I always thought the takedown was Dylan playing "Love Minus Zero/No Limit" after literally vibrating and squirming in place while Donovan sang. "You wanna hear a special one?"
― flappy bird, Tuesday, 1 December 2015 21:23 (eight years ago) link
The cutaways to Donovan during that performance are so devastating, it looks like he wants to crawl into a hole.
― flappy bird, Tuesday, 1 December 2015 21:24 (eight years ago) link
There is that, yes.
― Mark G, Tuesday, 1 December 2015 21:37 (eight years ago) link
i don't actually read donovan's facial expression that way. he just seems full of admiration.
honestly the whole "dylan shows up donovan" thing seemed like a false fanboy story to me, like something some folks desperately wish had happened when the reality was more collegial and mundane.
― wizzz! (amateurist), Tuesday, 1 December 2015 21:48 (eight years ago) link
It was a side-story to the movie, the "new" brit-dylan.
My highlight was "I don't want to know his name, I just want to know who he IS man!"
― Mark G, Tuesday, 1 December 2015 21:52 (eight years ago) link
i don't know, he looks really bummed picking at his teeth, nursing a smoke
― flappy bird, Tuesday, 1 December 2015 21:54 (eight years ago) link
maybe the song just hit him in his heart
yeah i think donovan is just acting like a complete dylan fan (which he obviously was!). i mean, he's only 18 years old there!
― tylerw, Tuesday, 1 December 2015 21:55 (eight years ago) link
I'm w amateurist on this particular exchange. I had of course read about it long before I got to see it. When I finally did I was nonplussed, next to the more cantankerous exchanges between Dylan and the press corps it seemed pretty inconsequential.
― Οὖτις, Tuesday, 1 December 2015 21:56 (eight years ago) link
tbh i've never really got much of a kick out of the movie. dylan seems like he is a bad mood much of the time, most of his fans are annoying, etc. etc. the footage from "eat the document" is much more exciting, even if it has yet to find the most coherent setting.
― wizzz! (amateurist), Tuesday, 1 December 2015 21:59 (eight years ago) link
and the music is better!
― wizzz! (amateurist), Tuesday, 1 December 2015 22:00 (eight years ago) link
definitely. it's cinematography makes it much more frustrating though. You can hear the band ripping into it, and all you have to look at is a dimly lit closeup of the back of Dylan's head.
― Οὖτις, Tuesday, 1 December 2015 22:00 (eight years ago) link
i don't know, i love Don't Look Back, but I do feel that for all its cinema verite-ness, it's actually a pretty skillfully put together / not entirely factual narrative.
― tylerw, Tuesday, 1 December 2015 22:03 (eight years ago) link
oh sure, i wouldn't argue that point -- i just don't enjoy watching it that much. everybody is so bitchy in it!
― wizzz! (amateurist), Tuesday, 1 December 2015 22:04 (eight years ago) link
wait, i'm confused. i think Οὖτις was referring to the cinematography in "eat the document," and tyler was referring to "don't look back"
― wizzz! (amateurist), Tuesday, 1 December 2015 22:05 (eight years ago) link
i was talking about don't look back, yeah. true that the eat the document performance footage is incredible ... i'd pay for a DVD of everything in the archives of that stuff.
― tylerw, Tuesday, 1 December 2015 22:07 (eight years ago) link
Eat the Document has such a great opening scene - the drone buzz under the titlecard, Dylan snorting speed off the piano, looks at the camera - "have you ever heard of me?" - and then tickling the ivories for a bit
― flappy bird, Tuesday, 1 December 2015 22:10 (eight years ago) link
xpost
how about 35 Blu-Rays in a big hat leopard-skin hat box with a glossy coffee-table book, a series of 35mm frames from the original footage, a DIY bob dylan footprint kit, a "Blonde on Blonde" Hot Wheels racer, and a 45 RPM record with the "judas!" cry in a lock groove, all for the low low price of $799.99?
― wizzz! (amateurist), Tuesday, 1 December 2015 22:11 (eight years ago) link
i'm all in
― tylerw, Tuesday, 1 December 2015 22:15 (eight years ago) link
ps - i've almost listened to all 18 discs! pretty fun stuff.
― tylerw, Tuesday, 1 December 2015 22:16 (eight years ago) link
i feel like every last ounce of bob dylan audio tape and film footage is going to surface eventually, so you may as well start saving.
― wizzz! (amateurist), Tuesday, 1 December 2015 22:16 (eight years ago) link
Speak to me more of this Hot Wheels racer...
― Boz Scaggs was Adele back in 1976 (C. Grisso/McCain), Tuesday, 1 December 2015 22:16 (eight years ago) link
the budokan rehearsals (an 12-CD set complete with pancake makeup kit)
― wizzz! (amateurist), Tuesday, 1 December 2015 22:17 (eight years ago) link
The Complete Shot of Love Sessions (including a piece of the one true cross)
― tylerw, Tuesday, 1 December 2015 22:21 (eight years ago) link
the minnesota house tape: just the hiss -- three hours of tape hiss taken from the end of the reels on which bob dylan's very first musical recordings were made
― wizzz! (amateurist), Tuesday, 1 December 2015 22:23 (eight years ago) link
don't you guys think an EAT THE DOCUMENT dvd & blu-ray release would make as much or more money as the Bootleg Series?
― flappy bird, Wednesday, 2 December 2015 00:51 (eight years ago) link
it's certainly less messy than the six-disc version of the cutting edge...
― flappy bird, Wednesday, 2 December 2015 00:52 (eight years ago) link
aren't there two features edited from the 1966 pennebaker footage--eat the document being dylan's version, and pennebaker (sp?) having put together an alternative cut that has never been distributed?
― wizzz! (amateurist), Wednesday, 2 December 2015 01:48 (eight years ago) link
Yes--Pennebaker's is called "You Know Something Is Happening" and it is reportedly a much more conventional fly on the wall doc.
― Boz Scaggs was Adele back in 1976 (C. Grisso/McCain), Wednesday, 2 December 2015 02:00 (eight years ago) link
how about 35 Blu-Rays in a big hat leopard-skin hat box with a glossy coffee-table book, a series of 35mm frames from the original footage, a DIY bob dylan footprint kit, a "Blonde on Blonde" Hot Wheels racer, and a 45 RPM record with the "judas!" cry in a lock groove, all for the low low price of $799.99?― wizzz! (amateurist), Tuesday, December 1, 2015 5:11 PM (3 hours ago) Bookmark Flag Post Permalink
― wizzz! (amateurist), Tuesday, December 1, 2015 5:11 PM (3 hours ago) Bookmark Flag Post Permalink
Jealousy is so NAGL, amateurist!
― Iago Galdston, Wednesday, 2 December 2015 02:09 (eight years ago) link
of whom or what am i jealous?
― wizzz! (amateurist), Wednesday, 2 December 2015 02:34 (eight years ago) link
I was the guy gushing about the box set, we talked about it ad nauseum up thread. Sorry, I thought you were riffing on that.
― Iago Galdston, Wednesday, 2 December 2015 02:51 (eight years ago) link
Re Dylan and Donovan: in kiddie times, I once knew a girl who converted her boyfriend to the following point of view, in the wake of Don't Look Back: Dylan has gotten old and bitter, Donovan is young and sweet, like a groovy older brother, turning you on to the good music he's just discovered. Via "Bert's Blues" and "House of Jansch, " for instance, he became our gateway to British folk-rock: somebody found Bert's Blues, and what't this, Pentangle, and somewhere a cover of Mingus, so let's try jazz, and so on. (Of course Dylan was a gateway too, like with those old-school country songs in Don't Look Back, and of course to Guthrie, Van Ronk, the country blues artists covered on his debut, and "Oh, 'Desolation Row', Beat Generation," and somebody mentioned 19th Century French poets). But Donovan peaked and disappeared, without getting any where near the range of Dylan (who got sweet as country pie later on, for a while). I still know that girl, she still likes Jackson Browne and Neil Young and Dylan after all; haven't heard her mention Donovan in a long tyme.But it could be that Dylan sweated about him for a minute, as Elvis supposedly shot his TV when Robert Goulet was on the Sullivan Show (more plausibly and lastingly, kept an eye on Tom Jones). And in Myra Friedman's Buried Alive, Janis Joplin is said (by a mutual acquaintance) to be real worried ("There's one other girl, and if she makes it big, I won't, and if I make it---") about Judy Collins!
― dow, Wednesday, 2 December 2015 18:21 (eight years ago) link
Donovan was also better looking and had a much better, palatable voice for pop. I doubt Dylan considered him a songwriting rival, but when you've got promos like this, someone like Donovan could seem like a real threat...
http://www.teclarios.com/wp-content/uploads/2010/05/nobodysingsdylanlikedylan.jpg
― flappy bird, Wednesday, 2 December 2015 18:32 (eight years ago) link
better looking? Donovan looks like a goofball
― Οὖτις, Wednesday, 2 December 2015 18:54 (eight years ago) link
you take that back
http://resources.wimpmusic.com/images/f3f8d87e/4190/41c9/9916/7db99a405a50/1280x1280.jpg
― Number None, Wednesday, 2 December 2015 19:22 (eight years ago) link
i don't think he is, but maybe to a Top 40 audience?
― flappy bird, Thursday, 3 December 2015 17:46 (eight years ago) link
The Cutting Edge 1965-1966:The Bootleg Series Volume 12Collector's EditionSpecial Holiday GiftNow with over 10 hours of unreleased 1965 live performances!
If you own the 18-CD Bob Dylan's The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 – Collector's Edition, the holidays are coming early for you via a special gift from Columbia Records: 208 tracks encompassing more than ten hours of live Bob Dylan performances from his landmark 1965 tours, including 14 complete concerts – both acoustic and electric - and an array of recordings from television shows, hotel rooms, and other live appearances. Only 5,000 copies of the Collector's Edition have been produced, and less than 600 remain available for sale, exclusively through bobdylan.com. Once they're gone...they're gone!Current owners of the Collector's Edition were alerted via email earlier and provided with details of how to redeem their treasure-trove of live Dylan performances. New buyers of the set will receive the same details in an email confirming their purchases.This incredible set 18-cd set encompasses every note recorded during Bob's 1965-1966 recording sessions, including every alternate take and alternate lyric. All of the previously unreleased recordings have been mixed from the original studio tracking tapes, eliminating unwanted 1960s-era studio processing and artifice. This edition also includes Dylan's original nine mono 45 RPM singles released during the time period, packaged in newly created picture sleeves featuring global images from the era.The complete list of gifted live performances is as follows:February 17, 1965 (Les Crane Show, WABC-TV Studios, New York City, New York)March 27, 1965 (Santa Monica Civic Auditorium, Santa Monica, California)April 30, 1965 (The Oval, City Hall, Sheffield, England)May 1, 1965 (Odeon, Liverpool, England)May 2, 1965 (De Montfort Hall, Leicester, England)May 5, 1965 (Town Hall, Birmingham, England)May 6, 1965 (City Hall, Newcastle, England)May 7, 1965 (Free Trade Hall, Manchester, England)May 8, 1965 (Savoy Hotel, London, England)May 9, 1965 (Royal Albert Hall, London, England)May 10, 1965 (Royal Albert Hall, London, England)June 1, 1965 (BBC Studios, London, England)July 24, 1965 (Contemporary Songs Workshop, Newport Folk Festival, Freebody Park, Newport, Rhode Island)July 25, 1965 (Newport Folk Festival, Freebody Park, Newport, Rhode Island)August 28, 1965 (Forest Hills Tennis Stadium, Queens, New York)September 3, 1965 (Hollywood Bowl, Los Angeles, California)October 29 or 31, 1965 (Back Bay Theater, Boston, Massachusetts)October 30, 1965 (Bushnell Memorial Hall, Hartford, CT)December 4, 1965 (Berkeley Community Theatre, Berkeley, California)
― dow, Monday, 7 December 2015 16:49 (eight years ago) link
I've listened to a bootleg of those '65 shows...whole lotta "Mr Tambourine Man" for sure. I listened to every show, don't think I would do that again, but fun enough once I guess.
― droit au butt (Euler), Monday, 7 December 2015 16:52 (eight years ago) link
holy fuck
― a (waterface), Monday, 7 December 2015 16:52 (eight years ago) link
unfortunately not too much that hasn't already been bootlegged (and i doubt they could fix up the awful audience recordings too much)... was hoping there might be the pro-recorded dylan and the hawks carnegie hall show. maybe the most interesting thing is the solo acoustic "tombstone blues" from the newport workshop.
― tylerw, Monday, 7 December 2015 16:54 (eight years ago) link
so are these like FLAC links for download or what?
Mostly agree w/Euler and tylerw, these are old news to any collector, but some of the electric sets in that gig list are pretty smokin'
― sleeve, Monday, 7 December 2015 16:54 (eight years ago) link
yeah the Hollywood Bowl show is terrific
― droit au butt (Euler), Monday, 7 December 2015 16:56 (eight years ago) link
yeah hollywood bowl is great, and berkeley is pretty listenable for an audience tape. the other electric sets are pretty dire in terms of sound quality iirc. (and i have a high tolerance for terrible audience recordings, believe me)
― tylerw, Monday, 7 December 2015 16:57 (eight years ago) link
But---how do we know that any of these are audience tapes (checking child's college fund)?
― dow, Monday, 7 December 2015 17:20 (eight years ago) link
the late 65 shows are all audience tapes -- the british acoustic tour should all be soundboards. here's the tracklisting:
BOB DYLAN –50th ANNIVERSARY COLLECTION: 1965
February 17, 1965 (Les Crane Show, WABC-TV Studios, New York City, New York)1. It’s All Over Now, Baby Blue – 4:242. It’s Alright, Ma (I’m Only Bleeding) – 7:25Bob Dylan – vocals, acoustic guitar and harmonicaBruce Langhorne – electric guitar
March 27, 1965 (Santa Monica Civic Auditorium, Santa Monica, California)3. To Ramona – 4:224. Gates of Eden – 7:135. If You Gotta Go, Go Now – 2:116. It’s Alright, Ma (I’m Only Bleeding) – 7:347. Love Minus Zero/No Limit – 4:048. Mr. Tambourine Man – 5:279. Don’t Think Twice, It’s All Right – 3:2710. With God On Our Side [incomplete] – 1:2211. She Belongs To Me – 3:3612. It Ain’t Me, Babe [incomplete] – 1:1013. The Lonesome Death of Hattie Carroll [incomplete] – 0:2014. All I Really Want To Do – 2:2215. It’s All Over Now, Baby Blue – 4:41Bob Dylan – vocals, guitar and harmonica
April 30, 1965 (The Oval, City Hall, Sheffield, England)16. The Times They Are A-Changin' – 3:2517. To Ramona – 4:2418. Gates Of Eden – 6:5819. If You Gotta Go, Go Now – 2:5420. It's Alright, Ma (I'm Only Bleeding) – 8:0221. Love Minus Zero/No Limit – 4:3622. Mr. Tambourine Man – 6:0623. Talkin’ World War III Blues – 4:4924. Don't Think Twice, It's All Right – 3:5625. With God On Our Side – 4:4926. She Belongs To Me – 4:2427. It Ain't Me, Babe – 3:4428. The Lonesome Death Of Hattie Carroll – 5:0629. All I Really Want To Do – 2:4430. It's All Over Now, Baby Blue – 5:04Bob Dylan – vocals, guitar and harmonica
May 1, 1965 (Odeon, Liverpool, England)31. The Times They Are A-Changin' – 3:0332. To Ramona – 4:2533. Gates Of Eden – 7:1034. If You Gotta Go, Go Now – 2:2135. It's Alright, Ma (I'm Only Bleeding) – 7:5436. Love Minus Zero/No Limit – 3:5937. Mr. Tambourine Man – 5:4738. Talkin’ World War III Blues [incomplete] – 4:2539. Don't Think Twice, It's All Right – 4:0740. With God On Our Side – 4:4641. She Belongs To Me – 3:5742. It Ain't Me, Babe – 3:5643. The Lonesome Death Of Hattie Carroll – 5:2344. All I Really Want To Do – 2:5145. It's All Over Now, Baby Blue – 5:07Bob Dylan – vocals, guitar and harmonica
May 2, 1965 (De Montfort Hall, Leicester, England)46. The Times They Are A-Changin' – 2:5547. To Ramona – 4:2148. Gates Of Eden – 6:5849. If You Gotta Go, Go Now – 2:1450. It's Alright, Ma (I'm Only Bleeding) – 7:4051. Love Minus Zero/No Limit – 3:5952. Mr. Tambourine Man – 5:4453. Talkin’ World War III Blues – 4:3654. Don't Think Twice, It's All Right – 3:5255. With God On Our Side – 4:5256. She Belongs To Me – 4:0857. It Ain't Me, Babe – 3:5058. The Lonesome Death Of Hattie Carroll – 5:2059. All I Really Want To Do – 2:3560. It's All Over Now, Baby Blue – 4:52Bob Dylan – vocals, guitar and harmonica
May 5, 1965 (Town Hall, Birmingham, England)61. The Times They Are A-Changin' – 3:1562. To Ramona – 4:0563. Gates Of Eden – 6:5264. If You Gotta Go, Go Now – 2:1965. It's Alright, Ma (I'm Only Bleeding) – 7:4166. Love Minus Zero/No Limit – 4:2167. Mr. Tambourine Man – 6:0268. Talkin’ World War III Blues – 4:4069. Don't Think Twice, It's All Right – 4:0270. With God On Our Side – 4:4971. She Belongs To Me – 4:1472. It Ain't Me, Babe – 3:4173. The Lonesome Death Of Hattie Carroll – 5:3374. All I Really Want To Do – 2:5675. It's All Over Now, Baby Blue – 4:41Bob Dylan – vocals, guitar and harmonica
May 6, 1965 (City Hall, Newcastle, England)76. The Times They Are A-Changin' – 2:5777. To Ramona – 4:1078. Gates Of Eden – 6:5179. If You Gotta Go, Go Now – 2:1180. It's Alright, Ma (I'm Only Bleeding) – 7:4481. Love Minus Zero/No Limit – 3:5782. Mr. Tambourine Man – 5:2683. Talkin’ World War III Blues – 4:2184. Don't Think Twice, It's All Right [partial false start, complete] – 4:3985. With God On Our Side –5:0586. She Belongs To Me – 4:2387. It Ain't Me, Babe – 4:1088. The Lonesome Death Of Hattie Carroll – 5:3489. All I Really Want To Do – 2:5190. It's All Over Now, Baby Blue – 4:54Bob Dylan – vocals, guitar and harmonica
May 7, 1965 (Free Trade Hall, Manchester, England)91. The Times They Are A-Changin’ – 2:5992. To Ramona – 4:3093. Gates of Eden – 6:5094. If You Gotta Go, Go Now – 2:2895. It’s Alright, Ma (I’m Only Bleeding) – 7:5096. Love Minus Zero/No Limit – 4:1497. Mr. Tambourine Man – 6:0298. Talkin’ World War III Blues – 4:2799. Don’t Think Twice, It’s All Right – 3:32100. With God On Our Side – 5:04101. She Belongs To Me – 4:01102. It Ain’t Me, Babe – 3:56103. The Lonesome Death Of Hattie Carroll – 5:32104. All I Really Want To Do – 2:46105. It’s All Over Now, Baby Blue – 5:00Bob Dylan – vocals, guitar and harmonica
May 8, 1965 (Savoy Hotel, London, England)106. She Belongs To Me – 2:48Bob Dylan – vocals & guitar
May 9, 1965 (Royal Albert Hall, London, England)107. The Times They Are A-Changin’ [incomplete] – 3:10108. To Ramona – 4:36109. Gates of Eden – 7:08110. If You Gotta Go, Go Now – 2:15111. It’s Alright, Ma (I’m Only Bleeding) – 8:11112. Love Minus Zero/No Limit – 3:53113. Mr. Tambourine Man – 6:19114. Talkin’ World War III Blues – 4:36115. Don’t Think Twice, It’s All Right – 3:36116. With God On Our Side – 5:03117. She Belongs To Me – 3:37118. It Ain’t Me, Babe – 3:53119. The Lonesome Death Of Hattie Carroll – 5:19120. All I Really Want To Do – 2:42121. It’s All Over Now, Baby Blue – 5:05Bob Dylan – vocals, guitar and harmonica
May 10, 1965 (Royal Albert Hall, London, England)122. The Times They Are A-Changin' – 3:17123. To Ramona – 4:07124. Gates Of Eden – 7:11125. If You Gotta Go, Go Now – 2:13126. It's Alright, Ma (I'm Only Bleeding) [dropouts] – 7:34127. Love Minus Zero/No Limit – 3:37128. Mr. Tambourine Man – 5:50129. Talkin’ World War III Blues – 4:32130. Don't Think Twice, It's All Right – 3:58131. With God On Our Side – 4:54132. She Belongs To Me – 4:19133. It Ain't Me, Babe – 3:47134. The Lonesome Death Of Hattie Carroll – 5:32135. All I Really Want To Do – 2:40136. It's All Over Now, Baby Blue – 4:57Bob Dylan – vocals, guitar and harmonica
June 1, 1965 (BBC Studios, London, England)137. Ballad Of Hollis Brown – 4:52138. Mr. Tambourine Man – 5:55139. Gates Of Eden – 6:50140. If You Gotta Go, Go Now – 2:34141. The Lonesome Death Of Hattie Carroll – 6:03142. It Ain’t Me, Babe – 3:51143. Love Minus Zero/No Limit – 3:39144. One Too Many Mornings – 4:00145. Boots Of Spanish Leather – 6:21146. It’s Alright, Ma (I’m Only Bleeding) – 8:35147. She Belongs To Me – 4:25148. It’s All Over Now, Baby Blue – 4:58Bob Dylan – vocals, guitar and harmonica
July 24, 1965 (Contemporary Songs Workshop, Newport Folk Festival, Freebody Park, Newport, Rhode Island)149. Tombstone Blues – 5:25Bob Dylan – vocals, guitar and harmonica
July 25, 1965 (Newport Folk Festival, Freebody Park, Newport, Rhode Island)150. It Takes A Lot To Laugh, It Takes A Train To Cry – 3:29Bob Dylan – vocals, guitar and harmonicaMichael Bloomfield – guitarBarry Goldberg – organAl Kooper – bassSam Lay – drums
August 28, 1965 (Forest Hills Tennis Stadium, Queens, New York)151. She Belongs To Me – 4:05152. To Ramona – 4:22153. Gates of Eden – 6:31154. Love Minus Zero/No Limit – 3:36155. Desolation Row – 9:31156. It’s All Over Now, Baby Blue – 5:01157. Mr. Tambourine Man – 5:36158. Tombstone Blues – 5:37159. I Don’t Believe You (She Acts Like We Never Have Met) – 4:38160. From A Buick 6 – 3:14161. Just Like Tom Thumb’s Blues – 5:22162. Maggie’s Farm – 4:42163. It Ain’t Me, Babe – 4:34164. Ballad Of A Thin Man – 5:41165. Like A Rolling Stone – 5:59Tracks 151-157: Bob Dylan – vocals, guitar and harmonicaTracks 158-165: Bob Dylan (vocals, guitar and harmonica), Robbie Robertson (guitar), Al Kooper (organ), Harvey Brooks (bass) and Levon Helm (drums)
September 3, 1965 (Hollywood Bowl, Los Angeles, California)166. She Belongs To Me – 3:44167. To Ramona – 4:00168. Gates of Eden – 6:13169. It’s All Over Now, Baby Blue – 4:48170. Desolation Row – 9:38171. Love Minus Zero/No Limit – 3:38172. Mr. Tambourine Man – 5:41173. Tombstone Blues [incomplete] – 4:37174. I Don’t Believe You (She Acts Like We Never Have Met) – 4:19175. Just Like Tom Thumb’s Blues – 4:47176. From A Buick 6 – 2:57177. Maggie’s Farm – 4:19178. It Ain’t Me, Babe – 4:13179. Ballad Of A Thin Man – 5:38180. Like A Rolling Stone – 5:31Tracks 166-172: Bob Dylan – vocals, guitar and harmonicaTracks 173-180: Bob Dylan (vocals, guitar and harmonica), Robbie Robertson (guitar), Al Kooper (organ), Harvey Brooks (bass) and Levon Helm (drums)
October 29 or 31, 1965 (Back Bay Theater, Boston, Massachusetts)181. Tombstone Blues [dropouts] – 4:46182. I Don’t Believe You (She Acts Like We Never Have Met) [incomplete] – 2:02183. Baby, Let Me Follow You Down [partial, intro clipped] – 3:24184. Ballad Of A Thin Man [partial, intro clipped, dropouts and tape speed varies] – 5:15Bob Dylan (vocals, guitar and harmonica), Robbie Robertson (guitar), Richard Manuel (piano), Garth Hudson (organ), Rick Danko (bass) and Levon Helm (drums)
October 30, 1965 (Bushnell Memorial Hall, Hartford, CT)185. She Belongs To Me – 3:21186. To Ramona [incomplete] – 0:18187. Gates of Eden [incomplete] – 0:25188. It’s All Over Now, Baby Blue – 4:51189. Desolation Row [incomplete] – 0:16190. Love Minus Zero/No Limit [incomplete] – 0:49191. Mr. Tambourine Man – 6:36192. Tombstone Blues – 5:21193. Baby, Let Me Follow You Down – 3:19194. Just Like Tom Thumb’s Blues [incomplete] – 0:28195. Maggie’s Farm – 3:56196. It Ain’t Me, Babe – 5:27197. Ballad Of A Thin Man [incomplete] – 0:47198. Positively 4th Street – 4:29199. Like A Rolling Stone – 2:52Tracks 185-191: Bob Dylan – vocals, guitar and harmonicaTracks 192-199: Bob Dylan (vocals, guitar and harmonica), Robbie Robertson (guitar), Richard Manuel (piano), Garth Hudson (organ), Rick Danko (bass) and Levon Helm (drums)
December 4, 1965 (Berkeley Community Theatre, Berkeley, California)200. Tombstone Blues [incomplete] – 4:54201. I Don’t Believe You (She Acts Like We Never Have Met) – 5:04202. Baby, Let Me Follow You Down – 3:55203. Just Like Tom Thumb’s Blues – 5:35204. Long Distance Operator – 3:45205. It Ain’t Me, Babe – 5:33206. Ballad Of A Thin Man – 5:34207. Positively 4th Street – 4:33208. Like A Rolling Stone – 5:55Bob Dylan (vocals, guitar and harmonica), Robbie Robertson (guitar), Richard Manuel (piano), Garth Hudson (organ), Rick Danko (bass) and Bobby Gregg (drums)All songs written by Bob Dylan except “Baby, Let Me Follow You Down” arranged by Bob Dylan
― tylerw, Monday, 7 December 2015 17:22 (eight years ago) link
Hey Tyler, did you have any trouble downloading them? Mine only grabbed like a third of the tracks--I wrote to customer support, so frustrating
― Iago Galdston, Monday, 7 December 2015 18:27 (eight years ago) link
i actually did not buy the 18-disc set ... don't tell the dylanologists.
― tylerw, Monday, 7 December 2015 18:30 (eight years ago) link
YSI?
― Οὖτις, Monday, 7 December 2015 18:34 (eight years ago) link
this clip is real nice
https://www.youtube.com/watch?v=qE3owtjQmSc
it's like seeing Harrison Ford playing Indiana Jones dressed as Han Solo or... something.
― niels, Thursday, 31 December 2015 09:24 (eight years ago) link