just can't wrap my ears around a lot of black or death metal.

Also, much of contemporary country music sounds like it was pumped out of a hit factory. I ain't buying it.

Stoner or sludge metal, like Sleep, I can get into for a while, but an album side or two is enough. I'd probably be able to tolerate a lot more if I actually got stoned.

Yeah it’s not about sounding scary it’s about sounding inhuman and weird and monster-like, plus sometimes it’s funny, and yeah the key for me getting into death metal vox was to hear it as another textural instrument, think of it like someone playing a blast furnace like a pump organ or something

my goal is to start all of my posts with “yeah”

Tbf I hated death vocals at first and you can find posts from me on USEnet in 96 getting clowned for complaining about them on alt.music.slayer.

David Vincent going “Oough!!” is the f’in best

From the poll, definitely music with "chops" or other ways of being mister smartypants (we just discovered dissonance and it's now our sole compositional device), lack of rhythmic sense (groove is a plus), and just generally the poor songwriting (our shortest song is 9 minutes but it could also be a bridge in our 16-minute epic).

In other genres:
- Cuteness, quirkiness, maximalism, the nerd's definition of happy or dancy
- Repetition, formalism
- Electronic music imitating nature, background music, mood music
- Experimental, deconstruction
- Actually most music with prefixes like avant-, alternative, hypnagogic, vapor-, indie, -core... seem to cultivate aspects that I find gimmicky, but I also hate to think of music in this closeted way, so it's more a discourse thing.

Sounds like my only options will soon be Fleetwood Mac and remembering how subversive and open-minded my tastes were in my twenties.

80s-00s uk indie
- the fans: some of the most bigoted smallminded "real music" fans and bullies I've ever known, as well as all the biggest wankers in british media, these associations can be hard to shake
- the music: you get the sense that things like good singers and competent rhythm sections are seen as unnecessary indulgences or at best an occasional nice bonus when it comes to this music

thrash metal - boring macho bullshit

the biggest barriers to me enjoying music are rote melodic choices, needlessly repetitive songwriting, the feeling that the music is about 'vibes' rather than melodic, dynamic, textural or lyrical narrative, and any sort of feeling of cheap emotional manipulation. these can be found in all genres

Opera singers stop me listening to opera tbh. Classical soprano is almost literally my least favourite noise made by human beings. In other words, "the vocals".

there are basically no vocals besides Anthony Kiedis', Jacob Collier's and Paloma Faith's that put me off, and those are three historically annoying vocalists

I guess anyone in that Paloma Faith mould of Winehousey jazzy inflection is risking my wrath tbh

never listen to extreme metal at home, but always enjoy it at concerts

barrier for me is that some genres don't have a venue where I'm at (or only very expensive venues)

I must be one of the few people who loves the sound of classical soprano while generally hating opera itself - so much of the culture around it seems to be this hideous self-serious pseudo-aristocratic posturing and gatekeeping while the plots are infuriatingly ridiculous and bathetic - opera queens love that tension and more power to them but I can't stand it

a relatively recent development afaik, used to be a popular (as in vulgar) art form until they got rid of the cheap seats (part of an intentional attempt at turning it into hideous self-serious pseudo-aristocratic posturing and gatekeeping)

I've been told it's less like that in Italy, idk how true that still is

it's a shame and mirrors what's happened to theatre and classical music in general. In the case of opera I blame wagner for a lot of it

xps to Neanderthal

let a death man growl
it’s meant to be percussive
let a death man growl
although he ain’t exactly Twista

Lolol

I can get into a lot of weird/annoying/"bad" vocal styles, but still I have never found a way past the belting emo vocal style. I spent the past two years dating someone who was really into MCR and I know a lot of people around here rate them highly. But I just couldn't do it, man. I like a lot of the other stuff Gerard Way does with his voice! But as soon as he starts with the "I'M NOT WHOA-KAAYYAAY" shit, I'm in for a bad time :(

And as for "cookie monster" vocals, these usually sound goofy as hell rather than bleak or atmospheric to me. But I can appreciate what they're going for.

I was just about to mention, coincidentally, that I only can't stand singers who sing entirely through their nose.

Also admittedly a lot of the mainstream rap in the last five years, I just don't get. And I love hip hop.

But I can appreciate what they're going for.

I guess I'm still trying to figure out what that is.

We hosted an exchange student from northern Germany about 15 years ago. He was devoted to the really scary-sounding Scandinavian stuff. It struck me as an affirmative act of nonconformity.

Strangely enough, I can really appreciate the sound of an operatic soprano. The Queen of the Night aria from The Magic Flute is sublime. I do prefer lieder, though, whether sung by a soprano or sung by an alto.