tunesmithery

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When you die, these cunts will be playing dancing in the moonlight while loads of people piss on your grave.

Bruce Baugh
13 Feb 2013

Rick Wakeman's Journey to the Center of the Earth is good fun concept album action. My Chemical Romance's The Black Parade, of course. Besides Pink World, Planet P Project's later Go Out Dancing trilogy is great bitter concept albumry. The Wall, natch.

ugh gtfo, ntach

"fun concept album action" vs. "bitter concept albumry"

ban "-ry"

Absolutely. It would be the ultimate in bansmithery.

suggestbannery vs flagpostery

ilxery

raggettstry

permalinkage

Threadsmanship

spazzmo whiteboy scando-hop

underrated

Bring the Noise - Google Books Result
books.google.co.uk/books?isbn=0571252281
Simon Reynolds - 2009 - ‎Social Science
Or check the quirktronica pulsescape underpinning Beenie on 'Badder Than the Rest', or Elephant Man's amazing '2000 Began' from Comin' 4

Still haven't really found anything to contribute to this thread. Must be reading the wrong stuff.

To my ears, the ghosts of The Soft Machine and Caravan flit through Tusmørke‘s sound, with Ratledgey organ action from organ / Mellotronist Deadly Nightshade, warm, supple bass from Benediktator and nimble drummage from HlewagastiR, joined by the expressive flute of Krizla, adding that ‘Tull feel to proceedings too.

is there usually an apostrophe before Tull?

Master Flow & Bandtronica- je prvi srpski electro swing band, oformljen u Pančevu, u septembru 2013. godine kada DJ Master Flow odlučuje da u svoje electro swing setove uključi i live act saxofona ili klarineta koje svira David Ereš, ubrzo zatim im se pridružuje i basista Nenad Živanov kao i bubnjar benda Putnik u tramvaju , talentovani Ljubiša Milošević koji je gost na ovom projektu. Bend je do sada svirao u Pančevu i Beogradu, Novom Sadu. Široj publici u Srbiji band će se predstaviti nastupom na 20. Nisvill jazz festivalu u avgustu ove godine.

Bolshie Russian-American quirkstrel Regina Spektor is, and always ought to be regarded as something of a fringe player. Sure, much of latest and sixth full-length What We Saw From The Cheap Seats is trimmed with powdery pop propensities that in the wrong, racketeering hands could be sprinkled into a Miley Cyrus record or if tinkled out of the commensurately wrong fingers could be construed as stuff saccharine extracted from some rightfully neglected gobbet of Vanessa Carlton’s discography (A Thousand Miles lamentably, inevitably excluded). But in an era of artificiality in which ears mutilated under the knife are further maimed by unlistenability, we ought to regard Spektor as something of a pop mutineer; a saviour of sorts as those dorky ringlets of hers flounce whilst she hops the fences of convention, flouting contemporary praxis.

jesus christ this might be the worst music writer in the world

AlSaadi’s prominent, romping bass lines recall those of, well, of Montreal circa Hissing Fauna, Are You the Destroyer? to begin with but in terms of genre categorisation-cum-compartmentalisation, TEEN are nigh on impossible to pigeonhole or stereotype. Their records have tired many a determined hack when desperately, and with that deplorably attempting to do so, so we’ll spare ourselves the trouble.

Turning from genre to gender a moment, another of the more intriguing differences between tonight and however-many afternoons ago concerns something of a sexual imbalance: maybe it’s merely due to the fact that, generalising, there tend to be more men than women at most London dates. (This far from revolutionary finding might not directly apply to your every-way-average O2, or Wembley Arena pop spectacular, although in those more independent venues, the generalisation largely rings perturbingly true.)

Skirting gingerly around the rather sizeable Latitude perimeter at the heart of Suffolk’s Henham Park, the ‘Friends of Latitude’, charity-geared minibus shuttle driver deems the event “a good, honest festival.”

So irreproachable is the momentarily, overly processed vocal of SOHN, that it sounds as though its beholder has yet to hold a lit cigarette between index and middle phalanges. Returning to the scene of his first UK show, if he was then “under the trees”, then he now enthrals a vast audience underneath the tarpaulin of the BBC Radio 6 Music Stage.

wow this guy is horrific

"Sherman" is great because (A) it's a cracking slice of danceable anger-funk and (B) the video is reminiscent of the best TV show that never was ...

A cracking slice of genre filmmaking that nods to vintage Michael Mann and Martin Scorsese as well as the new generation of Latin American filmmakers

That's a cracking slice of smooth r&b. The guitar playing is great. I really both the tones you've used for the solos, but I thought you could have ...

Truth Lies Bleeding is another cracking slice of the dark side of life from Tony Black and proof that he's got plenty of tricks up his sleeve

A cracking slice of deep-sea unease., 23 April 2004. By. Brian Flange "qflestrin". This review is from: The Kraken Wakes (Paperback).

4.0 out of 5 stars ...a cracking slice of pop r'n'b... The PR bumph is at pains to point out that 2 years have passed since JoJo had her break out hit with "Leave ...

Another cracking slice of original disco music by Drop Out Orchestra. This track is also included on the up and coming 'Original & Unreleased' vinyl...

Here's a cracking slice of nu-disco from the on-form Cosmonauts. Free DL here. If you enjoy this check out Default and Picassio - More Order (although I...

Gan to the secret pizza shop in the cosmo, cracking slice of pizza and then hookers and toot.

omg dying at "Russian-American quirkstrel"

only 2 ilx occurrences of cracking slice:

mark e wrote this on thread Bloc Party Go Dance on board I Love Music on Apr 29, 2010

I like it, more than anything on Intimacy anyway. Especially when he launches into that higher melody to ride out the end.

agree.
once it gets going its a cracking slice of old fashioned rave pop.
bring on the beatmasters radio edit.

mark e wrote this on thread move over mr fopp, there is a new player in your broken town. on board I Love Music on Dec 30, 2013

i am biassed re delakota as most of that crew became the backing band/studio gurus for gorillaz, and had been the senseless things.

so, it was all part of the joining dots process.

that said, its a cracking slice of laid back sample heavy indie dance pop.

Obama Girl came back to help her candidate win Iowa. This is the worst viral campaign of the noughties, wethinks.

Bolshie Russian-American quirkstrel Regina Spektor is, and always ought to be regarded as something of a fringe player. Sure, much of latest and sixth full-length What We Saw From The Cheap Seats is trimmed with powdery pop propensities that in the wrong, racketeering hands could be sprinkled into a Miley Cyrus record or if tinkled out of the commensurately wrong fingers could be construed as stuff saccharine extracted from some rightfully neglected gobbet of Vanessa Carlton’s discography (A Thousand Miles lamentably, inevitably excluded). But in an era of artificiality in which ears mutilated under the knife are further maimed by unlistenability, we ought to regard Spektor as something of a pop mutineer; a saviour of sorts as those dorky ringlets of hers flounce whilst she hops the fences of convention, flouting contemporary praxis.

― Little Saint Hugh of Lincoln (nakhchivan), Thursday, 24 July 2014 00:28 (1 month ago)

that is literally a capital offence

Victoria Aitken, the New York and London-based socialite songstress, has teamed up with the Scumfrog, a New York-based D.J., on her recent single “Sunshine,” which is currently No. 7 on the British dance charts. The light-spirited house track was inspired by a Latin loffer she met on holiday in Spain. “He was very charming, funny and interesting,” she says. “The only problem was that others thought so too, and they were girls who dressed up to the nines in diamonds and couture.” According to Aitken, the song is also a hit with her father, Jonathan Aitken, the disgraced former Tory cabinet minister. (Dad wasn’t a big fan of her last video, “I’ll Be Your Bitch,” in which she danced suggestively while brandishing a whip and in preparation for which she took pole-dancing classes.)

High octane no frills bluesicianship - a solid testament to the enduring power and influence of blues inflected rock - especially the variety in which a wailing Fender Strat comes front and centre.

Very much his own man musically, it's readily apparent from the expanse of his regal tone and his inherent bluesicality that Houston was passed the baton by none other than sax-griot Gene Ammons when he died in 1974.

Q. Why Should Londonist Readers Go And See You?

A. Because for better or worse there is no other band that plays live in the way we play live – it actually is ambientertainment, plus we have a special ghost star

lol I actually recognised that last & have seen the "band" in question

As an artist he believes strongly that art itself should be questioning and bewildering as opposed to patronizing and restricting. As opposed to the current fashion he does not want to dictate a way to the understanding of his art, but rather indicate a path to understanding a story.

His work resonates with the kind of quirkmanship that is very much liked in at the House of Worshipful!

Les Mouches - You're Worth More to Me Than 100 Christians

Clever Cactumus'd from Ish. It's solid quirkoustic most of the way through, with some inexplicable freaking out toward the beginning.

Described as “quirky” and “eclectic” he has logically positioned himself smack in the middle of the Quirklectic genre. “You never know what to expect,” is a ...

blissblog

Thursday, September 27, 2007

In 1978 NME writer Miles wrote about a New Wave sub-style he dubbed "geometric, jerky quickstep"--exponents included XTC, Devo, Ultravox, with tinges in Talking Heads and Pere Ubu. The herky-jerkiness overlaps with Quirk ("geometric jerky quirkstep" perhaps) but with Quirk as Kid Shirt defined the ancestry's more in Genesis than in the cooler things Miles sources his thing in (Eno, Kraftwerk, Cluster).

Oh My God Guys I Think I May Have Hit The Jackpot

http://www.geocities.ws/genresound/week/11-3-8-04.htm

The herky-jerkiness overlaps with Quirk