rae sremmurd - sremmlife (6 jan 2015)

have they confirmed that you're supposed to say the name with a connery brogue?

i really have not ever thought of "the "u guessed it" beat" as some obvious signature thing i'm tortured by but maybe i'm just not that plugged in by chance

but also since caring about painfully lame overt biting is seemingly such an antiquarian pursuit now i think shades of familiar grey need no longer be called out like we used to

no ebro but it's still funny reading back about the unresolved ghosting suspicions upthread, i guess cos they remain unresolved p much? (also cos who really even cares tbh). on one hand totally justifiable because absurdly precocious otherwise, on the other who would this talented humble mystery man even be. and then there's the co-write on 'formation' where u can totally hear this fascinating hypothetical kinship between bey and swae delighting in trying out croaky / blocked sinus voices just for the sheer performative swag of it

j0rd otm about the visuals btw - i am rarely satisfied when it comes to vids and this one is incredible to me, could not be more appropriate

i really have not ever thought of "the "u guessed it" beat" as some obvious signature thing i'm tortured by but maybe i'm just not that plugged in by chance

― r|t|c, Sunday, March 20, 2016 3:07 PM (3 hours ago) Bookmark

there's 2 chainz "watch out" & bankroll fresh "walked in" (tho this one also sounds a lot like D4L too), d40 showed this one to me a month back https://www.youtube.com/watch?v=rIVzwAMM4Sk

anyway i don't really dislike it on a musical level, it's more that og maco seems like a bad person so i'm loathe to see his influence stretched any further. i'm just nitpicking.

Watch out feels more explicitly like a u guessed it rip than the others to me but

The producer of hit the Quan claims "by chance" was nicked from his record here:
http://youtu.be/R6XfHlMJVWM

no ebro but it's still funny reading back about the unresolved ghosting suspicions upthread, i guess cos they remain unresolved p much? (also cos who really even cares tbh). on one hand totally justifiable because absurdly precocious otherwise, on the other who would this talented humble mystery man even be. and then there's the co-write on 'formation' where u can totally hear this fascinating hypothetical kinship between bey and swae delighting in trying out croaky / blocked sinus voices just for the sheer performative swag of it

― r|t|c, Sunday, March 20, 2016 4:38 PM (Yesterday) Bookmark Flag Post Permalink

Ebro basically does this maddening self-defeating argument where he goes "this music isn't as good as you're saying it is" and then "if it is good, it's only good because there's a ghostwriter." like, say one or the other and stand by it if you want, but pushing both seems stupid. also the weird circular logic because a couple guys made an album at 19 and 20 (respectively) that reminds people of what the 13-year-old Kriss Kross did w/ acknowledged ghostwriters, it must be the same deal. and he just throws Mike Will in it as the mastermind even though he's only a little older than the Rae Sremmurd dudes and has never demonstrated any skill set outside of making beats.

if they have a ghostwriter, can i hire him plz

Even if they have a ghostwriter their deliveries are so inventive/effusive that it's still really, really impressive

aaah the "by chance" video, the colour scheme!

slightly underwhelmed by the sremmlife crew mixtape tho

Sremmlife crew tape is mediocre

i had never heard of any of them

i had no idea the sremms had a crew

Yeah, wasn't familiar with this until Lex's post but I'm kind of enjoying it? This Impxct dude has a really weird voice (like Young Thug wearing a mouth guard or something) and his tracks are fire. I'd listen to a whole tape of this stuff.

Huh, shouldn't read too much into this but Slim Jimmy is on 6 of these songs and Swae Lee is only on 1

I'm kind of enjoying it too. Not sremm life level but not exactly mediocre either.

https://www.youtube.com/watch?v=Uk_2Eo0No_k

abel teswae

rae sremmorrissey

idk it's great though

i like this one. they're pretty ambitious stylistically.

yeah. the laziest sremm song is not very lazy

great song.

i think this album will be slightly underrated to make up for the first one being slightly overrated, based on a few random temperature readings ive taken

wasn't feeling 'by chance' but this is terrific.

https://www.youtube.com/watch?v=tkClJp0jSgA

god they're such cunts

what a shitty outcome for a rae sremm + lil jon song

Yeah this might be the first Rae Sremm I dislike. Stay with Mike Will, Sremm!

im ok w this just super tired of dj mustard

same ol same bassline

I've always liked these guys, until hearing this one and combined with the video I think a lot of goodwill I had for them has instantly evaporated, what a disaster

im ok w this just super tired of dj mustard

― Listen to my homeboy Fantano (D-40), Monday, August 8, 2016 4:39 PM (5 hours ago) Bookmark Flag Post Permalink

same ol same bassline

― Spottie, Monday, August 8, 2016 4:48 PM (5 hours ago) Bookmark Flag Post Permalink

for real

i don't mind the beat i just think the hook is really boring & useless

game recognize game

"Chinchilla hella furry!"

New album is awesome. Less consistent than the first but stronger overall imo. Their songwriting is so good. Their best books don't feel "borrowed" to me any more

guess they can afford not to go the librarrurd

when u say borrowed in inverted commas i'm guessing u just mean the writing has greater complexity (= borrows more intricately) and so deepens their idiosyncracy? cos (ignoring the precocity/ghosting gossip obv) i don't think it's ever really felt like something not theirs or artificially overlaid

Lol *hooks obv

Nah it's that the biggest hooks on album tracks (safe sex / pay checks and this could be us) both reminded me explicitly of songs by Ty Dolla and blackalicious (lol autocorrected to "blac malicious") respectively, to a degree that was distracting, regardless if they even were intentionally borrowed. (Unbearably A Boogie is recycling the blackalicious melody again)

those two were often used as arguments for the depth of their Pop bench beyond the singles--and they need that Pop bench bc despite obvious skill as lyricists they are fairly one-D as personalities (which is fine, they just love or die by pop's tools). This yes deepens their music in a way that hides influences but also there's just no record that uses found-hook-sound so blatantly like older ones to me

I liked the first Rae sremmurd a lot but felt little depth of attachment, via auteurist Magic I'm now coming around

that's interesting to me for historical white post-rap-college-nerd-white reasons. blackalicious, really?

'safe sex' and 'this could be us' are the definitive tracks from the album, with the best hooks? no

the other 9 tracks are full of auteurist magic, this exaggeratedly fatal "distraction" p much seems like u just feel more comfortable splaining them now they levelled up from sl1 enchanter to sl2 mage

can't wait til some pfork nerd arrives to tell us which smiths song gift of dab and chief xtendo are interpolating on 'black beatles'

Well that they leveled up is kind of my point

It's not like I was down on them on the record or something, I'm expressing my earlier reticence ex post facto

Speaking of auteur magic I quite like this as Swae Lee's evil twin https://www.youtube.com/watch?v=m6Cy-CsszhU

oh good -- Sunday morning listening!

Five tracks into number 2 and it's pretty flawless, so far. They aren't the hyperenergetic pixies that they were on the first Sremmlife but the darker tone suits them, they're still having a lot of fun and the beats still bang (Black Beatles goddamn).

If the second half can keep this momentum up, I can't imagine listening to anything else for the next month or so.

this album is incredible

The fun stuff still bangs, the darker/somber stuff works and somehow these two have still never recorded a flat-out bad song

Take It Or Leave It is basically a good version of White Iversons lol

this album rules